The most recommended books about New Mexico

I’m the sort of writer who constantly asks “what kind of story could I set here?” A quiet copse, a busy mall, a shabby wedding venue, all locations have their own stories to tell in addition to those of the characters who inhabit them. Stories work best when the location is the pivot around which everything else happens. This is doubly true for secondary world fantasy because, when you’re creating a world, you don’t just tease the story out of its locations—you can weave it into the fabric of the place. Which is how I created the world of Queen Of Clouds, down to its very motes.

When I make a snarky remark during a party, chances are one person will catch my eye with the amused look that says, “I saw what you did there.” Everyone else will keep right on talking. But in a book, the reader is right there in the character’s head, which lets your audience catch those subtle humorous comments. In my mystery series, The Accidental Detective, Kate shares witty observations about life with the reader – making Kate funnier than I am. I don’t do as much slapstick and joking (in life or in fiction), but I enjoy writers who pull off those forms of humor well. Humor makes life’s challenges bearable

I’m a poet, novelist, and Senior Lecturer in Creative Writing at Teesside University in the UK. I like to write and read about particularly gender power dynamics, and how those come to play in domestic situations. I love lyrical novels and books that explore characters’ interiority, and I’m interested in how, generally speaking, ‘toxic’ and ‘abusive’ relationships have become synonymous – even though they are quite different. These novels helped me write my own, and I hope you’ll enjoy reading them as much as I did!

For me, writing novels is an attempt in metaphor to clear the ledger of unfinished business in my crazy, contradictory, sometimes funny, sometimes sad, and always messy mind. All the books I've written have long and often intensely personal backstories. All of us live two lives, a life in the world of things, relationships, and time (needs), and a life in the world we create in our minds (wants). When needs and wants come into conflict we have the elements that make a novel. I see my job as a novelist to provide an exciting story and plot that carries a reader through the material world.

I’ve always enjoyed mystery and suspense stories—Agatha Christie and Mary Higgins Clark being two of my all-time favorite authors. Throw in some legends and folklore, and I’m hooked. I like well-crafted stories that keep me turning the pages. Those that stump me in figuring out the mystery are a plus for me. I love books with descriptive settings that place me, as the reader, in the heart of the action.

I wrote my first cover story on climate change circa 1996, when the computer modeling made clear what would happen. Then I began to see clear physical evidence that the planet was warming, and not much was being written about it outside academic circles. That led to the book Feeling the Heat. I recruited a bunch of experienced environmental journalists, sent them around the world, and they came back with very detailed and important reporting based on what they’d seen—melting glaciers, rising seas, changing ecosystems.

Denise Kiernan is a multiple New York Times bestselling author of narrative nonfiction books including The Girls Of Atomic City, The Last Castle, and We Gather Together. While writing The Girls Of Atomic City, Kiernan not only tracked down and interviewed countless individuals who worked directly on the Manhattan Project, she also consumed virtually every book ever written on the subject and spent endless days in the bowels of the National Archives deep-diving into the institution’s Atomic Energy Commission holdings. She served as a member of the Manhattan Project National Historic Park Scholars Forum in Washington, D.C., helping shape the topics and interpretive planning for this new national park. She has spoken at institutions across the country on topics covered in her book.

I’m not an expert in gardening, forestry, or herbal medicine. But like everyone else, I have a growing awareness that our planet Earth is entirely dependent on thriving forests and insects and even weeds. We owe it to our children and future generations to learn about and protect our precious resources. Although I live in the big city of Chicago and have a tiny backyard, last year I turned my little grass lawn into prairie! I have creeping charlie, dandelions, creeping phlox, sedge grass, wild violets, white clover, and who knows what else. (Luckily, my neighbors are on board.) I’ve already seen honeybees and hummingbirds. It’s not much, but it’s something I can do.

Deserts are inherently mysterious places. This likely explains why so many good mystery novels have been set in them. We spent better than forty years doing field work in the American Southwest, and we have found mystery novels based in this region among the very best. All good mystery novels must have strong plots and memorable characters, but to us an equally important component is setting. Jane is a botanist with expertise in the use of plant evidence in solving murder cases. Carl is a vertebrate zoologist and conservation biologist. Upon retirement we began writing mysteries. Some are set in the desert grasslands of Arizona, and all are inspired by the southwestern authors we have selected as our favorites.     

The American Southwest never gets old. Exploring any of the Ancestral Pueblo sites is like walking back in time. Anasazi Medium takes the reader there. I love the land and the culture that has brought us to the present. My character, Santa Fe reporter Rachel Blackstone, reflects this. She is sarcastic at times, can be funny, and has her poignant moments as she copes with a “talent” she never wanted. In Anasazi Medium, I concocted a mixture of mystery, Hopi traditions and a journalist’s eye to entertain and inform. What resulted is a climate mystery in the most water-challenged state in the U.S. and a high adventure read.