I’ve always been a daydreamer on the lookout for my entry into another world. I spent a good chunk of my early elementary years imagining I was a flying pony who could travel to distant lands and perform dazzling deeds. I never got my wings—but I did discover a way to reach those distant lands. Today, I have the pleasure of creating worlds of my own as the author of three published middle-grade novels: The Mutant Mushroom Takeover, Attack of the Killer Komodos, and The Legend of Greyhallow.
This was one of my favorite books as a kid. One of the things I loved about it was that it featured a regular girl with no special abilities embarking on a grand adventure.
I could easily relate to Rose Larkin and imagine myself in her shoes. I was captivated by the simple way Rose entered the new world—stepping into her aunt’s root cellar and traveling back in time to Civil War-era United States.
As a kid, I loved that Rose brought modern money with her and that just a little bit was enough to purchase quite a lot in the 1860s. I also appreciated the little historical details, like how everyone in the past assumed Rose was a boy just because she had short hair and wore jeans.
The Root Cellar thrilled my eleven-year-old heart and was such a fun way to explore another time and place.
It looked like an ordinary root cellar—and if twelve-year-old Rose hadn’t been so unhappy in her new home, where she’d been sent to live with unknown relatives, she probably would never have fled down the stairs to the root cellar in the first place. And if she hadn’t, she never would have climbed up into another century, the world of the 1860s, and the chaos of the Civil War.
“Melds past and present neatly . . . suspenseful.”—Publishers Weekly
I have a passion for the family story, and I have been blessed with a plethora of them. My mother grew up in Appalachia during the Great Depression and faced shame because her mother left the family to commit a felony. Her accounts of a childhood without and sleeping in an abandoned log cabin have been seared into my soul. My father, one of fourteen children during the Great Depression, worked on neighboring farms from the age of seven. History has two parts, the facts and details, but the telling of the story wrangles the purpose and sacrifice of those involved.
Sometimes people are given a horrible position at birth either by economics, environmental conditions, or bad luck. The Four Winds helped me understand some of the great migrations that have occurred in this country and the motivations that inspired the move.
I came to root for Elsa, the flawed main character, who sincerely did the best she could for her son. I felt her pain, agony, and frustration when a series of bad events happened along her journey.
It wasn’t an easy read, but a necessary one to understand resilience, courage, strength, and doing what you have to do when given no other choice.
"The Bestselling Hardcover Novel of the Year."--Publishers Weekly
From the number-one bestselling author of The Nightingale and The Great Alone comes a powerful American epic about love and heroism and hope, set during the Great Depression, a time when the country was in crisis and at war with itself, when millions were out of work and even the land seemed to have turned against them.
“My land tells its story if you listen. The story of our family.”
Texas, 1921. A time of abundance. The Great War is over, the bounty of the land is plentiful, and America is on…
I am a crime writer from New Zealand and have set all of my books either in small towns or isolated settings. The appeal of isolated settings, for me, is that social norms are lacking, people are often making their own rules in which to live by and they have chosen to live this life for particular reasons. The physical environment of isolated settings holds power and danger, but also beauty. In the five books I’ve chosen, all settings are stunning in their own way but with the introduction of characters with their own stories and histories, the beauty often contradicts the dark events going on and the secrets being kept.
In The Last Thing to Burn, Will Dean is very clever in his choice of location and how it’s become a prison for Jane.
Jane lives in a small cottage with her farmer husband surrounded by paddocks. The whole book is set in the cramped confines of the small cottage, where Jane’s husband rules over her and punishes her if she does anything wrong. Jane’s completely cut off from the rest of the world. Her whole world is the cottage.
I love the way Jane slowly realises that she may have a way out, and we join her, heart in mouth, as she plans her escape. I’ve never raced through the last forty pages of a book so fast!
'Outstanding. The best thriller in years' MARTINA COLE 'One of the best thrillers I have read in years' THE OBSERVER 'I couldn't put it down. A visceral nightmare of a book with one of the most evil villains I've come across in a long time. Powerful writing' STEVE CAVANAGH 'Short, sharp shocker' THE TIMES 'an early contender for one of the best books of the year' S MAGAZINE
He is her husband. She is his captive.
Her husband calls her Jane. That is not her name.
She lives in a small farm cottage, surrounded by vast, open fields. Everywhere she…
Desperate to honor his father’s dying wish, Layken Martin vows to do whatever it takes to save the family farm. Once the Army discharges him following World War II, Layken returns to Missouri to find his legacy in shambles and in jeopardy. A foreclosure notice from the bank doubles the threat. He appeals to the local banker for more time—a chance to rebuild, plant, and harvest crops and time to heal far away from the noise of bombs and gunfire.
But the banker firmly denies his request. Now what?
Then, the banker makes an alternative proposition—marry his unwanted daughter, Sara Beth, in exchange for a two-year extension. Out of options, money, and time, Layken agrees to the bargain.
Now, he has two years to make a living off the land while he shares his life with a stranger. If he fails at either, he’ll lose it all.
Desperate to honor his father's dying wish, Layken Martin vows to do whatever it takes to save the family farm.
Once the Army discharges him following World War II, Layken returns to Missouri to find his legacy in shambles and in jeopardy. A foreclosure notice from the bank doubles the threat. He appeals to the local banker for more time-a chance to rebuild, plant, and harvest crops and time to heal far away from the noise of bombs and gunfire.
But the banker firmly denies his request. Now what?
Because of the presence of my four beloved grandparents throughout my growing up years, (all four of my grandparents even attended my wedding), I’ve always enjoyed relationships with older people. My comfort with older people translates into my friendships where many of the women in my life are quite a bit older than me. These intergenerational relationships offer wisdom and experience that informs my own life. I hold an M.F.A. in Creative Writing and have written one novel for adults and one for middle-grade readers. My past jobs include being a television engineer, an adjunct professor, and a publishing professional.
Single and self-sufficient Dottie O’Connell farms her 300 acres with strength and independence, not needing anyone. When she finds herself the primary caretaker to her friend’s young daughter Mattie after the girl is orphaned by a tragic fire, Dottie suddenly is thrust into guardianship with a young person she had no desire to raise. While I admired Dottie for taking on such a life-changing responsibility, at times I couldn’t fathom Dottie’s choices involving the girl. Thankfully, the author peels away the layers of Dottie’s wounds, allowing us at least to understand her while maybe not agreeing with her. Each of us has a Dottie story that influences our decisions for good or for bad.
This is an unforgettable debut novel about the nature of forgiveness, the debts we owe, and the mysteries of what we call grace. When Dottie Connell adopts her best friend's daughter out of a combination of spite and loyalty, she must confront her ideas on motherhood, sexuality, and God. Set in rural Ohio, "This Heavy Silence" spans ten years in Dottie's life. She loves the land despite its bitterness and hardship. She raises her adopted daughter and farms her family's three hundred acres in a time and place unaccustomed to independent women. Her struggle to buy back the farm comes…
Throughout my life I found the trick to getting through rough patches meant isolating dark thoughts. I got them out by creating something (artworks, poems, stories), and looked forward to new horizons, though these works could easily be misinterpreted by those around me. When I was fifteen, after my father died and we were forced off the farm, I created a series of disturbing drawings that won the school's art prize and were displayed at graduation. A friend of my mother saw the exhibit and said, “Oh Dorothy, I’m so sorry.” It gave us a laugh later when Mother realized this method of cleansing beat finding a psychiatrist, and the cost couldn’t be beat.
This exquisitely written, dark saga of family intrigue is worth reading over and over, and I do.
The protagonist’s devotion to family and the land that feed her, both physically and emotionally, is rich and consuming.
Events are seen from her point of view and her antagonist’s, giving opposing slants that generate an exquisite tension throughout the book.
This story was instrumental in my education as a writer, as was the author, both showing the use of deep interiority in every character, and a setting that made me live within the story.
Enidina Current and Mary Morrow live on neighboring farms in the flat, hard country of the upper Midwest during the early 1900s. This hardscrabble life comes easily to some, like Eddie, who has never wanted more than the land she works and the animals she raises on it with her husband, Frank. But for the deeply religious Mary, farming is an awkward living and at odds with her more cosmopolitan inclinations. Still, Mary creates a clean and orderly home life for her stormy husband, Jack, and her sons, while she adapts to the isolation…
I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.
I love stories about ordinary women living through extraordinary times. In this story, the protagonist, Joetta, a North Carolina yeoman farmer who does not share the Confederacy’s view on slavery, attempts to stay neutral during the Civil War despite the ever-growing costs.
I admired the way Everhart deals with the relationship between Joetta and her teenage sons, boys old enough to assert their independence and choose their own way, no matter how much she may wish they chose differently.
From the author of The Saints of Swallow Hill, an evocative, morally complex novel set in rural 19th century North Carolina, as one woman fights to keep her family united, her farm running, and her convictions whole during the most devastating and divisive period in American history, perfect for readers of Cold Mountain by Charles Frazier and Enemy Women by Paulette Jiles.
Talk of impending war is a steady drumbeat throughout North Carolina, though Joetta McBride pays it little heed. She and her husband, Ennis, have built a modest but happy life for themselves, raising two sons, fifteen-year-old Henry, and…
There is such a visceral sense of place in this book. The author clearly knows Northern Ontario's landscape well, and this small town's remoteness and isolation is as much a character in the story as the protagonist and her family.
Orphaned at a young age, the book follows Katie and her siblings as they struggle to forge a life together in a town where their tragedy is just one in a long line of them.
Paralleling the story of her youth, the book weaves in Katie's now-adult life in Toronto, where she has escaped into a life of academia. When her past and present collide, she has to face some truths about herself and the relationship she once shared with her beloved older brother, Matt.
Sibling relationships are almost always complex, whether viewed from a child's perspective or as an adult. This book combines the two in a way that…
The Morrison siblings have been haunted by tragedy since the sudden death of their parents in an accident when they were young.
Kate found an escape from the legacy of their dark past in her passion for the natural world. Now a zoologist far away from the small farming community where she grew up, she thinks she's outgrown her three brothers, who were once her entire world.
But Kate can't seem to escape her childhood or lighten the weight of their mutual past.
'I've been trying to tell everyone I know about Mary Lawson . . . Each one of…
Being a historical fiction writer, I spend much time researching people and places for my novels with my focus being on the South, particularly Florida, where I’m from, as well as Western North Carolina, where I’ve lived for nearly two decades. Family dynamics and character development have always held a special interest for me; particularly the humanness of being flawed, but also the resilience and strength found within us, too. I enjoy creating characters we can identify with, and become emotionally connected to, so much so that when the final page is turned, readers feel a sense of loss at saying goodbye to characters they’ve come to love.
Writing on a theme that is near and dear to my heart, that being Old Florida, the author of the award-winning, The Yearling, accurately portrays her life living on Cross Creek in rural Central Florida. After buying an old orange grove, sight unseen, this divorced Washington, DC writer brought it back to life, and made a life for herself living among the shy and suspicious people on the creek. Rawlings’ accurate use of local dialect and effective nuances in this beautiful vignette of stories is almost poetic, and magically transports the reader to the creek’s mossy banks. Though the writing and her viewpoints are antiquated in places, Cross Creek remains a classic, and a true work of art to be treasured.
Cross Creek is the warm and delightful memoir about the life of Marjorie Kinnan Rawlings—author of The Yearling—in the Florida backcountry.
Originally published in 1942, Cross Creek has become a classic in modern American literature. For the millions of readers raised on The Yearling, here is the story of Marjorie Kinnan Rawlings's experiences in the remote Florida hamlet of Cross Creek, where she lived for thirteen years. From the daily labors of managing a seventy-two-acre orange grove to bouts with runaway pigs and a succession of unruly farmhands, Rawlings describes her life at the Creek with humor and spirit. Her…
History and historical fiction are my abiding passions, and as a child of the Missouri Ozarks, I’ve always been drawn to depictions of Midwestern and rural life in particular. I have studied 19th-century utopian communities for many years and have always been fascinated by the powerful appeal of such communities, and the internal dynamics that always seem to arise within them. My novel series follows the rise and decline of one such community, using it as a microcosm for American culture in general. What might seem like a byway of American history is to me a powerful source of insight.
Unlike the novels of warfare and suffering, The Moonflower Vine is an intimate portrait of family life, set in 1920s Missouri. It was a bestseller when it was first published in the early 1960s, but has since suffered neglect. But it richly rewards the reader with its heartfelt depiction of three sisters and their aging parents, whose passions, aspirations, and failures are portrayed with complex sensitivity. I don’t think historical novels have to focus on historical events – capturing the spirit of an era is just as important. And this novel took me into rural life of a hundred years ago with great generosity.
“Wit, emotion and undiminished boldness. . . . This is a book which celebrates life and warms the heart.” —Tulsa World
A timeless American classic, this beloved family saga of the heartland is “deeply felt . . . dramatic . . . constantly alive” (Harper’s Magazine)
On a farm in western Missouri during the first half of the twentieth century, Matthew and Callie Soames create a life for themselves and raise four headstrong daughters. Jessica will break their hearts. Leonie will fall in love with the wrong man. Mary Jo will escape to New York. And wild child Mathy's fate…
Since I started reading, I gravitated to books with believable characters in real situations, because I could see myself in these stories. How would I cope in a family dealing with illness or death, breakups in relationships, money woes, and other crises that I read about? Realistic stories about family problems are relatable to everyone, and reading about them through the eyes of the children involved is so meaningful. That’s why when I started creative writing after I retired, I found my voice in the genre I loved to read as a kid. I write authentic stories about families presented with difficult issues for middle-grade readers (and adults).
One can’t read about families in crisis and not confront the devastation and stigma of mental illness. I think this theme resonates with many people, who are close to someone dealing with this illness, including me. In Where the Watermelons Grow, the consequences of mental illness in a family are stark as seen through the eyes of twelve-year-old Della, whose mother is on the verge of a serious breakdown. Della is thrust into new responsibilities for her baby sister and on the family farm. Despite this, Della is still a child who believes in magic and searches for a cure to heal her mother. Of course, there is no magical cure, but there is magic in understanding and acceptance.
Fans of The Thing About Jellyfish and A Snicker of Magic will be swept away by Cindy Baldwin's debut middle grade about a girl coming to terms with her mother's mental illness. An Oregon Spirit Award Honor book.
When twelve-year-old Della Kelly finds her mother furiously digging black seeds from a watermelon in the middle of the night and talking to people who aren't there, Della worries that it's happening again-that the sickness that put her mama in the hospital four years ago is back. That her mama is going to be hospitalized for months like she was last time.…
