The most recommended rock and roll books

As the founder of Rolling Stone magazine, Jann recounts decades of being at the forefront of musical, film, and political history.

But it’s his personal admissions of his arrogance and, most importantly, decades of being in the closet as a gay man that make reading or listening to this absolutely fascinating.

For decades, the most famous opening chord in rock and roll was an unsolved problem, since no one could reproduce it. But in 2004, Jason Brown, a professor at Dalhousie University, used mathematics to recreate the opening chord of the Beatles hit song, “A Hard Day’s Night”. I remember when newspapers around the world reported on Jason’s findings, as I was at Dalhousie at the time, as one of Jason’s Ph.D. students.

Jason’s Beatles story serves as the final chapter in this wonderful book, a collection of short vignettes about how mathematics relates to every aspect of our lives, including garbage pickup routes, grocery shopping, political polling, and social networks. The book’s thesis is that as we understand mathematics better, our lives become more meaningful. I couldn’t agree more.    

Along with vivid characters, this book gives great house–a gorgeous and notorious Italian villa, which was the site of an infamous murder in the 1970s.

One friend, now hyper-successful, invites her old buddy to join her in the villa. The invitee becomes obsessed with solving the long-unsolved murder, and is increasingly sketched out by her old friend’s motives for asking her to come.

The story jumps back and forth from the swinging ‘70s to the present day, with tensions building in both past and present. The ending jump-scared me.

The moment I realized I was getting older was the moment I put two little pieces of toilet paper in my ears in the middle of a Mogwai show in Asheville, NC.

It was the loudest show I’d ever attended. And it was phenomenal.

Mogwai has been making cinematic music for a long time, and I came into awareness of the band with 2008’s “The Hawk is Howling.” They are epic, funny, mysterious, meditative, and relentless.

It’s no surprise that  Stuart Braithwaite’s book is perfect for the Mogwai fanbase in that it gives some insight into the band’s philosophy while maintaining a sense of mystery. I also like that Braithwaite doesn’t seem to take himself too seriously.

War for the Oaks is a fantasy set in a very real Minneapolis (I’ve read parts of it on location) and concerns a war between the Seelie and Unseelie Courts for the city’s soul. As the fey are immortal, each side needs to recruit mortals to infect them with mortality or no victory will be possible. Eddi McCandry, a rock and roll singer, is chosen to fight alongside the Seelie Court.

Eddi starts playing an active role in their strategy and grows into the hero they need. It’s difficult not to love Eddi and her new band – some mortal, some fey – and the fact that the city she’s fighting for is real makes the story even more gripping than the battle for Gondor.

Rock star romances have been my jam since back when my teen bedroom walls were filled with Tiger Beat pinups. The beautifully-orchestrated banter that keeps the beat of a rock and roll love affair fraught with hit and miss encounters helps build the tension towards a satisfying crescendo. (Full disclosure: I begged author Kelly Kay to disclose her real-life inspiration, and it was exactly who I’d pictured!) The hotel pool scene where Meg and rockstar Ian do nothing more than talk (fully clothed) lives rent free in my head as one of the steamiest scenes I’ve ever read. 

Lester Bangs ranks as one of the great music writers and as a high priest of gonzo, the new-journalism approach that posited the writer as the dominant character in rambling, straight-from-the-typewriter pop-cultural manifestos published in Rolling Stone and Creem and their ilk. I think Lester rivals Hunter Thompson and Joan Didion as the most potent and enduring voice of that era. He’s one of my favorite writers. I don’t think he wrote anything but record reviews.

This was the book that inspired me to start writing. It’s a page-turning bio of the short life and very fast times of Jim Morrison from The Doors, and it made me realise you could write about music without resembling some giddy fanboy — Morrison comes off as a rock and roll poet and a drunken bozo. It rates with the best biographies I’ve read, regardless of topic or genre.

To see the seedy underbelly, the proud head, and well… the entire body of the rock industry through the eyes of its key muse and groupie is quite a wild read! What did Mick Jagger, Jimmy Page, Jim Morrison, Robert Plant, Keith Moon, and so many more rockstars have in common? Who were the GTOs and The Plaster Castors? What’s it like to be Moon Unit Zappa’s nannie? You can’t pretend you don’t want to read this. There were many intelligent and fascinating thoughts throughout. It let me see things through a new lens.

You might think that every artist you hear on the radio is rolling in dough, and it does work out that way for a fortunate few.

But for the vast majority of acts, recording and releasing and promoting music is an enormous amount of work with an uncertain payoff that may never come. Geoffrey Stokes’ from-the-trenches account of the 1970s-vintage country-rock band Commander Cody and His Lost Planet Airmen taking their major-label shot is an eye-opening account of how the sausage gets made – and how hard it is to break even.

In contrast to expensive sessions that leave artists in debt, Rounder’s model was always proudly low-budget.