The most recommended femme fatale books

One of Megan Abbott’s early gems, this book dragged me down into the muck of midcentury noir, and I LOVED IT. When I was first diving into the genre of noir, I was aching for more female representation (besides the evil femme fatale or the Girl Friday you see pop up in so much of the classic noir literature).

This book feels both modern and like a throwback, with women in the driver’s seat for once. This is a book I reread when I need a boost as a writer to remember why I love writing and why I love noir specifically—it’s short, but it packs a mighty punch. 

I love this entire series, but the first one is where Poppy meets Consuela (her Chihuahua with attitude). One of my favorite micro-genres, the funny-cozy-romantic-spy mystery, Poppy Fields is a poor little rich girl. But what redeems her for me, is her drive to do something important in the world. I found it impossible not to fall for her and her bossy Chihuahua. And the communication connection between Poppy and Consuela is one we all hope to have with our dogs. Consuela yaps and Poppy understands her. Not to mention, Poppy couldn’t ask for a better partner in solving crime. 

Don’t let this quirky cover fool you. The pages of this book are smoking hot at times. This is book 1 in a novella series dedicated to hooking up paranormals. It kicks off a dating series with an opposites attract trope, featuring two paranormal beings who couldn’t be more different—a witch and a vampire. This is a light-hearted romance that leaves you thirsty for book 2 and wanting to know what otherworldly beings will be featured.

I think The Hot Spot is perhaps the best of several noir novels by Charles Williams, a writer who deserves to be better known. 

Originally published as Hell Hath No Fury, The Hot Spot, well filmed under that title in 1990, chillingly illustrates the claimed truth of the proverb about a woman scorned. As readers, we cannot help but like Harry Madox, a clever but semi-sleazy used-car salesman who robs a bank in a small Texas town and sleeps with his boss’s boozy wife before falling in love with a younger, more innocent woman.

Then Harry learns to his dismay that the boss’s wife is determined to keep him from having the things he now realizes he really wants. Re-reading this novel, I always root for Harry to escape from the deep pit he has dug for himself, and I keep turning the pages, hoping he will.

I dreamed for many years of writing a book about crime fiction. I’m primarily a crime novelist, but so was Julian Symons, and the experience of writing fiction is invaluable when discussing other writers and understanding what they were trying to do. I approached Oxford University Press, with a view to producing a Companion about the genre, comprising essays by writers including myself. This led to a fruitful meeting with an OUP editor and novelist, Michael Cox, but the project was stillborn when his American colleagues had commissioned just such a book, to be edited by Rosemary Herbert. Rosemary invited me to contribute twenty-odd essays to her Companion, and I found the work of my fellow contributors (including Symons) a delight to read.

For the sake of transparency, I need to say the author is a friend but I enjoyed Oxford Key Mysteries and this new series seemed like something I’d like.

While Lynn’s previous series is a cozy mystery with some fantastical elements, the genre of this one is pure cozy mystery. And what can I say? I’m a sucker for dual POVs and Murder, I Spy has that, alternating between the perspectives of Dora and Rex, a femme fatale and an aristocrat, respectively. 

And then you also have London in the 1920ies and what looks like to be a dazzling relationship.

This book left me feeling warm and fuzzy inside, wanting for more. Luckily, it’s a series so I know I’ll get the next one real soon.

I love the entire Midnight Breed series. The lore is unlike what I've ever seen in most vampire books. The vampire race was born from alien fathers and human mothers with special talents. These vamps can see their reflections, are not allergic to holy water, and are very much alive. So sexily alive. I spent a solid hour trying to choose one favorite book from this series. They’re all so bloody good! However, Taken by Midnight has some of my fave tropes: badass heroine, protective but gentle hero, interracial relationship, and all the spice. If you like vampires with a unique twist, you’ll love this series.

The best sci-fi has a lived-in feel – think of the polluted, grimy futurism of Blade Runner or Alien.

This is something that it has in common with noir fiction. Compare, say, the cyberpunk of  William Gibson with the gritty, hard-boiled detective fiction of Raymond Chandler or Dashiell Hammett – take out the sci-fi elements, and they could be writing about the same world.

In Titanium Noir, Nick Harkaway imagines just that. It is a razor-sharp pastiche, combining the best tropes of the gum-shoe genre – the femme fatale, the world-weary PI, corrupt cops, and menacing crime bosses – with an intriguing sci-fi premise: What if someone invented a drug that made youth eternal? What influence and power would such people wield? And what would happen if one of them mysteriously died?

The juxtaposition of Eve Babitz’s unabashed hedonism and her incisive ability to nail a situation are not what you normally expect.

This book ranges all over southern California of the 1960s and 1970s, always coming back to the place Eve loved best, Los Angeles, a place of “vast sprawls, smog, and luke nights: L.A. It is where I work best, where I can live, oblivious to physical reality.”

When I moved to Los Angeles, I was disposed to love it, but it was hard to find any confirmation in books! I am delighted with Eve Babitz, who, with extravagant and precise language, celebrates the place.

This series of books by Elrod was one of my first introductions into not just vampire fiction but also this style of dryly-humorous narration. Up until my mid-to-late teens, I’d read a lot of high/epic fantasy, which is typically third person and more pragmatically written, but here I met a first-person narrator who was snarky as heck. I loved it. Not only that, but it’s a vampire P.I. story that plays in the land of noir in gangland Chicago during Prohibition. It was so engaging and fun that I devoured the series as fast as I could, and when anyone asks for my inspirations, it’s at the top of my list. Like it is here.