Timothy Williamson is a professor of philosophy at Oxford University and a visiting professor at Yale. He writes on metaphysics and epistemology because he doesn’t know how not to care about them. Metaphysics asks fundamental questions about what reality is and how it is structured; epistemology asks fundamental questions about what and how we can know about reality.
This is a popular, reliable, wide-ranging introduction to metaphysics by two respected philosophers. It covers topics such as personal identity, fatalism, time, God, free will and determinism, possibility and necessity, and criticisms of metaphysics itself. It asks why there is something rather than nothing, and whether distinctions between good and evil and between right and wrong have any objective reality. Ted Sider is a leader of new developments in contemporary metaphysics.
Riddles of Existence makes metaphysics genuinely accessible, even fun. Its lively, informal style brings the riddles to life and shows how stimulating they can be to think about. No philosophical background is required to enjoy this book. It is ideal for beginning students. Anyone wanting to think about life's most profound questions will find Riddles of Existence provocative and entertaining.
This new edition is updated throughout, and features two extra, specially written chapters: one on metaphysical questions to do with morality, and the other on questions about the nature of metaphysics itself.
I am a philosopher of language (and of art) and have been for 30+ years. Why philosophy of language? Well, it encourages a certain salutary kind of self-consciousness—which is extremely valuable to philosophy—and facilitates greater rigor. But it only got going some one hundred and twenty years ago. So it's modern(ish) as well as deep. And whereas it might seem a narrow slice of the philosophical pie, it isn't; it seems to provide fruitful ways of thinking for almost any philosophical subject. For example, rather than 'What is X?', we ask 'What do we mean by "X"?'; a subtle difference perhaps but the change in perspective might be a key.
I never believed a word of it, yet here is a most challenging, extremely well-written, and powerful statement of the "new theory" of reference, which is so satisfactory, so promising, yet even comforting in many ways.
Contained within are various arguments (akin to thought experiments) aimed at nudging one towards a way of thinking about language that is compelling, of the "I knew it all along! How could anyone not see?" variety.
'Naming and Necessity' has had a great and increasing influence. It redirected philosophical attention to neglected questions of natural and metaphysical necessity and to the connections between these and theories of naming, and of identity. This seminal work, to which today's thriving essentialist metaphysics largely owes its impetus, is here reissued in a newly corrected form with a new preface by the author. If there is such a thing as essential reading in metaphysics, or in philosophy of language, this is it.
Timothy Williamson is a professor of philosophy at Oxford University and a visiting professor at Yale. He writes on metaphysics and epistemology because he doesn’t know how not to care about them. Metaphysics asks fundamental questions about what reality is and how it is structured; epistemology asks fundamental questions about what and how we can know about reality.
If you buy a lottery ticket, it is very probable that it will lose, but you do not know that it will lose, otherwise you might as well throw it away. The book uses such simple examples to think very deeply about the nature of knowledge and the way common sense knowledge is threatened by chance. It critically assesses the idea that what we mean by the word ‘know’ depends on the context in which we are speaking, and explores the subtly different idea that whether you know something can depend on how much practical difference it makes to you. John Hawthorne is one of the most acute and perceptive of contemporary epistemologists.
Knowledge and Lotteries is organized around an epistemological puzzle: in many cases, we seem consistently inclined to deny that we know certain propositions, while crediting ourselves with knowledge of propositions that imply them. In its starkest form, the puzzle is this: we do not think we know that a given lottery ticket will be a loser, yet we normally count ourselves as knowing all sorts of things which entail that its holder will not suddenly acquire a large fortune. After providing a number of specific and general characterizations of the puzzle, Hawthorne carefully examines the competing merits of candidate solutions,…
StairWell is the second volume of The English Cantos, where the Poet leaves the confines of Hell’s hospital ward and enters Purgatory. Following in the footsteps of Dante Alighieri, the Poet must climb the staircase to the Chapel of St. Luke, at once a real place of solace and sacredness in the midst of the blighted hospital, but also a metaphysical plane, accessible only to those who may pass the trials and tribulations of the purgatorial ascent.
On the journey, the Poet will meet figures both from his personal life, and those more well known, all fighting their own battles of self-improvement.
Combining deep psychology with the fantastical grandeur of an Arthurian legend, StairWell explores the fragility and wickedness of the human condition balanced with the transformational powers of Hope and Faith.
From the misery of Hell’s corrupted wards, to the mountain of personal transcendence…
StairWell is the second volume of The English Cantos, where the Poet leaves the confines of Hell’s hospital ward and enters Purgatory. Following in the footsteps of Dante Alighieri, the Poet must climb the staircase to the Chapel of St. Luke, at once a real place of solace and sacredness in the midst of the blighted hospital, but also a metaphysical plane, accessible only to those who may pass the trials and tribulations of the purgatorial ascent.
On the journey, the Poet will meet figures both from…
Books have the power to do so much more than to simply entertain. I believe it’s my job as a fiction writer to condense research of complex subjects into understandable language and then play it out in story. My Enter the Between fiction series introduces readers to the world of metaphysics—the bridge between the seen and the unseen, science, and spirituality—which serves as a key to understanding consciousness, death, and the meaning of life. I’ve spent twenty years researching contemporary paganism, holistic theory, quantum mechanics, and transpersonal psychology to come up with stories that bridge science and spirituality with paranormal, supernatural underpinnings, and contemplative messaging that aims toward a kinder, wiser, more peaceful world.
I’m drawn to novels that combine the ordinary with the extraordinary, the mundane with the spiritual, and Drawing in the Dust does both. By turns, suspenseful, mysterious, and thought-provoking, this transformative story provides insight into the world of biblical excavation—with a twist! Archaeologist Page Brookstone discovers the bones of prophet Jeremiah locked in an embrace with the bones of a mysterious woman. Amazing stuff, especially for me, who has loved archeology since my days in college. I categorize Drawing in the Dust as visionary/metaphysical fiction, the genre I write and most love to read, a genre that bridges science and spirituality with paranormal and supernatural underpinnings.
UNFORGETTABLE DEBUT NOVEL IS A RICHLY EVOCATIVE AND BOUNDLESS LOVE STORY THAT REVERBERATES FROM BIBLICAL TIMES TO THE MODERN WORLD.
Brilliant archaeologist Page Brookstone has toiled at Israel's storied battlegrounds of Megiddo for twelve years, yet none of the ancient remnants she has unearthed deliver the life-altering message she craves. Which is why she risks her professional reputation when a young Arab couple begs her to excavate beneath their home. Ibrahim and Naima Barakat claim the spirits of two lovers overwhelm everyone who enters with love and desire. As Page digs, she makes a miraculous discovery-the bones of the deeply…
I began reading Tarot in high school – or at least, trying to. Like most people, I was pretty intimidated starting out. It took several teachers, a stack of books, and a lot of years before I understood that Tarot cards are simply repositories for symbols of the human experience. That’s how they continue to be so popular: they speak to something deep within us all. It was only natural that my art endeavors and my passion for the ancient Minoans would eventually dovetail with my love of Tarot. The end result was The Minoan Tarot, which I’m delighted to share with you along with these excellent Tarot books.
If you’ve ever thought about using the Tarot for personal development instead of just divination, but didn’t know where to start, Holistic Tarot is the resource for you. Tarot cards are no substitute for a good therapist, but in this book, Benebell Wen shows you how to use the cards to better understand your emotions and desires and to help you remove blockages to your creativity and satisfaction with life. This is a structured and methodical approach that will give you practical results.
Designed for beginning as well as experienced tarot readers, Holistic Tarot offers a fresh and easy-to-follow approach to the use of the tarot deck for tapping into subconscious knowledge and creativity. The tarot deck has been used as a divination tool for more than two centuries; while the tarot is still most commonly thought of as "fortune telling," the true power of the tarot lies in its ability to channel a clear path for our deep intuition to shine through. Consulting the tarot can help clear creativity blockages, clarify ambitions, work through complex decisions, and make sense of emotions and…
When you get a PhD in music, you end up with a lot of music books. Like, hundreds of them. At the end of every semester I could never bring myself to sell my textbooks because I just love books. Over the years I’ve continued to collect books about music, and books about everything. I’m happy that now a few have my name on the spine.
I remember reading this book over the summer when I was on the road with a recording company. It is filled with anecdotes about the metaphysical, transcendental, spiritual, and mystic properties of music. The thing I find so fascinating about these stories is not if they are true or not, but the belief systems of these ancient people, and the power and faith they put into music.
Joscelyn Godwin explores music's effects on matter, living things, and human behavior. Turning to metaphysical accounts of the higher worlds and theories of celestial harmony, the author follows the path of musical inspiration on its descent to Earth, illuminating the archetypal currents that lie beneath Western musical history.
I started my career as a New York magazine editor and cynical journalist writing about art, celebrities, and show designers. Eventually I had an existential meltdown where I realized I was trapped in reductive materialism. I didn’t believe in a soul or a spirit or anything that wasn’t tangible. I decided to explore psychedelics and wrote my first book, Breaking Open the Head, after visiting indigenous cultures in Africa and South America where I took Iboga, ayahuasca, and mushrooms in initiation ceremonies. I learned we are facing an ecological and geo-political meta-crisis. I tried to find the roots of this, hoping to save humanity from extinction by unifying us around a mystical realization of oneness.
This is a book that can change your way of understanding your life and your world, profoundly and permanently! Gebser demonstrates that human consciousness has evolved through a series of stages, from the archaic or aboriginal, through the magic and mythical to the current mental-rational structure. Surveying areas ranging from science to art, Gebser proposes that our current meta-crisis is actually necessary to force a mutational break to the next structure of consciousness, the integral-aperspectival, where we will be able to shift between different realizations of time and space, as our world transforms around us.
Born in Posen in 1905, Jean Gebser came from an old Franconian family domiciled in Thuringia since 1236. A nephew of German chancellor von Bethmann-Hollweg, he was a descendant on his mother's side of Luther's friend Melanchthon. He was educated in Breslau, Konigsberg, Rossleben, and at the University of Berlin. In 1929 Gebser emigrated to Italy and subsequently lived in Spain where he was attached to the Ministry of Education of the Spanish Republic. From 1937-1939 he lived in Paris in the circle which included Picasso, Andre Malraux, Paul Eluard, and Louis Aragon. In 1939 he made his permanent home…
I'm a professor of rhetoric at the University of Houston – Downtown. In addition to my academic research, I write political and cultural commentary for a variety of right-of-center online publications. Much of my own work focuses on how individuals come to be persuaded about who they are. I argue that much of the frustration people feel when searching for their authentic identity is due to the fact that the existence of the hidden ‘true self’ is an illusion. The quest for authenticity is never complete. The good news, though, is that you can put an end to the suffering… only if you’re willing to give up the fevered pursuit of the “true self.”
Feldman’s title does not conceal his aims: this book presents a criticism of the ideal of authenticity as the highest order of self-expression. That said, much of the book is a careful explanation of how authenticity came to be so highly valued, and it catalogs the positive societal aspirations of authenticity when it is framed as a personal virtue. The concluding chapter offers a supremely-reasoned elaboration of four separate arguments against authenticity, after which Feldman invites us to start “looking outward,” rather than inward.
"Be true to yourself"-it is a dictum so ubiquitous that it can seem like both philosophical wisdom and an empty truism. Should we aspire to an ideal of living authentically? What does it mean to be true to yourself? Against Authenticity: Why You Shouldn't Be Yourself is a philosophical exploration and critique of the ideal of authenticity. Simon Feldman argues that if being true to ourselves is a matter of maintaining a strong will, being psychologically independent, achieving self-knowledge, or being morally conscientious, then the best lives we can lead should be expected to involve substantial inauthenticity. Feldman suggests that…
I’m a clairaudient medium and I’ve been a professional tarot card reader for 23 years. Delving into past lives is not only something I’m fascinated with but something I do for my spiritual business, as well. The most important part for my clients is not only knowing about their past lives but understanding how the struggles and lessons learned in those lives are applicable to their present life on this planet. History repeats itself is not just a cliche; I’ve always known how important it is to process and release these karmic teachings.
The experience of past life regression therapy is so impactful on your understanding of life on earth and in the thereafter that it transformed Michael Newton from an atheist into the spiritual believer he is today.
Through Newton's research and case studies, I found solace in knowing that our souls continue to evolve and learn between lives and that the trauma of past lives can often follow us into the present. The book's detailed accounts of the afterlife and soul’s journey provided deep insights, expanded my understanding of existence, and ignited a sense of purpose and interconnectedness that resonated deeply with me.
While in deep hypnosis, 29 patients of the author describe their hidden memories of the hereafter, including what has happened to them between their former reincarnations on earth. They reveal how it feels to die, who meets us after death, and what the spirit world is like.
I am a classically and formally trained philosopher. I have a Doctorate in Philosophy from Duquesne University (2011). I've been interested in philosophy for as long as I can remember; however, I began formally studying philosophy when I first discovered the work of Friedrich Nietzsche. I began teaching philosophy at the university level in 2004. I've taught over 100 university-level courses, including graduate-level courses in both philosophy and psychology. I'm presently finishing my tenth philosophy book, along with over 50 professional peer-reviewed articles in philosophy. These days my attention is devoted to sharing philosophy on the internet through The Philosophemes YouTube Channel, @Philosophemes on Instagram, and the Basic Philosophical Questions Podcast.
In my opinion, Gilles Deleuze was the greatest French philosopher of the 20th century, and that century was loaded with amazing French philosophers. Deleuze wrote a large number of excellent books. However, his doctoral dissertation, Difference and Repetition, is quite special. On the one hand, it is – from a philosophical point of view – very enjoyable to read. Though, some may find its style too layered and allusive. On the other hand, Difference and Repetition is also consistently listed as one of the three greatest works in philosophy written in the 20th century. Ultimately, in regard to Kant’s science of metaphysics, Deleuze’s book is a work in transcendental philosophy. More specifically, Deleuze’s book addresses all three divisions by treating cosmological metaphysics as the point of origin for theological and psychological metaphysics.
One last thing to mention here is that Difference and Repetition is the most difficult…
This brilliant exposition of the critique of identity is a classic in contemporary philosophy and one of Deleuze's most important works. Of fundamental importance to literary critics and philosophers,Difference and Repetition develops two central concepts-pure difference and complex repetition-and shows how the two concepts are related. While difference implies divergence and decentering, repetition is associated with displacement and disguising. Central in initiating the shift in French thought away from Hegel and Marx toward Nietzsche and Freud, Difference and Repetition moves deftly to establish a fundamental critique of Western metaphysics.
