Engaging work of historical fiction with a supernatural element, featuring a strong black heroine living in Washington DC during the 30s.
Clara was born with the ability to see spirits and speak to them, and the main plot is about her quest – accompanied by other Gifted people – to fight a major threat from “the Over There.” The author brings in West African diaspora religions as well as historical persons, places, and events (I spent a lot of time Googling to find out more!). She deftly handles the constant fear that a person of color lives with as a fact of life, and the love story is believable and satisfying.
"[P]itch perfect, with wit, romance, and a lovable found family." ―Publishers Weekly (starred review)
"This smart and entertaining, magical heist novel hits all the right notes!" ―T.L. Huchu
NPR Best Book of 2022! Paste Best Fantasy Book of 2022!
"Never make a deal with shadows at night, especially ones that know your name.”
Washington D. C., 1925: Clara Johnson can talk to spirits—a gift that saved her during her darkest moments, now a curse that’s left her indebted to the cunning spirit world. So when a powerful spirit offers her an opportunity to gain her freedom, Clara seizes the chance,…
I am a historian who just spent over a decade writing the biography of the civil rights activist and feminist activist, Mary Church Terrell. I wrote two other history books before I wrote Unceasing Militant, my first biography. I so enjoyed writing it that I plan on writing another, this time on a black woman named Mary Hamilton who was a leader in the Congress of Racial Equality (CORE) in the 1960s. The authors I selected approached their biographies of black women with respect and critical compassion.
Benjamin’s Half in Shadowis an excellent exploration of the life of Nellie Y. McKay (1930-2006), a pioneering scholar of black women’s literature. Fearing it could damage her career in the academy, McKay declined to be caricatured as an older, divorced, black single mother of two children. So, she hid this from all her academic colleagues and friends, including her closest ones. The driving force of Benjamin’s book is trying to make sense of the private life and professional motivations of McKay’s choice to live her life “half in shadow.” Benjamin suggests that black women in the academy face similar pressures to achieve in and conform to predominantly white spaces in ways that do not easily allow them to bring their entire selves into the light.
Nellie Y. McKay (1930-2006) was a pivotal figure in contemporary American letters. The author of several books, McKay is best known for coediting the canon-making Norton Anthology of African American Literature with Henry Louis Gates Jr., which helped secure a place for the scholarly study of Black writing that had been ignored by white academia. However, there is more to McKay's life and legacy than her literary scholarship. After her passing, new details about McKay's life emerged, surprising everyone who knew her. Why did McKay choose to hide so many details of her past? Shanna Greene Benjamin examines McKay's path…
Patricia Hruby Powell’s former careers include dancer/choreographer, storyteller, and librarian. She is the author of the YA documentary novel Loving vs. Virginiawhich is on ALA, NCTE, Indie Pics, and Kirkus ‘best books lists’. From a young age, her parents instilled in her a social conscience and a will to try to right injustice. She attempts to do this, in part, by writing books that might shine a light on injustice, for young readers, such that they will care and perhaps become activists—for whatever impassions them. Her books have earned Sibert, Boston Globe-Horn Book, International Bologna/Ragazzi, Parent’s Choice Honors among others.
This book, on the younger range of YA, features twelve-year-old King in Louisiana bayou country. Not only is King Black, but he thinks he might be gay. He has a special friendship with Sandy, who is white and whose father is a known KKK member. The story opens with the sudden and unexpected death of King’s big brother Khalid, a soccer star. Khalid had told King not to hang with Sandy because he would appear to be gay and be shunned by his classmates. While suffering deep grief, King complies for a time, but without Khalid, without Sandy, he has no one to help him sort out his uncertainty and loneliness. He retreats to the bayou and the many dragonflies in this poetic winner of the National Book Award for Young Readers 2020.
Winner of the 2020 National Book Award for Young People's Literature!
Winner of the 2020 Boston Globe-Horn Book Award for Fiction and Poetry!
In a small but turbulent Louisiana town, one boy's grief takes him beyond the bayous of his backyard, to learn that there is no right way to be yourself.
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Twelve-year-old Kingston James is sure his brother Khalid has turned into a dragonfly. When Khalid unexpectedly passed away, he shed what was his first skin for another to live…
I’m an avid reader of queer literary fiction not only because I write it but because I’m looking to see my life experience captured on the page. As a gay man, a father of two young boys, and one-half of an interracial married couple, I know the complexity of modern queer living firsthand. In recent years, I’ve been astounded by the breadth of great LGBTQ+ books that examine queerness fully and empathetically. I seek out these books, I read them feverishly, and I become a champion for the best ones. In an era of intense book banning, it’s so important to me to elevate these books and their authors.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Although the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they are linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
In each of these stories, the protagonists grapple with their understanding of who they are, who and how they love, and what is ultimately most important to them. In almost every case, however, the quest to know or protect oneself is challenged by an external force, resulting in violence, crisis, or confusion, among other outcomes.
The Birthright of Sons is a collection of stories centered around the experiences of marginalized people, namely Black and LGBTQ+ men. Though the stories borrow elements from various genres (horror, suspense, romance, magical realism, etc.), they're linked by an exploration of identity and the ways personhood is shaped through interactions with the people, places, and belief systems around us.
Underpinning the project is a core belief - self-definition is fluid, but conflict arises because society often fails to keep pace with personal evolution. In each of these stories, the protagonists grapple with their understanding of who they are, who and…
I was introduced to genealogy, family pride, and racism as an only child. Growing up in Birmingham scarred me. Since young adulthood, I have worked on being an antiracist. I found that research on my ancestors, especially my maternal slaveholding side, helped me know my history, my family’s history as enslavers, my Black cousins, and what it means to be an American with all its flaws. I never tire of this research. It teaches me so much, has offered great gifts, and has built me a new family.
I loved this book because of Twitty’s fearless and honest voice and how, as a gay and Jewish Black man, he reached for his innermost self through Southern travels, finding his culinary family along the way. Twitty has pieced together so many components–cooking, history, memoir, genealogy, discoveries as he travels to research, and even religion and sexual orientation issues.
Reading it, I was educated and entertained. I learned how much our American culinary culture contains influences from African Americans all the way back to the beginning of slavery. I also loved that it is a book of triumph as well as a lesson in good writing. There are even some recipes!
2018 James Beard Foundation Book of the Year | 2018 James Beard Foundation Book Award Winner inWriting | Nominee for the 2018 Hurston/Wright Legacy Award in Nonfiction | #75 on The Root100 2018
A renowned culinary historian offers a fresh perspective on our most divisive cultural issue, race, in this illuminating memoir of Southern cuisine and food culture that traces his ancestry—both black and white—through food, from Africa to America and slavery to freedom.
Southern food is integral to the American culinary tradition, yet the question of who "owns" it is one of the most provocative touch points in our…
I’ve been creating female-fronted Science Fiction stories since I was a child. My love for Star Wars motivated me to go to film school and then spend years working on the representation of women in Science Fiction movies, TV series, and video games. I’ve written about characters like Leia Organa and Hera Syndulla in Star Wars,Dana Scully in The X-Files,Sarah Connor in The Terminator, and Elisabeth Shaw in Prometheus. I have recently started sharing some of my research on Medium. Some of the books on this list have supported my research for over 15 years while I discovered others during my doctoral studies.
This is the most comprehensive and thought-provoking book on women in Blaxploitation that I have read.
Sims provides a clear and structure analysis of how Blaxploitation came to be, how it tied into Black femininity and influenced the film industry.
Sims analysis specific actresses who fronted Blaxploitation cinema such as Pam Grier and Tamara Dobson. She describes how American film needs more multifaceted African American characters following the decline of Blaxploitation and how the genre influenced mainstream action heroines like masculinized ones and mother warriors.
With the Civil Rights movement of the sixties fresh in their perspective, movie producers of the early 1970s began to make films aimed toward the underserved African American audience. Over the next five years or so, a number of cheaply made, so-called blaxploitation movies featured African American actresses in roles which broke traditional molds. Typically long on flash and violence but lacking in character depth and development, this genre nonetheless did a great deal toward redefining the perception of African American actresses, breaking traditional African American female stereotypes and laying the groundwork for later feminine action heroines. This critical study…
I’ve been reading ever since kindergarten, and when I entered high school and discovered YA books, I found my home. Even when I read adult books now, I tend to gravitate towards rough-around-the-edges male leads. There’s just something fun and tempting about an anti-hero, bad boy, or morally gray male lead that always delivers spice and yearning. I’m a sucker for those bad boys who are only good for the girl who has their heart. While not all of my male leads are “bad boys,” naturally, I do tend to find myself writing quite a few of them and enjoying them, especially when you can show they’re multidimensional and have a soft side.
I love that our heroine Chloe had a backbone and was able to put our hero Eli in his place and not take his crap. I also like how their road trip adventure to bring Chloe to an important ballet audition starts off with Eli blackmailing her into bringing him, and his dog, along. Eli was another flawed male lead I loved, there were moments where he’s so close to being adorable and perfect, but then he’d be clueless and frustrate Chloe—and me! I really enjoyed that Chloe was ready to forge forward on her own and Eli had to whip himself into shape to earn her!!
A debut young adult rom-com about an African American ballerina who finds love on the road to an audition.
"In a world where it's easy to lose faith in love, I Wanna Be Where You Are is a brilliant burst of light. A dazzling debut." ― Nic Stone, New York Times bestselling author of Dear Martin and Odd One Out
When Chloe Pierce’s mom forbids her to apply for a spot at the dance conservatory of her dreams, she devises a secret plan to drive two hundred miles to the nearest audition. But Chloe hits her first speed bump when…
Having grown up in segregated Knoxville, TN, I've often wondered what having a black friend as a child would have been like. My MFA thesis, in the 1980s, was a novella about just such a friendship. A small group of my (white) MFA classmates insisted that I could not, should not write about black characters. Although I believed them to be mistaken, I put my thesis away and haven’t looked at it since. About ten years ago, I decided to try again. I took an early draft of a new novel to a workshop with John Dufresne, who encouraged me to continue. The result was Beginning with Cannonballs, which received positive reviews and won the 2021 IPPY Silver Medal for Multicultural Fiction.
Given that this novel is set in Mississippi in the 1950s, I was intrigued by the teen-aged friendship at its center. When Cassie, who’s black, and Judith, who’s white, learn that they have the same father, they decide to join forces in claiming their share of the family inheritance. The result is a sometimes perilous and even other-worldly road trip from Mississippi to Virginia, during which the girls’ budding relationship is sorely tested.
A spellbinding debut about half sisters, one black and one white, on a 1950s road trip through the American South
Self-educated and brown-skinned, Cassie works full time in her grandmother’s laundry in rural Mississippi. Illiterate and white, Judith falls for “colored music” and dreams of life as a big city radio star. These teenaged girls are half-sisters. And when they catch wind of their wayward father’s inheritance coming down in Virginia, they hitch their hopes to a road trip together to claim what’s rightly theirs.
In an old junk car, with a frying pan, a ham, and a few dollars…
As a wellness educator, executive coach, and herbalist, I help people reclaim wellness and nutritional practices that can help them reclaim their natural state of wellness. They helped me in my own wellness journey and now I shared them with clients, students, and in my speaking engagements. These books have been in my library and recommendation list for more than 10 years.
This is one of those books that will inspire you to do more for your own health and longevity. I was a semi-plant-based vegan back in 2010 and losing motivation to stick to my new diet. With this book, I was able to embrace veganism in a healthy, tasty, and cost-saving way.
* The first vegan guide geared to African American women
* More than forty delicious and nutritious recipes highlighted with color photographs
* Menus and advice on transitioning from omnivore to vegan
* Resource information and a comprehensive shopping list for restocking the fridge and pantry
African American women are facing a health crisis: Heart disease, stroke, and diabetes occur more frequently among them than among women of other races. Black women comprise the heftiest group in the nation—80 percent are overweight, and 50 percent obese. Decades of studies show that these chronic diseases can be prevented and even reversed…
Of course, every mystery needs a perfect crime, but what about the perfect setting? I’m fascinated by how authors manipulate time and place to add to the heightened emotions of their murders, thefts, blackmail, and frauds. It’s the juxtaposition of truth and fantasy—what we believe times were like and how they actually were—that makes setting such an essential detail of every whodunnit. Doing research on my own novel, I wrenched apart the facts and fictions of Post-War America, and grew even more ravenous for mysteries that leveraged their settings for the utmost entertainment.
Months ago, I was on Twitter, openly wishing for a Thin Man remake, with Mahershala Ali and Lupita Nyong'o as Nick and Nora. A friend immediately suggested Nekesa Afia’s Harlem Renaissance Mystery debut, Dead Dead Girls. Afia’s understanding of the tightly-knit community plays an essential role in the story, with main character Louise fighting against perceptions and a cold-blooded murderer. Couple all the expected roadblocks with glam nightlife and Prohibition antics. This entire series comes together like a perfect cocktail.
“In this terrific series opener, Afia evokes the women’s lives in all their wayward and beautiful glory, especially the abruptness with which their dreams, hopes and fears cease to exist.”--The New York Times
The start of an exciting new historical mystery series set during the Harlem Renaissance from debut author Nekesa Afia
Harlem, 1926. Young Black women like Louise Lloyd are ending up dead.
Following a harrowing kidnapping ordeal when she was in her teens, Louise is doing everything she can to maintain a normal life. She’s succeeding, too. She spends her days working at Maggie’s Café and her nights…
My expertise and passion for the theme of children’s dreams for themselves and how they achieve them began with reading wonderful children’s picture books to my kids and grandkids when they were very young. After writing one young adult novel and four cozy mysteries for adults, I realize my true calling as a writer is to create books that little readers will not only love but return to again and again to reinforce their own dreams and sense of worth as well as awareness of others. Many picture books dwell on what elders dream for their children rather than what young ones wish for themselves.
This book brought tears to my eyes as a little girl living in Harlem in the 1950s dreamed of becoming a prima ballerina in a time where “colored” dancers were not allowed to perform on stage.
Each night she wished upon a star that her dream would come true, though it seemed highly unlikely. I felt for this child whose dream her society strove to deny. I cheered her path to gradual acceptance in the ballet school.
Little ballerinas have big dreams. Dreams of pirouettes and grande jetes, dreams of attending the best ballet schools and of dancing starring roles on stage. But in Harlem in the 1950s, dreams don’t always come true—they take a lot of work and a lot of hope. And sometimes hope is hard to come by.
But the first African-American prima ballerina, Janet Collins, did make her dreams come true. And those dreams inspired ballerinas everywhere, showing them that the color of their skin couldn’t stop them from becoming a star.
