I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Hedayat (1903-1951) was an Iranian writer who knew that death and the mythic experience of Kairos time exists a hair’s breadth away from what we commonly experience as human life.
The Blind Owl was the book that gave me permission to write fiction: instead of writing a novel in standard form, I wanted to create a liminal space, a threshold world between real and unreal; to invite readers into an unfamiliar (and hopefully transformative) vision of humanity.
This is exactly what Hedayat does in The Blind Owl: we are immersed in a fable of otherworldly, repetitive, poetic, dark, and mesmerising power. The story (of jealousy, despair, the cyclical nature of life and death) has a rare depth and a sense of universal reach precisely because it has one foot in the liminal.
Widely regarded as Sadegh Hedayat's masterpiece, the Blind Owl is the most important work of literature to come out of Iran in the past century. On the surface this work seems to be a tale of doomed love, but with the turning of each page basic facts become obscure and the reader soon realizes this book is much more than a love story. Although the Blind Owl has been compared to the works of the Kafka, Rilke and Poe, this work defies categorization. Lescot's French translation made the Blind Owl world-famous, while D.P. Costello's English translation made it largely accessible.…
I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, includingIron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.
Cities take a long time to make. Can you make or remake them quickly, like you make instant coffee or assemble fast food? Turns out you can… but you better be a czar or have a similar claim to authority and it may take some time for the product to mature into something worth visiting and living in. David Brook’s A History of Future Cities is one of the most informative and intriguing books on this topic. Beautifully written, the book examines four landmark cases of cities with strong utopian streaks, where powerful political regimes tried to compress time in space and celebrate their glory. The four cases are St. Petersburg, Shanghai, Bombay, and Dubai. Read and dream of visiting. The book will leave you wishing to read about other cities of the same type, among them Washington DC, Brasilia, and Astana.
Hailed as an "original and fascinating book" (Times Literary Supplement), A History of Future Cities is Daniel Brook's captivating investigation of four "instant cities"-St. Petersburg, Shanghai, Mumbai, and Dubai-that sought to catapult themselves into the future by emulating the West.
I've been thinking and writing about food ever since I spent a year in the Soviet Union many decades ago and discovered that food is a wonderfully immediate way to enter into another culture. My first cookbook led to a stint as a spokesperson for Stolichnaya vodka when it was first introduced to the US—a fascinating exercise in cross-cultural communication during the Cold War. In 2001 I founded Gastronomica: The Journal of Food and Culture, which deepened my interest in culinary cultures around the world. Cookbooks aren't just about recipes. For me, the best ones include personal stories and history that transport you to other realms.
Until picking up this book I knew nothing about Parsi food, a distinctive way of cooking practiced by the descendants of the Zoroastrians who fled Persia for India around the 8th century. And what a cuisine it is! This book engages all your senses, immersing you in the aromas, colors, and tastes of Parsi kitchens. Niloufer King's descriptions are beguiling, her language deft as she evokes dishes like the "wobbly" cauliflower custard of her childhood and its "trembling delicacy," or a hot green chutney that is "raucous" rather than refined. King brings family and friends to life through anecdotes that reveal the long history and continuing evolution of this distinctive manner of cooking.
The Persians of antiquity were renowned for their lavish cuisine and their never-ceasing fascination with the exotic. These traits still find expression in the cooking of India's rapidly dwindling Parsi population - descendants of Zoroastrians who fled Persia after the Sassanian empire fell to the invading Arabs. The first book published in the United States on Parsi food written by a Parsi, this beautiful volume includes 165 recipes and makes one of India's most remarkable regional cuisines accessible to Westerners. In an intimate narrative rich with personal experience, the author leads readers into a world of new ideas, tastes, ingredients,…
Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for a two-year backpacking sojourn across the country. I took a bunch of snapshots along the way with a little point-and-shoot camera. 800 of those images became my first book. Photography – be it travel, documentary, street or reportage – is my passion. The following are but five of five hundred books I’d love to recommend.
Prior to her death in 2015, photojournalist Mary Ellen Mark had published over 20 collections of her work spanning her storied career, but few hit the reader in the gut like her debut Falkland Road. Taken during visits to Mumbai (Bombay) in the 1970s, Mary was able to gain the trust of sex workers being pimped out in the Indian city’s notorious red-light district. The images are dark, disturbing, and bleak, but their intimacy and tenderness are what separates Mary from her peers.
Mark's extended photo essay on the prostitution district of Bombay is one of the landmarks of color photojournalism. Small half-inch tear at base of spine. Slight scuffing and fading to cover. Interior and photographs are clean and unmarked.
Ultimately, I’m someone who enjoys a good adventure. Prior to the age of twenty, I had never gone on a vacation or been camping, and the only place I saw Mickey Mouse was on television. Determined to experience a more fulfilling life, I set my sights on becoming a world traveler. I’ve done almost everything to transform the dream into a reality. I’ve studied abroad, served as a Peace Corps Volunteer, worked for an international NGO, served in the U.S. Navy, and done some off-the-grid exploring. After spending nine years abroad and visiting thirty countries, I’m finally a published author. Life Travel And The People In Betweenis my debut memoir.
When faced with heartbreak, Ryan Crain questions his will to continue living. Feeling a tremendous amount of grief, Ryan quits his job and decides to circumvent the world in order to find his inner person. This book is more than just a travel story. Gravel Roads is about taking risks, challenging those who don’t understand our purpose, and choosing to live a life without any regrets. Despite the risks and costs, Ryan proves that pursuing the journey to find inner peace is worth everything!
By thirty years old, Ryan Crain had everything he thought he wanted—a steady career, a budding relationship, and a high-rise apartment in downtown Oklahoma City. Then, an unexpected phone call he received while backpacking through Europe uprooted it all—everything that had defined him. In a desperate attempt to save his life, Ryan made a bold promise—he would use adventure to climb out of the dark trenches of his grief.
In the most mysterious of ways, this one decision would lead him to set foot on every inhabited continent during a round-the-world journey of epic proportions. From windswept beaches in Portugal…
There are as many ways of thinking about cities as there are people who live in them, and by the end of this century, it is clear we will all be living in cities of one size or another. Cities are in effect the crucibles where all technological and cultural change takes place. They are the drivers of prosperity while also the harbingers of chaos, decline, and war. What makes them fascinating is that as soon as we begin to peel back the layers that compose the city, our understanding of them begins to change: they metamorphose into different conceptions where there is no agreement as to what they are or what they might become.
Glaeser argues that cities are man’s greatest achievement. Where else can you find the conditions where the progress we have made in urban society come together to provide the kinds of civilization that we have evolved through cultural and scientific progress that appear most clearly in large cities? Technology is key to the 21st-century city in Glaeser’s celebration that he calls the Triumph of the Cities, and this history is reflected in Hall’s book, which follows.
This is a wonderful rapid read, and it complements Jane Jacobs's book below. It brings Jane Jacob's book up to date, but this implies Jane’s book is old fashioned–it isn’t–it is just that her work is over 60 years old, and the examples pertain back to the 1950s and 1960s.
Understanding the modern city and the powerful forces within it is the life's work of Harvard urban economist Edward Glaeser, who at forty is hailed as one of the world's most exciting urban thinkers. Travelling from city to city, speaking to planners and politicians across the world, he uncovers questions large and small whose answers are both counterintuitive and deeply significant. Should New Orleans be rebuilt? Why can't my nephew afford an apartment in New York? Is London the new financial capital of the world? Is my job headed to Bangalore? In Triumph of the City, Glaeser takes us around…
As a child of a worker in the boot and shoe industry of the English Midlands, I have written for more than half a century about poverty in its many guises – from the want and misery of early industrialism in Britain to the modernised poverty of a form of affluence which mimics prosperity without providing either satisfaction or sufficiency. Writing about the landscapes of poverty in the 1980s, I went to India and Bangladesh, and saw there in patterns of urbanization familiar echoes of what we in Britain had experienced. It seems to me that poor people are always poor in the same way, although this may be hidden behind differences in culture, tradition, ethnicity, and faith.
This story of an orphan, brought up by an uncle and aunt and sent out to work as a house servant, moved me so much because, although written in the early years of the Independence struggle, nevertheless prefigures the fate of countless young Indians, little more than children who, beaten and mistreated, run away to the closest city and later, to the unforgiving metropolis of Mumbai or Delhi. His life of innocence destroyed and youth blighted, ends at the age of sixteen when he dies of TB. It is harrowing but uplifting.
Coolie portrays the picaresque adventures of Munoo, a young boy forced to leave his hill village to fend for himself and discover the world. His journey takes him far from home to towns and cities, to Bomboy and Simla, sweating as servant, factory-worker and rickshaw driver. It is a fight for survival that illuminates, with raw immediacy, the grim fate of the masses in pre-Partition India. Together with Untouchable, Coolie places Mulk Raj Anand among the twentieth century's finest Indian novelists writing in English.
I am SEBI registered equity analyst, bestselling author & public speaker. I have started investing in the Indian stock market at the age of 18 and have a history of identifying several multi-bagger stocks like Chemcrux Enterprises, Lancer Container, Sirca Paints, Caplin Point Lab, Can Fin Homes, Mayur Uniquoters, etc. My portfolio consistently outperformed the index by a significant margin. For more details visit my website.
If you are interested in the history of the Indian stock market, then this book is a must-read for you. Written in an easy-to-understand language, the book will take you on an exciting journey from the early days of the Bombay Stock Exchange, narrating all major episodes and players with learnings that can help you to navigate in the Indian Stock Market.
I like to tell people that I found my passion in life and it's books. I write them, read them, review them and I’ve been a librarian for 17 years. (I’ve worked in libraries for longer than that. Over 25 years!) It’s been dark times recently and romance has become my happy place. I’m a sucker for romances with pretty covers, quirky characters, and not so much of the on-page spice. If there’s some travel involved, even better!
I loved this book! I was especially fond of taking the tour of India with the main character, Niki, who had never been to India before, despite the fact that her family is Indian and she’s 29 years old. She unexpectedly finds herself with the opportunity to go to India for her best friend’s wedding. While she’s there, she gets to celebrate Diwali at a big party when who should she meet but a handsome musician. The setting is fantastic, the characters are so lovable. This was just an excellent feel-good book.
"Lalli's prose is deft, her characters are delightful and her book is the just-right holiday romance."--USA Today
One type-A data analyst discovers her free-spirited side on an impulsive journey from bustling Mumbai to the gorgeous beaches of Goa and finds love waiting for her on Christmas morning.
Twenty-nine-year-old Niki Randhawa has always made practical decisions. Despite her love for music and art, she became an analyst for the stability. She's always stuck close to home, in case her family needed her. And she's always dated guys that seem good on paper, rather than the ones who give her butterflies. When…
I lived in Bombay until I was 21. During my teenage years I had a love-hate relationship with the city, mostly noticing its poverty, the pollution, and the crowds. But as a writer, I have come to love the city for its resilience, its sweet toughness, its heartbreaking beauty. I love reading books by other writers that are set in this endlessly fascinating metropolis of 22 million, each with their own story to tell, stories that float in the air in front of us, ready to be plucked and set on paper.
This collection of short stories by another Parsi writer paints an affection and compassionate picture of the metropolis, as seen from the eyes of its motley crew of residents—a laundryman, a writer, a cab driver. Shroff’s generosity and love for his city come through in every story.
This book, with its powerful evocation of the city and its description of the minutia of everyday life, left me nostalgic and breathless for Bombay.
Shortlisted for the 2009 Commomwealth Writers' Prize
Shroff's vibrant narratives in this concept collection of 14 stories set in contemporary Bombay feature a range of beautifully drawn characters in fascinating situations: from the laundrywallas' water shortage problems, to the doomed love affair of a schizophrenic painter and his Bollywood girlfriend, to the wandering thoughts of a massagewalla at Chowpatty Beach, to the heart-warming relationship of a carriage driver and his beloved horse. Each of these stories is richly crafted and arranged against the grand chaotic backdrop of life that is Bombay. Shroff's love for his hometown shines through, but so…
