Here are 100 books that A Tudor Turk fans have personally recommended if you like
A Tudor Turk.
Shepherd is a community of 10,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
I am a physician assistant and paramedic with ten brothers and sisters, an all-consuming love of the outdoors and adventure, and a fascination with history, particularly early US history. I love reading and writing the kind of books that I would like to read. My debut novel, Firefax, was written in large part as an escape from the horrors of serving in the hospital as a physician assistant during the delta wave of the COVID-19 pandemic. I hope it provides my readers with an escape from their own struggles as well.
A dark, twisted story of intrigue within the walls of an abbey in the fourteenth century.
Every character has some dark past that they are hiding, and everyone is part of the ever-deepening mystery, riddles piling upon riddles, as bodies pile upon bodies. The further into the abbey’s maze of secrets you become entangled, the more you’ll love it. The characters are deep and complicated, the world in which they live is richly imagined, and the final denouement will leave you breathless.
A book whose mysteries and philosophical dialogues will stay with you long after you close the final page.
The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. When his delicate mission is suddenly overshadowed by seven bizarre deaths, Brother William turns detective.
William collects evidence, deciphers secret symbols and coded manuscripts, and digs into the eerie labyrinth of the abbey where extraordinary things are happening under the cover of night. A spectacular popular and critical success, The Name of the Rose is not only a narrative of a murder investigation but an astonishing chronicle of the Middle Ages.
I'm a retired historian of early Islam and writer of historical fiction set in medieval Iraq, Turkic, and Persian lands. I write and love to read novels that “do history.” In other words, historical fiction that unravels the tangles of history through the lives of its characters, especially when told from the perspectives of those upon whom elite power is wielded. My selections are written by authors who speak from an informed position, either as academic or lay historians, those with a stake in that history, or, like me, both, and include major press, small press, and self-published works and represent the histories of West Africa, Europe, Central and West Asia, and South Asia.
Segu
may begin with a lone white explorer gazing across a river at the Bambara
people, but this novel turns away from him to those whose world will be irrevocably
changed as colonialism and Christianity, Muslim expansionism, and the horrific
trade in human beings irrevocably changes the course of African lives. Condé
turns an unblinking eye on the Traore family as they break under the weight of
these civilizational pressures. Traditional ways of life turn brutal and
desperate—women especially feel the brunt of an unstable world—and sons abandon
the family for enemies or are kidnapped and enslaved. Each storyline in this
famed epic cuts straight into the political and social complexities of that
time and exposes its players to uncompromising account.
'Maryse Conde is an extraordinary storyteller who brings the history of an African kingdom alive as vividly as if it existed today. . . This is a great novel: unputdownable and unforgettable' Bernardine Evaristo
Winner of the Alternative Nobel Prize for Literature 2018
The bestselling epic novel of family, treachery, rivalry, religious fervour and the turbulent fate of a royal African dynasty
It is 1797 and the African kingdom of Segu, born of blood and violence, is at the height of its power. Yet Dousika Traore, the king's most trusted advisor, feels nothing but dread. Change is coming. From the…
I'm a retired historian of early Islam and writer of historical fiction set in medieval Iraq, Turkic, and Persian lands. I write and love to read novels that “do history.” In other words, historical fiction that unravels the tangles of history through the lives of its characters, especially when told from the perspectives of those upon whom elite power is wielded. My selections are written by authors who speak from an informed position, either as academic or lay historians, those with a stake in that history, or, like me, both, and include major press, small press, and self-published works and represent the histories of West Africa, Europe, Central and West Asia, and South Asia.
The magnificence
of the first in the Amalgant series is the immersive
reconstruction of Mongol social, political, and religious worlds, as well as the
lives of its people. Hammond resistantly reads histories produced by hostile
cultures, instead privileging the earliest and most comprehensive Mongol
tellings of their own lives, The
Secret History of the Mongols. This is no dry historical account of
cultural norms, steppe relations, or material artifacts, but an intimate and
humane telling of the personal tragedies and struggles that would change the
world as the war-orphaned Temujin grows to be the man we know as Chenggiz Khan.
Mother Hoelun was never ashamed or embarrassed by their hardships. When Jochi wore a dog’s pelt for a cloak, because they had no fleeces and no felt and had to trade for hides and dog was cheap, none of the children felt a sense of indignity. Indignity was alien to her.The Mongols are a people of orphans. A disastrous battle with China has left wives without husbands, children without fathers. Temujin is one of these children, impoverished by the heavy tribute China has punished them with, in danger of forgetting what a Mongol stands for. Worse, Temujin's the subject of…
I'm a retired historian of early Islam and writer of historical fiction set in medieval Iraq, Turkic, and Persian lands. I write and love to read novels that “do history.” In other words, historical fiction that unravels the tangles of history through the lives of its characters, especially when told from the perspectives of those upon whom elite power is wielded. My selections are written by authors who speak from an informed position, either as academic or lay historians, those with a stake in that history, or, like me, both, and include major press, small press, and self-published works and represent the histories of West Africa, Europe, Central and West Asia, and South Asia.
Set in Delhi on
the eve of the first battle for Indian independence in 1857 that would be so
brutally put down by the British, ending with Delhi in flames and India coming
under direct British rule, our detective, the poet laureate Mirza Ghalib
investigates a murder. The investigation reveals the myriad of personalities,
pressures, and allegiances from every corner of Indian and British society that
led to the uprising and all that has come after. This finely wrought novel
begins and ends with death at a Mushaira—a poetry recitation, public, private,
or intimate for just two, that typically drew from every level of society—sounding
the loss of India as it was before colonization, and then partition, when
religious and social boundaries were not as starkly defined and policed as they
are now.
3 May 1857. India stands on the brink of war. Everywhere in its cities, towns, and villages, rebels and revolutionaries are massing to overthrow the ruthless and corrupt British East India Company which has taken over the country and laid it to waste. In Delhi, the capital, even as the plot to get rid of the hated foreigners gathers intensity, the busy social life of the city hums along. Nautch girls entertain clients, nawabs host mushairas or poetry soirees in which the finest poets of the realm congregate to recite their latest verse and intrigue, the wealthy roister in magnificent…
I’ve always loved all things Elizabethan, and I especially love spending time with books and manuscripts where voices from the period speak to us directly. Wanting to understand how Shakespeare and his contemporaries understood themselves led me to investigate their ideas about relations between mind and body, about emotions, about the imagination, and about the minds of women and those of other races. I’ve learned that the Elizabethans grappled with many conflicting ideas about the mind, from classical philosophies, medieval medicine, new theologies, and more – and that this intellectual turmoil was essential fuel for the extraordinary literary creativity of the period.
A startling finding when I was researching Elizabethan ideas about the mind was how far their attitudes to the imagination differed from ours.
We see it as a creative force to be encouraged and liberated, but for them it was dangerous, deceptive, and unruly, leading towards sinfulness and madness. Roychoudhury explains how early scientific thinking was starting to unsettle this traditional view of the imagination as reprehensible, and traces the effects of this in works including A Midsummer Night’s Dream, The Sonnets, and Macbeth.
I would add that the new commercial playhouses for which Shakespeare wrote became experimental crucibles: these were spaces where the combined imaginations of playwright, actors, and audiences created virtual realities, unleashing an exhilarating and magical sense of the powers of imagination.
Representations of the mind have a central place in Shakespeare's artistic imagination, as we see in Bottom struggling to articulate his dream, Macbeth reaching for a dagger that is not there, and Prospero humbling his enemies with spectacular illusions. Phantasmatic Shakespeare examines the intersection between early modern literature and early modern understandings of the mind's ability to perceive and imagine. Suparna Roychoudhury argues that Shakespeare's portrayal of the imagination participates in sixteenth-century psychological discourse and reflects also how fields of anatomy, medicine, mathematics, and natural history jolted and reshaped conceptions of mentality. Although the new sciences did not displace the…
I’m a historian of early modern Europe. I have a particular interest in the history of violence and social relations and how and why ordinary people came into conflict with each other and how they made peace, that’s the subject of my most recent book Enmity and Violence in Early Modern Europe, which compares the entanglement of everyday animosities and how these were resolved in Italy, Germany, France and England. I’m also passionate about understanding Europe’s contribution to world history. As editor of The Cambridge World History of Violence, I explored the dark side of this. But my next book, The Invention of Civil Society, will demonstrate Europe’s more positive achievements.
If you haven’t read Montaigne’s Essays start now. I suggest reading one a day – they’re quite short.
I love this book because Montaigne is a genius for all time. Montaigne exploration of what it means to be human remains relevant today. It connects our world with past and shows that, although technology has changed and we can become a lot richer, humans haven’t changed so much.
Montaigne’s Essays are not a relic, they are the mirror on our present condition.
One of the most important writers and thinkers of the Renaissance, Michel de Montaigne (1533-92) helped invent a literary genre that seemed more modern than anything that had come before. But did he do it, as he suggests in his Essays, by retreating to his chateau, turning his back on the world, and stoically detaching himself from his violent times? In this definitive biography, Philippe Desan, one of the world's leading authorities on Montaigne, overturns this longstanding myth by showing that Montaigne was constantly concerned with realizing his political ambitions--and that the literary and philosophical character of the Essays largely…
Nearly 50 years ago I was completely taken with the patterns drawn, woven, or embroidered by the Indigenous Peoples of the Upper Amazon of Peru. This was my first experience with the power of pattern and led to a career in collecting and curating the pottery and textiles from that area. By the end of the 1980s, I was ready to start a family and a more settled job. The Design Library was the perfect segue. The patterns created in Europe, Africa, and Asia over the past 250 years are also important cultural statements and are continually re-interpreted by our clients for today's market.
This scholarly book accompanied the enlightening exhibition of the same name at the MET 2013-2014. The way we learn how trade in textiles united the world is fascinating. One revelation for me was discovering that the first non-noble wealth was generated in the 18th century through textile trade.
Beginning in the 16th century, the golden age of European navigation created a vigorous textile trade, and a breathtaking variety of textile designs subsequently spread across the globe. Trade textiles blended the traditional designs, skills, and tastes of their cultures of origin, with new techniques learned through global exchange, creating beautiful new works that are also historically fascinating. Interwoven Globe is the first book to analyze these textiles within the larger history of trade and design. Richly illustrated texts explore the interrelationship of textiles, commerce, and taste from the age of discovery to the 19th century, including a detailed discussion…
Like most people, I find the history of sex and everything associated with it fascinating! It’s often been difficult to document and interpret the complexities about heterosexuality, gender identity, and same-sex desire as well as women’s reproductive health which is intimately (although not exclusively of course) linked to sex. We are in a golden age of fantastic work on so many aspects of the history of sex. Apart from the intrinsic interest of these books, I think they provide such an important context for our very lively and often very intense contemporary legal, political, and cultural debates over sex in all its forms.
Who would have thought Catholic Italy in the sixteenth and seventeenth centuries would have tolerated widespread abortion? John Christopoulos brilliantly shows that, despite the moral proscription and legal prohibition of abortion from church and state leadership, women across the social spectrum from elites to peasants practiced abortion with the tacit or explicit support of key people in their communities. Compelling mini-narratives about individual women’s abortion stories are interwoven with an expert analysis of the legal, religious, and scientific knowledge and attitudes.
A comprehensive history of abortion in Renaissance Italy.
In this authoritative history, John Christopoulos provides a provocative and far-reaching account of abortion in sixteenth- and seventeenth-century Italy. His poignant portraits of women who terminated or were forced to terminate pregnancies offer a corrective to longstanding views: he finds that Italians maintained a fundamental ambivalence about abortion. Italians from all levels of society sought, had, and participated in abortions. Early modern Italy was not an absolute anti-abortion culture, an exemplary Catholic society centered on the "traditional family." Rather, Christopoulos shows, Italians held many views on abortion, and their responses to its…
I’m fascinated by stories from the past. I worked for many years in museums and heritage, telling Scotland’s stories through exhibitions and nonfiction publications, but I was always drawn to the question best answered through historical fiction – what did that feel like? Well-researched historical fiction can take us right into the lives of people who lived through the dramatic events we read about in academic books. I found that each of the novels on my list transported me to a different time and place, and I hope you enjoy them, too.
Growing up in Scotland, the brutal murder of Mary Queen of Scots’ Italian favourite (some say lover) Rizzio by her husband Lord Darnley is one of those stories I’ve known since childhood. Love, jealousy, revenge, royalty: it has it all!
In this slim novella, Denise Mina retells this famous story for the 21st century, bringing the characters to life and packing the pages with drama, emotion, and suspense.
'a tour de force work of art' - The Wall Street Journal, Best Books of the Year
Longlisted for the 2022 CWA Ian Fleming Steel Dagger Award
It's Saturday evening, 9 March 1566, and Mary, Queen of Scots, is six months pregnant. She's hosting a supper party, secure in her private chambers. She doesn't know that her Palace is surrounded - that, right now, an army of men is creeping upstairs to her chamber. They're coming to murder David Rizzio, her friend and secretary, the handsome Italian man who is smiling across the table at her. Mary's husband, Lord Darnley,…
I make prints and visual books. I founded Bridge Press, now in Kennebunk, Maine, 1989 to publish limited edition artist's books and etchings. The name of the press underscores the collaborative nature of book making. Visual books offered possibilities for the continuity, connection, and unfolding of images—each image is complete yet linked to every other through the structure of the book. Books seemed an ideal vehicle to assemble and connect my prints, to order and unfold a sequence of images, with defined and recurrent shapes, motifs, and composition, and to create a setting in which each image is complete yet linked to every other through the structure of the binding or enclosure.
The advent of the exactly repeatable pictorial statement is arguably the most significant technological and cultural innovation in the history of humankind. This book examines in detail the contributions to scientific knowledge made by significant Renaissance artists, Hans Holbein, Albrecht Dürer, and Hendrick Goltzius principally among them. In addition to reproducing woodcuts, engravings, and etchings, the book depicts various complex forms of paper engineering from the Renaissance that acted as scientific instruments, maps, simulacra, or utile devices in themselves.
An unusual collaboration among distinguished art historians and historians of science, this book demonstrates how printmakers of the Northern Renaissance, far from merely illustrating the ideas of others, contributed to scientific investigations of their time. Hans Holbein, for instance, worked with cosmographers and instrument makers on some of the earliest sundial manuals published; Albrecht Durer produced the first printed maps of the constellations, which astronomers copied for over a century; and Hendrick Goltzius's depiction of the muscle-bound Hercules served as a study aid for students of anatomy. Prints and the Pursuit of Knowledge in Early Modern Europe features fascinating reproductions…
10,000+ authors have recommended their favorite books and what they love about them.
Browse their picks for the best books about
16th century,
Istanbul,
and
queens.
