I'm a mystery writer and teacher now. Back then, I spent 10 years homeless and addicted on the streets of San Francisco. I could always return to Mom in CT and get put in a cushy rehab. Until I couldn't. And then she was dying, and my younger brother was addicted and soon he'd be dead too. It got scary at the end because I wasn't just some white suburban kid playing a scumbag junkie. I was a scumbag junkie. But why do I have a passion for the topic? I guess it's because it isn't all bad. I know that sounds weird, but being homeless and addicted has moments of beauty and joy too.
Orangutan is a working-class opus. Broderick excels in his display of the grind and how some men can weather and accept, as the Boss sings, dying little by little, piece by piece, and how others need more help to make it through the day. The most compelling part of Broderick's writing is the way he is able to delineate between the haves and have-nots. And, no, I don't mean money. Some men can drink a six-pack on the weekend, even do some blow. They'll be fine. Others? Like Colin? A shot is too much of an allure. Not just to get drunk, wasted, blotto. It goes way deeper. It's a form of wakeful suicide. You get through the day. You get your paycheck. You survive. But the price is not living.
Few people who have been slave to an addiction as vicious, as destructive, and as unrelenting as Colin Broderick's have lived to tell their tale. Fewer still have emerged from the darkest depths of alcoholism—from the perpetual fistfights and muggings, car crashes and blackouts—to tell the harrowing truth about the modern Irish immigrant experience.
Orangutan is the story of a generation of young men and women in search of identity in a foreign land, both in love with and at odds with the country they've made their home. So much more than just another memoir about battling addiction, Orangutan is…
My family moved frequently and, as a result, I was raised in a number of different small towns in Montana, Nebraska, Kansas, Texas, and Massachusetts. I now live in a large city but the experience has never left me. There was always a certain amount of crime and corruption in the towns I grew up in, but I only had a child’s eye view of it. However, a child’s eye view is usually the most vivid. This experience and the books that I have listed above all had a direct influence on Blue Hotel.
Road to
Perdition takes place during the Great Depression. Like my book,
it concerns a man who betrays his Chicago Irish-American mob boss and is forced
to flee for his life (accompanied by his young son in this case), pursued by a
relentless killer sent by his former boss. Superficially, what appealed to me
was the Depression-era atmosphere that the author of Road to Perdition created.
On a deeper level, it appealed to me as a story of a man in a battle for the
soul of his son. The man, an enforcer for his gangland boss, considers his own
soul to be irredeemably lost because of the crimes he has committed, not only
survive but to thrive.
First there was Max Allan Collins' legendary graphic novel...then came the Academy Award winning movie and his bestselling screenplay novelization. Now Collins presents an epic new novel, combining and expanding upon all that came before, to create the ultimate version of his unforgettable story.;
Depression-era Chicago is awash in liquor and blood, ruled by guns, graft, and gangsters like John Looney. His most feared enforcer is Michael O'Sullivan, known as the "Angel of Death." But when O'Sullivan's twelve-year-old son witnesses a gangland murder committed by Looney's brutal son, O'Sullivan's entire family is marked for execution to cover up the crime.…
I’ve been fascinated by the feelings stories can evoke in readers since I cried over Bridge to Terabithia in middle school. From the time I was twelve, I’ve sought snapshots in time that ooze with a strong sense of place and flawed characters to capture my heart when reading. I’ve found well-researched historic Gothic family sagas to be the most consistent in delivering that raw emotional bond between the setting/characters and reader. As a writer, I strive to recreate what I crave when reading. The historic Gothic family sagas I’ve chosen represent an array of characters you will love—or love to hate—and cry over.
Caldwell opened my eyes not only to aspects of American history I wasn’t familiar with, but current politics with this heavy saga. Captains and the Kings highlighted the plight of Irish immigrants in the mid-1800s and then widened the scope to show the follies of the social classes, political corruption, and greed into the new century. True events and historical figures are woven into this fictional tapestry with such skill that everything seems plausible. I ended the read fearful for our future, like I’d typically get from reading a dystopian novel. It’s an intense read needing tissues, a search engine for looking up historical tidbits you might not be familiar with, and possibly a dictionary. The book haunts me to this day—in a good, though horrific, way.
New York Times Bestseller: Sweeping from the 1850s through the early 1920s, this towering family saga examines the price of ambition and power.
Joseph Francis Xavier Armagh is twelve years old when he gets his first glimpse of the promised land of America through a dirty porthole in steerage on an Irish immigrant ship. His long voyage, dogged by tragedy, ends not in the great city of New York but in the bigoted, small town of Winfield, Pennsylvania, where his younger brother, Sean, and his infant sister, Regina, are sent to an orphanage. Joseph toils at whatever work will pay…
I'm a scholar of Irish and Irish-American culture and identities who teaches at the University of Connecticut. After I left Ireland to take up that position, I initially taught only Irish material. However, soon after my arrival, Obama, a Black president of white Protestant Irish maternal ancestry, was elected. This alerted me to the complexity of Irish identities and histories in the Americas. I also began to perceive traces of Irish memory and history in American writers and public figures whose diverse Irish roots are underexamined. The long and varied Irish presence in America and the overlooked concerns with Irish identity and history of many creatives and public figures inspired my new cultural history.
Like many Irish women, my mother and grandmother were obsessed with movie star Grace Kelly (who became Princess Grace of Monaco in 1956) and passed on that fascination to me.
I have long thought that important public women of Irish America such as Jackie Kennedy and Grace have not been given due consideration in surveys of Irish America, which tend to emphasize public men. Therefore, I love the biography, High Society: The Life of Grace Kelly, because it takes its glamorous subject seriously.
Spoto’s book goes beyond biographers’ usual emphasis on the glitter of Grace’s rise to princess to provide an intimate, respectful, and sympathetic portrait of the woman, the actor, the mother, the wife, and the very able representative of a small principality on the world stage.
Many assume that the Philadelphia-born Kelly was elite, but Spoto lays out that she was the granddaughter of a poor Mayo man…
Drawing on his unprecedented access to Grace Kelly, bestselling biographer Donald Spoto at last offers an intimate, honest, and authoritative portrait of one of Hollywood’s legendary actresses.
In just seven years–from 1950 through 1956–Grace Kelly embarked on a whirlwind career that included roles in eleven movies. From the principled Amy Fowler Kane in High Noon to the thrill-seeking Frances Stevens of To Catch a Thief, Grace established herself as one of Hollywood’s most talented actresses and iconic beauties. Her astonishing career lasted until her retirement at age twenty-six, when she withdrew from stage and screen to marry a European monarch…
Researching the storylines for my family drama novels gives me the opportunity to speak to many different people about huge events and dilemmas in their families and lives. Through their honesty and generosity, I have gained a huge respect for the way in which people can cope with tragedy and also a fascination with how they deal with it. For me, reading – and writing – about these topics is immensely cathartic and makes me remember to grasp life with both hands. I’m a sucker for a happy ending, though, so I always look for the hope at the end of any story.
Ask Again, Yes is a drama about two generations of two families and the tragedy within the book centres on the events of one fateful day.
Mary Beth Keane’s prose is a real pleasure to read and the story itself brings home how often lives are changed irrevocably in a moment. What I also loved about this book was that it takes the central characters from childhood to adulthood and we see how this makes them view events differently.
It’s one of the reasons I enjoy books with multiple narrators – being able to see the way they can justify their own decisions while judging the actions of others. A terrific read.
The triumphant New York Times Bestseller *The Tonight Show Summer Reads Pick*
Named one of the Best Books of the Year by People, Vogue, Parade, NPR, and Elle
"A gem of a book." —Taylor Jenkins Reid, author of The Seven Husbands of Evelyn Hugo
How much can a family forgive?
Francis Gleeson and Brian Stanhope, rookie NYPD cops, are neighbors in the suburbs. What happens behind closed doors in both houses—the loneliness of Francis’s wife, Lena, and the instability of Brian’s wife, Anne, sets the stage for the explosive events to come.
In Mary Beth Keane's extraordinary novel, a lifelong…
I’ve been a newspaperman for 40 years, the last 25 at The New York Times, and crime is the meat and potatoes of the business. My mother came from an Irish American clan in the Pennsylvania township where the Molly Maguires were born – my great-uncle died at 13 in the mine where the Mollies made one of their first recorded appearances. So I’ve been fascinated by Irish American true crime ever since the Sean Connery film The Mollies Maguires came out in 1970. I’ve spent most of my adult life researching the subject, and have given lectures on it all over the country.
This forgotten masterpiece of a memoir by a prosecutor who took on corruption on the docks of New York came out in 1956, two years after that Marlon Brando classic, On the Waterfront.
William Keating, a hard-nosed, relentless, and incorruptible crime-fighter, gives an inside look at the reign of terror imposed on honest, hard-working longshoremen by the gangsters who ran their union.
Keating was by no means anti-labor – at the start of Chapter 2, he mentions that his father was an official in the United Mine Workers, and that his great-grandfather was a prominent Molly Maguire in the hard-coal fields of Pennsylvania. That earned points with me – I come from a long line of Irish American coal miners in that area.
After years dedicated to the hard facts of a newspaper reporter’s life, including a sting covering the police beat, Carmen Radtke has changed her focus to fiction. She’s been fascinated by both history and mystery as long as she can remember and stays dedicated to the truth behind the lie, and the joys of in-depth research. As a repeated emigrant, she is enthralled by voyages into the unknown and the courage (or madness) that takes.
I fell in love with this series and its intrepid heroine Molly Murphy on page one. A young, penniless woman who has to rely on her own wits to make her way to America at the end of the 19th century, and a sea voyage that ends well enough until she becomes a murder suspect as soon as she arrives in Ellis Island - this impeccably researched historical mystery has all the ingredients I could want. It’s a satisfying mystery and a scathing social commentary, the tone of voice is clever and funny, and I didn’t just want to follow Molly on every step of her journey, I wanted to be her.
Rhys Bowen, author of the much-loved Constable Evans mysteries, takes on the vibrant world of turn-of-the-century Ellis Island and New York in her newest series. With delightful humour and meticulous research Bowen transports readers to the gritty underworld that swallowed new immigrants who dreamed of a better life, and gives us the unforgettable heroine Molly Murphy, a resourceful Irish woman who lives by her own set of laws...
I grew up in Boston and New York and currently live in Montreal. I have worked primarily in writing performance texts and plays. I founded the performance company Bluemouth Inc., with whom I have written and staged over a dozen works. In 2018, I completed an MFA in Creative Writing at Concordia University, where I was awarded the Dean of Arts and Sciences Award for Excellence in Creative Writing. As for my expertise in compiling this list, I am the daughter of a strong force-of-nature woman who fought for what she had and taught her kids they can get through anything as long as they have humor, music, and books.
When it comes to ass-kicking, take-no-prisoners, the female protagonist of this book is as fierce as they come. I loved having my heart broken by this book that was simultaneously an action-packed thriller and a thoughtful, unflinchingly honest work of historical fiction.
I grew up just outside of Boston, and it is so often that books or movies get Boston wrong, but not Dennis Lehane. Nailed it.
“Small Mercies is thought provoking, engaging, enraging, and can’t-put-it-down entertainment.” — Stephen King
The acclaimed New York Times bestselling writer returns with a masterpiece to rival Mystic River—an all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston’s history.
In the summer of 1974 a heatwave blankets Boston and Mary Pat Fennessy is trying to stay one step ahead of the bill collectors. Mary Pat has lived her entire life in the housing projects of “Southie,” the Irish American enclave that stubbornly adheres to…
For almost 20 years, I worked in public and private schools, first teaching with the Peace Corps in Niger and finally in a public high school in New Jersey. For a while, I didn’t feel I knew how to teach. I struggled to reach American teens. I thought they had attitude—and were nasty and lazy. I didn’t want to be in the classroom. But then matters turned around and I began to see how I could make a difference in their lives, enjoying the time I spent with them, and shaping them into decent, hardworking types. And, in the process, they all learned some French—and respected me.
A memoir by a high school teacher in New York, who explains how he learned how to work with disillusioned teenagers and make them care about learning.
He brings up what is going on in his personal life, adding an extra dimension to the story. I appreciated his struggles and honesty about what it takes to lead in a classroom, where not everyone is motivated to succeed.
Kudos to this author who made me see how it’s not always easy or fun to teach, but that it’s always worthwhile. He gave me the courage to stick to teaching even when sometimes I wanted to quit.
Nearly a decade ago Frank McCourt became an unlikely star when, at the age of sixty-six, he burst onto the literary scene with Angela's Ashes, the Pulitzer Prize -- winning memoir of his childhood in Limerick, Ireland. Then came 'Tis, his glorious account of his early years in New York.
Now, here at last, is McCourt's long-awaited book about how his thirty-year teaching career shaped his second act as a writer. Teacher Man is also an urgent tribute to teachers everywhere. In bold and spirited prose featuring his irreverent wit and heartbreaking honesty, McCourt records the trials, triumphs and surprises…
I’ve been a newspaperman for 40 years, the last 25 at The New York Times, and crime is the meat and potatoes of the business. My mother came from an Irish American clan in the Pennsylvania township where the Molly Maguires were born – my great-uncle died at 13 in the mine where the Mollies made one of their first recorded appearances. So I’ve been fascinated by Irish American true crime ever since the Sean Connery film The Mollies Maguires came out in 1970. I’ve spent most of my adult life researching the subject, and have given lectures on it all over the country.
This work came out in the Roaring Twenties, but the gangsters of that decade had nothing on the 19th-century outfits like the Dead Rabbits and the Gas House Gang.
When the dive bars have names like the Tub of Blood and they’re kept in business by the likes of Razor Riley, One-Lung Curran, and Stumpy Malarkey, you can’t go wrong. But to me the most compelling part was Asbury’s account of New York’s horrendous Civil War draft riots.
The Molly Maguires of Pennsylvania were born in opposition to that same draft, after a Protestant Republican allied with the coal industry used conscription to try to rid the coal fields of Irish Catholic Democrats and mine labor activists before a crucial election.
First published in 1928, Herbert Asbury's whirlwind tour through the low-life ofnineteenth-century New York has become an indispensible classic of urban history.
Focusing on the saloon halls, gambling dens, and winding alleys of the Bowery and the notorious Five Points district, The Gangs of New York dramatically evokes the destitution and shocking violence of a turbulent era, when colorfully named criminals like Dandy John Dolan, Bill the Butcher, and Hell-Cat Maggie lurked in the shadows, and infamous gangs like the Plug Uglies, the Dead Rabbits, and the Bowery Boys ruled the streets. A rogues gallery of prostitutes, pimps, poisoners, pickpockets,…
