I’m a journalism historian who sees an old newspaper the way Alice saw the looking glass, as a portal to a place where things wind up beyond the imaginable. In comparing English- and Spanish-language journalism, I examine how people from the same time and place live distinct constructed realities, separated by their news source looking glass. I aim to recenter the journalism of marginalized groups in the American experience and in media history. After more than 20 years at major U.S. news organizations and 10 years in academia, often as the first or only Mexican American—I’ve honed the ability to see from both sides of the glass.
In 1881, a reporter described Texas as a “vast wilderness” that was “infested by roaming Mexicans, rattlesnakes, and braying jackasses.”
In other words, it was a land calling for white people to settle, civilize, and supplant the “indolent” Mexican. I was jolted by this and other visceral literary snippets, which De Leon drew from nineteenth-century travelogues, letters, and newspaper articles.
The book exposes the power of the printed word in forming and perpetuating early Euro-American stereotypes claiming Mexican Americans in Texas were unpatriotic, mixed blood, lazy, immoral, and cruel. Writing in 1983, De Leon concluded that these attitudes had shifted into subtler modern racism.
Yet the lynching of Mexican Americans persists in the nation’s second-largest state, with more than 23 massacred in a white supremacist attack at an El Paso Walmart in 2019.
Tension between Anglos and Tejanos has existed in the Lone Star State since the earliest settlements. Such antagonism has produced friction between the two peoples, and whites have expressed their hostility toward Mexican Americans unabashedly and at times violently.
This seminal work in the historical literature of race relations in Texas examines the attitudes of whites toward Mexicans in nineteenth-century Texas. For some, it will be disturbing reading. But its unpleasant revelations are based on extensive and thoughtful research into Texas' past. The result is important reading not merely for historians but for all who are concerned with the history…
I’m a Taiwanese American children’s book author who was your classic, straight-A, Asian model minority stereotype student who did all the right things when I was a tween—yet I never really stuck my neck out to make change happen and fight for what I believed was right. I can’t rewrite my history, but I can—and hope to—inspire kids of today to do better than I did. And so I write books that feature strong, assertive kids who learn how to stand up and speak out against injustice to make the world a better place for everyone and anyone who’s ever been overlooked or misunderstood.
Although this story is not set in a school setting, this historical fiction novel-in-verse still fits really nicely into this theme of youth activism. I found Salazar’s writing very poetically moving yet accessible to young readers at the same time.
Lula’s dream to be the ringleader of a Mexican traveling service is creative and fun, yet the realities and struggles of her migrant farmworker family are very real and viscerally felt. I felt very inspired by Lula’s strength and voice as she and her family fought in the farmworkers’ rights movement in California in the 1960s, making this book a must-read for the future changemakers of today.
A farm-working girl with big dreams meets activist Dolores Huerta and joins the 1965 protest for workers' rights in this tender-hearted novel in verse, perfect for fans of Rita Williams-Garcia and Pam Munoz Ryan.
Lula Viramontes aches to one day become someone whom no one can ignore: a daring ringleader in a Mexican traveling circus. But between working the grape harvest in Delano, California, with her older siblings under dangerous conditions; taking care of her younger siblings and Mama, who has mysteriously fallen ill; and doing everything she can to avoid Papa's volatile temper, it's hard to…
My interest in diplomatic history began in earnest when I read A.J.P. Taylor, The Struggle for Mastery in Europe, 1848-1918, during my undergraduate education. I was fascinated by how nations interacted with each other over time. The pairing of immigration history came much later, during my doctoral program. I was drawn to how immigration historians discussed not just the dynamics of the movement of people, but the nature of nationality and nation, citizen and foreigner, citizenship and personhood. Studying immigration pointed me to Mexican history, which inspired me to ask the question that formed the basis of Risking Immeasurable Harm: how did tensions over immigration affect U.S.-Mexican relations?
This book is a classic work that discusses the massive repatriation of Mexican immigrants and Mexican Americans to Mexico during the 1930s amidst the Great Depression in the United States. Mexican immigrants who had been recruited to the United States during years of plenty were coercively expunged from US society when economic hard times hit.
I love the forceful tone of the book as it recounts the experiences of repatriating persons of Mexican descent: abuse at the hands of American employers and law enforcement and neglect by Mexico's government. The authors give a humanity to displaced persons that can easily be lost in quantitative and macroeconomic analyses of immigration.
It shows that, at their root, immigration crises involve humans and the choices they are often coerced to make to survive.
The first edition was the recipient of the Gustavus Myers Center for the Study of Human Rights Award as an outstanding work on intolerance and violation of basic rights. During the Great Depression, a sense of total despair plagued the United States. Americans sought a convenient scapegoat and found it in the Mexican community. Laws forbidding employment of Mexicans were accompanied by the hue and cry to ""get rid of the Mexicans!"" The hysteria led pandemic repatriation drives and one million Mexicans and their children were illegally shipped to Mexico. Despite their horrific treatment and traumatic experiences, the American born…
Ander and Santi Were Here is a book that I had been anticipating for a long time. I went to the author’s event and bought a signed copy. Then, I listened to the audiobook. I loved the narrator who did an amazing job. Their voice captured the character and pulled me into the story.
It is a beautiful love story about a Mexican-American nonbinary teen who falls in love with an undocumented Mexican boy. Ander is an artist, and Santi takes a job at their family’s Mexican restaurant.
The story resonated with me because my family came to the United States as undocumented immigrants, and the scenes with ICE and the possibility of Ander and Santi being separated were haunting and heartbreaking.
The Santos Vista neighbourhood of San Antonio, TX is all Ander Lopez has ever known. The smell of pan dulce, the laughter of kids hitting a pinata at the park, the mixture of Spanish and English filling the streets. And, especially, their job at the family's taqueria. So as the days count down on their gap year until the day they'll leave for art school in Chicago, their head is filled with one relentless question: am I really ready to leave it all behind?
Their family, however, has the opposite worry: to keep them from becoming complacent, they "fire" Ander…
I’m an author and illustrator from Buenos Aires, Argentina. As a Latin American, I think it's important to have books with stories about our realities and culture that feature Latino people as the protagonists. I hope you enjoy my recommendations!
If you are like me, you enjoy stories about grandparents. This book is about a granddaughter's relationship with her grandmother, and the embarrassment she feels about the yellow handkerchief her grandmother uses.
I love everything Cynthia Alonso illustrates, and this book is no exception. The illustrations are playful and colorful, depicting the bond between these two characters in a beautiful way. I also like that the text includes some Spanish words.
In the end, the character realizes that her grandmother's yellow handkerchief makes her unique, and the legacy is passed on, a beautiful takeaway.
A child confronts conflicting feelings of embarrassment and love for her Mexican abuela in this moving, personal story from Newbery- and Pura Belpre Award-winning author Donna Barba HigueraMy abuela wears an old yellow handkerchief that her grandmother gave to her.I don't like the yellow handkerchief.When a young girl feels ashamed of her family for being "different" and subconsciously blames her abuela, she gradually grows to not only accept but also love the yellow handkerchief that represents a language and culture that once brought embarrassment.Inspired by the personal experiences of award-winning author Donna Barba Higuera and expressively illustrated by Cynthia Alonso,…
I’m a journalism historian who sees an old newspaper the way Alice saw the looking glass, as a portal to a place where things wind up beyond the imaginable. In comparing English- and Spanish-language journalism, I examine how people from the same time and place live distinct constructed realities, separated by their news source looking glass. I aim to recenter the journalism of marginalized groups in the American experience and in media history. After more than 20 years at major U.S. news organizations and 10 years in academia, often as the first or only Mexican American—I’ve honed the ability to see from both sides of the glass.
The compelling, digestible, and often dangerous metaphor is the star of Brown Tide Rising.
Santa Ana clearly explains that it is the mediated metaphor that embeds itself in our brains, cementing ideas and tropes. Looking at Latino metaphors in historical issues of the Los Angeles Times, he offers a new application for linguist George Lakoff’s cognitive model of metaphor, which studies how metaphors map to each other.
For instance, Santa Ana identifies “flowing waters” as one such metaphoric tie-in that joins metaphors such as tides, surges, waves. I like this book because it is a great reminder about how the images conjured by words—in this case metaphors—make us “see” the world in certain ways.
2002 - Best Book on Ethnic and Racial Political Ideology and/or Political Theory - Organized Section on Race, Ethnicity, and Politics of the American Political Science Association
"...awash under a brown tide...the relentless flow of immigrants..like waves on a beach, these human flows are remaking the face of America...." Since 1993, metaphorical language such as this has permeated mainstream media reporting on the United States' growing Latino population. In this groundbreaking book, Otto Santa Ana argues that far from being mere figures of speech, such metaphors produce and sustain negative public perceptions of the Latino community and its place in…
I am a gay, neurodivergent, Mexican American, who grew up in a poor family riddled with domestic violence, in a small mid-western town. I’ve always been proud of my identities, but I’ve been particularly fascinated by their intersections. For example, a white gay man will face certain prejudices and discrimination, but a gay man of color, or a neurodivergent gay man, will have compounded challenges . . . and distinct joys . . . resulting from their combination. One of my writing goals is to include intersectional characters in all of my stories. When I read a wonderful, similar story, I like to herald the accomplishment.
The story is refreshingly honest in its depiction of teenage sexuality, lust, longing, angst, romance, and friendship, from a variety of orientations and identities.
The audiobook was excellent; Alejandro Ruiz is an extraordinary narrator, and perfect for this book. It was also nice to see Palestinian representation in a young adult novel. It’s two thumbs up for this LGBTQIA+BIPOC novel.
This “hilariously chaotic and profound” (Adam Silvera, #1 New York Times bestselling author of They Both Die at the End) summer romp is Netflix’s Never Have I Ever meets What If It’s Us about a high school senior determined to get over his unrequited feelings for his best friend by getting under someone else.
Enrique “Quique” Luna has one goal this summer—get over his crush on Saleem Kanazi by pursuing his other romantic prospects. Never mind that he’s only out to his best friend, Fabiola. Never mind that he has absolutely zero game. And definitely forget the fact that good…
Mexikid
uses the graphic novel format cleverly and beautifully to interweave lore and
flashbacks into a road trip story about a family driving to Mexico to
bring their abuelo back to the US.
This book has the funniest haircut scene
(and haircut) I've encountered. The interactions of the nine siblings are my
favorite part, though—so truthfully and hilariously captured.
The story is also touching and personal as
Pedro, the narrator, learns about his Mexican heritage and family history. It's one of the best graphic novels I've read this year!
An unforgettable graphic memoir about a Mexican American boy's family and their adventure-filled road trip to bring their abuelito back from Mexico to live with them that National Book Award Finalist Victoria Jamieson calls "one of those books that kids will pass to their friends as soon as they have finished it."
Pedro Martin has grown up hearing stories about his abuelito-his legendary crime-fighting, grandfather who was once a part of the Mexican Revolution! But that doesn't mean Pedro is excited at the news that Abuelito is coming to live with their family. After all, Pedro has 8 brothers and…
I’m a political philosopher who lives in Seattle. I teach and write about political ethics, and the ways in which moral concepts change when they get applied to the relationships between states—and to the complicated borders that define where states end. I tend to write about what puzzles me, and many of these puzzles come from my personal life; I’m a migrant myself, and the experience of migrating to the United States led me to write about what sorts of values a country can rightly pursue through migration policy—and what sorts of things, more generally, it can and can’t do to migrants themselves.
Neiwert’s book focuses on the horrifying case of Shawna Forde, an anti-migration activist who ended up murdering a child on the Arizona border in an attempt to steal money to fund her activism. It’s sometimes easier to understand the politics of the borderlands by focusing on particular people who inhabit and cross the borders; Neiwert let me see the complex politics of the Arizona border, and the ways in which those politics can curdle into a murderous rage.
It began with a frantic 911 call from a woman in a dusty Arizona border town. A gang claiming to be affiliated with the Border Patrol had shot her husband and daughter. It was initially assumed that the murders were products of border drug wars ravaging the Southwest until the leader of one of the more prominent offshoots of the Minutemen movement was arrested for plotting the home invasion as part of a scheme to finance a violent antigovernment border militia. And Hell Followed With Her: Crossing to the Dark Side of the American Border is award-winning journalist David Neiwert's…
Namrata Poddar is an Indian American writer of fiction and nonfiction, literature and writing faculty at UCLA, and Interviews Editor for Kweli where she curates the series, “Race, Power and Storytelling.” Her work has explored ways in which writers from across the world decolonize Literature. Her debut novel, Border Less, was a finalist for Feminist Press’s Louise Meriwether Prize, longlisted for The Center for Fiction First Novel Prize, and featured in several media outlets including the “Most Anticipated” 2022 books for The Millions and Ms. Magazine. She holds a PhD in French literature from the University of Pennsylvania, an MFA in Fiction from Bennington College, and a Mellon Postdoctoral Fellowship in Transnational Cultures from UCLA.
Written in 46 short vignettes, this is a coming-of-age story of Esperanza Cordero, a young girl growing up in a Hispanic neighborhood in Chicago. Yet the novel is anything but one protagonist’s story, as it consistently juxtaposes Esperanza’s story with stories of secondary characters who make a brief appearance in the novel to seldom reappear and tie loose ends of the “sub-plots”: Marin, Louie, Alicia, Geraldo, Rafaela, Minerva, and others. Narrative continuity via a protagonist’s psychological journey that is a key trait of coming-of-age novels, or of mainstream Western or realist novels at large, is repeatedly disrupted here, making the reader wonder, who isthe novel’s protagonist?: Esperanza, Mango Street, or its Brown community, or young Latina girls and women in a 20th century USA, alluded by “las Mujeres” to whom the book is dedicated.
NATIONAL BESTSELLER • A coming-of-age classic, acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.
The House on Mango Street is the remarkable story of Esperanza Cordero, a young Latina girl growing up in Chicago, inventing for herself who and what she will become. Told in a series of vignettes-sometimes heartbreaking, sometimes deeply joyous-Sandra Cisneros' masterpiece is a classic story of childhood and self-discovery. Few other books in our time have touched so many readers.
