I’ve loved mysteries since childhood. That passion started with silly attractions like Scooby-Doo, Dark Shadows, and Nancy Drew. As I grew older, my love of mystery expanded to include the “what if” elements of folklore and urban legends. I’ve written two, 3-book series employing dual timelines, each wrapped in multiple layers of folklore. Crafting separate plotlines then weaving them into a tidy ending takes patience. I enjoy reading books that are well-executed and if they include a touch of the supernatural, all the better. My passion for urban legends has led me to give presentations to local community groups and also to engage in travel when needed for on-site research.
My first experience reading a book with dual storylines, this novel held me spellbound cover to cover. McMahon has since become an auto-buy author for me, thanks to this fantastical story that puts a magnifying glass on the life of two sisters, a childhood friend, and an unexplained disappearance. The story moves between past and present and revolves around the Tower Motel in Vermont, now a ruined shell that refuses to yield its secrets. Secrets the girls discovered while playing games there as children.
An unexpected splash of the paranormal and the use of letters from one sister to Mr. Hitchcock (yes, that Hitchcock) add the perfect touch to this disturbing gem.
From the New York Times bestselling author Jennifer McMahon (The Winter People) comes an atmospheric, gripping, and suspenseful tale that probes the bond between sisters and the peril of keeping secrets.
The Tower Motel was once a thriving attraction of rural Vermont. Today it lies in disrepair, alive only in the memories of the three women—Amy, Piper, and Piper’s kid sister, Margot—who played there as children. They loved exploring the abandoned rooms … until the day their innocent games uncovered something dark and twisted that ruined their friendship forever.
Now, Amy stands accused of committing a horrific crime, and the…
I have taught philosophy and film for almost 40 years, first at Ohio State and then at Notre Dame. My focus had been German cinema, but I was drawn to Hitchcock for three reasons: first, he received his origins in Weimar Germany and owes much to German expressionism; second, his films are so cinematically beautiful and effective that I began teaching them again and again, and the students loved them; finally, I thought it worthwhile and a fun project to address the extent to which his films raise deep and engaging philosophical questions.
If one wants to learn about Hitchcock’s complex relation with women, one can turn to Donald Spoto’s The Dark Side of Genius or Laurence Leamer’s recent Hitchcock’s Blondes, but if one wants to contemplate the aesthetic question, how are women portrayed in Hitchcock, Modleski is far more rewarding.
I learned much from her weighing of Hitchcock’s ambivalence toward women. The book offers a strong feminist account of seven films, and I have consistently recommended it to my students as one of the best books on Hitchcock.
Originally published in 1988, The Women Who Knew Too Much remains a classic work in film theory and feminist criticism. The book consists of a theoretical introduction and analyses of seven important films by Alfred Hitchcock, each of which provides a basis for an analysis of the female spectator as well as of the male spectator. Modleski considers the emotional and psychic investments of men and women in female characters whose stories often undermine the mastery of the cinematic "master of suspense." The third edition features an interview with the author by David Greven, in which he and Modleski reflect…
I’m a historian, with a special interest in the 20th century. I’ve written about Freud’s Vienna, the aftermath of the First World War, strikes in the 1920s and 1930s in America’s cotton South, the plot to assassinate Hitler, and the notorious 1940s gangsters nicknamed “Murder, Inc.”. What intrigues me about the 20th century are the era’s underlying values and the shocking and violent collisions among them. In Casablanca’s Conscience, I use the great film as a lens with which to take another look at the tumultuous times just a generation ago.
Blake’s book explores the way in which a distinctly Catholic sensibility shaped the cinematic imaginations of Alfred Hitchcock, Martin Scorsese, John Ford, Francis Ford Coppola, and Brian De Palma.
Blake’s point is not that these filmmakers were pious or even believers. He does demonstrate, though, that the Catholic cultures in which these filmmakers grew up significantly influenced both the stories they told and the images they created.
Blake, a noted film critic, reveals a Catholic imagination at work in the films of Martin Scorsese, Alfred Hitchcock, Frank Capra, John Ford, Francis Ford Coppola, and Brian De Palma. Their movies are permeated with such Catholic ideas as sacramentality (the sacred is present in the profane things of the world), mediation (God works in our lives through specific people and things), and communion (salvation depends on belonging to a community).
I've always been drawn to stories in which all that glitters isn't gold, and all three of my novels contain this theme. They are, at the bottom, tales of hubris, which is why I like them. A character strives to obtain some glittery thing, confident it will be better than what they have. Yet, ultimately, their confidence is misplaced, and their ambition brings about their downfall. Perhaps because I'm someone who's naturally quite risk-averse but also believes little good comes in life without taking chances, stories like this attract me. They allow me to safely hunt for the Aristotelian mean between being overly sensible and irrationally ambitious.
Daphne Du Maurier has made a permanent mark on my soul. Whether it was Hitchcock's adaptation of The Birds, which I watched when I was far too young, or the wrecked ships of Jamaica Inn, her imagery and ideas are unforgettable.
And like the titular character of Rebecca, part of me still roams the halls and grounds of Manderley. I first encountered the story at a transitional moment in early adulthood. Having been a child drawn to spooky stories about ghouls and spectres, this book marked the moment I came to understand that not every haunted house has a ghost.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
The reason why I love horror fiction so much, and the reason why I decided to become a horror writer myself, is that horror is my No.1 genre. Ever since I saw Boris Karloff portraying, so brilliantly, the monster in Universal’s Frankenstein when I was a kid, I became a lifelong horror fan. I love both reading and writing horror fiction. I also enjoy collecting horror films, and review them regularly on my YouTube channel. I have studied the world of horror all my life, and think I have accrued a fairly broad knowledge on the subject. I have published my horror fiction books and my true paranormal books.
This book is an absolute classic, and spawned an equally classic movie directed by Alfred Hitchcock. The reason why I love Psycho so much is that it brought horror away from the traditional Gothic haunted house and castle settings right into the modern world. And if you add the aspect of mental illness in the chilling form of the Norman Bates character, then you have a horror story that becomes all too real, all too unsettling. We are not dealing with ghoulies and ghosties here, but with a deranged killer harbouring a split personality, whose warped mentality has often been mirrored in real-life crime cases. For example, Bloch based Norman Bates on an actual killer, Ed Gein. Psycho is a novel that every horror fan must read.
Mary Crane believes she has found shelter from the storm when she checks into the Bates Motel, but the knife-wielding owner, Norman Bates, soon rips her piece of mind to shreds and the nightmare begins.
My love for magical and mysterious books was inspired by Harriet the Spy, Nancy Drew, Judy Bolton, and Harry Potter. Since I was 8 years old, I longed to write my own mystery series—SO I DID! My latest mystery series, The Curious Cat Spy Club, is based on my own childhood club. My friends and I played cryptic games, spied on suspicious neighbors, and helped abandoned kittens. I love writing about mysteries + animals. And I’m excited to share my favorite mysterious and magical books with you!!
I love a thrilling mystery with secrets, humor, and surprises. I couldn’t turn the pages fast enough to find out if anyone would realize Rosie and Baker were hiding their Great-Grandma in a freezer. It was all Great-Grandma's idea! The kids race against time to piece together clues to find a missing will and save the family home from destruction. Reminiscent of an Alfred Hitchcock story with unexpected twists and heart-pounding danger. Fun mystery!
A dead body. A missing will. An evil relative. The good news is, Great Grammy has a plan. The bad news is, she's the dead body.
Rosie and Baker are hiding something. Something big. Their great grandmother made them promise to pretend she's alive until they find her missing will and get it in the right hands. The will protects the family house from their grandmother, Grim Hesper, who would sell it and ship Rosie and Baker off to separate boarding schools. They've already lost their parents and Great Grammy--they can't lose each other, too.
I’ve always loved reading (and writing) books where the theme is ‘something wicked this way comes.’ Maybe it’s something supernatural. Maybe the mistakes of your past are coming back to bite you. Maybe it’s just you on your own against powerful, bad people and seemingly overwhelming odds. You’re not being paranoid... they really are out to get you. It’s a fight to the death... and you can’t rule out that it won’t be yours! I love the immersive fear that these books generate. Every book should have mystery and a sense of menace (maybe not ‘self-help’ books). Here are my five best ‘something is out to get you’ stories.
Don’t read on your own, late at night, in a darkened room, and definitely not while listening to opera. Your own demons, your past fears, your anguish, your needs... you see what you think you see, what you want to see, but be careful what you wish for.
This is a supremely chilling short story. For me, a lot of supernatural tales don’t have dramatically satisfying endings, but this one delivers a proper punch. Everything about the setup, the unfolding of the plot (a couple is in Venice, trying to get over the death of their daughter) and the resolution is a masterpiece of storytelling. Could John, our protagonist, have changed the outcome? Or was it all predestined? I’m shivering at the thought...
John and Laura have come to Venice to try and escape the pain of their young daughter's death. But when they encounter two old women who claim to have second sight, they find that instead of laying their ghosts to rest they become caught up in a train of increasingly strange and violent events. The four other haunting, evocative stories in this volume also explore deep fears and longings, secrets and desires: a lonely teacher who investigates a mysterious American couple, a young woman confronting her father's past, a party of pilgrims who meet disaster in Jerusalem and a scientist…
I'm a former journalist who has written for several newspapers in Kansas and Texas. Ever since I was young, I had an incredible imagination, a love for storytelling, and an adventurous spirit. I started writing my first novel Waves Crashing, a suspense romance, when I was a senior at McPherson High School; then I worked on it some in college, and it was published in 2019. I'm also the author of the science fiction novels The Death Firm and The Re-Creation of the Death Firm. I'm currently working at Grinnell College in Grinnell, Iowa, as an administrative assistant in data and records. I plan on starting to write my fourth novel in 2023.
These stories were picked out by the master of suspense, himself, Alfred Hitchcock. These stories are both horrific and suspenseful. With tales involving a flesh-eating troll, something creepy lurking about in the woods that kills anything that comes into its path, and an uninvited odd boy that comes to a party with evil intentions, one will not be able to put this book down. It might even make you want to leave the lights on during the night.
Published by Random House. Per the dust jacket: ...twenty-three stories, a novelette, and a novel guaranteed to turn your hair white overnight." Stories selected by Mr. Hitchcock include: Casablanca by Thomas M. Disch, Fishhead by Irvin S. Cobb, Camera Obscura by Basil Copper, A Death in the Family by Miriam Allen deFord, Men Without Bones by Gerald Kersh, Not With a Bang by Damon Knight, Party Games by John Burke, X Marks the Pedwalk by Fritz Leiber, Curious Adventure of Mr. Bond by Nugent Barker, Two Spinsters by E. Phillips Oppenheim, The Knife by Robert Arthur, The Cage by Ray…
My introduction to mystery writing was a competition for a first crime novel. I was lucky enough to win with Wobble to Death, about a Victorian long-distance race. When I went to collect the prize, I was startled to be asked if I was already at work on the next one. The publishers Macmillan had started a crime list and were looking for a career writer. I knew practically nothing about the genre and had to give myself a crash course. How I needed the support of books like these! After five years, I had the confidence to give up the day job and have made my living from mystery writing for almost fifty years.
No one can deny that Patricia Highsmith knew how to create suspense. Alfred Hitchcock saw that Strangers on a Train was the ideal spine-tingler for a great movie. Other directors have found the Ripley series perfect nail-biting stories to work with. Highsmith takes us through the process of building suspense from the germ of an idea through the plotting, the drafts, and the revisions, using examples from her own work, short stories, and novels. I’m not surprised this book has stayed in print for over fifty years. I still dip into it and get inspired.
Named by The Times as the all-time number one crime writer, Patricia Highsmith was an author who broke new ground and defied genre cliches with novels such as The Talented Mr Ripley and Strangers on a Train. In the classic creative writing guide Plotting and Writing Suspense Fiction, Highsmith reveals her secrets for producing world-class crime and thrillers, from imaginative tips for generating ideas to useful ways of turning them into stunning stories.
I’ve always had a passion for cinema, especially gritty British
productions of the 1940s and 50s. The voices of Kathleen Harrison,
Robert Beatty, Kenneth More, Dirk Bogarde, Jack Warner, and Susan Shaw
can be heard nightly radiating from my TV. I’m also a huge fan of radio,
in particular classic BBC shows. As a biographer, I’m known for shining
a light on personalities of yesteryear – those we might recognize by
name and face but know little about. My recent books include
biographies on Erich Honecker (OK, he wasn’t a movie star), Jack Hawkins,
and David Tomlinson (they were).
Recently, during a visit to Filmstaden studios near Stockholm (yes, where Ingrid and Ingmar Bergman worked) I was given a copy of this book. It is, without a doubt, the definitive biography of Hitchcock, with a thrilling opening on his life in Britain and formative years.
A fresh and definitive portrait of the Master of Suspense by acclaimed biographer Patrick McGilligan Full of fresh revelations, dark humour and cliff hanging suspense, this new biography of Alfred Hitchcock follows his life from its humble beginnings, as the son of an East End greengrocer, through an extraordinary career in which his films set new standards for cinematic invention, to his death as a Hollywood legend in Beverley Hills. * Gives a uniquely comprehensive and balanced view of Hitchcock's life, uncovering details not just of his work but also his personal life, and with an insight into how they…
