The most recommended comic strip books

Like all my previous choices this book is written and illustrated by the same person which I think allows a very subtle dance between words and pictures in the storytelling. 

Calico the Wonder Horse is a simple black and white comic strip, one or two frames per page, with changing background page colours. There are dramatic panoramas of canyons and mountains hideouts juxtaposed with close-ups of Calico, then Stewy Stinker, and his gang of Bad Men. Its graphic perspectives and cartoon ‘action’ marks make it exciting for kids. The Bad Men are soon brought undone by the heroine horse but it’s so heartening that they eventually redeem themselves in an unexpected way—which kids love too.

I love this book so much that I reread it every year. I read it in its original Swedish but the  English translation is good, too.

I grew up “on” Tove Jansson, genius creator of the  Moomintrolls. This book is for adults. It is gentle, yet piercing. An old woman and her granddaughter have small adventures and conversations about what matters, on a remote  Finnish island. It doesn’t sound like much, but it is magic. It features illustrations (by the author) which take you right to the soulful setting.

This is one of those books that makes you ponder life’s big questions, while being about everyday life. Highly recommend. It’s only  “second” on my list because I read and reread it, so it’s not a “find” to me, rather more like a bible? 

It is not strictly a science book, but economics is a science, and science needs money to be able to do the incredible things it does, after all.

Cunningham is a comic book artist who deftly explains the complex realities of unchecked and rampant capitalism in his simple comic strip format. He skillfully explains in simple boxes how the poor always ultimately end up paying for the greed of the rich and powerful. 

We can’t resist adding a historical first, published in German in 1865 by Wilhelm Busch, the father of countless other comics that present the pranks of naughty boys. And it features in Two Heads because it inspired psychologists, including ourselves, to study the remarkable ability to mindread. In a single panel Busch reveals that the reader can infer that what is in the mind of the terrible duo is different from what’s in the mind of Widow Bolte, and different from what’s in the mind of her dog. It allows us readers to get the contradictions between these different views and makes us laugh. So although this book doesn't set out to explain anything, it ends up doing a marvelous job of explaining the psychology of intention, interaction and reputation management - in the tradition of great comic strips from Crazy Kat to Peanuts to Calvin & Hobbes.

I’m a huge film fan. When I was younger, I didn’t read many books, but I love the stories in films and comics. The recent Marvel films have made me feel like a youngster again and I’ve loved how they have all become interconnected. I would have thoroughly enjoyed flicking through this encyclopedia when I was a child. It’s a book that you can open at any page and look through. You could even read it backward if you like! Full of dynamic pictures of all the Marvel characters with descriptions and facts. All in bite-sized chunks and it hardly feels like you are reading at all.

Virus Tropical is a Latin American Book, a Colombian book, an Argentinian Book, an Ecuadorian Book. Virus tropical talks about the nineties, if you are from Colombia you recognize the towns, the T-shirts, the music, the buses. So many peripheries mixed up and telling you about the coming of age of the main character. So many important things touched while touching on the most vapid-everyday things. The accents, the way the characters interact, I was able to identify with all of this while reading this graphic novel. Virus Tropical is a great book, I’m glad it was translated into English.

Six-year-old Calvin - along with his stuffed (?) tiger Hobbes - chafes against the ordinariness of his existence and ponders the meaning of life, often while strolling in the woods, or plummeting from a cliff edge in his little red wagon.

I first read Calvin & Hobbes when I was 12. Over the years, this brilliantly illustrated comic strip (which ran from 1985-1995) has only become richer and funnier and more poignant.

Paul Levitz was a writer, editor, editor in chief, publisher, and president of DC Comics for decades. This oversized coffee table book is a treasure trove of his insights, memories, and analysis. It’s the definitive history of DC, which only he could write. And it’s full of fun colorful images, making it interesting to younger readers as well as a perfect gift to any pop culture or comics lover.

Bill Blackbeard was the Harry Smith of comics. Just as Smith’s landmark Anthology of American Folk Music helped launch a folk music revival, so did Blackbeard’s massive volume of old newspaper comics spark a new generation of comics fandom and scholarship. This was also the first book of old newspaper funnies I ever read, during a childhood Saturday afternoon in the Willard Library in Evansville, Indiana, when I discovered the magical “741.5” shelf that held books of comics. Other big, beautiful anthologies of old newspaper funnies have been compiled by comics creators like Jerry Robinson and Brian Walker, but Blackbeard is the granddaddy.

Warning: This book will make you build a new bookshelf. Like other oversized offerings from Peter Maresca’s Sunday Press Publishing, you need a tape measure, not a ruler, to determine its dimensions. This means that you can read this startling collection of strips from 1895 to 1915 in the grand size in which they first appeared in early newspapers, back when the colors and characters screamed off the page, reflecting and refracting the frenetic dawn of a new century. These old newspaper comics pages are where Americans first learned to laugh together. Society is Nix can be difficult to find but is well worth the effort.