59 books like Malory

As much a book about language as anything else, its central message may be the need for a love of education, but don’t let that put you off. It’s full of wordplay, puns, and wonderful whimsy.

Take, for instance the ‘watchdog’ called ‘Tock’ who’s large, can speak, and has alarm clocks on each side of his body. You might call it ‘picaresque,’ you might call it ‘bonkers,’ but never ‘predictable’!

I don’t remember that it contains a sword.

Mark Twain’s wit somehow manages to transcend time as he infuses this iconic character with the freshness of an innocent who is anything but.

The “road” in this story is the Mississippi River, and the method of transportation is a raft. The journey takes Huck on a transformational journey as he unlearns everything his society has taught him about good and bad and right and wrong. This uneducated boy begins to think for himself.

Once the plot resolves, Huck wants to escape being “sivilized” because he has learned it is anything but. He wants to “light out for the territory”, a metaphorical place that, although impossible as a realistic solution to his problems, still seems a place of freedom worth seeking out.

This is the funniest book I’ve ever read. The hero, Ebenezer Cooke, seeks to earn his estate in colonial Maryland, in spite of losing it by a misplaced act of justice (the Dolorous Stroke of the story). Nearly every important man he meets turns out to be his childhood tutor in disguise. Nearly all the women in the book are prostitutes. Pure mayhem.

Kurt Vonnegut, Jr.’s son, Mark, wrote this semi-fictional exploratory piece in an autobiographical style while exploring the nature of drug-induced madness coupled with undiagnosed schizophrenia while living an alternative lifestyle in a working commune. Through it all, the nature of humanity is questioned in a humorously chaotic way. And yet he pulls it all together to somehow not only make sense of, but also be enlightened by, the madness of this counterculture lifestyle. 

Mark Vonnegut later returns to university and obtains a medical degree while exploring the use of orthomolecular medicine as a treatment to combat schizophrenia. While successfully obtaining his medical degree, he eventually disavows orthomolecular therapy as a plausible treatment.

Barczak’s work belongs to that realm of poetic fiction that is occupied by Robert E. Howard and Janet Morris. Veil of the Dragon plays out like a vivid nightmare. This is the kind of fantasy novel that makes you want to pause in the middle of the paragraph you’re reading, go back to the beginning, and read out loud just to see how the words sound. Poetic fantasy takes you to another level.

This book is the go-to for nearly everything you need to know about Arthurian legend. I use it and return to it time and time again to explore different elements of the Arthurian story. Not to mention, the history of Malory and the book itself are just as fascinating to me.

Writing at the end of the fifteenth century, Malory’s work was really the starting point for anything Arthurian–and even though I find the earlier works on Arthur’s history are just as enthralling. Any translation is fine, and many editions (I have about eight) have notes on different elements of Arthurian history and legend and where they may have originated. I have followed many such notes down multiple captivating paths.

Though this book is historical fiction rather than fantasy, and I generally am a fantasy fan, K. M. Grant does wonders in this book. It takes place in King Richard’s crusades and, though the book spans several years, you never feel rushed or disconnected from the characters. It does not pick sides but rather has characters on both sides who come together, not in war, but in their love for a small blood-red stallion. As a huge history fan and an equestrian, this book combines medieval times and a knowledge of horses with a talent of weaving stories. It is superb! I cannot say enough about it.

Some novels lean into the alienness of their historical settings, making them feel almost like secondary worlds.

The Buried Giant is one of those. It takes place partly in legend, after the death of King Arthur, and follows an elderly married couple in a society that has quite literally lost its memory. I struggled with this book at first because the prose is so unassuming, but it got under my skin.

Ishiguro's simple prose creates a feeling of unsettling ordinariness, like the way your dreaming brain accepts a logic your waking brain never could.

Getting to become a knight? Yes, please!

Childhood me, adult me, mommy me, writer me, all version of me wanted adventure—and swords. Her books were treasured enough in my home that my (now-adult) daughter and I both had to buy replacement copies over the years.

I read Tammy Pierce’s books with my daughter in the years before I was published, never knowing that years later, I’d be teaching sword fighting and chatting with Tammy herself about swords and books.

This recommendation is listing the one book, but it’s part of a whole set of connected series books.

This was our entry into a world of strong adventurous women, and honestly, I’m not sure I’d have ended up a writer if not for her writing.

Gillian Bradshaw is one of the best historical fiction writers I know of, and everyone else should know of her too. The Wolf Hunt is based on Bisclavret, one of the Lais of Marie de France, and fairly drips with historical detail (please use a coaster). The fantasy element is the major plot point, but the magic that allows for it is so subtle and low-key that I nearly forgot to classify the book as historical fantasy. This is a grown-up Catherine, Called Birdy in its ability to evoke a medieval mind and setting, minus the humor, plus more romance. And while there's no floor-scrubbing, it has big floor-scrubbing energy.