The Third Man

Spies, a mysterious death with what could be construed as a “ghostly” sighting, and an atmosphere that could be considered modern Gothic. This is the setup of Graham Greene’s The Third Man.

Under the backdrop of darkness and devastation which was still lingering in postwar Vienna, Greene shows it as a once beautiful city cast in a foggy pall, the cursed cloud of death hanging over it, which also happens to the characters in the story. The Third Man mixes the dread of Gothic and the unfolding suspense and paranoia involving the shadowy people in a shadowy world of espionage… show more.

Greene wrote much of his screenplay-turned- iconic Cold War thriller at the Café Mozart overlooking the gorgeous Albertinaplatz in Vienna. Immortalized by the 1949 British film,  the story is a dark look at the craters and restoration of the Post-war years in the Allied-occupied city. When author Rollo Martins is invited to visit his old friend Harry Lime in the war-torn city, he finds himself embroiled in racketeering, the seedy schwartzmarkt, and even murder.  This atmospheric look at a city in tatters where cigarettes were a more secure currency than the defunct reichsmarks littering the bombed street, it is a… show more.

According to the author, The Third Man “was never written to be read, but only to be seen.” However, I love that it is in the text where the characters—who cast such long shadows in the film—were given their original weight and heft. The story is simple, but the history is inescapable. Rollo Martins, an American writer investigating the death of his friend, unveils a black market penicillin ring. The cynicism and disillusionment of postwar Vienna are vivid and palpable. Martins—earnest and relentless—shifts between innocence and ignorance, leaving you to wonder if he isn’t Greene’s commentary on America itself.