I’m an Australian USA Today bestselling romance author who writes contemporary romance and uses the pen name Alyssa James to write medieval romance. I think the makeover trope resonates with me because although I’m no beauty queen now, I was definitely an ugly duckling in my teens. For reasons best known to him, my father insisted on close-cropped hair, and financial circumstances dictated out-of-style hand-me-down clothing. After university, I found my own style, but it wasn’t until I was accepted as an international flight attendant that I believed that I couldn’t be all that ugly if Qantas employed me!
Cinderella was probably the first romance I ever encountered where a makeover took place, but the second most memorable from my youth was definitely this story.
Mia’s journey to the throne in Genovia is such a roller coaster. Resistant to the initial plan, I love Mia’s growth, and I adore her personality. A bit of a misfit with geeky looks (prior to the makeover, of course!), I love how engaging her character is, and I love the uplifting laugh-out-loud moments that leave me with a light, feel-good vibe.
I also love that she ends up falling for someone who’s been a constant support in her life and who knows and loves Mia for herself rather than her royal title.
'You're not Mia Thermopolis any more, honey,' Dad said. 'You're Amelia Mignonette Grimaldi Thermopolis Renaldo. Princess of Genovia.'
A PRINCESS?? ME??? Yeah. Right.
One minute Mia's a totally normal Manhattan fourteen-year-old. Next minute she's heir to the throne of Genovia, being trailed by a bodyguard, taking princess lessons with her uncontrollable old grandmere, and having a makeover with someone called Paolo. Well, her dad can lecture her till he's royal blue in the face, but no way is Mia going to turn herself into a style-queen. And they think she's moving to Genovia? Er, hello?
As a historian of feminism, I am always on the lookout for sources that reveal women’s voices and interpretation of experiences often imagined as belonging primarily to men. Whether erudite travelogue, personal journey of discovery, or sensationalist narrative of adventure and exploration, books written by women traveling on their own were among the most popular writings published in the Victorian era. Often aimed at justifying the expansion of woman’s proper “sphere,” these books are perhaps even more enthralling to the contemporary reader —since they seem to defy everything we think we know about the constrained lives of women in this era. In addition to illuminating the significant roles that women played in the principal conflicts and international crises of the nineteenth century, these stories of women wading through swamps, joining military campaigns, marching across deserts, up mountains, and through contested lands often armed only with walking sticks, enormous determination, and sheer chutzpah, never fail to fascinate!
In 1865, the 22-year-old Salama bint Said (later known as Emily Reute), daughter of the great Sultan Said of Zanzibar, become involved in a failed coup against her older brother. Fleeing for her life with her German lover, Rudolph Ruete, she would find herself widowed with two children and marooned in Germany without financial support at age 26. Written as a heartwarming series of letters addressed to her children, the first known autobiography and travelogue published by an Arab woman poses serious challenge to the rationales underlying both women’s subordination and economic dependence on men as well as European imperialism in Africa and the Arab world.
Return to an era when Zanzibar was ruled by sultans, and enter a vanished world of harems, slave trading, and court intrigues. In this insider's story, a sultan's daughter who fled her gilded cage offers a compelling look at nineteenth-century Arabic and African royal life. After years of exile in Europe, the former princess wrote this fascinating memoir as a legacy for her children and a warm reminiscence of her island home. Born Salamah bint Said, Princess of Zanzibar, in 1844, author Emily Ruete grew up in a harem with scores of siblings. The royal family maintained its fabulous wealth…
Morally gray heroes are my absolute favorite kind. Whether it’s Batman, Dean Winchester from Supernatural, or the heroes on this list—if he’s not dark and stormy, well, I’m not interested. There’s a depth to these characters that others often lack, and I find it so fascinating. Especiallywhen there’s romance involved. The books on this list are nearly all polar opposites, and yet... they each stretch our capacity to love to the very breaking point—and then make us catch our breath. How far into the darkness can he go, and still come back with a heart left to give to his heroine?
This book is so underrated, it’s painful. A truly engrossing read. Han Alister must rise up from the slums of the city to embrace his magic, and find revenge for his innocent sister’s death. She was his heart, and when her life is extinguished, so is that part of himself. Or so he thought, until Raisa. A princess by birth, she’ll have to overcome her so-called privilege to have a chance at real happiness with someone less than a commoner—a reformed thief and gang leader. Or is he? Will revenge prove a more powerful conviction than love? Magical twists and surprises abound, and the depth of this world will suck you right in. If you’re not cheering for Han by the end, do you even like morally gray heroes?
New York Times bestselling author Cinda Williams Chima presents the first installment in a thrilling new fantasy series, in which the lives of Han Alister and the brave Princess Raisa collide in a magical and dangerous adventure. One day Han Alister catches three young wizard setting fire to the sacred mountain of Hanalea. Han takes an amulet away from Micah Bayar, son of the High Wizard, to ensure the boy won't use it against him. The amulet once belonged to the Demon King, who nearly destroyed the world a millennium ago. With a magical piece so powerful at stake, Han…
My daughter became obsessed with this series of books.
She is hugely into witches and magic and the first inklings of boyfriends and girlfriends and all the varieties of childhood friendships and rivalries. She is also dyslexic, and the fact that this is a graphic novel really helped her get into reading, for which I am eternally grateful.
1
author picked
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This book is for kids age
8,
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What is this book about?
Two twins, one prophecy, and a whole lot of hijinks. From WEBTOON, the #1 digital comic platform, comes a fantastical story about twin siblings Dani and Dorian who have missed the bus to magic school and scramble to find a mentor to teach them before their parents find out. Perfect for fans of The Okay Witch and the 5 Worlds series.
When Dani and Dorian missed the bus to magic school, they never thought they'd wind up declared traitors to their own kind! Now, thanks to a series of mishaps, they are being chased by powerful magic families seeking the…
I’ve been in love with fairytales since childhood when I picked up a collection of fairytales by Hans Christian Anderson. These stories shaped my imagination, so much so that I longed for distant mysterious lands full of magic, wonder, and mystical creatures. Though in a way, I guess I did live a bit of a fairytale, having grown up surrounded by thick woods and open fields, as one of twelve siblings. Now as an adult, I still wish I could escape to distant fantastical lands, but I’ll just have to stick with the ones I find between the pages of books and the ones in my own head!
Instead of reinventing the fairytale,A Time of Mourning and Dancinginstead brings back that timeless, classic, whimsical feel that comes with the original stories. The book also contains copious amounts of humor that lighten the otherwise dark story, making it both a hilarious and nostalgic read! Mainly I love the unique world that holds the same feeling as C. S. Lewis’s Chronicles of Narnia, and as a lover of classics, it’s perfect.
Once, Toph knew his place in the world. As a respected captain in a victorious army, he had triumph and promotion to look forward to. But crippling injury stole his future and war stole his friend. Belonging nowhere and with nothing left to lose, Toph accepts a challenge that could end his life: discover a secret the princesses will do anything to hide.
Vicia is a princess, but powerless and in mourning. Her beloved brothers were killed in a war she’s beginning to question. Ever since, she and her eleven sisters have become mere treasure for her stepfather the king…
A fantasy romance author myself, there's something comforting about seeing my favorite fairy tales retold in new ways. It's so much fun to see how authors can twist the tales into something new and totally unique. Maybe the handsome prince is no longer the prince, but a cursed ogre. Or that dragon flying through the night is a queen in disguise, waiting for that one special true love to unlock their curse. But no matter the journey, we know that true love will win, break the curse and save the day, and here are my recommendations for some of my very favorite books.
The bloodthirsty roses, Isra the blind beauty, and Gem the intriguing beast. It was an intriguing combo that first made me pick up this book and start the beginning of this adventure. That isn't to say that this book is all sweetness, there are most definitely moments that had me seething with anger. The way the 'perfect' Smooth Skins treated the flawed one of their own kind, and the Monstrous struggling to survive outside the dome. But by far my most favorite part was how Gem and Isla bonded over gardening together. Yes, it was originally a lie so that Gem could gather information to help his own people, but it turned into some of the most character-building scenes that tied the whole story together in a rose-shaped bow.
Everyone dreams of marrying a prince—except for me. I am nothing more than a pawn in my adoptive mother’s diabolical plot against the seven kingdoms. I was the chosen tool, her sharpened blade that would cut the deepest into the heart of the Kingdom of Baist. But like all deadly weapons, my wedding is two-edged sword that could cost me my soul.For I am Rosalie, one of the adopted daughters of Lady Eville, and it is my duty to enter into a loveless and hate-filled marriage with the narcissistic Crown Prince of Baist. My choices and heart are not my…
I have a great love of visionary fantasy fiction, metaphysical mystery thrillers, and fiction that doesn’t conform to generic norms, be it novels or film, as well as music and the arts. I’m also passionate about exploring the unknown, the mysteries of the mind, consciousness, and our existence in this unfathomable universe. In that regard, I love to travel. Some of my most recent escapades have included journeys deep into the Peruvian Amazon, Brazil, the Andes, and Mexico, meeting local indigenous folk wherever possible, and participating in shamanic ceremonies and tribal rituals. And lastly, I’m an ardent Formula One fan – something that has not yet featured in my fiction, though it may.
I was instantly transported by this epic saga of high fantasy steeped in legend and myth. The beautiful descriptions of the rugged, dreamlike, and sometimes sinister lands and fabulous otherworld dimensions of the Elder Isles, make Lyonesse an incomparable read. I love Vance’s stunning prose style, his razor-sharp dry humour, and the complexity of his characters. It is boundary-defying fantasy, mercifully devoid of elves, dwarves, and dragons but brimful with intrigues and subplots, unexpected twists, sudden violence, acts of heroism, and scenes of tragedy, love, strangeness, and betrayal. Lyonesse is magic from beginning to end.
The Lyonesse sequence evokes the Elder Isles, is a baroque land of pre-Arthurian myth now lost beneath the Atlantic, where powerful sorcerers, aloof faeries, stalwart champions, and nobles eccentric, magnanimous, and cruel pursue intrigue among their separate worlds . . .
Prince Aillas of Troicinet is betrayed on his first diplomatic voyage and cast into the sea. Before he redeems his birthright, he must pass the breadth of Hybras Isle as prisoner, vagabond, and slave, an acquaintance of faeries, wizards, and errant knights, and lover to a sad and beautiful girl whose fate sets his bitter rivalry with the tyrant…
I’ve been in love with fairytales since childhood when I picked up a collection of fairytales by Hans Christian Anderson. These stories shaped my imagination, so much so that I longed for distant mysterious lands full of magic, wonder, and mystical creatures. Though in a way, I guess I did live a bit of a fairytale, having grown up surrounded by thick woods and open fields, as one of twelve siblings. Now as an adult, I still wish I could escape to distant fantastical lands, but I’ll just have to stick with the ones I find between the pages of books and the ones in my own head!
I loved this take on the classic fairytale, with the addition of the thirteenth princess hidden from the rest of the world and living as a servant. And despite all this, she still fought to save her sisters, taking on the role of the hero of the story instead of the soldier character in the original tale. It’s a fast and fun read, and one of the reasons I fell in love with The Twelve Dancing Princesses fairytale.
My name is Zita,and I am the thirteenth princess.My twelve sisters are legendary, even infaraway kingdoms, but I am sure thatyou have never heard of me.
Zita is not just any servant—she’s the thirteenth daughterof a king who wanted only sons. When all her royal sisters fallmysteriously ill, the only clue is their strangely worn and tatteredshoes. Something sinister is afoot—and Zita must find the sourceof the enchantment and break the curse, or the twelve princesseswill surely dance to their deaths.
Unburdened with prejudice or beliefs, children are open to the world. I find great joy in books that reflect the child’s fresh perception and playful spirit. Such books have no intention to teach a moral lesson. They rejoice in freedom. In the non-stereotypical, not yet molded to conform reality of the child. Books beyond good or bad may shine with the light of freshness, the unfiltered seeing. In times of great political divisions, non-didactic books can be a window to the glorious amoral way of perceiving.
It seems to me that the kind of imaginative senseless play (beyond good/bad, right/wrong), feels similar to the way a small kid would tell stories. A wonderful fantastic tale with joyful illustrations. Plus children and adults find very, very, very big things fascinating. Enjoy this masterpiece! (As well as Taro Miura’s other books.)
A king, a queen and one very big princess... A witty, wonderful and warm-hearted prequel to The Tiny King by acclaimed picture book maker, Taro Miura.
Once upon a time ... a king and queen discover, among their flowers, the teensiest, tiniest princess. Such a charming, sweet little thing! They are instantly taken with her - she becomes the daughter they never had, the child they had always dreamed of. The Queen immediately sets about finding her a perfect-sized bed and only a tiny ring box will do. But, in no time at all, the princess grows too big for…
I’m of Indian ethnicity and Japanese nationality, so it felt natural to write a book that drew inspiration from both cultures without being adjacent to either one. Like me, my book is a mixed bag. It features an original mythology with a unique religion and mythical beasts that you’ve (hopefully) never seen before. It’s also pretty heavy on themes and tries to provide some context to questions that baffled me as a kid: Why do bad things happen to good people? Why do war and violence exist? I can’t say that I’ve answered those questions, but I hope I’ve provided a multifaceted perspective into the conversation around them.
I debated which of Cosmere’s many books to put here but settled on this one because it was my introduction to Sanderson. The main attraction of his books for me is always the unique and scientific hard magic systems and how they relate to every aspect of his stories, from characters to worldbuilding.
My favorite part was how the characters had to study the magic system and uncover its specific functions to “solve” the problem that was plaguing them. This is a pretty common narrative force behind many of Sanderson’s books, but I also enjoyed this one because of its religious and sociopolitical commentary. I found the high priest’s arc especially compelling, as he found his views on faith challenged by another character.
Arriving in the kingdom of Arelon to enter a marriage of state, princess Sarene discovers that her intended has died and that she is considered his widow, circumstances that render her a lone force against the imperial ambitions of a religious fanatic. A first novel. Reprint.
