The most recommended books about the South (USA)

Jessica Machado’s father is Hawaiian and her mother is from the American South, a factor that looms large in a place like Hawaiʻi.

As a child, Machado senses that her life is complicated by history and context, but doesn’t have the words to formulate the questions brewing within.

In this touching coming-of-age memoir, Machado grapples with some of the same haunting questions and uncertainties that inspired my writing of my book while taking us on a journey to discover if her unshakeable connection to Hawaiʻi is a blessing, a burden, or a responsibility she’s lucky to have.

A must-read for anyone who has ever left home wondering how to take it with them.

This slim volume packs a mean punch. Following the secession of the seven Deep Southern states in 1860-61, commissioners were sent out to the remaining uncommitted slaveholding states to convince their leaders of the necessity of joining the new Confederate States of America. While the arguments of these secession commissioners included constitutional arguments in favor of secession, they relied even more so on emotional pleas that framed the election of the nation’s first Republican president as a direct threat to the institution of slavery and white supremacy. Their speeches were laced with horrific images of emancipation and a region plunged into racial violence. Charles Dew offers a compelling argument that highlights the importance of slavery and race in the outbreak of war.

What better way to experience what it feels like to be a writer than to read the reflections of one of the South’s beloved storytellers?

Pat Conroy was a writer who mentored other writers, quick with a blurb and a word of encouragement. In this book, we find a compilation of his thoughts on writing and publishing from interviews, magazine articles, speeches, and letters.

I loved this book because it shows the personal side of the writer, offering up tidbits about how the internet and technology were mysteries to him, along with his deeper reflections like: “The Great Santini hurt my entire family. But if I didn’t tell the truth the way I saw it, I wasn’t worth anything as a writer.”

Southern writer Rick Bragg’s homage to Pat Conroy at the end of the book is a touching exclamation point. 

Flannery O’Connor’s saturnine stories of the American South are jewels of American literature.

They are laced with humor and violence but are at the same time deeply spiritual. In fact, the Catholic Church banned her work until it was discovered that her stories were written to show Grace in the lives of her parochial characters.

In Everything That Rises Must Converge, a story from A Good Man is Hard to Find and Other Stories published in 1955, O'Connor writes about Julian, a young college-educated writer who lives with his mother in a decadent neighborhood that lost its prominence as the Old South faded.

His mother who believes she must uphold the dignity of her family's antebellum name insists on "keeping up appearances." For instance, she likes to tell folks that Jason's first job as a writer "selling typewriters" was a good sign because "Rome wasn't built in a day."

She… show more.

The Passenger, Cormac McCarthy’s last novel (along with Stella Maris, a companion volume), contains writing as good as anything in his long career.

Bobby Western is a math savant, ex-race car driver, and (currently) deep-sea salvage diver. After diving to inspect a private plane submerged in the waters off the Louisiana coast, Bobby becomes embroiled in a life-and-death conspiracy; he’s also obsessed with the memory of his sister Alicia, another genius savant whose suicide opens the novel.

Some sections of The Passenger are over-the-top (extended bar-room monologues, Alicia’s cartoonish hallucinations) but the world McCarthy creates is deeply compelling and suggests great profundity lurking just beneath the surface. A hell of a way to close out a brilliant career.

Growing up in the South and having a penchant for writing about racial justice, genealogy, travel, truth-telling, and more, this book is among the top ones on my favorite list. The South is more complicated than many think. Along with the racists and bigots, there are plenty of really smart people who are progressive and thoughtful. Good writers sprout like the wild primroses in Alabama. I liked how Perry stirs together history with her travels and her own dear ancestors.

Perry starts her explorations with Harper’s Ferry, which brought back my vivid memories of its spectacular scenery. It still holds onto John Brown, but there is so much more, which she explains. There are plenty of nuanced stories and surprises as she travels across state after state. 

This book uses census data and other historical facts to highlight the 250,000 free blacks who were in the south post-Civil War. It shows the struggles black people faced in regards to their community, liberty, education, and economic independence inside an oppressive society. Berlin does a good job at depicting the interaction between Blacks and Whites both free and enslaved. He offers a better understanding of the complex race relations that existed in the south. He gives one of the best accounts on record, of the wealth black people accumulated during slavery and 20 years after despite the pushback they faced.

In a clever move, Charlie Cobb uses the form of a travel guide—I love it better than a Lonely Planet—to introduce the events and people of the 1960s Civil Rights struggles. An active participant, Cobb takes us into, behind, and around the sit-ins, the formation of SNCC, campaigns for voting rights, Mississippi Summer of 1964, and other day-by-day battles for Civil Rights. We meet close up and learn about the work of the young people, many unknown and unsung, whose determination and daring carried the Movement forward. And, yes, the book also provides many pictures and documents, as well as a “guided tour” of the homes, churches, shops, and bars where the real action happened.   

Ron Rash is a national, literary treasure. The author of multiple award-winning novels, this book is an assembly of 34 short stories, most set in Appalachia, and depicting the social nuances and landscape of the American rural South. I recommend this because it will provide a great introduction to the incomparable author known as The Appalachian Shakespeare. As a writer, Ron Rash epitomizes the idea of landscape as destiny, and his well-drawn characters come to life from his flawless use of regional language. 

Southern sass and situational humor anchor Susan Sands’ novels.

Her first series set in fictional Ministry, Alabama, and her second in fictional Cypress Bayou, Louisiana, allow readers to meet a large cast of characters, some of which are sure to become favorites. Any book in her series can be an entry point as a stand-alone, but starting with Again, Alabama is an entertaining first step.