Here are 86 books that A Beautiful Blue Death fans have personally recommended if you like
A Beautiful Blue Death.
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I was an English major in college. In pursuing my love of books and language, I fell into a love of history. The passion for history began with author biographies as I tried to understand how the culture affected various authors’ writings. This is why my history strength resides in European history, because most of my favorite authors come from Europe. The more I read of the biographies, I often came across historical events I wasn’t knowledgeable about and so fell down a rabbit hole of historical research. The more I learn, the more I love history!
This is a fantastic genre fiction book series, and there are 14 or 15 books in this series, but I’ll mention only the first: What Angels Fear. So far, I’ve read the first four books, and I love this series!
It’s set in Regency England around 1811. Sebastian St. Cyr is a Viscount who gets involved in solving murders. I love this series for the superb and rich details she includes in her stories. It brings Regency England to life. Mystery. A touch of romance. History. Adventure. This series has it all!
'Harris' riveting debut delivers a powerful blend of political intrigue and suspense ...This fresh, fast-paced historical is sure to be a hit.' - Publishers WeeklyIt's 1811, and the threat of revolution haunts the upper classes of King George III's England. Then a beautiful young woman is found savagely murdered on the altar steps of an ancient church near Westminster Abbey. A duelling pistol discovered at the scene and the damning testimony of a witness both point to one man, Sebastian St. Cyr, Viscount Devlin, a brilliant young nobleman shattered by his experience in the Napoleonic Wars.Now a fugitive running for…
History has always interested me, in part because it helps explain how we got where we are. I have a bachelor of music in music history, which is where I first became aware of how small things—the invention of the quill pen—can ripple into huge consequences. Tack onto that an inclination toward political science and law, plus a family full of bench scientists, and it’s easy to see how stories set in the past that focus on whodunit, how, and why fascinate me. Both reading and writing against that tapestry educates me, entertains me, and gives me a glimpse of our capacity to transcend all difficulties for the sake of truth and justice.
I find the Georgian era fascinating (kinda shows, right?) particularly in the years immediately after Waterloo.
Gardner (a pseudonym for prolific author Jennifer Ashley) presents us with a sleuth who is a former officer recently returned from the war. He’s limping in body and spirit, and the puzzles he solves take us from the slums and alleys to high society, and a lot of interesting places in between.
Lacey is grouchy, astute, sweet, and tenacious, I doubt I will ever tire of reading of his exploits. (And if he’s your jam too, you will doubtless enjoy Gardner’s Gladiator Mysteries, and her Belowstairs Mysteries.)
London, 1816 Cavalry captain Gabriel Lacey returns to Regency London from the Napoleonic wars, burned out, fighting melancholia, his career ended. His interest is piqued when he learns of a missing girl, possibly kidnapped by a prominent member of Parliament. Lacey's search for the young woman leads to murder, corruption, and dealings with a leader of the underworld. At the same time, he struggles with his transition from a soldier's life to the civilian world, redefining his role with his former commanding officer, and making new friends--from the top of society to the street girls of Covent Garden.
At one time, it was commonplace for male mystery writers to devote a substantial amount of plot to romance; for example, Wilkie Collins, The Woman in White or Dashiell Hammett, The Maltese Falcon. In recent years, this tradition has eroded to the point where romantic mysteries are primarily written by women. I think romance spices up mysteries. In Death is Potential, Kate Swift is more invested in solving the murder mystery because she is protecting her lover.
I like this series set in 1880s London. Julia Grey is trapped in an unsatisfying marriage to Sir Edward Grey. When he is poisoned, Julia gets an opportunity to restart her life.
She not only has to manage the estate left to her by her husband, but also deal with the murder of her husband. She retains a private investigator, Nicolas Brisbane, and develops a passionate attraction to this difficult man.
Go back to where it all began with the original Lady Julia Grey historical mystery series from New York Times bestselling author of Killers of a Certain Age, Deanna Raybourn.
“Let the wicked be ashamed, and let them be silent in the grave.”
These ominous words are the last threat that Sir Edward Grey receives from his killer. Before he can show them to Nicholas Brisbane, the private inquiry agent he has retained for his protection, he collapses and dies at his London home, in the presence of his wife, Julia, and a roomful of dinner guests.
History has always interested me, in part because it helps explain how we got where we are. I have a bachelor of music in music history, which is where I first became aware of how small things—the invention of the quill pen—can ripple into huge consequences. Tack onto that an inclination toward political science and law, plus a family full of bench scientists, and it’s easy to see how stories set in the past that focus on whodunit, how, and why fascinate me. Both reading and writing against that tapestry educates me, entertains me, and gives me a glimpse of our capacity to transcend all difficulties for the sake of truth and justice.
Early on, what the then-publisher sought, and what the characters preferred apparently diverged, because a few of the titles have an “alternate universe” relationship with the main mystery world.
That didn’t bother me one bit, when the characters and the historical aspects of Napoleonic Britain are so well drawn. Grant is particularly adept at exploring the odd corners of this time period—the diplomatic convolutions, New World repercussions, and sociological upheaval in Britain itself following Waterloo.
As the series progresses, the main protagonists build a community of sleuths, and the relationships complexify right along with the politics. Absolutely wonderful!
Including novellas (two of them prequels), this series is closing in on 30 titles.
Europe's elite have gathered at the glittering Congress of Vienna--princes, ambassadors, the Russian tsar--all negotiating the fate of the continent by day and pursuing pleasure by night. Until Princess Tatiana, the most beautiful and talked about woman in Vienna, is found murdered during an ill-timed rendezvous with three of her most powerful conquests. . .
Suzanne Rannoch has tried to ignore rumors that her new husband, Malcolm, has also been tempted by Tatiana. As a protégé of France's Prince Talleyrand and attaché for Britain's Lord Castlereagh, Malcolm sets out to investigate…
I've read mystery books since I was a kid in a small Iowa town and my
mother was on the library board and in charge of reviewing books for
purchase. She would bring home mysteries and I grew up reading about
James Bond, The Saint, Miss Marple, and many, many other 'classic'
detectives. I wrote my first mystery 'novel' when I was ten and it took
me forty more years to finally decide to get serious about it. I found I
wanted to write about an older demographic—my heroes and heroines are
usually in their 40s or 50s. I try to make my characters believable and
down-to-earth—except they get involved in the occasional murder!
This is another historical mystery but it's set in a different time period than Huber's mysteries.
The main character of this book has been hired as an assistant to a detective in Victorian England and through the course of the book, I learned a great deal about the history of law enforcement. I think we take so much for granted in our high-tech, always-connected world.
It's surprising and sometimes amazing to realize how the world functioned before telephones, automobiles, and a unified law enforcement department.
An atmospheric debut novel set on the gritty streets of Victorian London, Some Danger Involved introduces detective Cyrus Barker and his assistant, Thomas Llewelyn, as they work to solve the gruesome murder of a young scholar in London's Jewish ghetto.
When the eccentric and enigmatic Cyrus Barker takes on the recent murder case of a young scholar in London's Jewish ghetto, he realizes that he must hire an assistant, and out of all who answer an ad for a position with "some danger involved," he chooses downtrodden Llewelyn, a gutsy young man with a murky past.
I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.
The first novel about legendary private eye Phillip Marlowe is also the first mystery novel that ever made me cry when I turned the last page.
Marlowe’s poetic narration and bruised outsider’s voice offer a cynical but also strangely hopeful perspective on both the shady underworld types and the corrupt high-society folk who fill the “mean streets” down which Marlowe must walk (in Chandler’s much-quoted phrase).
Why hopeful when death–the big sleep–awaits us all? Because a man of principles like Marlowe can still bring a measure of justice in this unjust world, sometimes just by bearing witness.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
I love cities, and as a former Mayor, I understand their vibrant complexity. Like all of us, I am deeply worried about planetary breakdown, but unlike most, I’ve had the privilege of seeing firsthand the great work that leading mayors are undertaking globally to address the climate crisis. It's my belief that if more of us knew what is happening in some cities, and therefore what is possible in all, we would not only see that it is possible to avoid climate breakdown but fuelled by that hope, we would demand change from those we elect. You can hear more in the podcast I lead, Cities 1.5, or read more in my occasional newsletter on substack.
This is a noir-style detective novel set in Berlin in the 1930s. The protagonist, private detective Bernie Gunther, is a disaffected police officer who has left its service because of the Nazi takeover of public institutions - and all the corruption and brutality that come with it.
I loved the book, the first of a trilogy, and I immediately read the next two because of its main character, Berlin. I have been visiting Berlin for 40 years and am fascinated by its seedy, gritty, and tragic history and its resilience as a city. Berlin Noir evokes the Berlin of the 1930s in a way that only fiction can do. Brilliant.
Discover the first crime novel in the late Philip Kerr's Bernie Gunther series - Berlin Noir - set in Hitler's Germany during the 1930s . . .
Winter, 1936. A man and his wife shot dead in their bed, their home burned. The woman's father, a millionaire industrialist, wants justice - and the priceless diamonds that disappeared along with his daughter's life. He turns to Bernhard Gunther, a private eye and former cop.
As Bernie follows the trail into the very heart of Nazi Germany, he's forced to confront a horrifying conspiracy. A trail that ends in the hell that…
I am a writer, classical historian, and journalist. While there is no shortage of Roman historians in Britain and the US, I have long felt that English-speaking historians have had a blind spot as far as Roman Germany goes. Fascinated by the Battle of Teutoburg Forest for many years, while there were numerous accounts in German, it frustrated me that there was no general account of what happened in English. So I wrote it! I wasclearly not alone in my interest in Roman Germany and have presented a number of documentaries on the battle on the History Channel and National Geographic since.
The fourth book in Lindsay Davis’ magnificent series of detective novels featuring Marcus Didius Falco, The Iron Hand of Mars is set in 71CE, several years after the events of the Battle of Teutoburg Forest.
Although much of the action takes place in the aftermath of the Batavian Revolt in 69–70CE, Davis both captures daily life in the Roman cities in Germany, but also how the events of 9CE continued to haunt Roman Germany – the Roman empire – even a generation later.
With the great characterisation, fast-paced plotting and wry humour that we've come to expect from multi-million copy bestselling author Lindsey Davis, this is an addictive mystery that will transport you back to Britain at the time of the Roman invasion. Readers of S. J. Parris, Donna Leon, Steven Saylor and C. J. Sansom will be hooked from page one...
'Her most ambitious to date... Davis has found a winning formula.' -- Daily Telegraph 'Lindsey Davis doesn't merely make history come alive - she turns it into spanking entertainment, and wraps it around an intriguing mystery. She is incapable of writing…
I’m an ecologist who loves history. I love incorporating elements from the past in my non-fiction and fiction writing. I’ve learnt so much about parts of the world I have never visited from historical mysteries, especially those with strong female characters. My grandmother, born in 1907 during the British Raj, fought just to go to school. I love books that offer an insight into the lives and thoughts of fierce, feisty women like her, everyday women who did extraordinary things. Each of the books I’ve selected is the first in a series, and I hope they give you endless hours of reading pleasure, just as they did for me.
Patricia Wentworth is one of the most atmospheric writers I’ve read.
This is the first in her Miss Silver series, featuring an elderly lady who looks a lot like Miss Marple but pre-dates her. While still within the cozy genre, parts of this book, especially the opening section, where the mysterious man in the gray mask makes his first appearance, can make your spine tingle with that delicious feeling of tension that only a good mystery book brings.
Like Miss Marple, Miss Silver is adept at deducing what the various protagonists might do based on her reading of their psychology, but the characters are much better fleshed out in these books, as is the period in which it is set. And the romance is a definite bonus.
Governess-turned-detective Miss Silver investigates a deadly conspiratorial ring
Charles Moray has come home to England to collect his inheritance. After four years wandering the jungles of India and South America, the hardy young man returns to the manor of his birth, where generations of Morays have lived and died. Strangely, he finds the house unlocked, and sees a light on in one of its abandoned rooms. Eavesdropping, he learns of a conspiracy to commit a fearsome crime.
Never one for the heroic, Charles’s first instinct is to let the police settle it. But then he hears her voice. Margaret, his…
I write and read realistic fiction. I’m not a fan of fantasy, sci-fi, ghost stories, or magical (other than, you know, Tolkien). I don’t want to have to suspend a lot of belief and buy into an alternate reality. And yet, and yet. . . . All these books have a little element of something going on, and they each grabbed me and kept my attention, and I didn’t roll my eyes once. The supernatural is just a little extra kick and, in every case, as believable as it can possibly be.
This book is about a private investigator in London in the early 1900s. It is the first of a long series about Maisie’s cases and the people who are dear to her.
This first book gives us an introduction to Maisie and her working-class background, the people who influenced her, and the way she uses her own version of second sight to understand both clients and criminals. Her description of Maisie mimicking someone’s body movements to figure out their motives actually made me try it out.
I also got a strong sense of London during the difficult years of wars and depression and a bedraggled peace. If you enjoy this one, you’ll have a nice backlog to return to whenever you need more.
A favorite mystery series of Hillary Clinton (as mentioned in What Happened, The New York Times Book Review, and New York Magazine) A New York Times Notable Book of the Year Agatha Award Winner for Best First Novel Macavity Award Winner for Best First Novel Alex Award Winner
Fiercely independent Maisie Dobbs has recently set herself up as a private detective. Such a move may not seem especially startling. But this is 1929, and Maisie is exceptional in many ways.
Having started as a maid to the London aristocracy, studied her way to Cambridge and served as a nurse in…
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