Some people read mysteries to figure out who did it. Not me. I read mysteries (several a week) because they are full of contradictions, lies and truths, and humans making hard and sometimes stupid decisions. I lean toward mysteries that are literary in writing quality with quirky, complicated characters; a good sense of humor; and diverse settings. In my cozy Minnesota mystery series featuring Maya Skye, I am interested in the contradiction of a yoga teacher who is dedicated to seeking inner peace and yet drawn to mayhem. As Maya says, “We may try to follow the path, but life isn’t all Minnesota nice.”
Estelle Ryan writes mysteries set in France with a most unusual sleuth: autistic insurance investigator Dr. Genevieve Lenard. I am fascinated by how Lenard, a world-renowned expert on nonverbal communication, navigates both her personal and professional lives as she tracks down art thieves. She is a human lie detector who can’t bear to be touched and who, when upset, goes into autistic meltdowns in which she writes classical music in her head. I go to Ryan’s website to see the artwork and listen to the music featured in each book. Lenard also has a quirky team of sidekicks that I adore and that bring humanity to Lenard’s sheltered life: a former art thief, a hacker, a cop, and a tough guy.
Despite her initial disbelief, Doctor Genevieve Lenard discovers that she is the key that connects stolen works of art, ciphers and sinister threats.
Betrayed by the people who called themselves her friends, Genevieve throws herself into her insurance investigation job with autistic single-mindedness. When hacker Francine appears beaten and bloodied on her doorstep, begging for her help, Genevieve is forced to get past the hurt of her friends’ abandonment and team up with them to find the perpetrators.
Little does she know that it will take her on a journey through not one,…
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
Dagnini’s book focuses specifically on Italy and the amazing stories of Rome, Naples, Florence, and Pisa among others. If you love Italian art and architecture, you will not be able to put this book down. Descriptions of the damage, but also how it was fixed and avoided in some cases, are truly inspiring. Without these Allied personnel, so much more could have been lost.
In 1943, while the world was convulsed by war, a few visionaries -- in the private sector and in the military -- committed to protect Europe's cultural heritage from the indiscriminate ravages of World War II.
In the midst of the conflict, the Allied Forces appointed the monuments officers―a motley group of art historians, curators, architects, and artists―to ensure that the great masterworks of European art and architecture were not looted or bombed into oblivion. The journalist Ilaria Dagnini Brey focuses her spellbinding account on the monuments officers of Italy, quickly dubbed "the Venus Fixers" by bemused troops.
I’ve always been fascinated by art, not just the paintings themselves but their historical significance, the personalities behind the canvas, and the seemingly arbitrary value placed on one artist’s work versus another. Writing my latest novel, Hanging the Devil, was a chance to delve into the illicit side of the art world, where forgers and smugglers consort with organized crime. I’ve been an award-winning mystery author for more than a decade—this is my sixth novel—and the great thing about writing crime fiction is the chance to get lost in the research and learn something new, so writing this novel was a great excuse to visit museums, talk to experts, and plan a heist!
Rembrandt was incredibly prolific and well known in his lifetime, unlike so many artists whose fame only followed their deaths.
Both his reputation and the value of his paintings have continued to grow in the centuries since he died, so the combination of ubiquity and name recognition makes Rembrandt’s paintings particularly attractive to art thieves.
Quickly recognizable and easily appraised, a stolen Rembrandt is exactly the kind of black market currency professional criminals value most, whether using it for collateral during a deal, holding it for ransom until the museum pays, or selling it illicitly to a private collector.
One of the stolen masterpieces in my novel is a Rembrandt, so this book was invaluable in understanding the ambition and scope of modern art crimes. The problem of profiting off something that everyone knows is stolen turns out to be a minor challenge if you know the perfidious players working…
Art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world - from Stockholm to Boston - the authors track daring entries and escapes from the world's most renowned museums. There are robbers who coolly walk off with multimillion dollar paintings; self-styled art experts who fall in love with the Dutch master and desire to own his art at all costs; and international criminal masterminds who don't hesitate to resort to violence.
Edsel tells the very
dramatic story of how Allied art experts, known as the Monuments, Fine Arts,
and Archives (MFAA) or Monuments Men, raced through Italy to rescue art
masterpieces and to secure endangered monuments during the Nazi retreat in
1944. A special focus on the cities of Naples, Rome, Florence, and Pisa’s
treasures.
I was especially fascinated
by the story of Frederick Hartt, who loved Florentine art and risked his life
to reach the city then pursued the lost artworks in a race across Italy into
Austria to return them. Many of the
artworks the Monuments Men saved are the treasures we see in Italy’s museums
today.
When Hitler's armies occupied Italy in 1943, they also seized control of mankind's greatest cultural treasures. As they had done throughout Europe, the Nazis could now plunder the masterpieces of the Renaissance, the treasures of the Vatican, and the antiquities of the Roman Empire.
On the eve of the Allied invasion, General Dwight Eisenhower empowered a new kind of soldier to protect these historic riches. In May 1944 two unlikely American heroes-artist Deane Keller and scholar Fred Hartt-embarked from Naples on the treasure hunt of a lifetime, tracking billions of dollars of missing art, including works by Michelangelo, Donatello, Titian,…
I have been in love with London and the UK since I started reading British thrillers over 40 years ago. When I finally had the chance to live in London as a US diplomat, I was able to see so many of those places that had filled my imagination for years. I have my JD from Southern Illinois University. I have worked for the US Army and the US State Department. I now support my wife Karen, who is a US Diplomat.
I love this book because it takes you behind the scenes of the Palace and what goes on there.
Located in the very heart of London, I could not get around the city without going by the Palace. This book connects you to what is happening unseen and brings that intrigue home. It really completes the London experience for me.
“Sheer entertainment… Bennett infuses wit and an arch sensibility into her prose… This is not mere froth, it is pure confection.” — New York Times Book Review on The Windsor Knot
Amateur detective Queen Elizabeth II is back in this hugely entertaining follow-up to the bestseller The Windsor Knot, in which Her Majesty must determine how a missing painting is connected to the shocking death of a staff member inside Buckingham Palace.
At Buckingham Palace, the autumn of 2016 presages uncertain times. The Queen must deal with the fallout from the Brexit referendum, a new female prime minister, and a…
I studied art history in Florence, Italy, while there for six months during college. I’ve always loved Italy and am fascinated with art and World War II, because my father was a top-turret gunner on a B-17, flying missions over Europe, including on D-Day. WWII historical fiction is my favorite topic to read and write. I write in a variety of genres, from women’s fiction to historical romantic thrillers and romantic suspense to paranormal. My latest project is a cozy mystery series about an American college graduate who goes to work for a flailing Italian art detective agency in Florence and works with her sexy Carabinieri boyfriend (later husband), to solve Nazi stolen art crimes.
This book takes you on a breathless journey with the Mona Lisa when it was hidden from the Germans during World War II.
It is set in interesting places and I loved the WW II tie-in. The author is an art historian—she holds a PhD in Art History from Yale University—so she knows what she’s talking about.
On a personal note, I had the privilege of interviewing her when she was our featured author for Roswell Reads, a one-city-one-read program and she gave an excellent presentation.
I’ve read a few of her other books and was equally impressed.
From the acclaimed author of The Night Portrait comes a stunning historical novel about two women, separated by five hundred years, who each hide Leonardo da Vinci’s Mona Lisa—with unintended consequences.
France, 1939
At the dawn of World War II, Anne Guichard, a young archivist employed at the Louvre, arrives home to find her brother missing. While she works to discover his whereabouts, refugees begin flooding into Paris and German artillery fire rattles the city. Once they reach the city, the Nazis will stop at nothing to get their hands on the Louvre’s art collection. Anne is quickly sent to…
I’m the author of a number of books for kids and teens, many of which imagine young characters having more influence than you might expect. My book The Museum of Lost and Found is about an 11-year-old girl who secretly curates a museum. The Campaign is about a 12-year-old who runs her babysitter’s campaign to become mayor of their town. And This Song Will Save Your Life is about a 16-year-old who secretly becomes an underground DJ. These characters have realistic and relatable kid problems, emotions, and relationships—but they also get to have responsibilities and power well beyond their years.
You describe a book as “Ocean’s Eleven for teens,” and I am a hundred percent in.
Like most heists, this one has the cat burglar and the genius hacker and the femme fatale and the getaway driver—except this time, they’re all teenagers. What a dream!
I just love a good heist story. They have to be so carefully crafted, so tightly plotted, and as a writer I really admire any storyteller who can do that. All three books in the Heist Society series are remarkable feats of plotting and pacing. I got to see Ally Carter give an author talk once, and she spoke about just how hard it is to write something that looks this easy. That’s so true; it really stuck with me.
From the international bestselling author of the Gallagher Girls series
When Katarina Bishop was three, her parents took her to the Louvre...to case it. For her seventh birthday, Katarina and her Uncle Eddie travelled to Austria...to steal the crown jewels. When Kat turned fifteen, she planned a con of her own - scamming her way into the best boarding school in the country, determined to leave the family business behind.
But now her dad's life is on the line, and Kat must go back to the world she tried so hard to escape...
Shirley Jackson award-winner Kaaron Warren published her first short story in 1993 and has had fiction in print every year since. She was recently given the Peter McNamara Lifetime Achievement Award and was Guest of Honour at World Fantasy 2018, Stokercon 2019 and Geysercon 2019. She has also been Guest of Honour at Conflux in Canberra and Genrecon in Brisbane.
She has published five multi-award winning novels (Slights, Walking the Tree, Mistification, The Grief Hole and Tide of Stone) and seven short story collections, including the multi-award winning Through Splintered Walls. Her most recent short story collection is A Primer to Kaaron Warren from Dark Moon Books. Her most recent novella, Into Bones Like Oil (Meerkat Press), was shortlisted for a Shirley Jackson Award and the Bram Stoker Award, winning the Aurealis Award. Her stories have appeared in both Ellen Datlow’s and Paula Guran’s Year’s Best anthologies.
A
fascinating Australian story about a man who is certain he has unearthed a
painting by the renowned Australian painter Lloyd Rees. While this isn’t
exactly about stolen art, it is about a painting that went missing, and whose
provenance was lost. It depicts just how obsessed we can become with a single
image.
I’ve been obsessed with art since I was a kid. When I look at art, I see stories, not just about what I’m seeing, but about what it was like when the painting was created: was the artist tired, grumpy, frustrated? Why’d they paint it the way they did? Sadly, my artistic talent is limited, but fortunately, I can tell stories. After visiting William Orpen’s painting of Mona Dunn at the Beaverbrook Art Gallery, I couldn’t help wondering why he made her look so pensive. The only way I could answer that question was by writing my own story about Mona and the other paintings in the gallery!
This book is a modern classic and no wonder – delightful characters, a twisty-turny mystery, and best of all: art. The way Balliett introduces kids to the world of art through puzzles, codes, wordplay, is clever and thrilling and had me completely entranced. The world of art theft is both thrilling and chilling, and this book takes us both places.
This bewitching first novel is a puzzle, wrapped in a mystery, disguised as an adventure and delivered as a work of art. When a book of inexplicable occurences bring Petra Andalee and Calder Pillay together, strange things start to happen- seemingly unrelated events connect, an eccentric old woman seeks their company, and an invaluable Vermeer painting disappears. Before they know it, the two find themselves at the centre of an international art scandal. As Petra and Calder are drawn clue by clue into a mysterious labyrinth they must draw on their powers of intuition, their skills at problem solving, and…
When I first met Michael Majok Kuch and he asked me if I was interested in writing his life story, I knew nothing about South Sudan. Over the next several years, we met weekly. I’d interview him, write a chapter, research it, and then show it to him for his approval. I read everything I could find on South Sudan and the adjacent countries. In fact, I became so obsessed with Michael's culture that once I read Francis Mading Deng's Dinka Folktales, Mike’s sister arranged a meeting between Francis Mading Deng and me. These books prepared me for writing How Fast Can You Run, helping other “Lost Boys” of Sudan reunite with their mothers.
I was a religious studies minor in college and love reading about traditional religious practices. When I met Nigerian American author Okey Ndibe at a writing retreat in Kenya, I couldn’t wait to get my hands on a copy of his second novel. This satirical novel gives new life to the meaning of worship. When statue buyer, Ike Uzondu steals an African sculpture from a New York shop and sells it in his ancestral village in Nigeria, the two worlds collide and we witness the cost of modernity to the human spirit
From a disciple of the late Chinua Achebe comes a masterful and universally acclaimed novel that is at once a taut, literary thriller and an indictment of greed’s power to subsume all things, including the sacred.
Foreign Gods, Inc., tells the story of Ike, a New York-based Nigerian cab driver who sets out to steal the statue of an ancient war deity from his home village and sell it to a New York gallery.
Ike's plan is fueled by desperation. Despite a degree in economics from a major American college, his strong accent has barred him from the corporate world.…
