I’ve always enjoyed reading memoirs that pull me in, take me on a unique journey, and entertain me with real-life drama. Nonfiction can be better than fiction, when the experiences and a compelling voice are present. I have been a writer and a nomad since 2003 and, during my thirties, sailed throughout the Caribbean and South Pacific for eight years with a partner and two dogs. When publishing my own account of this journey, I merged the present tense with enticing elements of fiction writing, like flashbacks, foreshadowing, and cliffhangers. Using correct grammar and eliminating typos are important to me as well, which is why I am a picky reader.
The Motion of the Ocean has been a longtime favorite sailing memoir of mine, not in the least because I read it during my own sailing years and felt connected to the author.
I appreciate her humorous, honest, conversational, and compelling writing style and love the title of the book, which inspired me to keep adventuring by sailboat and even to write my own memoir.
The narrative focuses on Janna and her husband’s relationship on a small boat in a remote area of the world. It’s a story not unlike mine in regards to relationship idiosyncrasies, the Pacific territory, the couple’s ages, and some of their experiences.
Janna was a teacher in a previous life as well and shares my love for travel and writing. This is an entertaining, well-written book.
The humorous true story of a woman who abandons her tidy life to honeymoon across the Pacific on a leaky, old boat—only to find that sailing 17,000 miles is easier than keeping her relationship off the rocks.
“Somewhere fifty miles off the coast of oregon i realize the skipper of this very small ship is an asshole. he also happens to be my husband.”
While most thirty-somethings are climbing the corporate ladder or popping out babies, Janna Cawrse and her boyfriend Graeme take a different tack: they quit their jobs, tie the knot, and embark on a most unusual honeymoon…
I’m an avid reader of fiction and kind of a nerd, too, so I love books with science in them. I’m a scientist myself, now retired from a career in environmental and engineering geology. I am fascinated by the Earth and the geologic processes that shape it, from the seemingly mundane (like erosion) to the remarkable (like earthquakes, landslides, and volcanic eruptions). As a writer, I try to translate that wonder for non-scientist readers, all wrapped up in a compelling story. Each book on this list sure does that, weaving science into the fabric of a gripping narrative. I hope you’ll love them as much as I do.
I have tended to shy away from novels involving climate crises, but this book was different. I turned page after page, staying up way past my bedtime, to find out why Franny, the protagonist, was so driven to follow the Arctic terns on their epic migration. Turns out Franny, and some of her fellow travelers were on epic journeys of their own.
Though a geologist by education and profession, I’m an avid bird watcher too (as a little kid, when asked what I wanted to be when I grew up, I’d reply, “I’m going to get a Ph.D. in ornithology”). I loved the ornithology and climate science that was so skillfully woven into this story of loss and love.
'An extraordinary novel... as beautiful and as wrenching as anything I've ever read' Emily St. John Mandel
A dark past. An impossible journey. The will to survive.
Franny Stone is determined to go to the end of the earth, following the last of the Arctic terns on what may be their final migration to Antarctica.
As animal populations plummet, Franny talks her way onto one of the few remaining boats heading south. But as she and the eccentric crew travel further from shore and safety, the dark secrets of Franny's life begin to unspool.
Two things I absolutely loved growing up: fantasy novels and history. Swashbuckling pirate stories are like a fantastic combination of both, and the way that the age of sail touched all corners of the world creates an opportunity for so many different kinds of stories to be told through this lens. As a queer writer, my passion is writing the kind of stories I loved as a child. As a trans adult, I find joy in making the next generations feel comfortable in their own skin. Living in Vancouver, B.C. I write novels and animated television, and I also co-host a podcast about advertising called Ad Creeps.
I can’t help it, I am an absolute sucker for a girl dressing up as a boy. It’s a classic trope in lesbian fiction, and while it’s reminiscent of trans masculine narratives, it’s also a fantastical reflection of butch/femme dynamics, and these two things can co-exist in the literary world. Flora/Florian is a really special protagonist, and her relationship with Evelyn is as exciting as the overall story. Tokuda-Hall has clearly had so much fun weaving in a variety of fantasy elements, throwing us mermaids, witches, pirates, and, of course, the Sea.
In a world divided by colonialism and threaded with magic, a desperate orphan turned pirate and a rebellious imperial lady find a connection on the high seas. Aboard the pirate ship Dove, Flora the girl takes on the identity of Florian the man to earn the respect and protection of the crew. For Flora, former starving urchin, the brutal life of a pirate is about survival: don't trust, don't stick out, and don't feel. But on this voyage, Flora is drawn to the Lady Evelyn Hasegawa, who is headed to an arranged marriage she dreads. Flora doesn't expect to be…
A longtime student of history, particularly WW2 and the Cold War, my interest was personally piqued when I started to discover more about how my husband’s family narrowly escaped capture by the Gestapo – and certain death in a concentration camp. I’m driven to write novels set in this era for middle grade kids – featuring brave young heroes faced with moral dilemmas– so they can learn about the horrors of antisemitism, tyrants, and war because “those who do not learn history are doomed to repeat it.”
A page-turning, true-life adventure! The story is told in first-person verse by 13-year-old Ken Sparks whose parents send him from England to Canada at the start of the Blitz as part of the British government’s ill-fated child evacuee program. Five days into the crossing, his ship, the SS Benares, is torpedoed by a German U-Boat, and as it sinks fast, Ken finds himself in a lifeboat with five other boys fighting for their lives. I read this book and loved it from page one. Although they come from very different backgrounds, Ken and Käfer share endearing qualities: pluck, resourcefulness, and a child’s optimistic view of the world. All of which stand them in good stead.
"This page-turning true-life adventure is filled with rich and riveting details and a timeless understanding of the things that matter most."-Dashka Slater, author of The 57 Bus "Brilliantly told in verse, readers will love Ken Sparks." -Patricia Reilly Giff, two-time Newbery Honor winner "Lyrical, terrifying, and even at times funny. A richly detailed account of a little-known event in World War II." -Kirkus Reviews "Middle grade Titanic fans, here's your next read." -BCCB "An edge-of-your seat survival tale." -School Library Journal (starred review)
A Junior Library Guild Selection The 2019 Golden Kite Middle Grade Fiction Award Winner A 2019 ALSC…
I started writing my debut novel Kismet during the 2020 covid lockdown. I was quarantining in my small NYC apartment and, like many, wishing I could be anywhere else. Enter: the power of books. I’ve always loved reading for how it transports you around the world. My novel takes place in the eponymous sun-soaked beach town of Kismet, Fire Island, and writing it offered an escape. It reminded me of how reading books like below felt like embarking on my very own magical getaway, from Positano or London, to Alaska or Palm Springs, all from the comfort of home. I hope you find similar adventure in these novels’ pages.
If you’ve ever wanted to take an Alaskan cruise, The Unsinkable Greta Jamesis the perfect book for you.
The sights are breathtaking, the cruise culture is endearingly infectious, but it’s with the characters where this novel truly sings. And I don’t only mean that metaphorically speaking: the titular protagonist Greta James is a famous indie musician who has followed her career to great success, despite her father’s discouragement of the unstable path.
When Greta’s mother unexpectedly passes away, she decides to take her mom’s spot on the Alaskan cruise that her parents had booked to celebrate their anniversary. Over the course of the trip, Greta and her father must reconcile their differences, grieve their aching loss, and find a way back to each other.
An indie musician reeling from tragedy and a public breakdown reconnects with her father on a weeklong cruise in “a pitch-perfect story about the ways we recover love in the strangest places” (Rebecca Serle, bestselling author of In Five Years)
“The characters are drawn with a generosity that allows them to be wrong but also right, loving but also prone to missteps, and ultimately deserving of a resolution that’s full of hope.”—Linda Holmes, New York Times bestselling author of Flying Solo
Right after the sudden death of her mother—her first and most devoted fan—and just before the launch of her…
Stories of migration journeys and their knock-on impact through the generations are part of my family history. Like Jacques, the key protagonist in Austerlitz, I too wasn’t told the whole story of my family’s past. Stumbling on stories of colonialism, migration, and racism as an adult has opened up an understanding of a very different world to that of my childhood. The books I have recommended are all excellent examples of migration stories and through the use of beautiful prose pack a punch in a ‘velvet glove’.
This really is a gem of a book. The reader is left guessing whether it is a memoir, auto-fiction, or stand-alone fiction. From its deceptively simple beginning, it cleverly deals with so many of life's big issues with a thoughtful lightness of touch. The book is written from the perspective of grown-up Michael, but Ondaatje explores the confusion and frustration of the child who was made to sail halfway around the world to a new home and the subsequent impact the journey has on the adult Michael.
In the early 1950s, an eleven-year-old boy boards a huge liner bound for England - a 'castle that was to cross the sea'. At mealtimes, he is placed at the lowly 'Cat's Table' with an eccentric group of grown-ups and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys become involved in the worlds and stories of the adults around them, tumbling from one adventure and delicious discovery to another, 'bursting all over the place like freed mercury'. And at night, the boys spy…
I’ve been fascinated by "sea stories" since I could read, maybe before. I was born in Liverpool, my dad was in the navy, my family ran an 18th-century inn named the Turk’s Head after a nautical knot, and I’ve directed or written more than twenty films, plays, and novels with the sea as their setting. But they’re not really about the sea. For me, the sea is a mirror to reflect the human condition, a theatre for all the human dramas I can imagine. More importantly, I’ve read over a hundred sea stories for research and pleasure, and those I’ve chosen for you are the five I liked best.
Golding will forever be remembered for Lord of the Flies, but I think this is better (and so did he, apparently, a lot better).
It’s the story of people on a seemingly endless voyage from England to Australia in the 19th century, but for me, it’s like a spaceship on a voyage to another planet, like the spaceship in Alien with its own monsters aboard, the social mores, the injustices, the class privileges and prejudices, the sexual hangups, and the guilty secrets they carry with them. Pity poor Australia!
For me, it demonstrates that the sea can be a metaphor for reading (and writing). You embark on a journey, and you want to get to the end, but in a way, you want it to last forever.
Sailing to Australia in the early years of the nineteenth century, Edmund Talbot keeps a journal to amuse his godfather back in England. Full of wit and disdain, he records the mounting tensions on the ancient, stinking warship, where officers, sailors, soldiers and emigrants jostle in the crammed spaces below decks.Then a single passenger, the obsequious Reverend Colley, attracts the animosity of the sailors, and in the seclusion of the fo'castle something happens to bring him into a 'hell of self-degradation', where shame is a force deadlier than the sea itself.
I have been fascinated with the relationship between the United States and the Middle East since my freshman year at the State University of New York at Stony Brook, where I began as a commuter, stuck in gasoline lines, during the “energy crisis” in the fall of 1973, and where I was among the first SUNY students to study abroad in Egypt after the United States resumed diplomatic relations. I wrote my dissertation on Egypt’s economic development (When Capitalists Collide: Business Conflict and the End of Empire in Egypt, 1995) and have been teaching and writing about U.S. involvement in the region for 35 years.
Professor Laleh Khalili provides an absolutely riveting account of the transformation of the Gulf region, where the U.S. fifth fleet has operated since the 1990s, into a hub of world commerce in oil and arms. She argues that the lines between civilian and military logistics have grown increasingly blurred. To prove it, she takes us aboard the container ships, detours back to the time when British firms and government agencies ruled, explores the ports and free zones, follows the rails and roads, and uncovers the complex labor relations that make war and trade possible.
On the map of global trade, China is now the factory of the world. A parade of ships full of raw commodities-iron ore, coal, oil-arrive in its ports, and fleets of container ships leave with manufactured goods in all directions. The oil that fuels China's manufacturing comes primarily from the Arabian peninsula. Much of the material shipped from China are transported through the ports of Arabian peninsula, Dubai's Jabal Ali port foremost among them. China's 'maritime silk road' flanks the peninsula on all sides.
Sinews of War and Trade is the story of what the making of new ports and…
I am an academic at the University of Queensland whose research areas include horror films, screen trauma theory, the cinematic representation of urban spaces, and the collision of romanticism and postmodernism in fantasy literature. My first book, POV Horror: The Trauma Aesthetic of the Found Footage Subgenre, was adapted from my PhD thesis. I am an avid member of the A Song of Ice and Fire fandom, and my second book represents over a decade of talking and writing about George R. R. Martin’s epic fantasy series, having grown out of conversations in forums, podcasts, symposiums, and fan conventions, as well as my own background in literary analysis and research.
Adapted into an Academy award-winning film in 2012, Martel’s original novel follows an Indian boy named Piscine “Pi” Patel who is fascinated by religion, learning and adopting different teachings in his quest to understand God.
After a shipwreck, he is forced to survive for months while stranded on a lifeboat in the Pacific Ocean with only a Bengal tiger for company. Pi’s reflections at sea, and the fantastical nature of his voyage, raise questions about the purpose and function of religion: such as, why people seek faith in a higher power, how it shapes our perception of reality and morality, and the paradoxical notion that sometimes truth can only be glimpsed through fiction rather than fact.
After the sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a wounded zebra, an orangutan—and a 450-pound Royal Bengal tiger.
Soon the tiger has dispatched all but Pi Patel, whose fear, knowledge, and cunning allow him to coexist with the tiger, Richard Parker, for 227 days while lost at sea. When they finally reach the coast of Mexico, Richard Parker flees to the jungle, never to be seen again. The Japanese authorities who interrogate Pi refuse to believe his…
As an emigrant myself (I left Ireland in the late 1980s), I’ve always been interested in understanding the process of moving from one place to another; of existing in that liminal space between “being here” and “being there.” I spent several years researching the letters and diaries of nineteenth-century Irish migrants for my book, The Coffin Ship, but found the answers led to new questions on how other peoples, in other places, have managed being somewhere between “here” and “there.” These are some of the books that have helped me along that long, emotional journey.
Washington Irving once famously described a long sea voyage as a “blank page in existence.” Stephen Berry’s analysis of James Oglethorpe’s Georgia Expedition, which sailed from England to colonial Georgia in 1735, shows that the opposite was true. Rather than merely serve as the stage on which the human drama of migration played out, the sea voyage was a dynamic actor in the experience itself. Far from land, migrants had time and space to reconsider their views on society, religion, and identity in ways that shaped their new lives in America.
A vivid and revealing portrait of shipboard life as experienced by eighteenth-century migrants from Europe to the New World
In October 1735, James Oglethorpe's Georgia Expedition set sail from London, bound for Georgia. Two hundred and twenty-seven passengers boarded two merchant ships accompanied by a British naval vessel and began a transformative voyage across the Atlantic that would last nearly five months. Chronicling their passage in journals, letters, and other accounts, the migrants described the challenges of physical confinement, the experiences of living closely with people from different regions, religions, and classes, and the multi-faceted character of the ocean itself.…
