I hold degrees in history and social science with a focus on women’s history at the turn of the century. I’ve studied the hysteria pandemic and its lasting results for over a decade. As someone who struggles with depression, anxiety, and the effects of psychological abuse, I find I know these women all too well. As a writer, I’ve been inspired by other classic gothic novels like Wuthering Heights by Emily Bronte, The Haunting of Hill House by Shirley Jackson, and The Bell Jar by Sylvia Plath. In addition to writing novels, I’m also a blogger and marketing consultant in southern California where I live with my blind dog, Mr. Magoo.
At the close of the 19th century, Emeline Evans dreams of training as a nurse, but when her father unexpectedly dies, she must sacrifice her ambitions to marry a reserved lawyer who can provide for her family. He moves her to an unusual Gothic house where her sorrow edges toward madness. Furniture twists and turns before her eyes, ghosts peer out from empty rooms, and the house itself conspires against her. The doctor diagnoses hysteria and prescribes the rest cure, which only drives her deeper into madness. Her salvation arrives only after she pursues an opportunity to nurse the poor and help women in dire circumstances. Unfortunately, to help the needy, she must secretly defy her new husband, who hunts down and prosecutes unlicensed medical practitioners.
The Yellow Wallpaper inspired my book and brand. Gilman not only defined the madwoman of Gothic literature by writing one of the most haunting and empowering stories of the 19th century, but she also lived it. Her experience inspired her story and exposed the horror of hysteria treatments. This story inspired me because I could relate to Gilman and her main character. Though hysteria is no longer a recognized condition and women have gained many more rights, ideologies left over from the hysteria panic still creep in our culture and generational memory. Women are still called crazy. The assumption that women are emotionally unstable is still used to discredit, invalidate and control women. In an era where women couldn’t fight for their rights as we do, Gilman found her power by embracing madness, and so do I.
Best known for the 1892 title story of this collection, a harrowing tale of a woman's descent into madness, Charlotte Perkins Gilman wrote more than 200 other short stories. Seven of her finest are reprinted here. Written from a feminist perspective, often focusing on the inferior status accorded to women by society, the tales include "Turned," an ironic story with a startling twist, in which a husband seduces and impregnates a naïve servant; "Cottagette," concerning the romance of a young artist and a man who's apparently too good to be true; "Mr. Peebles' Heart," a liberating tale of a fiftyish…
Mas’ work is less about embracing what we think is our weakness and more about embracing our true strengths even when others consider them nonexistent and thus crazy. I particularly enjoyed this novel because it involves magical realism, as the main character can see and hear spirits. I am a huge fan of blending the fantastical with reality because our lives are magical in ways we often mistake as ordinary. Another thing Mas did well was show how even moderate treatments for hysteria, like hydrotherapy and hypnosis, went too far.
'A darkly sumptuous tale of wicked spectacle, wild injustice and the insuppressible strength of women' EMMA STONEX, author of THE LAMPLIGHTERS
'In this darkly delightful Gothic treasure, Mas explores grief, trauma and sisterhood behind the walls of Paris' infamous Salpetriere hospital' PAULA HAWKINS, author of A SLOW FIRE BURNING
'A beautifully written debut...I have absolutely no doubt it will be one of my favourite novels of 2021.' AJ PEARCE, author of DEAR MRS BIRD
The Salpetriere asylum, 1885. All of Paris is in thrall to Doctor Charcot and his displays of hypnotism on women who have been deemed mad or…
Alias Grace is a suspenseful and fascinating read, especially since it is based on a real person and her true story. Atwood’s book takes you on the journey of both accused and accuser and doesn’t let you get away with an easy answer. It gets complicated when you consider that while early psychologists subjected many women to discriminatory misdiagnoses, other women actually lost their sanity from the abuse of a discriminatory world. Still, others were trapped in situations where insane choices were the only way to survive. That’s when the line between innocence and guilt becomes so thin, only the reader can decide.
Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.
'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel
'The outstanding novelist of our age' Sunday Times
Similar to Mas’ work, McGinnis paints a disturbing picture of how medicine treated “hysterical” women in unregulated asylums. The main character in this crime drama is remarkably sane considering the tortures she escapes when a detective recognizes how she can assist his search for a true madman. I especially enjoyed the juxtaposition of criminal psychology with the nonsense used to diagnose the women in the asylum. The delicious suspense and mysteries that follow keep you turning the pages for hours.
Mindy McGinnis, the acclaimed author of Not a Drop to Drink and In a Handful of Dust, combines murder, madness, and mystery in a beautifully twisted gothic historical thriller perfect for fans of novels such as Asylum and The Diviners as well as television’s True Detective and American Horror Story.
Grace Mae is already familiar with madness when family secrets and the bulge in her belly send her to an insane asylum—but it is in the darkness that she finds a new lease on life. When a visiting doctor interested in criminal psychology…
Chance’s novel is a subtler take on hysteria, which I liked because not all horror, or abuse, is outright horrific. It’s often subtle and subversive, so much so, that victims often believe they are the problem, and most women diagnosed with neurasthenia (neuroticism) or hysteria believed they were broken. In fact, the term “gaslighting” comes from a film set during this historical period. Chance’s novel gives a look into how fathers, husbands, and fiancés used hysteria as a method to “fix” or get rid of inconvenient women. It also highlights that hysteria was not only tied to mental health but also to women’s sexuality and reproductive system. Any undesirable sexual or reproductive issue could lead to a diagnosis of mental illness. What is unique about Chance’s approach is that she tells the story from the point of view of both her female heroine and the heroine’s doctor.
- Literary historical fiction is an extremely popular genre, as demonstrated by such bestsellers as Matthew Pearl's The Dante Club (Random House, 2/03) and Michael Faber's The Crimson Petal and the White (Harcourt, 9/02).- Megan Chance is the author of
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken in temporarily by Sadie’s aunt, a human rights activist who heads a cultural exchange program.
Stefan promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his story, has grown sympathetic to his cause and complicit in his pushback against prejudiced accusations. Their mutual attraction is stymied when Stefan’s older brother, Joachim, who stayed behind, becomes embroiled in the resistance, and Stefan is compelled to return to Canada. Sadie, concerned for his safety, impulsively follows on a trajectory doomed by cultural misunderstanding and oncoming winter.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through the pitfalls of young adulthood. Hundreds of miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are forced off their land by multinational energy companies and flawed treaties. They are taken in temporarily by Sadie's aunt, a human rights activist who heads a cultural exchange program. Stefan, whose own father died in prison while on a hunger strike, promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his…
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