As a longtime Angeleno, I’ve read a lot about the dark underbelly of our dysfunctional metropolis, both in the news and in fiction. I try to incorporate the City of Angels as a strong presence in my writing, and when I read other writers who have put Los Angeles at the center, it gives me a sense of things the way they really are, a glimpse at a deeper reality. I see the detectives in LA noir and crime fiction as inextricably intertwined with the city, their weaknesses, and their emotional quandaries emerging from this place.
I’d be afraid to meet this detective, Slater, in a dark alley, as he’s unpredictable and has a quick temper. At the same time I have to admit he’s the kind of guy I’d want to date. Smart and competent in his investigative work, Slater is a mass of contradictions, a textbook sex addict and in complete denial about it, plus he drinks too much. His pugilistic approach to the world evolves through the series, and in this book his slightly warped moral compass has him working to outsmart the cops to track down a violent conspiracy theorist.
Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with…
Kees van der Pijl was lecturer at the University of Amsterdam and professor of International Relations at the University of Sussex in the UK. He retired in 2012. At Sussex he was head of department and director of the Centre for Global Political Economy. Besides democracy and anti-war activism he continues to write on transnational classes and policy networks, including the role of “deep politics”.
Of all studies trying to uncover the true background and perpetrators of the 9/11 attacks on New York and Washington, this book goes furthest by claiming they were a plot jointly hatched by neo-conservative Zionists in the US government and Likud hardliners in Israel.
It makes a convincing case that the attacks used 19 Arab patsies and various decoy operations to convince the world that the culprits were fanatical Muslims and a War on Terror (in practice, against Israel's enemies) was justified.
An independent analysis of the events of September 11, 2001. Includes historical and geo-political background and examines the motivation of the people who played key roles in the destruction of the evidence and the obstruction of justice for the families of the victims.
I’ve spent the past ten years reporting and writing true crime narratives about teenagers and hate, first in The 57 Bus and now in Accountable. My research has led me into some fascinating places and has left me convinced that we cannot prevent what we don’t understand. In both books I found that the young people who harmed others weren’t the stereotypical grimacing loners I’d always associated with hate and extremism. Instead, they were imitating behaviors that we see all around us. Being young, with brains that aren’t fully developed in important ways, and lacking the life experience that teaches us a more nuanced understanding of the world, they are ripe for radicalization.
After watching both a close friend and a relative get radicalized through online disinformation, I realized that no one is immune, no matter how smart or how educated, if they don’t have the tools to recognize disinformation when it comes their way.
Media scholar Samuel C. Spitale has written a compulsively readable and highly entertaining explanation of what disinformation is and how to recognize and combat it. The propaganda mills are churning out disinformation faster than ever before and even those of us who think we’re too smart to be fooled are vulnerable.
The average person receives 4,000 to 10,000 media messages a day. It s no wonder we struggle to separate the news from the noise and fact from fiction but in these unprecedented times, it s essential to democracy that we do. For anyone struggling to figure out how to live and vote their values, How to Win the War on Truth is here to help. You ll learn: The history of propaganda, from Edward Bernays to Fox News Why simple messages are so powerful How social messaging creates unconscious biases Who profits from propaganda How propaganda is manufactured and delivered…
I’ve been passionate about animals, the environment, and social justice since I was a child. As an adult I have been frustrated—even enraged—that so many products and practices are considered safe and “normal” even though they harm wildlife, pets, and people. I think it's bizarre that people imagine themselves as separate from the chemicals they spray in their homes and their yards, even as they breathe in the toxins. I hope that the concept of “transcorporeality,” which urges us to see our own bodies as literally part of the environment, will convince people that environmentalism isn’t optional but is a vital part of human health and social justice.
The title says it all: How Politics Shapes What We Know and Don’t Know About Cancer! This massive study demonstrates how political and economic forces have restricted, diminished, and warped our understanding of the causes of cancer. Not a conspiracy theory, this meticulously researched study carefully demonstrates how science is shaped by economic forces in ways that leave us without the information we need to lead healthier lives. This is no accident, since, as Proctor explains, ignorance doesn’t just happen, it is constructed: “Controversy can be engineered, ignorance and uncertainty can be manufactured, maintained, and disseminated.” In our rapidly transforming world, we need approaches to science that neither dismiss it nor assume that it is capturing everything it should, since it is shaped by politics and economics.
This brilliantly argued and researched book tells the story of how government regulatory agencies, scientists, trade associations, and environmentalists, have managed to obscure the issues and prevent concerted action. Explains why we still dont have straight answers to questions such as: Why do rates from some cancers appear to have risen and others fallen? and suggests how we might actually win the war on cancer.
While I love straight-up fiction and read plenty of novels, I’ve always been just as interested in art as I have been in writing. The further into my writing career I get, the more it becomes obvious that art and illustration are just as vital to the way I want to tell my stories. I did the covers for my first few books and started experimenting with illustrating them as well with The Writhing Skies, creating a very strange blend of splatterpunk horror and Betty Boop-inspired illustration. Soft Places is a further step in the direction of telling stories in a way that’s a little different.
This book is absolutely wild. It purports to be an adaption of an over-the-top gorefest of a movie, plagued by conspiracy theories. Full of footnotes and behind-the-scenes anecdotes and autobiographical details about how the book itself came to be, it not only supposedly adapts a film but tells a far darker hidden story and is overall a lot of dark and spooky fun.
Camp Ghoul Mountain Part VI is one of the most infamous slasher-movie sequels of the 1980s. Known for its over-the-top gore effects, bizarre and psychedelic campground killer plot—and its legacy as a lightning rod for conspiracy theories concerning everything from UFOs and alien abductions to 9/11 and a secret cabal at the heart of world power. This book contains a complete, authorized adaptation of the infamous cult slasher movie as well as the secret history of the behind-the-scenes drama and high-strange events that inspired the filmmakers, complete with footnotes and autobiographical anecdotes. Camp Ghoul Mountain Part VI: The Official Novelization…
As horror writer, I’m often asked what scares me most, and almost every fear I have is, at its core, about the Unknown. Not just what we don’t know but the things we cannot know. In all my books, I’ve tried to lean into that personal fear as much as possible, and with Heavy Oceans, I was inspired by the cases Mulder and Scully investigated back when the idea of a government lying to and spying on its own citizens seemed almost quaint by comparison to the moments we’re living. And, as the show’s title credit often said, in glowing words that blazed over a darkened sky…"The Truth is Out There."
Most readers know this feeling well: when a book you love doesn’t seem to get the attention you feel it deserves. That’s exactly how I view Daniel Kraus’ excellent and suspenseful novel, Bent Heavens. Maybe because it was marketed as YA (whatever that means these days), or maybe because he’s so prolific that it can be hard to keep up with all his work.
Whatever the reason, this book features conspiracy theories, a missing father, government secrets, and exactly the kind of fog-shrouded abandoned places Mulder and Scully tend to explore during their investigations. Yeah, it’s creepy. Yeah, it’s mysterious. But more than that, it’s got characters you care about.
Liv Fleming is done with childhood fantasies. Done pretending she believes her missing father's absurd theories about alien abduction. Done going through the motions of checking the traps he set just for her friend Doug's sake. But on the very day she chooses to destroy the traps, she discovers in one of them a creature so inhuman it can only be one thing. In that moment, she's faced with a painful realisation: Her dad was telling the truth. And no one believed him.
Now she and Doug have a choice to make. They can turn the alien over to the…
My book is about political intrigue, violence, war, heroes and villains, libels and dreams, secret plots to overthrow governments, and murders most foul. It unfolds during a tense era of cultural upheaval and radical social change. A lifetime immersed in the works of Shakespeare helped prepare me to write it. I spent more than 20 years working for the New York Times, most of it as a foreign correspondent. My foreign postings placed me at the center of historic events and, at times, in the line of fire.
Shakespeare scholars hate discussing the “authorship question” for the same reason astronomers hate discussing whether space aliens kidnap human beings. There is no real “question.” But because guessing who wrote the plays has become such a parlor game, James Shapiro took on the challenge. His book tells the crazy history of the “authorship question” and makes irrefutably clear that yes, the fellow from Stratford really did write those plays. This should settle the issue forever—but of course it won’t.
For two hundred years after William Shakespeare's death, no one thought to argue that somebody else had written his plays.
Since then dozens of rival candidates - including The Earl of Oxford, Sir Francis Bacon and Christopher Marlowe - have been proposed as their true author. Contested Will unravels the mystery of when and why so many people began to question whether Shakespeare wrote the plays (among them such leading writers and artists as Sigmund Freud, Henry James, Mark Twain, Helen Keller, Orson Welles, and Sir Derek Jacobi)
Shakespeare scholar James Shapiro's fascinating search for the source of this controversy…
I read widely and in many genres, so coming up with a thematic list was a difficult task. However, in working on my forthcoming novel Dead Ends, in which a quiet neighborhood descends into paranoia and insanity driven by fear, politics, and technology, I sought out novels that engaged with conspiratorial thinking and violence. I admire writers who don’t hold back and fully engage with their characters and material, particularly if it means going to dark, imaginative and strange places in their work. Please keep an eye out for Dead Ends, coming from Flame Tree Press in 2023.
This trilogy collection is perhaps the granddaddy of conspiracy novels because, frankly, it encompasses nearly all of them — at least at the time it was written — then weaves in fictional mythos, occult religions, fascist political movements, and a post-modern deconstruction of itself. It’s equal parts fun, crazy, confusing, and challenging. The fact that Shea and Wilson had the capacity to create such a mammoth work encompassing so many far-reaching, interconnecting lines of conspiratorial thought makes it work to behold, not only for its brilliance but also for its influence. This is not The DaVinci Code; it’s bigger, deeper, more imaginative, and more complex.
Filled with sex and violence--in and out of time and space--the three books of The Illuminatus are only partly works of the imagination. They tackle all the coverups of our time--from who really shot the Kennedys to why there's a pyramid on a one-dollar bill.
I’m a law professor who, among other things, writes about the culture and law of secrecy. I’ve written two books: Conspiracy Theories: Secrecy and Power in American Culture, the second edition of which was published in 2008, and The Transparency Fix: Secrets, Leaks, and Uncontrollable Government Information (2017). I hold a J.D. from Yale Law School and a Ph.D. from the Institute of Communications Research at the University of Illinois at Urbana-Champaign, and I teach at the University of Florida.
Hofstadter’s Paranoid Style is more a work of historiography than history and attempted to explain the rise of a right-wing “paranoia” to a liberal intellectual audience in the early 1960s. By contrast, Jesse Walker’s book offers a more detailed, engaging, and sympathetic history of U.S. conspiracy theories and the individuals and groups who have made and circulated them. It’s funny and deadpan, with a keen eye for subcultural details and the singular American oddballs that have traveled from the margins to the mainstream. As Walker demonstrates, Qanon is not the first example of a bizarre, syncretic set of beliefs that has attracted a surprisingly large number of adherents.
The United States of Paranoia is a history of America's demons. Conspiracy theories, Walker explains, aren't just a feature of the fringe: They've been a potent force across the political spectrum, in the center as well as the extremes, from the colonial era to the present. Walker argues that conspiracy stories need to be read not just as claims to be either believed or debunked but as folklore. When a tale takes hold, it says something true about the anxieties and experiences of the people who believe and repeat it, even if it says nothing true about the objects of…
I owe this book to a recommendation by my friend, the French bi-lingual writer, Seb Doubinsky, and, boy, am I happy that I followed up on the recommendation!
This is what scholarly writing can be: engaged, lucid, relevant, highly readable, not afraid to say things out aloud, not the sort of jargon-filled, boring, needlessly footnoted tomes (which do not even dare to whisper) that academics mostly write.
Essentially, this book looks at the occult elements in the militantly rational traditions of Anarchism and illustrates the occult not as a lack but as a marginalized (defective or not) set of discourses. Among other things, even though it does not discuss it, this book enabled me to understand the fascination of Donald Trump’s supporters with his wild conspiracy theories.
In the nineteenth century anarchists were accused of conspiracy by governments afraid of revolution, but in the current century various 'conspiracy theories' suggest that anarchists are controlled by government itself. The Illuminati were a network of intellectuals who argued for self-government and against private property, yet the public is now often told that they were (and are) the very group that controls governments and defends private property around the world. Lagalisse intervenes in such misinformation. Studying anarchism as a historical object, Occult Features of Anarchism also shows how the development of leftist theory and practice within clandestine masculine public spheres…
