I started my career in tourism but soon discovered my passion for urban heritage. Working as a site manager for a world heritage site, I gathered extensive insights on various levels of heritage management and urban governance from many colleagues around the world. Today there is no single project or meeting that does not address the challenges of climate change. Obtaining my Ph.D. late in life, in Heritage-Based Urban Development, I quicklybecame convinced that the traditional ideas of what cultural heritage is do not reflect the situation today and hinder giving cultural heritage a role in climate change prevention and adaption, beyond the narrative that it has to be preserved.
Climate change and urban transformation are global phenomena. It is, therefore, always great to broaden your horizons and learn from other regions of the world.
This book from Simone Sandholz offers great insights into the situation in Asia and Latin America, both regions with a strong dynamic of urbanization and urban centers where high density with correlating high diversity of sometimes conflicting urban functions meet urban cultural heritage. She embraces a holistic understanding of this heritage and focuses on the integration of heritage in urban planning and development.
I highly recommend this book not only for scholars and students who are working on urban issues in Asia and Latin America but also for any urban planner, urban analyst, urban geographer, or heritage scientist who wants to learn from experiences in these parts of the world.
For me, this book opened my eyes to the challenges that urban centers in Asia…
This book presents an overview of the challenges that cities in Latin America and Asia are facing regarding the preservation of their tangible and intangible heritage. It argues that urban heritage has a value that transcends the mere object's value, constituting a crucial source of identity for urban inhabitants. The same is true for the urban intangible values and practices that are often associated with places or buildings. The empirical research is based on case studies of Kathmandu in Nepal, Yogyakarta in Indonesia and Recife in Brazil; three cities that still comprise core areas with a high percentage of historic…
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
Dagnini’s book focuses specifically on Italy and the amazing stories of Rome, Naples, Florence, and Pisa among others. If you love Italian art and architecture, you will not be able to put this book down. Descriptions of the damage, but also how it was fixed and avoided in some cases, are truly inspiring. Without these Allied personnel, so much more could have been lost.
In 1943, while the world was convulsed by war, a few visionaries -- in the private sector and in the military -- committed to protect Europe's cultural heritage from the indiscriminate ravages of World War II.
In the midst of the conflict, the Allied Forces appointed the monuments officers―a motley group of art historians, curators, architects, and artists―to ensure that the great masterworks of European art and architecture were not looted or bombed into oblivion. The journalist Ilaria Dagnini Brey focuses her spellbinding account on the monuments officers of Italy, quickly dubbed "the Venus Fixers" by bemused troops.
When at 13, I declared that I’d become an Egyptologist, quite a lot of people thought it would pass. Fast forward 10 years, and I was starting a PhD on Egyptian mummies in museums – it did not pass. I journeyed from the Louvre where I was a gallery attendant trying to uncover the story of bodies buried in their garden, to England where I relocated with little English to pursue an Egyptology degree… and then two more! The ethics of human remains in museums is a complex topic: that’s why I like to make it more approachable to the public, from running my project Mummy Stories, to giving talks in pubs!
The Whole Picture is a very recent book, that needs little introduction: that’s always the sign of a great book.
It does something very well: it explains what all those talks about looted art and artefacts and colonialism, and repatriation, are all about, without patronizing anyone, but without letting museums get away with their narratives either.
I remember reading it and thinking that it was about time I picked up my little idea and write my own book: I stand on the shoulders of fierce writers and thinkers and game-changers.
This book will make you ask questions, and it will make you avoid one Parisian museum in particular; and I very much concur this. You’ll have to read the book to find out which one.
"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times
'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim
Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall?
Since discovering the myths and legends of the world at college, I’ve fallen in love with these and the countries and cities where they originated. Teaching the literature that evolved from this for so many years deepened my fascination with the ancient/medieval worlds. I literally pounce on any books I come across, fiction and non-fiction. All of my novels draw from these worlds and are a thrill to write and read. However, life was extremely hard back then, and I wouldn’t want to have lived back then! I hope you join me in exploring these fascinating reads.
I have to admit that it’s the title that drew me to this book in the first place. As a retired English teacher, the word Librarians intrigued me. A true story, The Bad-Ass Librariansopened up a whole new world of manuscripts over 500 years that I never knew existed! The courage of the preservers of these works surprised and humbled me. But, it is also a historical history of smugglers and the heroic actions of the dedicated people of Timbuktu to preserve their heritage even if it meant their death. You won’t be able to put this down.
In the 1980s, a young adventurer and collector for a government library, Abdel Kader Haidara, journeyed across the Sahara Desert and along the Niger River, tracking down and salvaging tens of thousands of ancient Islamic and secular manuscripts that were crumbling in the trunks of desert shepherds. His goal: to preserve this crucial part of the world's patrimony in a gorgeous library. But then Al Qaeda showed up at the door. Joshua Hammer writes about how Haidara, a mild-mannered archivist from the legendary city of Timbuktu, became one of the world's greatest smugglers by saving the texts from sure destruction.…
Brookes is an expert on China, who has written 3 marvelous spy thrillers set therein.
Turning his attention to non-fiction, he tells the amazing tale of how a handful of brave men, led by Mai Heng, saved – during the 30s and 40s – the most priceless artifacts and artworks of Chinese civilization from the ravages of war. It is a tale of dedication, pluck, heroism, and later, tragedy.
Brookes writes masterfully, and weaves a tale of Chinese history, culture, and politics into his larger narrative. He brings the drama, personalities, and context of his key characters to life, or more fairly, larger than life. Brookes’ book is like a version of China meets The Monuments Men. A really masterful achievement!
The gripping true story of the bold and determined museum curators who saved the priceless treasures of China’s Forbidden City in the years leading up to World War II and beyond.
Spring 1933: The silent courtyards and palaces of Peking’s Forbidden City, for centuries the home of Chinese emperors, are tense with fear and expectation. Japan’s aircrafts drone overhead, its troops and tanks are only hours away. All-out war between China and Japan is coming, and the curators of the Forbidden City are faced with an impossible question: how will they protect the vast imperial art collections in their charge?…
I was born in Quebec, have lived in eleven countries, and speak four languages. In my 20+ years as an author and journalist, my goal has always been to create bridges between cultures and to tell stories that enable individuals to better understand each other. For me, a trip to a new country, no matter how short or long, is incomplete unless I’ve had the chance to meet locals.
This book is a ‘gold standard’ piece of investigative journalism, a travelogue about a people I will probably never meet, rolled into the intriguing history of a unique city.
The book interweaves the tale of the efforts local people made to save priceless manuscripts from al-Qaida in 2012 with the West’s fascination of fabled Timbuktu since the 18th century.
It is an un-put-downable example of creative non-fiction at its most interesting and easily readable.
Two tales of a city: The historical race to reach one of the world's most mythologized places, and the story of how a contemporary band of archivists and librarians, fighting to save its ancient manuscripts from destruction at the hands of al Qaeda, added another layer to the legend.
The fabled city of Timbuktu has captured the Western imagination for centuries. The search for this 'African El Dorado' cost the lives of many explorers but Timbuktu is rich beyond its legends. Home to many thousands of ancient manuscripts on poetry, history, religion, law, pharmacology and astronomy, the city has been…
I’m a Distinguished Professor of art history at CUNY and biographer of artists. I grew up in Atlanta, attended college in Boston, and have worked in New York since my twenties. With a new Ph.D. in art history from Rutgers, I began as curator of the Hopper Collection at the Whitney Museum, assigned to produce a definitive catalogue of all Edward Hopper’s authentic art. His papers were missing except for his record books that recorded every time a work left for sale, loan, or gift. I traced each work as it left Hopper’s possession and discovered a massive number of undocumented artworks stolen from the estate, which the Whitney still wants to cover up.
This very well-researched and gripping book taught me the meaning of the term “laundering” in the art market and revealed the duplicity of the late art dealer, Larry Fleischman, who both collected and sold stolen antiquities and marketed undocumented works taken from Edward Hopper’s estate.
He didn’t care about provenance or history of ownership and is quoted in this book as saying: “Everything comes from somewhere.”
Although I knew and dealt with Fleishman, I trusted him and was tricked by him.
A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist).
In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall…
I’m a journalist, critic, and poet who has spent a career engaging with the world. I love telling stories, and I strive to put beauty and tension into everything I write. I’ve had great editors – they’ve published my work in The Guardian, National Geographic, ARTnews, The Washington Post, The Times Literary Supplement, and Archaeology, where I am a contributing editor, and many other places – but it always comes down to me and my computer. And often a plane ticket and a suitcase.
The long history of pillage as an act of colonial conquest – Napoleon looting Egypt, Britain looting Greece, among many others – is well-told in this solid, historically grounded account. Why are so many of the world’s great museums filled with treasures from ancient civilizations? This book tells you how it happened, while also showing why countries stripped of their heritage are demanding it back. There are a few books out there entitled Loot: this is the one to read.
For the past two centuries, the West has plundered the treasures of the ancient world to fill its great museums, but in recent years the countries where ancient civilizations originated have begun to push back, taking museums to court, prosecuting curators, and threatening to force the return of these priceless objects. Sharon Waxman brings us inside this high-stakes conflict, from the great cities of the West to Egypt, Turkey, Greece, and Italy, as these countries face down the Louvre, the Metropolitan Museum, the British Museum, and the J. Paul Getty Museum. She shows how the actions of a few determined…
World War 2 has always interested me and my curiosity was strengthened a few years ago when my mother told me I was born illegitimate and my father had been the civil engineer building a nearby bomber airfield and a lodger with her parents. She was ashamed of what happened and lost contact with my father before I was born. Consequently, I wrote my first novel Unplanned. I then met the daughter of the Berlin mother in Abandoned in Berlin, and found itnatural to pursue this story, given what I had discovered about my own upbringing. The effort has taught me to seek to forgive but never to forget.
The plundering of books by the Nazis, especially literature belonging to the Jewish community, is the topic of this novel. Many books are untraceable today and their legitimate owners are long since dead. Nazis confiscated literature for various reasons, some involving original manuscripts, others used to seek out the enemies of the Reich, and quantities were gathered as status indicators. Once the war was over, there were book collections taken for a second time and justified as “liberated” rather than “plundered!”
I enjoyed the novel because it covers an aspect of the Holocaust that is rarely addressed and offers insights into what happened to many books that disappeared from Jewish collections during Nazi times. We know there was a book store on the ground floor of the apartment block in my story and that the family belonged to a publishing dynasty. But no one survives today to tell us what…
"A most valuable book." —Christian Science Monitor
For readers of The Monuments Men and The Hare with Amber Eyes, the story of the Nazis' systematic pillaging of Europe's libraries, and the small team of heroic librarians now working to return the stolen books to their rightful owners.
While the Nazi party was being condemned by much of the world for burning books, they were already hard at work perpetrating an even greater literary crime. Through extensive new research that included records saved by the Monuments Men themselves—Anders Rydell tells the untold story of Nazi book theft, as he himself joins…
I lived in Peru for five years, working as a writer, filmmaker, and anthropologist. For part of that time, I lived with a recently-contacted tribe in the Upper Amazon, visited Maoist Shining Path “liberated zones” and later made a number of documentaries on the Amazon as well as have written a number of books, most of which are on some aspect of Peru. Peru remains one of the most fascinating countries on Earth--a kind of dense amalgamation of ancient civilizations, archaeology, immense biodiversity, incredible beauty, and lots and lots of adventure. Although there’s no substitute for visiting Peru yourself--reading about it is a great way to begin your adventure!
This is a fun, evocative account of the author retracing the steps of Hiram Bingham, the “discoverer” of the Inca citadel, Machu Picchu, published 100 years after its discovery. It’s also about the cast of characters that the author meets along the way. If you’ve ever wanted to take a long trek in the Andes in extremely rugged terrain, stumbling across Inca ruins all along the way--then this is the book for you.
What happens when an unadventurous adventure writer tries to re-create the original expedition to Machu Picchu?
In 1911, Hiram Bingham III climbed into the Andes Mountains of Peru and “discovered” Machu Picchu. While history has recast Bingham as a villain who stole both priceless artifacts and credit for finding the great archeological site, Mark Adams set out to retrace the explorer’s perilous path in search of the truth—except he’d written about adventure far more than he’d actually lived it. In fact, he’d never even slept in a tent.
