The most recommended Navajo books

Brugge., et al. rests its case on the personal lives of Navajos who became poisoned by the uranium that pervaded nearly the entire Navajo Nation from the 1940s until the mines were closed in the 1970s to about 2015.

Much of the editing was done by Navajos, which provides a clear and strong message describing how the many deaths from uranium poison have shredded the cultural fabric of Navajo life.

It is an intensely personal book that is very strong in its account of these effects on families, elders, and future generations.

Anne Hillerman follows her father Tony’s tradition of taking me into the world of Joe Leaphorn of the Navajo Nation. Her knowledge of the superstitions and practices of the Navajo weaves through the Leaphorn’s, Jim and Manuelito Chee’s criminal investigations. I was fascinated by the twists, turns, and dangers they faced and the obstacles created by tribal and governmental regulations. Their corroboration and determination were an inspiration. I was reminded again of the importance of working together rather than trying to go it alone.

I have long been intrigued by the concept of shapeshifters, particularly the Navajo Skinwalker, a practitioner of spiritual arts who can learn to transform into another species while in pursuit of a particular end. I am not alone,  judging from all the ancient legends around the globe. Even today, depictions of shapeshifters are found in literature and on film in many guises. Tony Hillerman takes a deep dive into Navajo lore in this early novel with a close encounter with a suspected “yee naaldlooshii”. Feel the hair rise on your neck!

Everything about this book steals my heart, from Chloe's tenderness with horses to the Diné (Navajo) children who don't have enough books at their school.

But let me back up and tell you that Chloe is pregnant with Hank's child. She shouldn't be riding horses at all, but the call is too strong. Hank's a good guy who can't find professor work in Arizona, ends up teaching the Diné children, and finds he loves them more than working at a university.

It should be a happy ending between Hank and Chloe and the upcoming baby, except the horse belongs to an artist named Junior Whitebear, who returns to town and forms an instant, overpowering connection with Chloe. Mapson writes so well that she makes me ache.

Hatter Fox is one of those rare stories which causes me to lose my sense of self.

There is no who am I, how am I, or why am I, none of that matters, all that matters is the story. This story is so real, and shows so accurately what can happen to young minds when they are raised in an oppressive, prejudiced environment.

Hatter Fox also exemplifies the true power of fiction, in that it allows us to shed a tear. We steel ourselves against the harsh realities of life, and do not weep for the downtrodden, but for fictional characters, we are free to feel our sorrows.

I am a huge fan of Tony Hillerman’s Leaphorn and Chee novels. I was privileged to meet Mr. Hillerman at a writers convention. He was gracious and supportive of other authors and I learned a lot from his presentation. The main characters of his series are two male Navajo police officers but in The Fallen Man he introduced Bernadette “Bernie” Manuelito. In that story she is a new officer with the tribal police but in Skeleton Man she has become a federal Customs Patrol officer. Smart and capable, she holds her own, be it in the office with senior male officers or in the harsh, challenging American Southwest desert territory that is her “beat.” As an indoor girl, I was almost more impressed with the latter as I was with her role in solving the case.

If I had to recommend just one picture book about languages, I’d choose this one, because it does so much. First, of course, it shares a long-secret episode in American history—the triumph of the Navajo “code talkers” in World War II. (Not the first time bilingual heroes came to our country’s rescue: see my own picture book Gingerbread for Liberty! How a German Baker Helped Win the American Revolution.)  But this book also addresses language justice in a way that kids will find easy to understand. Through Chester, we feel the pain and confusion of being told one’s own language is “bad” and worthless, and the pride of having it finally treated with respect. We also see how language isn’t just a set of words, but carries culture, tradition, religion, a whole way of life.   

My interest in stories involving Native Americans and my love of the southwest drew me to Hillerman’s Leaphorn and Chee books. Once I read the first one, I was hooked on the series.

I feel as if I’ve come to know more about the Navajo people in reading this series. It’s hard to pick a favorite, but The First Eagle is at the top of my list. Not only do we have classic Leaphorn and Chee, but the author also delves deeper  into their personal lives.

Did I mention setting? I always feel as if I’m transported to the American Southwest when reading a Hillerman novel. 

You would probably recognize the landscape of Monument Valley from classic Westerns and other films. Stagecoach, the HBO series Westworld, 2001: A Space Odyssey, and Forrest Gump are just a few! But aside from a film set, this iconic setting is, first and foremost, the home of the Navajo people.

Based on extensive interviews with Navajo residents of Monument Valley, this book weaves together a portrait of the place and people, from Indigenous cultural traditions and the dawn of Hollywood to mining and the significance of the monuments themselves. 

Another unlikely heroine, but only because she sees ghosts—okay, okay, maybe also because seeing ghosts or even talking about them is strictly forbidden in Rita Todacheene’s Navajo culture.

I loved this book so, so much for both its detail and its unusual premise. Todacheene’s ghosts haunt her and play an active part in her investigations as a forensic photographer. And, since the author was a forensic photographer herself, the work rings true and sharp. Ghosts aside, she also has to contend with her own culture, a struggle with which I’m intimately familiar.  

I also loved the way that Emerson structured this book—Todacheene’s beloved cameras, acting as framing devices, guide us through her timeline, and she keeps on learning things about herself even as we go from the most advanced camera to the oldest possible film-based option. I can’t wait to read the second in this series to see what our… show more.