100 books like Drawn from Life

At age 15, I was captivated by Ernest Hemingway and his depiction of Paris in the 1920s. This book today reignites the enchantment of those years. Hemingway's profound influence shaped my aspirations as a writer. Through his eyes, I can vividly see Paris's cafés, salons, and vibrant social scenes, which ultimately became the backdrop of my dreams.

This book, rich with lovemaking, drinking, writing, betting at the track, and the bohemian lifestyle of so many young artists in Paris, reawakens my desire to immerse myself in that world. Hemingway's narrative voice and his novels continue to speak to me in a language that feels intimately mine, reminding me of the undying impact of his work on my life and aspirations.

Was the hero of F. Scott Fitzgerald’s American classic African-American?

A couple of academics have advanced that theory. I’m not sure I buy it. The notion (and supporting “evidence”) seems little more than a literary parlor game, not to mention the fact that nothing in Fitzgerald’s work or his letters shows a particular engagement with, or sympathy for, black Americans.

Still, it’s an interesting metaphor and the reason this seminal American novel appears in a list of what’s otherwise non-fiction. Gatsby’s yearning for his lost love could be an African-American yearning for a beloved country that does not always love them in return.

I first read this book in high school. It wasn’t until my second, third, and fourth re-reading that I began to appreciate Fitzgerald’s gift for story-telling and his evocative, poignant language. And to identify with Gatsby, the outsider craving to become an insider.

What I love about this book is the way it delves into all the intimate details of a group of artists/writers/creators in early 20th-century England who rebelled against the day-to-day strictures of a buttoned-up society and embraced eccentricity in even the most humdrum aspects of their lives.

What did they eat? What did they wear? Where did their children go to school? I wouldn’t necessarily imitate absolutely everything that these iconoclasts did, but the allure of their example is intoxicating.

This beautiful tome, with endless photos, takes a tour of Paris through the années folles, from the end of the Great War in 1919 to the start of World War Two in 1939. Many histories of Paris in this period focus solely on the culture – understandable, as this outpouring of modernism was world-shaking. This book includes history, politics, law, Parisian café life, sex workers, immigration, and more. My copy is full of so many notes that I had to buy a second copy. Here I found the underground gay scene and the effect of the war on the working class. Schiaparelli’s surreal hats sat along an overview of soup kitchens during the Depression. The book shows Paris as it was lived in those years, and mostly through visual material, giving the impression that you could book a ticket and visit.

This book made me think differently about air war, arguably the defining element of 20th and 21st-century conflicts. Grayzel traces its evolution and experience for Britain from the first bombing raids of the First World War to the start of the blitz in the Second. Unlike most other studies, which focus on military strategy and state policy, she interweaves the stories and experiences of the civilians who were to be the targets of this new technology. The book reminds us (if we needed reminding) of the shock of air raids, and the way that these impacted every aspect of life.

This gorgeously illustrated book is the story of Morgan, who becomes the Book Cat at the real publisher Faber. I adored TS Eliot’s Old Possum’s Book of Practical Cats as a child, and Morgan was a real cat who was one of the inspirations for the poems. These are his adventures during the London Blitz – in some ways a familiar story, but so moving from a cat’s point of view! 

Today, it is almost impossible to imagine aircraft roaming freely over British cities, disgorging bombs onto the streets below. So, it’s vital for us to have access to the personal, unvarnished stories and contemporary accounts from those that actually lived through this particular horror. In The Secret History of the Blitz Levine pulls no punches as he documents the behaviour of ordinary people faced with extreme experiences. Some reacted with fortitude, uniting in neighbourhood solidarity and extending charity to strangers. Others exploited the chaos, breaking legal and moral codes for their own personal enrichment. To this day, the British psyche collectively benefits from the social concept of a Blitz Spirit. But we should remember it was always a two-sided coin.

The strengths of Wentworth’s books lie in the portrayal of the era, and in the characters who are forced to find their way through unfamiliar and difficult circumstances. They are not all wealthy, they are not all high-born, and we watch them as they try to adapt to wartime conditions and deprivations. 

Wentworth’s mysteries are fascinating, clever, with the protagonist Miss Silver, a spinster who is a professional ‘private enquiry agent’. The Listening Eye, I feel, contains some of the most acute observations of human nature, and this makes the characters just seem so relatable. Wentworth books are ‘clean’ mysteries with a strong thread of romance, little gore, no bad language, or sexy shenanigans.

Lee was the popular, well-connected military attaché in the U.S. Embassy in London. A staunch supporter of U.S. aid for Britain, he played an important role in preparing for America’s entry into the war. During the Blitz, he castigated American correspondents who described London as “devastated” by the German bombing campaign. “London is not devastated, and if you want one soldier’s opinion, it will not be devastated,” he told them. His diary reflects his determination to counter the defeatist predictions of Joseph Kennedy, who had served as U.S. ambassador in London until 1940.

June Spencer was a debutante. In 1938, she was presented to the King and Queen at Buckingham Palace. A year later, her life changed with the outbreak of war. Always independent, June became an ambulance driver, and later a WREN. At the same time, she continued to go to nightclubs and spend time with well-connected friends, and fall in love. She detailed everything in private diaries which Clifford was given access to by June’s daughter. June was an extraordinary ‘ordinary’ woman, another who lived through ‘history being made.’ This is a wonderful account of her life and times.