I’m an Irish writer drawn to the ways in which the biggest questions – of human nature, existence, late capitalist realism, politics, ethics, and consciousness – play out via the minutiae of specific locations; in this case, the city of Dublin, where I’ve spent most of my adult life. I don’t think of cities as monuments but living and complex microcosms of concerns and urgencies the whole world shares.
A post-Donna Tart’s Secret History-esque tale of literary mystics who make up a secret society at Trinity College Dublin which tends, unfairly, to get left behind in analyses of Irish ‘Celtic Tiger’ fiction.
This is fiction from or dealing with the abrupt and accelerated modernity that hit Ireland like a cultural torpedo in the early 2000s, and quite a lot of it fails to capture the discombobulation of living through that time.
The First Verse is a campus novel about sexy secretive students and shady deeds which also plots a queer geography of Dublin’s gay scene as well as illustrating the emotional tension that exists in Dublin between city centre and its polarised northern and southern suburbs.
Dublin is such a mannered city, caught in Georgian poses while falling apart as postmodernity obliterates its value system, that it surprises me there aren’t more Dublin novels about baroque subcultures. McCrea is…
A thrilling twist to the suspenseful games of The Rule of Four and The Da Vinci Code sends a gay student reeling through the pubs, nightclubs and streets of present-day Dublin. 'In this brilliant first novel, the best of recent memory, a young Irish writer of great psychological dexterity takes on a handful of exciting themes. For a hundred years, Ireland has provided the English-speaking world with its most eloquent writers; Barry McCrea now joins this illustrious company.' - Edmund White
I love rivers. The flow of water gives a sense of timelessness, the reflection of light from the surface brightens the colours on the banks and the wider stretches make a feeling of space. I have messed about in boats all my life and I am happiest on inland waterways. What I enjoyed as recreation alongside a medical career has grown into a vocation in my retirement. The more people who know about our beautiful rivers, the better the chances that we can protect them from exploitation and carelessness.
This book was sponsored by the National Trust and has the high quality that one expects of that organisation.
It is a very readable account of the geology and geography of rivers. It has helped me to understand what I see when I look at rivers and it encourages me to go to new places to learn more. Although it was written nearly 40 years ago, it is very relevant to the present times when rivers in many countries suffer from mismanagement of the environment.
The lovely photographs show how much there is that is worth better care.
Research and writing have shown me that the war-affected baby boomers like me in tangible ways. My father-in-law helped deliver the survivors of the Bataan Death March—what a legacy! My special addiction to the WOMEN of WWII, though, probably stems from my mother, who suffered poverty and restrictions on the home front through it all. Also, my husband (a history major) and I delight in watching documentaries and accurate movies about the war and visiting as many historical sites as possible.
The maps in this volume are so instructive, and it offers comprehensive information on all fronts of the war. For one lacking in geographical and military strategy knowledge, I count this book as invaluable to my research.
Historical Atlas of World War II examines all the key events of the six-year conflict, with thoroughly researched text accompanied by 170 highly detailed maps. Incredible multimedia profiles of World War II's most significant battles make Historical Atlas of World War II the next best thing to a time machine.
With realistic maps, detailed accounts, and vibrant illustrations, the book transports the reader to famous World War II battles. Using state-of-the-art technology, special microchips translated the contours of two-dimensional maps of battlefields into realistic renderings of actual landscapes. Illustrators then overlaid these maps with all of the information at their…
Growing up, I rewatched Star Wars until I wore out my VHS tape. I read every Dragonlancenovel. I played a bit of D&D. When I got to college, I finally was allowed work on things that interested me. I found Art History, dove into Medieval Studies, and, in grad school, got serious about monsters. Monster Studies didn’t exist, but books were out (especially by Jeffrey Jerome Cohen), and my advisor encouraged me to follow my passions. My 15-year-old self would be astonished to learn that I’d get to read monster books, study monster art, and watch monster movies as a job!
This is a brilliant, wide-ranging, deeply-sourced study of the dynamics that underpinned and justified early modern colonization of the Americas. Mandeville’sBook of Marvels and Travels is the prehistory of the horrors of colonization; the sources at the heart of Davies’s study are colonization’s architecture: maps, book illustrations, freestanding prints, published texts, letters, journals, and on. With nuance and care, Davies rewrites the intellectual history of this period, confronting the dehumanizing, demonizing, monsterizing visual and textual rhetoric of colonial enterprises (which directly contributed to large-scale violence), but also looking carefully at nuances, differences, and shifts in this rhetoric over the course of the Renaissance.
Giants, cannibals and other monsters were a regular feature of Renaissance illustrated maps, inhabiting the Americas alongside other indigenous peoples. In a new approach to views of distant peoples, Surekha Davies analyzes this archive alongside prints, costume books and geographical writing. Using sources from Iberia, France, the German lands, the Low Countries, Italy and England, Davies argues that mapmakers and viewers saw these maps as careful syntheses that enabled viewers to compare different peoples. In an age when scholars, missionaries, native peoples and colonial officials debated whether New World inhabitants could - or should - be converted or enslaved, maps…
I’m a writer and an editor with eclectic interests. I’ve published two books of popular history—Da Vinci's Ghost (2012), about Leonardo da Vinci’s Vitruvian Man, and The Fourth Part of the World (2009), about the map that gave America its name. I’ve also written extensively for national publications on such topics as the sociology of new religious movements, privacy protection in the Internet age, the Voynich manuscript, the revisionist study of the Qur’an, the revival of ancient Greek music, and alphabet reform in Azerbaijan. I’m presently a senior editor at the Harvard Business Review and acontributing editor at The Atlantic. From 1988-1990, I served as a Peace Corps volunteer in Yemen.
When the story of Christopher Columbus gets told, it’s typically as a tale of his having sailed west to get quickly to the east. But in this gorgeously produced, exhaustively researched study, Nicolás Wey-Gómez argues that to understand Columbus and his story properly, you have to understand it as a story about voyages to the south. Columbus inherited a powerful set of assumptions about the nature and peoples found in southern latitudes, and it’s those assumptions, Wey-Gómez contends, that allowed Columbus and the many Europeans that followed him to the New World to justify their various colonial enterprises.
A radical revision of the geographical history of the discovery of the Americas that links Columbus's southbound route with colonialism, slavery, and today's divide between the industrialized North and the developing South.
Everyone knows that in 1492 Christopher Columbus sailed west across the Atlantic, seeking a new route to the East. Few note, however, that Columbus's intention was also to sail south, to the tropics. In The Tropics of Empire, Nicolás Wey Gómez rewrites the geographical history of the discovery of the Americas, casting it as part of Europe's reawakening to the natural and human resources of the South. Wey…
I’ve always been fascinated by different cultures. I started to learn Russian in 1998, and intrigued by the language, I began to study Russia more—delving into history and politics and then doing a PhD in Russian foreign policy. Ever since, trying to learn about and understand Russia has been my professional focus. Alongside books in Russian, these books are all to hand on my reference shelf, well-thumbed and marked up, as I try to write my own work. I hope you enjoy them as much as I have!
I found this book to be full of insights into Russian thinking and culture. I never met Hingley, but would have loved to—his work has had a real influence on my own approach to studying and thinking about Russia. I find him a fluent writer who can take complex and controversial subjects and make them accessible. This is such a rich book. Hingley tries to explain problems of perspective in thinking about a different culture, before moving on to address a wide range of themes from Russian literature to history, geography, and politics. Times and attitudes change, but I find that it helps to frame some persistent questions about Russian life, and this book is such a good way to understand how things do—and don’t—happen in Russia.
I am a Geography professor at DePaul University with a long-standing obsession with the world, comparing puddle shapes to countries as a small child and subsequently initiating map and flag collections that I cultivate to this day. Having lived in different parts of the UK and the USA, as well as being fortunate enough to travel further afield, I’ve relished the opportunity to explore widely and chat with the people who know their places best. I love books that alter how I look at the planet, and I am particularly intrigued by the subtle ways in which people have shaped our world—and our perceptions of it—both intentionally and inadvertently.
I regard this book as the quintessence of a modern geography trade book, a work that compels us to examine the places around us with an increasingly critical eye.
Drawing on current geographical thinking and a rich assortment of case studies from across the globe, Bonnett demonstrates why place matters: it is how we apply meaning to the world. Accordingly, to be placeless—whether through dispossession or demolition on the ground or deletion from the map—is tantamount to not existing at all.
Part of what makes this book such a captivating read is its attention to such concerns. Our relationship with the world may be quite innocuous, characterised by innocent curiosity and a craving for excitement, but it can also assume an ugly side, where people seek to seize places only for themselves. Ultimately, what we make of the planet, mundane and remarkable all at once,…
'A fizzingly entertaining and enlightening book' Daily Telegraph
'Mesmerising' Geographical Magazine
'A fascinating delve into uncharted, forgotten lost places. But it's not just a trivia-tastic anthology of remote destinations but a nifty piece of psycho-geography, explaining our human need for these cartographical conundrums.' Wanderlust
In a world of Google Earth, in which it is easy to believe that every discovery has been made and every adventure already had, Off the Map is a stunning testament to how mysterious our planet still is.
From forgotten enclaves to floating islands, from hidden villages to New York gutter spaces, Off the Map charts…
I’m a writer and an editor with eclectic interests. I’ve published two books of popular history—Da Vinci's Ghost (2012), about Leonardo da Vinci’s Vitruvian Man, and The Fourth Part of the World (2009), about the map that gave America its name. I’ve also written extensively for national publications on such topics as the sociology of new religious movements, privacy protection in the Internet age, the Voynich manuscript, the revisionist study of the Qur’an, the revival of ancient Greek music, and alphabet reform in Azerbaijan. I’m presently a senior editor at the Harvard Business Review and acontributing editor at The Atlantic. From 1988-1990, I served as a Peace Corps volunteer in Yemen.
This is a lapidary introduction to the stories and ideas that prompted Columbus to sail away from Europe into the Atlantic in search of a direct sea route to Asia—and that determined how he interpreted what he came across after making landfall in the Americas. In just 200 pages, Flint nimbly covers all sorts of material: Christian theories of cosmology and eschatology; medieval conceptions of geography; the travel stories of St. Brendan, Sinbad the Sailor, Sir John Mandeville, and Marco Polo; the books that Columbus read, and the notes he made in them to himself; and more. In doing so, she reanimates a fascinating landscape of the imagination.
Rather than focusing on the well-rehearsed facts of Columbus's achievements in the New World, Valerie Flint looks instead at his imaginative mental images, the powerful "fantasies" that gave energy to his endeavors in the Renaissance. With him on his voyages into the unknown, he carried medieval notions gleaned from a Mediterranean tradition of tall tales about the sea, from books he had read, and from the mappae-mundi, splendid schematic maps with fantastic inhabitants. After investigating these sources of Columbus's views, Flint explains how the content of his thinking influenced his reports on his discoveries. Finally, she argues that problems besetting…
Nature enthusiasts, David Attenborough superfans, and the best campsite hot toddy makers you’ll ever encounter… We’re best friends who have been traveling through national parks together for millenia. During our travels, we’ve developed our own style of tourism based on science and following our curiosity. We’ve hiked with paleontologists, asked renowned scientists ridiculous questions about which prehistoric creature they’d want for a pet, and introduced a parks astronomer/pilot/ER doctor to bourbon. In 2023, we released National Parks Trivia: A Card Game so that when you’re done hiking around with our first book, you have something to keep you entertained at the campsite all evening long.
The catchy phrase “half the park is after dark”? Yeah, Nordgren came up with that!
An astronomer, artist, and reformed college professor, Nordgren’s guide is essential for anyone who knows a little or a lot about what’s going on in the skies above your favorite parks. It’s not just about stargazing, though—he also points out when the land you see is similar to something you’d see in the cosmos.
Our joint copy went to every park with us and is thoroughly highlighted and dog-eared… there might be some whiskey spills on there too.
Stars Above, Earth Below uses photographs and sky charts to form a connection between what is seen on the ground and in the sky, and looks at the deeper scientific meaning behind these sights. Nordgren describes other objects in the Solar System with features similar to those on Earth and links the geological features seen in the national parks to the very latest NASA spacecraft discoveries on other planets and their moons. Additionally, historical context is discussed to show why we humans (who have lived in and around our national parts for tens of thousands of years) have always been…
Growing up, my father was a biologist and my mother was a children’s librarian, so I suppose it’s no surprise that I’ve become a children’s book author who writes about valuing the planet where we we live. I’ve always had a deep love of reading and some of my most cherished childhood memories are of walking through the woods behind our house, with one parent or another identifying the plants, animals, amphibians, birds, and insects that shared our land. My very first piece of writing was a poem about an owl that I wrote in first grade, and now all these years later, I’m still reading, writing, and recommending books that celebrate our marvelous world.
Believe it or not, this is a book I’ve used successfully in the classroom with teenagers!
The premise is that if we shrank the world down to just 100 people, we could then see what percentages of people shared nationalities, languages, school systems, types of jobs, etc. Or we can see who uses certain resources or has different possessions.
What I like about this book is that it’s impossible to wrap our minds around numbers in the millions and billions, but by breaking huge statistics down to just factors of 100, we can understand these concepts that illuminate how we’re sharing the planet. Kids love this book!
This is the new paperback edition of a beautiful and unique book, which explains facts about the world's population in a simple and fascinating way. Instead of unimaginable billions, it presents the whole world as a village of just 100 people. We soon find out that 22 speak a Chinese dialect and that 17 cannot read or write. We also discover the people's religions, their education, their standard of living, and much much more...This book provokes thought and elicits questions. It cannot fail to inspire children's interest in world geography, citizenship and different customs and cultures, whether they read it…
