I feel passionate about spreading the word about all the fantastic children’s literature set in South America. As an author and a multilingual mom whose son enjoys learning about his Latin American heritage, I’ve always brought home stacks of picture books—in Spanish and English—that celebrate Latin American cultures and settings. I’ve loved traveling to the Andes mountains and the Amazon rain forest as part of my children’s book collaborations with Indigenous women in those regions. Most of all, I love transporting young readers to these inspiring places through story.
Several years ago, I took a beautiful and eye-opening trip to an Indigenous-run ecolodge in the Amazon Rain Forest.
Tragically, the following year, the community was displaced after an oil company invaded and destroyed their forest. So, I connected strongly to this book, which tells the story of Zonia, an Indigenous Asháninka girl living in the Peruvian Amazon, who forms playful and sacred bonds with her plant and animal friends.
But when she comes across felled trees, she must respond to the forest’s call for help. The illustrations are sweet and warm, inviting readers to take part in Zonia’s experiences. And when we witness the stark devastation, we feel her despair and her call to action.
I loved this book that encourages us all to support Indigenous and environmental rights.
A heartfelt, visually stunning picture book from Caldecott Honor and Robert F. Sibert Medal winner Juana Martinez-Neal illuminates a young girl’s day of play and adventure in the lush rain forest of Peru.
Zonia’s home is the Amazon rain forest, where it is always green and full of life. Every morning, the rain forest calls to Zonia, and every morning, she answers. She visits the sloth family, greets the giant anteater, and runs with the speedy jaguar. But one morning, the rain forest calls to her in a troubled voice. How will Zonia answer? Acclaimed author-illustrator Juana Martinez-Neal explores the…
Vincent Lee is a professional architect and former Alpine climbing guide and instructor, US Marine Corps officer, Andean explorer, and author. Searching in the high Andes of Peru and the rain forests of the Upper Amazon for the remains of the long-lost final redoubt of the once-powerful Inca Empire not only appealed to his life-long interest in all of these disparate fields, but it called upon his many years of experience in each: wilderness trekking, mountain warfare, mapping and drawing the remains of the more than 500 ancient structures discovered.
The classic account of this fascinating, historic, and tragic event, unfortunately little known by western readers, is here masterfully told by the former Director of the Royal Geographical Society in London. His amazing story of the once-great Inca Empire and its destruction by Francisco Pizzaro's ruthless Spanish Coquistadores captured my imagination in 1982 and sent me on a 40-year Odyssey of travel, discovery, and adventure still as vivid today as it was back then. It will do no less for any reader with a curious mind and a love of history.
The Conquest of the Incas, John Hemming's masterly and highly acclaimed account of one of the most exciting conquests known to history, has never been surpassed.
From the first small band of Spanish adventurers to enter the mighty Inca empire to the execution of the last Inca forty years later, it is the story of bloodshed, infamy, rebellion and extermination, told as convincingly as if it happened yesterday. It also tells the social impact of the conquest, on ordinary Peruvians forced to work for Spanish masters or in hellish silver and mercury mines, on change of religion and government, and…
My first book was Quiver, a collection of erotic short stories. I wrote it to immortalize the hedonism of Sydney in the 1990s, wanting to show a nonjudgmental, joyful side. The fact that it touched a lot of people compelled me to write two more collections Tremble and Yearn – each exploring different themes: Tremble is an erotic re-imagining of various root myths, whilst Yearn has more historical and fantastical elements. I interweave all the characters in the stories throughout the whole collections. Humor is also important to me when it comes to the ironies and emotions around sex, the other aspect is gender power play and all the sublime reversals that can encapsulate.
As a teenager this collection of short stories blew my mind; it’s one of the first to really explore sexual pleasure from a female perspective and I loved the way it wove psychology, power, culture, and erotic play up seamlessly and provocatively. It was most likely an unconscious template for my own collections of erotic short stories, the perfect format for the pillow book (to be read out loud to one’s lover/husband/guilty pleasure). Nin, a friend of Henry Miller and a number of Paris-based groundbreaking artists and intellectuals in the 1920s, is the perfect conduit for the louche erotic experimentation of the era, and yet this book is still timeless and still delivers in terms of fantasy.
As influential and revelatory in its day as Fifty Shades of Grey is now, Anais Nin's Delta of Venus is a groundbreaking anthology of erotic short stories, published in Penguin Modern Classics
In Delta of Venus Anais Nin conjures up a glittering cascade of sexual encounters. Creating her own 'language of the senses', she explores an area that was previously the domain of male writers and brings to it her own unique perceptions. Her vibrant and impassioned prose evokes the essence of female sexuality in a world where only love has meaning.
This edition includes a preface adapted from Anais…
My connection with the Andean highlands of southern Peru stretches back to 1975 when I spent about a year in a small community of Quechua-speaking potato farmers and llama herders. I have returned there many times over the years, most recently in 2019. Its people, their way of life, and vision of the world are dear to my heart and are the subject of The Hold Life Hasas well as a play, creative nonfiction, and, more recently, poetry. I love the way anthropology forces me to think outside the box and experience the world with different eyes, something I aim to convey in my work.
This book is about an unexpected meeting of minds. De la Cadena intended to write an account of a peasant campaign for land led by indigenous peasant leader Mariano Turpo during the 1950-60s. But early on it became clear that she and Mariano were talking past each other, for Mariano understood his successful activism in terms of his relationship with animate places in the landscape (“earth beings”). The book contains a moving account of how the urban intellectual and traditional Andean leader learned to appreciate and communicate with each other. De la Cadena argues that attention to cultural difference—far from perpetuating false consciousness—might open the way to radically new politics. Some readers may wish to pass over some dense theoretical passages, but the book is organized so one can do this without losing the larger picture.
Earth Beings is the fruit of Marisol de la Cadena's decade-long conversations with Mariano and Nazario Turpo, father and son, runakuna or Quechua people. Concerned with the mutual entanglements of indigenous and nonindigenous worlds, and the partial connections between them, de la Cadena presents how the Turpos' indigenous ways of knowing and being include and exceed modern and nonmodern practices. Her discussion of indigenous political strategies-a realm that need not abide by binary logics-reconfigures how to think about and question modern politics, while pushing her readers to think beyond "hybridity" and toward translation, communication that accepts incommensurability, and mutual difference…
I’m an author, playwright, nonprofit strategist, and mother to two small children–the list goes on and on, and it's enough to work up an appetite. Since three of my favorite things in the world are 1) my kids, 2) stories, and 3) food, this reading roundup is near and dear to my heart. I wrote my picture book, Do Not Eat This Book!, because I believe food is a delicious entryway for exploring identity, sharing, caring, culture, and more, and the books in this list exemplify the sweet power of a good food-themed picture book.
At our house, we love books that allow us to visit new worlds. This book explores food from 13 different countries across the globe and will make you want to travel all the way around the world (or maybe just go to a local restaurant for now) to try all the delicious dishes.
From Sweden to Nigeria and Pakistan to Peru, it’s interesting and tantalizing to learn more about each place through what’s on their plates.
Dig in to this fun and informational book that explores foods from 13 countries around the world. Meet characters from countries including Sweden, Peru, Pakistan, Nigeria, and more as they enjoy breakfast, lunch, and dinner. Be inspired to try something new and learn about other cultures. Let's eat!
History tells us who we are and what we can become. History in the Andes tells us that people of the African Diaspora have been a part of building that part of the world into what it is today for over 500 years. I have been fascinated by learning this history and inspired by leaders, writers, artists, and fellow historians who consider themselves Afro-Andean and are building the future. For 25 years now, I have been scouring historical archives in Peru, Spain, and the US to find more sources to help us recognize and understand that history as we use it to build a better, more just present and future.
For thousands of years, right down to the present, textiles and weaving in the Andes has been some of the most exquisite and sophisticated in the world. It has been linked to the amazing cultural creativity of people in the Andes and the rise and fall of successive empires because controlling textile production is controlling power and wealth.
This book shows us something entirely new: how the weavers who made these amazing textiles experienced and often resisted that power and the exploitation of their labor. Even though this book is not explicitly about Afro-Andean people, they were an integral part of the Andean labor force, and they figure in histories of resistance and rebellion in the Andes.
The Fabric of Resistance: Textile Workshops and the Rise of Rebellious Landscapes in Colonial Peru documents the impact of Spanish colonial institutions of labor on identity and social cohesion in Peru. Through archaeological and historical lines of evidence, Di Hu examines the long-term social conditions that enabled the large-scale rebellions in the late Spanish colonial period in Peru. Hu argues that ordinary people from different backgrounds pushed back against the top-down identity categories imposed by the Spanish colonial government and in the process created a cosmopolitan social landscape that later facilitated broader rebellion.
Vincent Lee is a professional architect and former Alpine climbing guide and instructor, US Marine Corps officer, Andean explorer, and author. Searching in the high Andes of Peru and the rain forests of the Upper Amazon for the remains of the long-lost final redoubt of the once-powerful Inca Empire not only appealed to his life-long interest in all of these disparate fields, but it called upon his many years of experience in each: wilderness trekking, mountain warfare, mapping and drawing the remains of the more than 500 ancient structures discovered.
Following up on Hiram Bingham's 1911 visit to an overgrown ruin in the forest at a place called Espíritu Pampa (The Plain of Ghosts) and dismissed by Bingham as unimportant, Savoy set out in 1964-5 to prove him wrong. Bingham had identified Machu Picchu as the lost Inca capital, Vilcabamba, but Savoy was sure there was more to be found at the Plain of Ghosts than Bingham knew. He was right, and in several adventurous expeditions found a large Inca city there that he thought better met the Spanish accounts of Vilcabamba.
This inspiring and historic book: Antisuyo by Gene Savoy, is about the search for the lost cities of the Amazon. Antisuyo is the full account of the authors' daring expedition beyond one of the few remaining uncharted frontiers, and of his glorious discovery of the fabled cities of Viacabamba and Muyok Viejo--two of the most important archaeololgical sites found in recent years. He takes the reader through the forbidding mysteries of the wild territory in search for of clues to puzzles that have remained unsolved since the days of Pizarro: Aztahualpa: the legendary Manco Capac; the famed El Dorado, City…
Reading allows us to climb inside other people’s heads, to think their thoughts and feel their feelings. For children, in particular, books can be a way to understand new emotions. To name them and start to think about where they come from. As my son started to grow up, I wanted to write a story that helped him think about other people’s feelings. And that’s what The Hug and its follow-ups are all about.
A little lost bear, all alone in a major transport hub, 6,000 miles from Peru, with only his name pinned to his tiny little duffle coat and the crumbs of his last marmalade sandwich rattling round his case. If that doesn’t melt your heart, then there’s no hope for you. Rumored to have been inspired by children sent away from cities during the Blitz. Has been making children think of others ever since.
The classic story of Paddington, the bear from Darkest Peru, who was found lost on Paddington Station.
"A bear on Paddington Station?" said Mrs Brown in amazement. "Don't be silly - there can't be."
The Browns first met Paddington on a railway station - Paddington station, in fact. He had travelled all the way from Darkest Peru with only a jar of marmalade, a suitcase and his hat.
The Browns soon found that Paddington was a very unusual bear. Ordinary things - like having a bath, travelling underground or going to the seaside became quite extraordinary, if a bear called…
I was a quiet kid who had trouble understanding people. I preferred being on my own, exploring remnants of logging camps and abandoned mines in the woods that surrounded my small town. In archaeology, I found a way to improve my comprehension of humans and still go exploring the object world. For me, archaeology is not about the distant past, nor about a set of methods. Rather, it is a way of seeing the world. As I write, I try to help the reader train their own archaeological eye in order to re-calibrate their ideas about what is possible in the past, present, andfuture.
Leaping the false fences between ethnography, archaeology, and art history, Weismantel demonstrates that one of the best ways to get in touch with people living in the deep past is to pick up the objects they made and play with them. Funny, creative, sexy, and cool, this is the best book built around artifacts that I have ever read and it has made me realize just how animate objects really are. You will learn about sex, about ancient cultures of the Andes, and about how someone living 1500 years ago might still be pulling your leg.
More than a thousand years ago on the north coast of Peru, Indigenous Moche artists created a large and significant corpus of sexually explicit ceramic works of art. They depicted a diversity of sex organs and sex acts, and an array of solitary and interconnected human and nonhuman bodies. To the modern eye, these Moche "sex pots," as Mary Weismantel calls them, are lively and provocative but also enigmatic creations whose import to their original owners seems impossible to grasp.
In Playing with Things, Weismantel shows that there is much to be learned from these ancient artifacts, not merely as…
I grew up in a small agricultural town in California’s Sacramento Valley, and my parents didn’t even consider worrying if I was bored or lonely when I wasn’t at school. Consequently, I spent hours in a nearby vacant lot riddled with anthills watching the ants hustle back and forth and, occasionally, inserting myself in their lives with handfuls of sugar or sticks to block their paths. Pretty sure this is where my interest in science and nature began—and maybe even my interest in cooperation.
Whenever I fly across country, I love looking out the window of the plane to watch how water has sculpted the landscape below—especially in undeveloped expanses, where I often see dozens of squiggles from rivers that have changed course.
Erica Gies’s fascinating book gave me an expanded view of the relationship between water and land, even in our modern cities, and introduced me to people who are figuring out new ways of living respectfully with this mighty and essential force.
A hopeful journey around the world and across time, illuminating better ways to live with water.
Nearly every human endeavor on the planet was conceived and constructed with a relatively stable climate in mind. But as new climate disasters remind us every day, our world is not stable—and it is changing in ways that expose the deep dysfunction of our relationship with water. Increasingly severe and frequent floods and droughts inevitably spur calls for higher levees, bigger drains, and longer aqueducts. But as we grapple with extreme weather, a hard truth is emerging: our development, including concrete infrastructure designed to…
