Who would have thought that the teenage Robert Zimmerman, later known as Bob Dylan, belonged to his high school Latin club? Richard Thomas, who found the evidence, was
not so surprised.
A Professor of Ancient Greek and Roman poetry at Harvard and a long-standing fan, he has traced Dylan’s increasing use of classical
allusions. The singing Nobel prizewinner’s favorite is Ovid, whose phrases he
has used over 30 times in his lyrics. “Ancient footsteps are everywhere,” to
quote his song “When I Paint My Masterpiece.”
Thomas’s book is personal and easy
to read, casting new light on the enigmatic 82-year-old. As a committed fan
myself, I can safely say it is the best Dylan book yet, leaving out the ones he
authored himself.
A GUARDIAN AND INDEPENDENT BEST MUSIC BOOK OF THE YEAR
'At last an expert classicist gets to grips with Bob Dylan' Mary Beard
'Thomas's elegant, charming book offers something for everyone - not just the super-fans' Independent
When the Nobel Prize for Literature was awarded to Bob Dylan, the literary world was up in arms. How could the world's most prestigious book prize be awarded to a famously cantankerous singer-songwriter in his Seventies, who wouldn't even deign to make an acceptance speech?
In Why Dylan Matters, Harvard Professor Richard F. Thomas answers that question with magisterial erudition. A world expert…
As a writer, I'm fascinated by the experiences that affect people's identity. I want my characters to have this multiplicity and depth too, and since I was born and grew up in Lebanon, an obvious place for me to start was by looking at the impact that war had on people's everyday lives. The characters I write about simply want to get on with the business of living, but can't do this without taking into account the bigger events that are happening around them.
An interpretation of part of The Iliad where King Priam journeys to Achilles' camp to beg for the return of his son Hector's body. Malouf gives us access to Priam's thoughts and feelings as he dresses as a carter and drives straight into the enemy camp, wondering at all the things that, as a king, he has never noticed before. Once in the camp, he must face the man who has been dragging his son's body behind his chariot day after day, only to wake up each morning and find it magically restored. This is a story about those who are left behind, told in heart-stoppingly beautiful writing.
In his first novel in more than a decade, award-winning author David Malouf reimagines the pivotal narrative of Homer’s Iliad—one of the most famous passages in all of literature.
This is the story of the relationship between two grieving men at war: fierce Achilles, who has lost his beloved Patroclus in the siege of Troy; and woeful Priam, whose son Hector killed Patroclus and was in turn savaged by Achilles. A moving tale of suffering, sorrow, and redemption, Ransom is incandescent in its delicate and powerful lyricism and its unstated imperative that we imagine our lives in the glow of…
As a former librarian I have long been fascinated with Borges’s view of books: their metaphysical shape and their tendency to open into the uncanny and the infinite. Illness early in life drove me to books, to their particular isolation. Since then, I’ve found that worlds can open almost anywhere in literature by way of a mood, a patina of language, a vision, a set of images completely beyond the control of the writer. Now, I read these books to remind me of what fiction can do, the places it can go, the worlds it will open.
I stumbled on this book in a free box outside a bookstore when I was a teenager and the family I had moved across the country to be with had collapsed.
My sisters and stepmother moved out of state, my brother moved to California, and my dad, after borrowing my student loan money for truck driving school, went over the road.
Bloodsport was rain-rippled—with a gigantic, dried fly smashed flat in the middle, sliding like a secret toy over the page.
An entire world opened up. I felt no less alone, but the experience changed my understanding of realism, the mythic, and the surreal: a book of immense oddness about a father and son journey up an apocalyptic river, toward Ratnose, the leader of a motorcycle gang.
Welcome to the wilderness of masculinity, where anything goes-where women throw themselves unreservedly at men and games are played to the death. This is the outdoor paradise of the Hassayampa, a legendary river whose bank is overrun with prehistoric and mystical creatures prime for hunting and whose water is said to turn honest men into liars. Here a father takes his prepubescent son on an unforgettable adventure, a rite-of-passage quest that starts as an innocent fishing trip and soon turns into a bizarre Homeric journey. In turn comic and brutal, Blood Sport is more than just the ultimate cult outdoor…
Long before I fell in love with History as an academic subject, I fell in love with stories. And as the granddaughter of Caribbean immigrants, true stories of my grandparents’ early lives could transport me to another place as vividly as fiction. So although I have studied History to Master’s level, where I specialized in the legacy of slavery, it is always to fiction that I turn to breathe life into the past. My favourite books are those that are unsettling in the unfamiliarity of the world they create, and yet deeply moving because, at heart, the characters are motivated by timeless and human things like grief, ambition, or love.
This is not a book about history so much as one that has history suffused through it.
To me, it so perfectly captures what I love most about the Caribbean – the way that the past is always close to the surface. Derek Walcott writes so movingly about St Lucia, which is where my grandmother was born.
This is a book that is made for re-reading – I have read it at least three times now, and every time I spot a new line or a new image to savour.
Omeros is the grand epic poem told in multiple chapters from Nobel Prize-winning poet and playwright Derek Walcott.
With circular narrative design, titled with the Greek name for Homer, Omeros simultaneously charts two currents of history: the visible history charted in events--the tribal losses of the American Indian, the tragedy of African enslavement--and the interior, unwritten epic fashioned from the suffering of the individual in exile.
“One of the great poems of our time.” —John Lucas, New Statesman
The Mediterranean is in my family’s history. My dad was a naval officer who worked in the sea in peace and war and took us to Malta when I was nine. I was entranced by the island’s history, by an evocative sensory world of sunlight, brilliant seas, and antiquity. I’ve been travelling in this sea ever since, including a spell living in Turkey, and delved deep into its past, its empires, and its maritime activity. I’m the author of three books on the subject: Constantinople: the Last Great Siege, Empires of the Sea, and Venice: City of Fortune.
Logue’s modernist reworking of the Iliad – the Trojan war - mother of all Mediterranean contests, is quite unlike anything you’ll ever read. Logue doesn’t translate, he remakes. It’s as cinematic as a film script, cast in a poetic language as brilliant as anything in modern times, full of jump cuts, staccato effects, and startling contemporary references. The violence of the fighting has a slamming immediacy (‘Dust like red mist/Pain like chalk on slate’), the Mediterranean – ‘the sea that is always counting’ - glimmers and sighs, the Gods behave like spoiled children, helicopters go whumping over the dunes.
A remarkable hybrid of translation, adaptation, and invention
Picture the east Aegean sea by night, And on a beach aslant its shimmering Upwards of 50,000 men Asleep like spoons beside their lethal Fleet.
“Your life at every instant up for― / Gone. / And, candidly, who gives a toss? / Your heart beats strong. Your spirit grips,” writes Christopher Logue in his original version of Homer’s Iliad, the uncanny “translation of translations” that won ecstatic and unparalleled acclaim as “the best translation of Homer since Pope’s” (The New York Review of Books).
As a college instructor and a student of Western American Literature for many, many years I have read a great number of western novels for my classes and for my literary studies. In addition to my doctoral dissertation on the topic, I have written and published numerous articles and reviews on western writers, and I have given many public presentations as well. I have a long-standing interest in what makes good works good. As a fiction writer, I have published more than thirty traditional western novels with major publishers, and have won several national awards for my western novels and short stories.
The Sea of Grass is a short novel, standard in length for the time in which it was published (1936), close in time to other short classics such asThe Grapes of Wrath and The Postman Always Rings Twice. It is written in first person, and in some respects, it suggests the influence ofThe Great Gatsby, another short masterpiece some ten years earlier, with an observer narrator, an elegiac tone, an evocative prose style, and interesting figurative language. This novel, like many, draws upon the range war (nesters versus the cattle empire) for its premise, but it becomes a very interesting exploration of human nature and the inevitable passing of time.
Published in 1936, this novel presents in epic scope the conflicts in the settling of the American Southwest. Set in New Mexico in the late 19th century, The Sea of Grass concerns the often violent clashes between the pioneering ranchers, whose cattle range freely through the vast sea of grass, and the farmers, or "nesters," who build fences and turn the sod. Against this background is set the triangle of rancher Colonel Jim Brewton, his unstable Eastern wife Lutie, and the ambitious Brice Chamberlain. Richter casts the story in Homeric terms, with the children caught up in the conflicts of…
I have a passion for the topic because it’s so unlimited. We’re all called to destiny inner/outer in so many ways. We see a lot of stories about those calls being massive adventures with global impact—but sometimes the small stories, those inner calls with inner love answers are just as epic, just as magnificent. Love of family, community, country, lovers, nature… truly, it can be anything. These are just a few books off the older shelves to illustrate the many ways love answers the call. My challenge is to go back and re-read them with this list in mind. Re-visit books from a decade ago, reframe the story with love.
This is an obvious pick, I know. Still, it’s on record as the greatest adventure, the highest bar of duty and courage—and ultimately love.
Homer’s epic detailing Odysseus’ journey home from the Trojan War is fraught with peril and obstacles that would have made a lesser human give up and call it a day.
Destiny called him away, but it was love that brought him home from war. At each crossroad Odysseus was offered an alternative, he chose to return to his wife, his son, and his land. He could have been made immortal.
He was offered riches and greater glory, and all the dude wanted was to kiss his wife and sleep in his own bed at the end of the day. Is that so much to ask?
The reason The Odyssey is on my list is to reflect the scale of destiny, and the answering and equal call…
Homer's great epic, The Odyssey, is perhaps Western literature's first adventure story, and certainly remains one of its finest. It describes King Odysseus of Ithaca's epic, ten-year quest to return home after the Trojan War. He encounters giants, sorceresses, sea-monsters and sirens, while his wife Penelope is forced to resist the suitors who besiege her on Ithaca. Both an enchanting fairy tale and a gripping drama, The Odyssey is immensely influential, not least for its rich complexity and the magnetism of its hero.
This Macmillan Collector's Library edition uses a translation by T. E. Lawrence, now remembered as 'Lawrence of…
In a world torn by wars, Jonathan Shay offers a stunning cross-fertilization of the Homeric universe of the Iliad with the experiences of today’s soldiers on the battlefield.
Shay, a psychiatrist with a long experience of treating Vietnam veterans and a profound knowledge of Homer, achieves a remarkable double feat; he shows how the Iliad’s accounts of the battlefield provide unique insights into the experiences of today’s warriors and also how these experiences offer a profound understanding of the metamorphosis of Achilles from noble and generous hero into a demented killing machine.
He identifies the betrayal of "What is Right" and the failure to grieve for the loss of a battlefield friend as crucial elements in a soldier’s rage (what he calls "berserkness") and its subsequent cause of insuperable psychopathologies.
An original and groundbreaking book that examines the psychological devastation of war by comparing the soldiers of Homer’s Iliad with Vietnam veterans suffering from post-traumatic stress disorder.
In this moving, dazzlingly creative book, Dr. Shay examines the psychological devastation of war by comparing the soldiers of Homer’s Iliad with Vietnam veterans suffering from post-traumatic stress disorder.
A classic of war literature that has as much relevance as ever in the wake of the wars in Iraq and Afghanistan, it is a “transcendent literary adventure” (The New York Times) and “clearly one of the most original and most important scholarly works…
Moral injury, post-traumatic stress, and the dark night of the soul are human conditions I understand well. See, over the course of a lengthy military career, I deployed overseas many times, including to Afghanistan. In my last two deployments, I served as the legal advisor to a joint special operations task force. In this role, I advised on more than 500 “strikes”: air attacks intended to kill humans. When I returned from Afghanistan in 2018, I noticed a change in me, and I’ve been living with moral injury and post-traumatic stress since. This list helped me, particularly with the lesser-known “moral injury,” and I sincerely hope it helps you too.
Few today know of moral injury, and I found this book to be a great introduction to the condition. The heart of it concerns betrayal—by those above and even ourselves.
Often seen as the father of “moral injury,” Jonathan Shay reveals that the condition itself actually stretches deep into the bowels of history, at least as far as Shakespeare, if not the Homeric epics written 2,400 years earlier: a reminder that everything old is new again.
Rather than acting as ventriloquist, Shay quotes his patients, allowing the veterans to speak for themselves; to express their traumas and the consequences thereof. And he emphasizes, as few do, the responsibility of society to aid in healing those traumas.
An accessible, practical read for understanding moral injury, trauma, and our communal responsibilities.
In this ambitious follow-up to Achilles in Vietnam, Dr. Jonathan Shay uses the Odyssey, the story of a soldier's homecoming, to illuminate the pitfalls that trap many veterans on the road back to civilian life.
Seamlessly combining important psychological work and brilliant literary interpretation with an impassioned plea to renovate American military institutions, Shay deepens our understanding of both the combat veteran's experience and one of the world's greatest classics.
In Achilles in Vietnam, Dr. Jonathan Shay used the story of the Iliad as a prism through which to examine how ancient and modern wars have battered the psychology of…
I have often spoken with the animals that I meet: from migrating ducks to street cats, woodchucks to chickadees. Mostly quietly—and always as if they not only could hear and understand, but also could reply. As our children grew, the replies became louder and more insistent. When our daughter was old enough to feel fearful of travel—particularly the crossing of open water in small boats—I began to tell her stories featuring these talking animals. Because the animals also were sometimes afraid, the stories helped to distract her from the perils of our own adventures and then, eventually, to enjoy them as well.
Although not nearly as well-known as Richard Adams’ Watership Down (an epic tale, with voyages and battles on the scale of Homer’s Odyssey), this book was published decades earlier and could be seen as a quiet precursor to that far more violent story.
The gardeners among you will immediately recognize both the fear and the excitement that the animals feel when contemplating unfamiliar humans. My wife and I, who have moved dozens of times in our long careers, often quote a line from Little Georgie: “New folks coming, oh my!”
It has been a while since Folks lived in the Big House, and an even longer time has passed since there has been a garden at the House. All the animals of the Hill are very excited about the new Folks moving in, and they wonder how things are going to change. It’s only a matter of time before the animals of the Hill find out just who is moving in, and they may be a little bit surprised when they do.
