I am a science journalist and broadcaster with a degree in Psychology and a deep passion and fascination for people, their behavior, and the workings of the human mind. For nine years, I produced and presented the popular Australian ABC radio program and podcast, All in the Mind, in which I explored a range of topics, including neuroscience, psychiatry, psychology, cognitive science, mental health, and human behavior. I’ve received numerous media awards and contributed to media award judging panels. All in the Mind - fascinating, inspiring, and transformative stories from the forefront of brain science is my first book. I continue to write and communicate about the topics I am inspired by.
I love this book because I am a very prolific dreamer. Dreams intrigue me, and I am fascinated by all aspects of what happens in the brain when we sleep. I found myself completely engaged in the compassionate stories based on the author’s (neurologist and sleep physician) case studies of his patients.
This book helped me to explore what happens to our brains at night. I discovered that even if they're fully asleep, some people go sleepwalking or even sleep driving! And some people act out their dreams to a terrifying extent. I loved reading about the neuroscience of nightmares, dreaming, and nighttime hallucinations—and what they can tell us about the workings of our brain.
A renowned neurologist shares the true stories of people unable to get a good night’s rest in The Nocturnal Brain: Nightmares, Neuroscience, and the Secret World of Sleep, a fascinating exploration of the symptoms and syndromes behind sleep disorders.
For Dr. Guy Leschziner’s patients, there is no rest for the weary in mind and body. Insomnia, narcolepsy, night terrors, apnea, and sleepwalking are just a sampling of conditions afflicting sufferers who cannot sleep—and their experiences in trying are the stuff of nightmares. Demoniac hallucinations frighten people into paralysis. Restless legs rock both the sleepless and their sleeping partners with unpredictable…
I loved bars before I could drink. Maybe it was a steady diet of Cheers reruns as a child. Or perhaps it was growing up in Los Angeles, a city without a center, a city of cars, a city that seemed—at least when I was a child—to lack real community. Bars, in my imagination, provided that. So when I started actually finding myself in bars—and often working in them—I also found myself writing fiction, and those bars ended up in that fiction. In each of my novels, a bar is a gathering place for those wanting a church sans theology, a place, where, yes, everyone knows your name.
On any given day, this is my favorite book with one of my favorite bars, The Vine, a dive that Johnson describes as “like a railroad club car that had somehow run itself off the tracks into a swamp of time where it awaited the blows of the wrecking ball.” Is it a nice place? No. Would you take a date here? Not if you wanted them to respect you. Could you find yourself in mortal danger? Absolutely. But amongst the addicts and runaways, the small-time crooks and ne’er do wells, you’ll find moments of beauty that transcend the pain of everyday life, becoming, in its best moments, like reading scripture.
Jesus' Son is a visionary chronicle of dreamers, addicts, and lost souls. These stories tell of spiralling grief and transcendence, of rock bottom and redemption, of getting lost and found and lost again. The narrator of these interlinked stories is a young, unnamed man, reeling from his addiction to heroin and alcohol, his mind at once clouded and made brilliantly lucid by these drugs. In the course of his adventures, he meets an assortment of people, who seem as alienated and confused as he; sinners, misfits, the lost, the damned, the desperate and the forgotten. Our of their bleak, seemingly…
I’ve always had equally balanced interests in the arts/humanities and the natural sciences. I like to think that I inherited much of this from my analytical “algebraic” mother, who was a nurse and tended to our family finances, and my holistic “geometrical” father, who was a carpenter. It’s probably no accident that my double major in college was in physics and philosophy...and, down the line, that I should develop a focused interest in human brain laterality, where the division between analysis and holism is so prominent.
Utilizing data from split-brain patients (whose left and right cerebral hemispheres had been surgically separated), the authors of this book focus on how our “two minds” yield a unitary consciousness.
This is the book that first lit the fire of inquiry for me. The whole idea was to understand the “integrated” mind by first understanding the minds of individuals that had been divided by severing the corpus callosum (which connected their two cerebral hemispheres) in order to alleviate medically intractable epilepsy.
It was suggested that in such individuals, their “minds” were divided as well. Yet some later studies did suggest that some intercommunication (through other channels) did survive.
In this book we are trying to illuminate the persistent and nag ging questions of how mind, life, and the essence of being relate to brain mechanisms. We do that not because we have a commit ment to bear witness to the boring issue of reductionism but be cause we want to know more about what it's all about. How, in deed, does the brain work? How does it allow us to love, hate, see, cry, suffer, and ultimately understand Kepler's laws? We try to uncover clues to these staggering questions by con sidering the results of our studies on…
I like trying to solve problems about the mind: Is the mind just the brain? What is consciousness, and where is it in the brain? What happens in the brain during aesthetic experience? Why are we prone to self-deception? In approaching these questions, I don’t limit myself to one discipline or set of techniques. These mental phenomena, and the problems that surround them, do not hew to our disciplinary boundaries. In spite of this, someone needs to collect, analyze, and assess information relevant to the problems—which is in many different formats—and build theories designed to make sense of it. During that time, more data will become available, so back you go.
V. S. Ramachandran is a gifted experimentalist and writer who does not hesitate to pursue deep and important questions about our minds. Rather than employing expensive imaging or large sample sizes, he is more likely to use a cardboard box, an old stereopticon, or a rubber hand in his experiments.
His creativity in finding concrete ways to test seemingly vague but interesting claims about our minds has led to several breakthroughs, in our understanding of phantom limbs and our ability to treat phantom pain, and also in our study or synesthesia—cases in which people see numbers as having colors, for example.
As I can attest, he is able to transmit to his students the idea that pursuing scientific questions can thrilling, fulfilling, and so much fun that you can’t wait to get to work in the morning.
In this landmark work, V. S. Ramachandran investigates strange, unforgettable cases-from patients who believe they are dead to sufferers of phantom limb syndrome. With a storyteller's eye for compelling case studies and a researcher's flair for new approaches to age-old questions, Ramachandran tackles the most exciting and controversial topics in brain science, including language, creativity, and consciousness.
I’m a writer who loves all kinds of fiction, but I’m most passionate about magical realism and related genres (like fabulism and speculative fiction). I love when writers skirt several genres, especially when their use of the “strange” holds a funhouse mirror up to our world and allows us to see a deeper truth. My favorite writers craft prose that rivals poetry and delve into their characters’ interior worlds; for me, one of fiction’s greatest magic tricks is the ability to enter another’s world and create empathy. The five authors on this list do all of these things and more, and they serve as some of my greatest inspirations.
This was one of the books (along with Anthony Doerr’sThe Shell Collector) that inspired me to pursue fiction writing rather than poetry.
For the longest time, poetry was my preferred genre, and while I had dabbled in writing fiction, I struggled. It wasn’t until readingThe Girl in the Flammable Skirt near the end of my undergrad that I realized fiction doesn’t have to be straight realism—it can be magical, strange, symbolic, weird, fabulist, dreamlike.
Two of Bender’s stories that had the most impact on me were “The Rememberer,” where the narrator’s lover experiences reverse evolution,” and “Drunken Mimi,” a love story between an imp and a mermaid. Maybe not coincidentally, my book also contains a story about a mermaid.
In The Girl in the Flammable Skirt Aimee Bender has created a world where nothing is quite as it seems. From a man suffering from reverse evolution to a lonely wife who waits for her husband to return from war; to a small town where one girl has a hand made of fire and another has one made of ice. These stories of men and women whose lives are shaped and sometimes twisted by the power of extraordinary desires take us to a place far beyond the imagination.
It might sound pretentious but I want to know the truth about life. I want a book to tell me the truth, to open me up to it, and to spark me off. I want to feel woken up, shook up.
The Matter With Things is, I believe, one of the most important books written in the last 50 years, no, the last 100 years! It’s magnus opus in two weighty volumes, but just open one chapter and read it and you’ll be shaken awake. I read the whole of volume two.
It’s a remarkable work of great and enduring importance. Like all great ideas McGilchrist’s ‘hemisphere hypothesis’ has remarkable explanatory power – from art to love, philosophy to God, mental illness to the transcendental.
In this landmark new book, Iain McGilchrist addresses some of the oldest and hardest questions humanity faces - ones that, however, have a practical urgency for all of us today. Who are we? What is the world? How can we understand consciousness, matter, space and time? Is the cosmos without purpose or value? Can we really neglect the sacred and divine?
In doing so, he argues that we have become enslaved to an account of things dominated by the brain's left hemisphere, one that blinds us to an awe-inspiring reality that is all around us, had we but eyes to…
I have worked on the brain in Oxford since 1970, and my job also required me to teach students, not just in lectures but also in tutorials. This taught me how to communicate clearly.
In my own scientific work, I was amongst the first to use functional brain imaging to visualize the
human brain at work. I have written seven books and edited an eighth. My particular specialisation is decision making and the brain areas (such as the prefrontal cortex) that support it. I have just published a monograph of nearly 500 pages on the prefrontal cortex, aimed at other scientists in the field. I am a Fellow of the Royal Society.
Ramachandran is famous for studying some of the disorders that can be produced for the brain. One such is phantom limb pain. Some people who have had an arm amputated continue to feel that arm, and even to have pain in it. Ramachandran devised an ingenious experiment to try to abolish that feeling. This and other clever ideas are described in this book. Readers will quickly appreciate that science is like the humanities in requiring creativity.
Neuroscientist V.S. Ramachandran is internationally renowned for uncovering answers to the deep and quirky questions of human nature that few scientists have dared to address. His bold insights about the brain are matched only by the stunning simplicity of his experiments -- using such low-tech tools as cotton swabs, glasses of water and dime-store mirrors. In Phantoms in the Brain, Dr. Ramachandran recounts how his work with patients who have bizarre neurological disorders has shed new light on the deep architecture of the brain, and what these findings tell us about who we are, how we construct our body image,…
I began research as an undergraduate at Harvard College, initially studying the effects of vitamin A deficiency on the photoreceptors in the eye that capture the light and initiate vision. After receiving my PhD and starting my own laboratory, I became fascinated with the other four classes of cells/neurons found in the retina, which begin the analysis of visual information: two being in the outer retina and two in the inner retina. We mapped out the synaptic interactions among the neurons, recorded from them, and began to put together the neural circuitries that underlie the visual messages that are sent to other parts of the brain.
One of Oliver Sack’s delightful books containing stories of individuals with various neurological disorders. I read the first one, The Man Who Mistook His Wife for a Hat, back in the 1980s when it first came out and was hooked, now having read almost all of them.
The one I am recommending is, I believe, more relevant to an understanding of brain mechanisms. One criticism I have had of Sack’s books is that there is little in the way of neurobiological explanations for the conditions described. In my book, most chapters begin with a Sack-like story about a specific neurological condition that is then explained, as far as possible, neurobiologically in the chapter.
As with his previous bestseller, The Man Who Mistook His Wife for a Hat, in An Anthropologist on Mars Oliver Sacks uses case studies to illustrate the myriad ways in which neurological conditions can affect our sense of self, our experience of the world, and how we relate to those around us.
Writing with his trademark blend of scientific rigour and human compassion, he describes patients such as the colour-blind painter or the surgeon with compulsive tics that disappear in the operating theatre; patients for whom disorientation and alienation - but also adaptation - are inescapable facts of life.
I love books that keep me up at night. I'm constantly trying to get into a good, healthy bedtime routine—but I am also constantly sabotaging that effort by finding books that I simply can’t put down. The feeling of being drawn so deep into a story that the hours slip away is easily one of my favorite feelings in the world. I also love books that make me wake up in the middle of the night, books that slide into my brain and plant new ideas there. As an author, I am always striving to write those books. I can think of no higher compliment than “I stayed up all night reading it.”
When I was a kid I was very excited about wolves. Not in the sense that I knew a lot about wolves—I didn’t study them and learn about them—so much as I felt certain, in my heart of hearts, that if I met a wolf, we would understand each other in a way no two creatures ever have. Feed Them Silence is a book that returned me to that sense of certainty, but with a more fundamentally realistic understanding of the nature of animals as existing outside of human understanding. I couldn’t put it down, and the hours slipped right past me.
Lee Mandelo dives into the minds of wolves in Feed Them Silence, a novella of the near future.
What does it mean to "be-in-kind" with a nonhuman animal? Or in Dr. Sean Kell-Luddon’s case, to be in-kind with one of the last remaining wild wolves? Using a neurological interface to translate her animal subject’s perception through her own mind, Sean intends to chase both her scientific curiosity and her secret, lifelong desire to experience the intimacy and freedom of wolfishness. To see the world through animal eyes; smell the forest, thick with olfactory messages; even taste the blood and viscera…
I’m a physician and a writer. Together, they create a matrix of practice, research, and writing. I care for patients at the Penn Memory Center and am a professor at the University of Pennsylvania, where I teach and study topics at the intersections of bioethics, aging, and the neurosciences. I wrote The Problem of Alzheimer’s: How Science, Culture, and Politics Turned a Rare Disease into a Crisis and What We Can Do About It and the novel Open Wound: The Tragic Obsession of Dr. William Beaumont and essays for The New York Times, The Washington Post, Forbes, The Hill, STAT, and The Philadelphia Inquirer. I raise whippets, and I’m a passionate reader of the physician and poet John Keats.
This first-person account of living with a biomarker-defined diagnosis of Alzheimer’s disease is a clearly written story of two very distinct, even antagonistic experiences. There’s the highly subjective experience of being a patient and the highly objective experience of being a physician who has diagnosed and cared for persons with the same disease. In one book is one narrative of two perspectives embodied in one person. The result is an unadorned account of what it’s like to lose one’s mind just a little bit at a time. Case in point is his account of apathy. I’m routinely prescribing this book to my patients.
Dr Daniel Gibbs is one of 50 million people worldwide with an Alzheimer's disease diagnosis. Unlike most patients with Alzheimer's, however, Dr Gibbs worked as a neurologist for twenty-five years, caring for patients with the very disease now affecting him. Also unusual is that Dr Gibbs had begun to suspect he had Alzheimer's several years before any official diagnosis could be made. Forewarned by genetic testing showing he carried alleles that increased the risk of developing the disease, he noticed symptoms of mild cognitive impairment long before any tests would have alerted him. In this highly personal account, Dr Gibbs…
