100 books like The Seducer

I can not recommend this series more. I absolutely love Kate Daniels's post-post-apocalyptic world of Sifters and Vampires. The magic system is so creative and not so blatant like some urban fantasies.

I personally loved the idea that this era of urban fantasies took off with the “The world ended, and now this is what became of society” trope; it became a huge influence on me and my own world-building. 

Despite his success as a spy/thriller novelist, Ken Follett had trouble finding a publisher when he tried his hand at historical fiction. Fortunately, he persisted and published this book, which outsold every novel he'd ever written.

When it was first released, my wife refused to let me read it as I was in the midst of writing my own book. “It’s too similar to your story,” she said. It may throw you off.” Although set several centuries after my book's story, the world had changed little and featured similar conflicts between pagans and the church. Where my book tells the story of what happens to Charles Martel's family upon his death, Pillars tells the story of Britain after the loss of a host of nobles, including the heir to the British throne, on a boat that sank in the English Channel. 

It's a great book, a fun read, and it… show more.

The Far Pavilions is one of the most beautiful, culturally aware, historically accurate, and vivid books I’ve ever read, and I re-read it every few years.

I’ve loaned this book and not gotten it back so many times that I’m sure it’s still in print because of the number of copies I’ve had to buy to replace it. Based on the history of British direct rule in India, it tells the story of a young British boy raised as Indian by the nanny who saves his life during the Sepoy uprisings.

He struggles with having a foot in two worlds and not really belonging to either, and the author does a fantastic job of illustrating this. India truly comes alive.

All that glitters isn't gold, and sometimes, dead is better. For a tale that Stephen King was told not to publish because it was too scary and that he only released to get out of a contract, I've always found this book oddly comforting. It once genuinely helped me process a string of sudden bereavements. 

I admire its frankness about death: it pulls no punches. In my own family, and perhaps in British culture more widely, we struggle to talk about death. I've read the novel lots, as a young man and as a not-so-young man with his own children, and found that what stands the test of time is the central notion that, yes, not being here is bad, it's really bad, but it isn't the worst thing–and for that small mercy we should be grateful. 

If you’ve ever wondered what life was like for the people living in the Americas after the last ice age, then read this book. Through the eyes of Young Hunter, we explore what we now call New England thousands of years before the first Europeans crossed the Atlantic. And through Young Hunter, we learn to use weapons, how to survive in the wild, Native American folktales and names, and we learn why Young Hunter’s people fear beings called the Ancient Ones. All of these worldbuilding layers are revealed as Young Hunter embarks on a dangerous journey tracking the creatures that attacked his people, with each layer drawing you in until you are as fearful of the Ancient Ones as Young Hunter and just as determined to face them.

Alan Campbell set the mixed steampunk science-fantasy genre for me, with his high fantasy worlds where machines and magic go hand in hand, to prison cities surrounded by poisonous waters that can turn you into permanent sea-dwellers, and telepathic abilities worth killing for.

This is a world where a trip to the beach might kill you if the telepaths don’t find you first.   

I love that the dedication is to the A to Z Challenge bloggers of 2014. (I was one of them!) Here's a well-written and comprehensive reference guide. There's a strong author voice and a great amount of information. It covers the importance of including diverse characters. I recommend The A-Zs of Worldbuilding: Building a Fictional World From Scratch to writers building a fictional world, and to writers using an unfamiliar setting. A necessary reference tool for authors.

This is my bible, the book I’ve read more times than any other. It’s three books in one—Wolf in Shadow, The Last Guardian, and Bloodstone. There’s clearly some direct inspiration here in relation to the mystical power source that keeps cropping up (no spoilers). Some things just get in your head and reintroduce themselves when you least expect it. Jon Shannow is my favourite literary creation, Gemmell my favourite author. Overall, heroic and epic fantasy has had the most influence on my writing style, but I’ve merged it with contemporary language and the vision of large-scale sci-fi. I learned a lot from reading Gemmell, and The Jerusalem Man’s post-apocalyptic setting sees the sharp-shooting anti-hero face darkly religious demagogues, mutated creatures, and insidious megalomaniacs. Shannow is a troubled soul trying to be good in a world of relentless evil, but Gemmell’s writing is sharper, less… show more.

My editor wrote to me a few years ago (mostly all-caps and !!!s) about a book called The Goblin Emperor, and had I read it, and didn’t she think I’d adore it? She was so convincing that I ordered a copy from my favorite indie bookstore right away and read it in a sitting. I almost cried when I realized Addison had written only one other book at that point—until a friend told me she was also the author Sarah Monette. I spent the next month reading everything in her oeuvre. But none I adored with my whole body being like I did The Goblin Emperor: its deep kindness, its gentleness, its world-building and warmth, its high stakes and heightened language, its arc of grace and growth. 

Part queer love story, part sci-fi mystery, wholly delightful; this is my comfort read when the world begins to look too bleak and hopeless. This is another story with beautiful worldbuilding, and fascinating details, but the real beauty of it is the characters—complex, flawed, hurting, but loving each other through it.

The story is gentle, with enough intrigue to hold your interest but never mile-a-minute action, and one of the sweetest love-stories I’ve ever read, but the book never veers into the saccharine—as much as it is a love story, it’s also a story about the messiness of being human—impulsive, thoughtless sometimes, hurting and hurt, but trying ultimately to do the right thing, no matter the cost.