I’ve always had an interest in art, growing up a military brat and constantly moving, left me time to doodle and read. I spent the first part of my life as an art professor and artist. I began writing three years ago when my manuscript was chosen for RWA’s Ramp program in 2021. With my art, my interest leans more towards the bizarre and unexplained. I believe the romance stories I write follow suit, dark and gothic romance my primary interest, but always with spiritual and hopeful undertones. I also write some non-fiction for a local magazine where I live, The Greenville Stroll and on substack a newsletter for romance writers.
Her books are often quite dark. They are usually disturbing, so for me, quite gothic.
In this one, the protagonist is a victim too, but he is also a man who kidnaps a girl to enslave her, so he can get close enough to seek revenge on the man who once victimized him. He didn't count on falling in love with her. A gripping story, but triggers throughout.
You'll either hate the book, hate me, or love it and love me for recommending the book, but you'll feel something guaranteed! Please read the triggers on the book before downloading. This is another book I can't forget. It made me think about the relationship the author created between the couple.
Times have changed, and even putting trigger warnings on your book is not enough to keep individuals from attacking your characters for their choices (or the author.) I hope to be…
Please heed all warnings. ****This is a series about captivity in a FICTIONAL and EROTICIZED setting. It contains very disturbing situations, dubious consent, strong language, and graphic violence.****
OVER 150,000 COPIES SOLD!
This edition of CAPTIVE IN THE DARK features a new cover that when combined with the other books in DARK DUET: Platinum Edition series makes a lovely addition to any bookshelf.
It is NO DIFFERENT in content from previous editions of the series.
CAPTIVE IN THE DARK (BOOK 1): Caleb is a man with a singular interest in revenge. Kidnapped as a young boy and sold into slavery…
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
In the interests of full disclosure, I knew Campbell at university so my judgment on this novel of the Afghan war cannot be fully impartial.
I found it powerful though. There are obvious overlays between the experience of Campbell himself and his central protagonist Tom Chamberlain – both serve in high-period Afghanistan as officers with cavalry units. (Campbell was in the Blues and Royals). That overlap grants the novel its authenticity – from its dissection of 'ally,’ British army slang for cool, to “rock star” bomb disposal officers capable of “squaring up to colonels” and coffins of blast victims reduced to a few scraps of ruined flesh subsequently weighed down with sandbags.
Campbell’s next novel, The Fires of Gallipoli, set in the First World War, will be out next year.
ONE OF THE EVENING STANDARD'S BOOKS OF THE YEAR 2015 Barney Campbell's Rain is a searingly powerful debut that reads like a British Matterhorn ********
'A wonderfully achieved, enthralling and moving novel of war. Its authenticity is as telling as it is terrifying' William Boyd
'No better on-the-ground description of Britain's war will ever be written. Rain is what Chickenhawk or, more recently, Matterhorn was to Vietnam. It's unputdownable, except for when the reader needs to draw breath or battle a lump in the throat' Evening Strandard
Corporal Thomas (my acting sergeant since Adams died) and I have to go…
For fifty years I've studied the British sailing navy, fascinated by its workings, the slow communications, the vagaries of the winds and tides. In parallel with my work in archives, I've sailed in most of the European waters described in Convoys. I worked at the National Maritime Museum, Greenwich, for 27 years, leaving as Deputy Director in 2000. Since then, I've taught postgraduates and written about Nelson and the British government (Britain against Napoleon), and became convinced that Britain came very close to being defeated by Napoleonic France. If Napoleon had not thrown it all away by his invasion of Russia in 1812, I might be writing this in French, with a very different script!
Huw Davies takes a long look at the tactics and training of the British army over a long period, culminating in the victories and defeats in this war. And there were extraordinary highs and lows in these twelve years.
He identifies the innovators, brilliant, hardworking men who changed the way cavalry and infantry worked, and the important decisions made in the Horse Guards in London. A new, well-written analysis.
A compelling history of the British Army in the eighteenth and nineteenth centuries-showing how the military gathered knowledge from campaigns across the globe
"Superb analysis."-William Anthony Hay, Wall Street Journal
At the outbreak of the War of Austrian Succession in 1742, the British Army's military tactics were tired and outdated, stultified after three decades of peace. The army's leadership was conservative, resistant to change, and unable to match new military techniques developing on the continent. Losses were cataclysmic and the force was in dire need of modernization-both in terms of strategy and in leadership and technology.
For thirty-one years a member of the History Department of the University of Liverpool prior to his retirement in 2020, Charles J. Esdaile has written a host of books on the Napoleonic era, but is particularly knowledgeable in respect of the Peninsular War of 1808-1814, a subject to whose historiography he has made an extraordinary contribution. Thus, setting aside a host of articles and conference papers, he has published eight books on the subject.
As has already been made clear, the British army did not fight the Peninsular War single-handed. That said, it cannot be ignored, and this book is very much the place to go for anyone looking to improve their knowledge of the subject. Amongst the topics covered are officers and men, recruitment, the different arms of service, tactics, discipline, foreign regiments, and much else besides, while the author writes in a style that is simple and unaffected. Thoroughly recommended!
This text provides a study of how Arthur Wellesley, Duke of Wellington, structured, equipped, utilized and adapted the forces under his command in his various campaigns. Philip Haythornthwaite has also written "World War I Source Book" and "Napoleonic Source Book".
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
I found this novel on a secondhand stall in Kenya when I was 18 or 19 and devoured it. Little known today, it was shortlisted for the Booker Prize and later adapted by the BBC.
Judd relates a tour by a fictional British Army unit in Northern Ireland in some of the most violent days of the Troubles in the 1970s. The protagonist, Charles Thoroughgood, is an Oxford graduate at a time when most army officers were school leavers, and the book chants his increasing disillusionment.
My early edition featured on the cover – next to a crouching individual in combats toting a pistol on a lanyard – an endorsement from Jack Higgins: “Quite simply one of the best novels of army life I’ve read in years.” Higgins was right.
FROM THE HIGHLY ACCLAIMED AUTHOR OF LEGACY AND ACCIDENTAL AGENT
After university and Sandhurst, Charles Thoroughgood has now joined the Assault Commandos and is on a four-month tour of duty in Armagh and Belfast. The thankless task facing him and his men -- to patrol the tension-filled streets through weeks of boredom punctuated by bursts of horror -- takes them through times of tragedy, madness, laughter and terror.
Alan Judd tells Thoroughgood's tale with verve, compassion and humour. The result is an exceptionally fine novel which blends bitter human incident with army farce.
Spencer Jones is an award-winning historian who has written several critically acclaimed books about the British Army in the First World War. He teaches history at the University of Wolverhampton, serves as the Regimental Historian of the Royal Artillery, and is the President of the International Guild of Battlefield Guides.
What was war like for the average British soldier – ‘Tommy’ - taken from civilian life and sent into the inferno of battle? This magisterial study is the best book about British soldiers and their wartime experiences. It explores reasons for enlistment, training, tactics, life in the trenches, and experience of battle. Although vast in scope, it never loses sight of the human side of war. This book presents presents a nuanced, fascinating, and touching study of the common soldier.
The first history of World War I to place centre-stage the British soldier who fought in the trenches, this superb and important book tells the story of an epic and terrible war through the letters, diaries and memories of those who fought it.
Of the six million men who served in the British army, nearly one million lost their lives and over two million were wounded. This is the story of these men - epitomised by the character of Sgt Tommy Atkins - and the women they left behind.
Using previously unseen letters, diaries, memoirs and poetry from the years…
I have studied aspects of war and strategy – mainly on the political-military interface level – for the past forty years of my life. My interest originated from my parents’ stories about their childhood and early youth in the Second World Wars, its horrors and hardships, and from myself living in South-East Asia during the time of the Vietnam War. Moreover, I became obsessed with the fear of nuclear war through reading and hearing about it. So I have studied aspects of war, much as an oncologist studies cancer, in the hope that a better understanding may eventually help us ban it in practice (and not just in theory as it has been since the Briand-Kellogg Pact of 1928).
We are in danger of engaging with war as though it were a philosophical enquiry or a strategic game if we leave out its essence: the death, the suffering, the destruction, the fear, the devastation that it brings, reflected in many among the texts in this anthology, written by eye-witnesses. Others – including the poems – are the product of a different sort of engagement with war: not the attempt at rational analysis but of artistic sublimation of the experience. This, too, represents a thoroughly valid approach missing from the academic works recommended in this section.
If this collection can be faulted, it is for leaving out works – many of great impact at their time, and some not without literary merit – that turned the experience of war into its direct or indirect praise. We thus look in vain for excerpts from Ernst Jünger’s Storm of Steel, for example.…
In sections ranging from outstanding works of fiction, to poems and simple letters home, this book presents the voices of the 20th century's major conflicts - the two World Wars, the Spanish Civil War and those in Korea and Vietnam. The greater power of weapons has made killing a more efficient but more macabre event, and this anthology consists of moments on the battlefields, captured in the words of those who faced wars in their newest and most brutal permutation. The contributors include great writers such as Rudyard Kipling, Wilfred Owen and Norman Mailer - and also the humble squaddies.
I’ve been fascinated by war since I was literally a toddler. True story, I was the only two-and-a-half-year-old in South Boston, Massachusetts with an adult library card. I had to get one, and to get it to prove to the librarian that I could read, in order to check out certain books that I wanted. I only recall one title, The Battle of Midway. Since then, though I’ve done other things like practice law and become a novelist, most of my adult life was still spent as an enlisted man, non-commissioned officer, and company grade and field grade infantry officer in the Army.
Yes, I know: “Eight volumes? Are you mad, Kratman?”
This is unquestionably the greatest single history on the American Civil War ever written. There are over sixty thousand books about the Civil War in existence. You cannot hope to read them all. This being true, if the subject interests you—and it ought, because the Civil War made the United States what it is—if you can read only eight, make this series the eight. Think of it as a really long single volume work.
I started the Edge of Empire series which includes Beside Turning Water when I was a Park Guide at Boston’s National Historical Park. As a guide I gave tours on the Freedom Trail which preserves the buildings and stories from the era of the American Revolution. I wanted to create a book like the ones I love full of romance a bit of sex, and with historical accuracy. Books that would help readers fall in love with the characters and understand the history of the events in the Revolution without that dry history-class feeling.
I began to write my own series in response to Jo Beverley’s Mallorens. These novels are set in Georgian England with its Barons, Dukes and their gambling, their rakes, and their strict inheritance laws and traditions. I invented those same rakish sons of dukes, but made them the third and fourth sons – the ones barely mentioned in classic British historical romances. I put these adventurous men on merchant vessels, and in the red uniform of the British army. Then I sent them across the Atlantic to fight a war for the King and have their adventures in America. I regret that Ms. Beverley died before I had a chance to talk to her about our connection, but her books have been a great inspiration.
Many writers use dramatic openings to bring you into a book, and Ms. Beverely gets behind you and kicks you in. It has been very…
The New York Times bestselling author brings back the most beloved family in romance!
Damaris Myddleton never expected to inherit a vast fortune-but she's ready to use it to buy the most eligible title in England. In comes Mr. Fitzroger, the dashing but penniless adventurer who first saves her from social disaster, and then saves her life. Now, trapped in mystery, danger, and forbidden intimacy, Damaris fights not to surrender her freedom and her heart to a most unsuitable man.
I spent 40 years as a soldier studying war. After graduation from Royal Military College, I joined the Armoured Corps. Throughout history, we have regaled each other with stories of war. From Greek myths to Norse sagas to modern movies, we cannot seem to get enough of war stories. And yet, we know that war is inherently a bad idea. It is evil. It is a form of collective madness. War is destructive and cruel, unworthy of our better selves. To paraphrase Abraham Lincoln, war breaks the bonds of our affection and does not speak to our better angels. I study it in order to better understand this madness.
Swinton was a British Army Royal Engineer who developed the battle tank. He writes an insightful and often humorous account of the young Subaltern, Lieutenant Backsight-Forethought, who during a series of fitful dreams, repeatedly gets everyone under his command killed. Ultimately, (through multiple failed lives lived) he learns enough about small-unit infantry fighting tactics to successfully defend the fictional Duffer’s Drift during the Boer War. Although Captain (later Major General) Swinton published it as a fictional tale, his aim was to teach tactical lessons and to generate discussion and debate among Subalterns.
Ernest Dunlop Swinton is a military professional with experience in the Boer War who wrote this famous short book based on a series of thoughts he had on how an infantry unit with only 50 men could defend a river crossing. Through the perspective of a young Lieutenant, you are given the terrain features, the political situation, conflict with civilians and limits on your own military support. There is a brief history of the war with the "Dutch" and then your Lieutenant receives his assignment. With the use of maps, there are six scenarios of the Lieutenants approach to defending…
