I grew up in a small rural town and I’ve always been a romantic at heart. I discovered small-town romance as a subgenre not long after I got my first kindle and I felt like I’d found my happy place. I binged dozens of them, some lighthearted or funny, others darker or suspenseful. I love visualizing the towns, getting to know the community members, and becoming so immersed in the worlds that picking up a new book in the series felt like coming home. Over the past few years, I’ve written approximately 20 small-town romance stories of various shapes and sizes and I have many more to come.
I relate to the characters in Tease so much. Hutton is a billionaire with social anxiety. People think he’s aloof, but in reality, he’s never sure what to say. As someone with mild social anxiety myself, I loved seeing my own experiences reflected in his struggles. Not to mention, he’s a sweet, good-hearted man.
Felicity is the kind of heroine you can’t help but like. She’s a bit of a hot mess, but she’s endearing and tries really hard. She also has a habit of stress-cutting her hair. As someone who currently has bangs because I got stressed out earlier in the year and took a pair of scissors to my hair (never a good idea!), I felt both seen and called out by this character trait.
I didn’t mean to say I was engaged to a hot billionaire–it just slipped out.
In my defense, I’d had a really bad haircut, a really strong drink, and I was trying to save face in front of the Mean Girl at my high school reunion.
Lucky for me, I happen to know a hot billionaire. Hutton French and I have been friends forever, and even though big social gatherings are not his thing, I called him from the coat closet and begged him for a favor–show up and play my fake fiancé for the night.
I am a scientist and inventor, who has always been drawn to grand, overarching narratives, and unifying ideas. I have degrees in Mathematics and Architecture, a PhD in Biophysics, and spent 11 years studying fungal networks at the University of Oxford. I am currently working with the award-winning architect Ben Allen, to commercialize a patent for making POMB (poly-organic mycelium blend): a light-transmitting, thermally insulating, carbon-negative building material.
Moffett is a leading specialist on social insects, and the core of his penetrating insight is that we ought to clearly distinguish between collective behavior and social behavior. Our ability to see that one stranger belongs to our society, while another stranger does not, is utterly crucial, and Moffett speaks with authority when he claims that humans are the only animals where different societies merge over time. In particular, he correctly notes that time and time again there has been a fusion between human societies under the heel of a conquering force. By carefully considering our bee-like nature, as well as our chimp-like nature, The Human Swarm reveals how mankind has created sprawling civilizations of unrivalled complexity and provides some valuable insights into what it will take to sustain them.
A specialist on social insects writes about the origins and implications of our own vast social organisation, and the ways in which our ethnic and national distinctions mirror those of other animals.
In this paradigm-shattering book, biologist Mark W. Moffett draws on findings in psychology, sociology and anthropology to explain the social adaptations that bind societies. He explores how the tension between identity and anonymity defines how societies develop, function, and fail. In the vein of Guns, Germs, and Steel and Sapiens, The Human Swarm reveals how mankind created sprawling civilizations of unrivalled complexity - and what it will take…
I started keeping a journal when I was fifteen. Ten years later, I had the raw material for Fugue, a portrait of the artist as a young woman (I had read Joyce's Portrait of the Artist as a Young Man) that ends in celebration, rather than suicide (I had also recently read Plath's The Belljar). It did not get published. Thirty years later, I had so little, far too little, to celebrate. The portrait had become one of relentless frustration and persistent failure, despite my continued effort ... so much effort ... And so I wrote This is what happens, dedicating it to all the passionate, hard-working, competent women — it's not you.
Feminist theorist Dale Spender wrote, in Women of Ideas and What Men Have Done to Them, “We need to know how women disappear….” Although she spoke of women who disappear from the historical record, all too many women seem to disappear from any sort of public life as soon as they leave high school: so many shine there, but once they graduate, they become invisible. What happens?
Marriage and kids is an inadequate answer because married-with-kids straight-A boys are visible. Everywhere. Even the straight-B boys are out there. So what happens?
I’ve long had an ambivalent relationship with airports. They have been the starting point for my adventures, but I have also known well the discomfort, boredom, stress, surveillance, bad food, and other unpleasantries that often define airport experiences. Despite my ambivalence, I’ve found airports to be fascinating places where differently situated people (travelers and workers) encounter one another. I’ve learned that those encounters, as well as airport operations and design, tell us something about the places where they are located and the broader societies in which we live. I’ve since become aware that reading (and writing) about airports are also great ways to gain such insights.
Airports are also highly charged, often controversial symbols of the places where they are located and of the condition of modern life more generally.
This book was one of the first books I read as I was beginning my own project. It helped me understand the complex meanings circulating around airports (in the United States and elsewhere) since the first ones were built in the early twentieth century. I also appreciated the irreverence and humor in the account, even when discussing rather grim subjects, and this helped to affirm my own ambivalent perspective on airports.
I’m a writer from Aotearoa New Zealand and I’ve always been drawn to stories of struggle, especially where a character fights against outside control. I started writing for the high school students I was teaching and got hooked on the YA genre. I love it partly because it crosses all genres – I can write about a 14-year-old girl trying to live in a repressive religious cult but I can also write about a 15-year-old boy who’s a champion kart driver. Karting at top level takes enormous skill as I discovered, but it also has room for dirty tricks.
I loved this book when it came out in 1990 and I still love it. Rocco has disturbing dreams of being in a primitive, cave-dwelling society then shockingly the dreams become reality. He must learn to live with the people who struggle to survive in a harsh landscape. He learns to hunt with primitive weapons just as he must learn how to live with the people he’s found himself amongst. But why has he ended up here? There’s something amiss with this life and the wise woman seems to hold the key but she won’t tell him. When he finds himself back home recovering from bubonic plague he has to find the answer.
Rocco is a book I wished I’d written! The story is fascinating with its well-researched depiction of surviving in a harsh environment without modern technology or tools. Also, the plot is clever – how is it that…
I’m an avid reader turned author. I’m a Canadian YA Speculative Fiction author who takes books along as I hike, cycle, and go to the beach. I love audiobooks! In the years leading up to writing my first novel, I must have read over three hundred books. My favorites were Young Adult Fantasy and Science Fiction. When I ran out of happy, positive, and wholesome books, I started writing them. I feel like I'm often called back to my favorites, and hope more authors will jump on the happy train! Now that the world has literally turned into a Dystopian Society, perhaps more authors will start writing about hope and change.
I love Cecelia Ahern’s earlier books and this was her first YA duology. The second book is called Perfect. This society also praises beauty and perfection, but mistakes are punishable offenses with a serious consequence of being branded, literally, are Flawed. The book is chilling in so many ways, but what I loved about it is that making mistakes is an inherently ‘human’ thing to do. Older generations have been taught to avoid making mistakes at all costs, or at least never own up to them. The younger ones are learning that it’s all part of life and we should all have a little more compassion. We’re all doing the best we can with what we have.
In her breathtaking young adult debut, bestselling author Cecelia Ahern depicts a society in Flawed in which obedience is paramount and rebellion is punished. And where one young woman decides to take a stand that could cost her everything.
Celestine North lives a perfect life. She's a model daughter and sister, she's well-liked by her classmates and teachers, and she's dating the impossibly charming Art Crevan.
But then Celestine encounters a situation in which she makes an instinctive decision. She breaks a rule and now faces life-changing repercussions. She could be imprisoned. She could be branded. She could be found…
Growing up in a rural area influenced by both Protestantism and Catholicism, I found that the daily habits of devoutly religious people were often contradictory to the basic practices of their religion. I also discovered that people were every day forced to adjust their beliefs and behaviors depending on which microcosm within the culture they were in at a given moment participating. People unable to play by these ever-shifting cultural rules would quickly lose respect. This scared the hell out of me, as I was never good at adjusting to different social situations on the fly, but I also found it interesting, and it therefore became the primary theme of my book.
Does it even matter whether you’re right or wrong? Is it important to be honest with yourself? Is fairness something anyone should value? Is it important to have good manners?
Questions like these spring into the mind of the reader continuously while working through the pages of Notes from the Underground. Though Dostoevsky doesn’t necessarily provide clear answers to any of these questions, his Underground Man is certainly ready and willing to brood on them. It’s always a little terrifying remembering how relatable he can be.
Award-winning translators Richard Pevear and Larissa Volokhonsky give us a brilliantly faithful rendition of this classic novel, in all its tragedy and tormented comedy. In this second edition, they have updated their translation in honor of the 200th anniversary of Dostoevsky’s birth.
One of the most remarkable characters in literature, the unnamed narrator of Dostoevsky's most revolutionary novel is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.
John M. Barry was the only non-scientist ever to give the National Academies of Sciences Abel Wolman Distinguished Lecture, and he advised the Bush and Obama White Houses on pandemic preparedness and response. He is an award-winning and #1 New York Times best-selling author whose books have also involved him in policy making. The National Academies of Science named The Great Influenza the year’s outstanding book on science or medicine.
This provides the reader with the background to understand what happens when a pathogen invades both an individual and a society. It’s an absolutely brilliant book by a Nobel laureate scientist, one of my all-time favorites on any subject.
With a graduate degree in Writing Popular Fiction (seriously, someone gave me a degree for writing an urban fantasy book), I know that genres are nothing more than marketing terms that tell bookstores which shelves to put the books on. As an author, combining genres and subverting their topes allows me to stretch their potential and tell fresh stories that might not find an easy home on a single shelf, so it’s also important for me to read and support those making the same attempts. Stories that adhere to strict reader expectations will always find a home, but I’ve always had way more fun exploring the other possibilities.
It seems logical that the few people with magic could openly rule in contemporary human society, which means it’s even more interesting with the opposite is true. I can easily imagine Mags and Cosmo in an entirely different setting and never crossing paths. In this world, however, the non-magical majority have oppressed the smaller populations of magi and shifters, pitting them against each other and giving them few options in life despite their significant personal power. Notaro provides plenty of engrossing story in this book while also giving readers just enough information about how this world came to be to leave me wanting more of the future and past.
Sometimes the worst scars are the ones you can’t see.
World War III broke out 130 years ago when humans found out that my people—magi—and shifters were real. They’ve been imprisoning and enslaving our two species since. But now humans need our help protecting the world from the strange monsters they let cross the veil between realms.
Eighteen years ago, my world changed. Suddenly I was allowed freedoms I’d never had before, but I was still at the Non-Human Specialties Operations’ beck and call. Which is how I found myself on a team with my best friend, five shifters, and…
Whatever story I’m telling, I try to write female characters who are smart, funny, kind, and ultimately empowering; characters that drive the narrative, not the other way around. It is really important for me that my female characters have agency – that they actively move the story forward, make decisions and step up. Those are the kind of stories I like to read too. The books on this list are some of my favourites and all contain strong female protagonists. I hope you enjoy.
Where the World Turns Wild plays on one of my biggest fears about the future – a world without nature. Juniper and her little brother Bear live in a walled city where nature has been almost completely eradicated following the outbreak of a disease. What remains is a tightly controlled and terrifying society that they must escape. Juniper’s bravery and her capacity for survival are driven by the fierce, protective love she has for her little brother. This is an adventure story like no other and one I have returned to time and again.
Animals, trees, flowers, our city forbids them all...
Juniper Greene lives in a walled city from which nature has been banished, following the outbreak of a deadly man-made disease many years earlier. While most people seem content to live in such a cage, she and her little brother Bear have always known about their resistance to the disease, and dream of escaping into the wild. To the one place humans have survived outside of cities. To where their mother is.
When scientists discover that the siblings provide the key to fighting the disease, the pair must flee for their lives.…
