I got involved in Zen Buddhism in 1966 because Shunryu Suzuki was a Zen Buddhist and the San Francisco Zen Center which he founded was where I went to meditate with others free of any heavy trips, not pushing a rigid belief system, just learning to include stillness and silence in our lives so that we can feel and hear what the cosmos has to say to us.
Red Pine’s in-depth translation of and commentary on the heart of the Prajna Paramita Sutras, of the wisdom that has gone beyond, of the heart of Mahayana Buddhism, and brings this ancient text, chanted daily by Zen monks and lay followers, skillfully into our hearts.
The Heart Sutra is Buddhism in a nutshell. It has had the most profound and wide-reaching influence of any text in Buddhism. This short text covers more of the Buddha’s teachings than any other scripture, and it does so without being superficial or hurried. Although the original author is unknown, he was clearly someone with a deep realization of the Dharma.
For this new English translation, Red Pine, award-winning translator of Chinese poetry and religious texts, has utilized various Sanskrit and Chinese versions, refining the teachings of dozens of ancient teachers together with his own commentary to offer a profound…
I am a Professor of Islamic Thought and Global Philosophy at Carleton University in Ottawa, Canada. Perpetually drawn to ideas and concepts that seek to explain the underlying nature of things, I predictably read and write books on such topics as consciousness, self-awareness, mysticism, God, philosophy of religion, metaphysical poetry, and virtue ethics. The titles listed here are in my own area of expertise (Sufi philosophy). Intellectually rigorous and spiritually informed, they each represent perfect points of entry into Sufism, which is an ocean without a shore.
The findings in this book have
opened my eyes to a truly unique moment in the history of cross-cultural
translation and non-Western philosophy by showing how pre-modern Indian
metaphysical teachings in Sanskrit were refashioned by the Persian Sufi
philosophical tradition in early modern South Asia. I particularly recommend Translating
Wisdom because it clearly points to an alternative quest for wisdom for those
who wish to escape the stranglehold of Anglo-American and European epistemic
systems.
A free open access ebook is available upon publication. Learn more at www.luminosoa.org.
During the height of Muslim power in Mughal South Asia, Hindu and Muslim scholars worked collaboratively to translate a large body of Hindu Sanskrit texts into the Persian language. Translating Wisdom reconstructs the intellectual processes and exchanges that underlay these translations. Using as a case study the 1597 Persian rendition of the Yoga-Vasistha-an influential Sanskrit philosophical tale whose popularity stretched across the subcontinent-Shankar Nair illustrates how these early modern Muslim and Hindu scholars drew upon their respective religious, philosophical, and literary traditions to forge a common vocabulary…
I’m Assistant Professor of Religion at Kalamazoo College and my research focuses on the Mahabharata, an epic narrative tradition from South Asia. As an Indian-American kid growing up in suburban Boston, my first introduction to the Mahabharata tradition was from the stories my grandmother told me when she would visit from Chennai and from the Mahabharata comics that she would bring me. Many years later, my friend and colleague Nell Shapiro Hawley (Preceptor of Sanskrit at Harvard University) and I began to work on a project that would eventually become our edited volume, Many Mahābhāratas. I’m excited to share some of my own personal favorite Mahabharatas with you here.
I first read this novel the summer before I started college and nearly fourteen years later, The Palace of Illusions remains one of my favorite Mahabharatas. This book is narrated by Draupadi, the shared wife of the five Pandava brothers. In the Sanskrit Mahabharata, Draupadi is an eloquent, headstrong, and intelligent heroine. While Chitra Banerjee Divakaruni’s Draupadi is just as compelling as her epic counterpart, Divakaruni shows us aspects of Draupadi’s life that are absent from the Sanskrit Mahabharata, such as her childhood in her father’s palace and her relationships with her siblings Dhristadyumna and Sikhandi. Also, although The Palace of Illusions is set in ancient India, this novel sensitively addresses pertinent social issues in contemporary South Asia including transphobia and colorism.
The Palace of Illusions takes us back to a time that is half-history, half-myth, and wholly magical; narrated by Panchaali, the wife of the five Pandava brothers, we are -- finally -- given a woman's take on the timeless tale that is the Mahabharata
Tracing Panchaali's life -- from fiery birth and lonely childhood, where her beloved brother is her only true companion; through her complicated friendship with the enigmatic Krishna; to marriage, motherhood and Panchaali's secret attraction to the mysterious man who is her husbands' most dangerous enemy -- The Palace of Illusions is a deeply human novel about…
Anand Neelakantan is an Indian author, columnist, screenwriter, television personality, and motivational speaker. He has authored eight fiction books in English and one in Malayalam. His debut work Asura, The Tale of the Vanquished is based on the Indian epics of Ramayana. His next book series was Ajaya-Roll of the Dice, Ajaya – Rise of Kali based on the two books on the epic Mahabharata told from Kaurava perspective. Anand's books voice the suppressed party or the defeated party. In his fifth book Vanara, the legend of Baali, Sugreeva, and Tara also follow the same pattern of expressing the defeated side.
Bhasa, the ancient Indian poet and dramatist, who lived two thousand two hundred years ago, was perhaps the first one to think of an alternative ending to Mahabharata in his play, Pancharatra. His Oorubhanga was the first play to be sympathetic to Duryodhana, the antagonist of Mahabharata. In Pratihna- Yaugandharayanam, one of the classical Sanskrit plays in this collection, a wooden elephant in which soldiers hide is used, making us wonder whether the Trojan horse was inspired by this ancient play or vice versa. No one has reimagined Mahabharata more boldly than this dramatist of antiquity.
This translation is of thirteen Sanskrit plays discovered in South India by the late Pandit Ganapati Sastri and edited by him in the Trivandrum Sanskrit Series. It comprises the following titles: 1.Pratijnayaugandharayana, 2.Svapnavasavadatta, 3.Carudatta, 4.Pancaratra, 5.Madhyamavyayoga, 6.Pratima-nataka, 7.Dutavakya, 8.Dutaghatotkaca, 9.Karnabhara, 10.Urubhanga, 11.Avimaraka, 12.Balacarita, and 13.Abhiseka. Sastri attributed all the thirteen plays to Bhasa and the prevailing opinion of the scholars is in agreement with him, though the available evidence is not conclusive and so the question still remains open. The translation was done by two eminent Sanskrit scholars. It was published s early as 1930 and a reprint is now…
I’m a lifelong student of philosophy, leadership, and principled living. Having worked with great leaders of today and being an editor-in-chief of a leadership journal (Leader to Leader), I experience how their leadership continues the principles set forth in days long past, and I publish works by authors who are keeping these principles alive in their writing. I am grateful for the opportunity to recommend books that might help others as we grapple with how to be in the world today to create value for all.
If there were two books that I could take with me to a desert island to read until the end of days, they would be this one and My Life in Leadership by Frances Hesselbein. This one because it is the story of the life of Buddha and because Thich Nhat Hahn writes this story in the most engagingly gentle prose.
Presenting the life and teachings of Gautama Buddha, drawn directly from 24 Pali, Sanskrit, and Chinese sources—and retold by beloved Zen teacher Thich Nhat Hanh
Retold in Thich Nhat Hanh’s inimitably beautiful style, this book traces the Buddha’s life over the course of 80 years—partly through the eyes of Svasti, the buffalo boy, and partly through the eyes of the Buddha himself. Old Path White Clouds is a classic of religious literature.
“I have not avoided including the various difficulties the Buddha encountered, both from his own disciples and in relation to the wider society. If the Buddha appears in…
I’m of Indian ethnicity and Japanese nationality, so it felt natural to write a book that drew inspiration from both cultures without being adjacent to either one. Like me, my book is a mixed bag. It features an original mythology with a unique religion and mythical beasts that you’ve (hopefully) never seen before. It’s also pretty heavy on themes and tries to provide some context to questions that baffled me as a kid: Why do bad things happen to good people? Why do war and violence exist? I can’t say that I’ve answered those questions, but I hope I’ve provided a multifaceted perspective into the conversation around them.
My mother introduced me to the Bhagavad Gita at a young age, but this particular translation and commentary was my most recent read.
One of my favorite concepts is the idea that our lives are moral battlegrounds for self-betterment and that our soul reincarnates through various lives to improve upon itself; and of course, karma yoga (the theory of karma), which is intrinsically linked with the concept of reincarnation.
I find it difficult to speak further about this book because I really cannot do the Gita or its themes justice in my own words. Those interested should try it out for themselves and understand it in their own way.
I’m Assistant Professor of Religion at Kalamazoo College and my research focuses on the Mahabharata, an epic narrative tradition from South Asia. As an Indian-American kid growing up in suburban Boston, my first introduction to the Mahabharata tradition was from the stories my grandmother told me when she would visit from Chennai and from the Mahabharata comics that she would bring me. Many years later, my friend and colleague Nell Shapiro Hawley (Preceptor of Sanskrit at Harvard University) and I began to work on a project that would eventually become our edited volume, Many Mahābhāratas. I’m excited to share some of my own personal favorite Mahabharatas with you here.
The Urubhanga or the Shattered Thighs is one of six Sanskrit Mahabharata dramas that are attributed to the playwright Bhasa (ca. 200 CE). There are two things about the Shattered Thighs that I find particularly fascinating. The first is that the hero of the play is Duryodhana, the leader of the one hundred Kauravas who is usually seen as the villain of the Mahabharata tradition. The second is that the Shattered Thighs violates one of the central rules of Sanskrit dramas by (spoiler alert!) depicting the central hero of the play physically dying on stage. There are multiple English translations of the Shattered Thighs, but I recommend the one by Andrew Skilton because it includes detailed endnotes that are helpful for non-specialist readers.
Two tragic plays that break the rules: both show the hero dying on stage, a scenario forbidden in Sanskrit dramaturgy. King Harsha's play, composed in the seventh century, re-examines the Buddhist tale of a magician prince who makes the ultimate sacrifice to save a hostage snake (naga). The Shattered Thighs, attributed to Bhasa, the illustrious predecessor to ancient Kali*dasa, transforms a crucial episode of the Maha*bharata war. As he dies from a foul blow to the legs delivered in his duel with Bhima, Duryodhana's character is inverted, depicted as a noble and gracious exemplar amidst the wreckage of the fearsome…
Thanks to access to a good community library, I developed an interest in history from the age of seven. My interest in India grew when I married Indian-born Atam Vetta. After teaching, I set up a business and was director of Oxford Antiques Centre. In 1998, while chair of the Thames Valley Art and Antique Dealers Association, I was invited to become the art and antiques writer for The Oxford Times. That was how my freelance writing career began but since 2016 I have concentrated on writing fiction and poetry but make occasional contributions to The Madras Courier.
It is possibly the oldest surviving collection of 84 Indian fables, written around 200BC by Vishnu Sharma. He became a tutor to a king’s children. He engaged their interest by telling stories of animals with a moral message at end of each story rather like Aesop’s Fables. The animals are somewhat different. e.g The Monkey and the Crocodile, the Hare and Lion. Many elements of Rudyard Kipling’s children’s books such as the Just So Stories were inspired by The Panchatantra. There are of course Hindi editions available too.
The Panchatantra is a collection of folktales and fables that were believed to have been originally written in Sanskrit by Vishnu Sharma more than 2500 years ago. This collection of stories features animal characters which are stereotyped to associate certain qualities with them. The origins of the Panchatantra lie in a tale of its own, when a King approached a learned pandit to ask him to teach the important lessons of life to his ignorant and unwise sons. This learned scholar knew that the royal princes could not understand complex principles in an ordinary way. So, he devised a method…
I love words, their sound, and their power. When I was a little girl, I would adopt one and make it my own. My parents long recalled my love affair with “nonsense,” which I would wield like a wand when hearing anything silly or irrational. I think words are interwoven with what we feel in a deep and inextricable way. I am also fascinated with how Indian thought offers millennia of wide and deep explorations of human experience in ways that trouble the basic assumptions of the modern West.
I love beautiful things and have been able to share beautiful things with my students with the help of Martha Selby’s translations and discussions of love poetry in three languages: Sanskrit, Prakrit, and Tamil.
This book explores the subtle joys and sorrows of love–love shared and love thwarted, love enduring and love grown stale, love that is playful and love that is cruel. The women’s voices, in particular, leap off the page. Readers are invited to feel the ways that these ancient poems still resonate, as well as to discern the specificity and distinctiveness of these Indian conceptions.
This book presents new English translations of 150 erotic poems composed in India's three classical languages: Old Tamil, Maharastri Prakit, and Sanskrit. The poems are derived from large anthological collections that date from as early as the first centruy CE to as late as the eight century. In Martha Selby's masterful translations, the poems both stand on their own as poems in English and maintain the flavours of the original verses as reflected in idiom and structure. The poems are grouped according to themes, and annotated whenever a brief gloss is necessary. The book begins with several scholarly essays on…
As a professional sanskritist and academic, I have travelled to India well more than twenty times, for fellowships, conferences, and (fortunately) months of study with a traditional Sanskrit pundit, the great N.S. Ramanuja Tatacharya. But my first trip was when I was twenty, dropping out of college and travelling from a kibbutz in Israel to India (overland no less, after a flight from Tel Aviv to Istanbul in 1971) where I was graciously admitted into a yoga-ashram school. There I began learning Sanskrit as well as various yoga techniques. I stayed that time for two years. “All life is yoga,” says Sri Aurobindo, and I have long wished my life to be that since “yoga” is for me practically a synonym for “right living.”
This book provides a historical overview of yoga philosophy and psychology and is a great introduction to the study of yoga. It was originally written in French by Mircea Eliade, who became the dean of Religious Studies all over the world, for decades training graduate students at the University of Chicago. The book is now a little dated on certain topics such as tantra and the yogic practices of Buddhism. Nevertheless, it stands as the preëminent classic in the field of yoga studies. It has a bouncy but elegant style and has been a favorite in the courses I have taught on yoga at the University of Texas at Austin.
While a student in India in his early twenties, Eliade had an affair with the daughter of his Sanskrit teacher, the renowned and august scholar, Surendranath Dasgupta. There is apparently a novel by Eliade in Romanian about this and another…
In this landmark book, first published in English in 1958, renowned scholar of religion Mircea Eliade lays the groundwork for a Western understanding of Yoga. Drawing on years of study and experience in India, Eliade provides a comprehensive survey of Yoga in theory and practice from its earliest antecedents in the Vedas through the twentieth century. A new introduction by David Gordon White provides invaluable insight into Eliade's life and work, highlighting the key moments in Eliade's academic and spiritual education, as well as the personal experiences that shaped his worldview. Yoga is not only one of Eliade's most important…
