I wanted to write crime fiction from a young age. I took a Biomedical Science degree, hoping to follow this with a PhD in Forensics but soon realised I didn’t want to spend the rest of my working life in a lab. So I took a Master’s degree in Science Communication and became a health journalist and editor instead. I knew my own crime novel needed to feature a journalist. My main character, Shanna Regan, has spent her life travelling, whereas my own job has always been desk-based in the UK. Maybe this is why I love reading crime novels that whisk me off to other countries (in my head)!
Block 46 features themes that are close to my heart, along with two strong, determined female leads and a thought-provoking plot.
A true-crime writer and criminal profiler join forces to investigate two murders that may be linked to Buchenwald concentration camp – an example of journalists not always investigating on their own.
I don’t usually read Holocaust fiction (only the true survivor stories), but Johana Gustawson has taken one of the darkest times in human history and woven it seamlessly and sensitively into a contemporary serial-killer crime novel.
Block 46 is well-researched, very dark, and very twisty, featuring a strong mix of past and present, and the descriptions of the concentration camp are harrowing and realistically portrayed.
The hunt for a serial killer takes criminal profiler Emily Roys and true-crime writer Alexis Castells from London to Sweden, and back into the past, to Buchenwald Concentration Camp, in the first instalment an addictive, award-winning new series from the Queen of French Noir
***Winner of Balai de la Decouverte and Nouvelle Plume d'Argent Awards*** ***International Number One Bestseller***
'Dark, oppressive and bloody, but it's also thought-provoking, compelling and very moving' Metro
'Gustawsson's writing is so vivid, it's electrifying. Utterly compelling' Peter James
'A bold and intelligent read' Laura Wilson, Guardian
I am a child of Holocaust survivors. It wasn’t until I was an adult that I truly appreciated the horrendous circumstances that they lived through. But even more than their plight and will to survive, I was impressed with the heroism of the people willing to sacrifice their lives in order to help others. It is their story, above all else that I want to tell in my books.
I like this book because it shows in an exciting and engaging way, that a war is not over, just because it is declared to be over. For many survivors, such as Ruth Mendenberg, it is the beginning of a new war in which they fight to re-establish their identity and their right to a place to call home once again.
"Didn't the gas ovens finish you all off?" is the response that meets Ruth Mendenberg when she returns to her village in Poland after the liberation of Buchenwald at the end of World War II. Her entire family wiped out in the Holocaust, the fifteen-year-old girl has nowhere to go. Members of the underground organization Brichah find her, and she joins them in their dangerous quest to smuggle illegal immigrants to Palestine. Ruth risks her life to help lead a group of children on a daring journey over half a continent and across the sea to Eretz Israel, using secret…
I was a foreign correspondent seven time zones from home when my father died of a sudden heart attack. My grief mixed with guilt for never having sat down with him to unravel his vague vignettes about life and loss in the Holocaust. I wondered, how did he survive when so many perished? How much depended on resilience, smarts, or dumb luck? As reporters do, I started digging. I uncovered a Nazi paper trial that tracked his life from home, through ghettos, slave labor, concentration camps, death marches, and more. The tattered documents revealed a man very different from the quiet, quintessential Type-B Dad I knew…or thought I knew.
I never imagined becoming completely absorbed by a quasi-philosophical meditation about survival—especially not by a self-styled Spanish intellectual and Communist with a capital "C." I became entranced, however, by Jorge Semprun’s inner struggle to find the words to convey his experiences in the Buchenwald concentration camp.
Of course, he does find the words—powerful, incisive, kinetic – though it took him 50+ years to do so. Why so long? Because, he writes, had he tried to turn his trauma into “literature” earlier, he might well have committed suicide. Instead, he chose life - and went on to co-author Z, the 1970 double-Oscar-winning film, and serve as Minister of Culture in post-Franco Spain.
Jorge Semprun was twenty years old - already an accomplished philosopher and poet - when arrested by Nazis for activites in the French Resistance. He was sent to Buchenwald concentration camp. Literature or Life, a bestseller in France, is a deeply personal account not only of Semprun's time at Buchenwald, but also of the years before and after, of his painful attempts to write this book...created out of obsessions that returned him again and again like themes in a nightmarish rhapsody.His long reverie on life-as-death, now translated with the mesmerizing power of fiction. It is a profound contribution to Holocaust…
I have studied World War 2 for thirty years not so much about the killing, but to see how the Allies developed strategies to win the battles. So many decisions and so many sacrifices were made which give me pause about how great our leaders were even with their mistakes. They orchestrated the war in a grand panorama as well as focused on tactics to take a key bridge. I served in Vietnam but WW2 was different in almost every way. Recently I have focused on the effects of shell shock (WW1) and battle fatigue (WW2) known today as Post Traumatic Stress Disorder. PTSD remains in the forefront from Vietnam to Afghanistan and Iraq. I have even counseled soldiers and families about PTSD.
During August 1944, Joe Mower’s P-38 was shot down, and Nazi forces sent him to Buchenwald—the infamous work camp where tens of thousands died of cruelty, medical experiments, and starvation. It’s a story of survival in the worst of situations.
On August 13, 1944, during his 44th combat mission, Joe Moser's P-38 Lightning was shot down. Captured by Nazi forces, he and his fellow group of Allied fliers were scheduled for execution as “terrorfliegers” and shipped in overcrowded cattle cars to Buchenwald—the infamous work camp where tens of thousands died of cruelty, medical experiments, and starvation. Once a simple farm boy focused on sports and his dream to fly the fastest, meanest fighter plane, Moser now faced some of the worst of Hitler’s ghastly system. From the harrowing and sometimes hilarious experiences of flight training to the dehumanization at the…
I started writing military history out of anger—a national newspaper had published an obituary of one of our SAS heroes, and it had wrongly defamed a deceased Italian partisan as a traitor. The newspaper published my letter of correction, but only on its website. It mattered to me that the record should be put straight, and therefore I wrote my first book. In researching that book, I discovered links that led me to Operation Postmaster, and after that, I caught the researcher's bug. As an experienced criminal lawyer, evaluating evidence has always been one of my skills, and sometimes "building" a book is very similar to building a case for the defence or prosecution.
First published in 1952, this remains an epic tale of an SOE secret agent in France – Squadron Leader Forest Frederick Edward Yeo-Thomas. Yeo-Thomas had worked in France before the war and spoke fluent French. When World War Two broke out, he joined the RAF and was later recruited by SOE. He parachuted a number of times into France to help establish the resistance there and was eventually captured, imprisoned, and brutally tortured. Miraculously, he escaped from Buchenwald Concentration Camp and found his way back into Allied hands. He survived the war.
I am a member of a generation that wasn’t supposed to be born. My parents were Hungarian Holocaust survivors and I was born amidst the fragments of European Jewry that remained. As a psychotherapist, I have specialized in helping people navigate the multigenerational reverberations of the Holocaust. Having a witness to your own experience, in therapy and through books, provides comfort, understanding, and hope.
Back in the late ‘80s, I was at a small gathering of daughters of Holocaust survivors and next to me sat Elizabeth Rosner. As we each said something about our family’s history, Liz read a poem about her survivor father that vibrated with such resonance with me, and I knew I was in the presence of a gifted writer. Rosner went on to publish poetry and novels, and in this work of non-fiction that is lyrically and evocatively written, she confronts personal history and its aftermath while also exploring similar legacies of descendants of other atrocities that have left their multigenerational impact. Her “Alphabet of Inadequate Language” is alone worth the price of admission.
As featured on NPR and in The New York Times, Survivor Cafe is a bold work of nonfiction that examines the ways that survivors, witnesses, and post-war generations talk about and shape traumatic experiences.
As firsthand survivors of many of the twentieth century's most monumental events―the Holocaust, Hiroshima, the Killing Fields―begin to pass away, Survivor Café addresses urgent questions: How do we carry those stories forward? How do we collectively ensure that the horrors of the past are not forgotten?
Elizabeth Rosner organizes her book around three trips with her father to Buchenwald concentration camp―in 1983, in 1995, and in…
