100 books like The Man with the Golden Arm

I have always been drawn to stories of miserable rich people, especially tales of how old money contorts lineage into something rotten. I grew up in Northern California, and while my family was comfortable, we weren’t part of the tennis club and yachting elite. During my childhood, we spent a lot of time exploring abandoned properties. It was a passion that I kept when I moved to Los Angeles as an adult and started to explore forgotten parts of Hollywood’s past. Los Angeles has always fascinated me because it embodies extreme wealth and extreme poverty: like the American dream itself, it straddles both extremes and promises everything while guaranteeing nothing.

I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.

It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.

Why do I use the word “fraud?” The answer is agonizingly simple. My whole life, and I mean since I was ten, I wanted to be “a real writer.” Whatever that was. And now here we are, 55 years later. Despite my great good fortune to spend 24 years coming up with jokes for Dave Letterman, three years as a columnist at Sports Illustrated, and to have my name on four novels, if you asked me, “Are you a real writer?” I would tell you, “not yet….” Here are five real writers.

I’d always known about the Lady of the Dunes. I’d read about how she was found in the dunes of Provincetown, Massachusetts, on July 26, 1974. I didn’t know about the tens of thousands of other unidentified victims like her, stowed around the US in the back rooms of morgues and unmarked graves. As a journalist who has always given a voice to those who struggle to be heard, I feel compelled to research and write about these Jane and John Does and the people who work to keep their cases in the public eye. I share a unique bond with writers who do the same.

I love noir fiction and the hard-boiled detective novels that often best exemplify the genre. Both Dashiel Hammet’s Sam Spade and Raymond Chander’s Marlowe are two men who will sacrifice everything for the truth, no matter the cost. There is a stark beauty in that. Fantasy, the genre of myth, carries the deepest, most poignant truths. These are the hard truths that can break a hero’s heart, as in Gilgamesh, or give you the bittersweet ending of The Lord of the Rings. Blending them produces some of my favorite stories, stories I love to read as the fog rolls in, listening to the music of heartbreaking jazz. 

I've been writing for decades, as one genre evolved into another. Local Colorado history led to the identification of "Boulder Jane Doe," a murder victim. During that journey I learned a lot about criminal investigations and forensics. I devoured old movies (especially film noir), and I focused on social history including mysterious and intriguing women. Midwest Book Review (see author book links) credits In Search of the Blonde Tigress as "rescuing" Eleanor Jarman "from obscurity." So true! Despite Eleanor's notoriety as "the most dangerous woman alive," she actually was a very ordinary woman. I've now found my niche pulling mysterious and intriguing women out of the shadows.

When I was eight, my mother was called in to see the principal…yet again. He pulled me out of class, stood me in the hall for maximum intimidation value, then said to my mom, “Your son has no respect for authority.” Mom asked, “What about that, Larry?” My reply—and this is totally true—was, “He doesn’t mean respect. He means courtesy. You can demand courtesy, but you have to earn respect.” Those sentiments have not changed, which is why, I suppose, I have an extremely critical eye for history, especially American history, that deifies the winners. I don’t think we make ourselves stronger as a nation by pretending our leaders were somehow not as human in their flaws as the rest of us.  I prefer to look under what is called “conventional wisdom,” because that’s where the real story often lies.

I wrote on the mob early in my career as a newspaper reporter, investigating organized crime’s infiltration of politics, unions, and the toxic-waste industry in New Jersey in the late 1970s and early ‘80s, then covering some of the major mob trials in New York during the 1980s (starting with the case depicted in the movie Donnie Brasco). In more recent years, I’ve returned to the subject in two books: The Italian Squad: The True Story of the Immigrant Cops Who Fought the Rise of the Mafia and An Unlikely Union: The Love-Hate Story of New York’s Irish and Italians. I like work that is careful, specific, and presented in a smoothly written narrative. 

I have loved Algeria since I lived there for 3 years from 2007. The experiences of the 20th century, particularly the War of Independence, make Algeria such an important country. The anti-colonial War overturned an entrenched colonialism, not only in Algeria, but set in train a movement for freedom across an entire continent. I have written extensively on the growth of civil society associations and how these helped people recover from tragedies; and more recently, the developments that sprung from the Algerian Hirak of 2019. This saw millions of protesters march peacefully, for over a year, to bring about significant changes and new understandings of citizenship in the 21st century.