I’m a novelist and admire writing that pushes against the conventions of mainstream fiction, that goes around and beyond the formulaic, commercial concept of plot. In the Western world, we’re especially stuck on what film director Raul Ruiz calls “conflict theory”—the masculinist idea that only conflict can create narrative. Of course conflict is part of life, but hello—there’s more. Conventional plot’s well-worn heroes, helpers, villians, saviours, and conflict-based climax, so closely tied to Hollywood USA, are predictable and unfulfilling. Many people seek something more innovative, like the literary versions of Philip Glass or Fernando Botero.
A mysterious, melancholy narrative translated from French is rendered in stripped-down sentences, following a novelist, Mia, after a death in the family. The subsequent plot of subterfuge and corporate crime is so full and busy with knotty, overly complex occurrences that it begins to seem a deliberate distortion and exaggeration of the convention of plot itself. Through the character of Mia, the gifted Redonnet reports tragic and powerful occurrences in flat, clear prose that packs emotion just under the surface of the affectless sentences. The word “Candy” recurs hauntingly through the novel: as a song title, as the name of a character in a show, and as the name that Mia’s lovers call her. This slight novel leaves searing traces of emotional impact long after you read it.
Candy Story recounts a turbulent year in the life of Mia, a young woman whose apparent calm is perpetually threatened by inner doubts and outer catastrophe. Her modest dreams of happiness are dashed by the deaths of her mother, old friends, and her lover. Mia is a talented writer, the author of an autobiographical novel. Now, assailed by calamity and misfortune, she struggles with writer's block, confounded-at least for the moment-by the senseless world around her. Candy Story is the fourth novel by Marie Redonnet. Translations of the first three-Hotel Splendid, Forever Valley, and Rose Mellie Rose-are also available from…
I’m a humor writer and stand-up comedian. I spend much of my time trying to get my comedy into the shortest form possible so it can “go viral,” but I’d rather work on projects that have space to breathe, like books. I don’t think enough people appreciate how funny books can be. Often, humor seems like the purview of more visual mediums. However, while books are quieter than TV shows and live performances, they have just as much capacity for humor. When a book truly makes me laugh out loud, I want to tell everyone. And the following five books do.
This book covers a serious subject matter with levity and warmth. Ruffin and Lamar take the reader on a tour of racist incidents in their lives. While the severity is clear, it’s also clear they want the reader to learn. I found the book eye-opening and insightful, and I’d recommend it to anyone.
Writer and performer on Late Night with Seth Meyers Amber Ruffin writes with her sister Lacey Lamar with humor and heart to share absurd anecdotes about everyday experiences of racism.
Now a writer and performer on Late Night with Seth Meyers and host of The Amber Ruffin Show, Amber Ruffin lives in New York, where she is no one's First Black Friend and everyone is, as she puts it, "stark raving normal." But Amber's sister Lacey? She's still living in their home state of Nebraska, and trust us, you'll never believe…
I grew up reading Nancy Drew books creekside in an Alabama swamp and developed a deep adoration of mysteries with atmospheric, creepy settings. I love the idea of strong female protagonists who take matters into their own hands and don’t sit idly by, so not only do I read books that have them as main characters, but I write them too. In addition to writing, I’m lucky enough to be a kidlit haint at a haunted indie bookshop, so reading and recommending the books I enjoy is literally my job!
Another good small-town mystery, I recommend Lazarus if you prefer your whodunits full of heart and humor. Margo and Hank are the sweetest teen detective couple since Nancy Drew and Ned Nickerson. Only problem is Hank’s dead.
The book is a dual POV, and their love for each other comes out of the pages as they grapple with what haunts them. In Margo's situation, the cold case death of her mother, and in Hank's, his accidental murderers plotting something nefarious, and wondering what's best for Margo--stay with her to protect her, or move on so she can too.
Every time I thought I figured out who the killer could be, Hank or Margo brought another neighbor’s secrets to light. The cornfield-filled, rural Nebraska setting lent creepy vibes.
Margo and Hank are teen detectives in tiny, god-forsaken Lazarus, Nebraska. They have a profoundly deep relationship; the only hitch is that Hank has been dead for two months.The pair team up to solve a local murder, with Margo doing the everyday gumshoe work and the late Hank spying on suspects unseen. At the same time, Margo attempts to solve the cold case of her mother’s murder seven years ago. As Margo’s quest becomes more perilous, Hank will try to protect her, anguished that he can’t do more as she finally battles the sinister forces that killed her mother.
In my stories and novels, in my reading, and in my life, I'm inspired and captivated by what I call resonant places, places with deep connections to the past as well as the present moment. I grew up in a mid-century modern house my parents built. Although no other family had lived in it before, our own family—like all families—was haunted by ghosts of our past. My childhood home was bulldozed by the next owners; the house has become a ghost itself. But memories remain long after a family or a home is gone. As a writer, a reader, and a psychotherapist, I believe that memories are the seeds for both remembering and imagining.
Wright Morris believed that we are “inhabited” by the places where we have lived.
The Home Place is set on the plains of Nebraska where Morris was born.The text is combined with his photographs of farm buildings, farmhouse interiors, farming implements, cooking utensils, and furniture. Narrator Clyde Muncy returns from New York to the farm in Nebraska where he grew up, bringing his own family. He re-experiences the farm through the eyes, ears, and especially noses of his city wife and children. When his son sniffs a croquet ball and says it smells like the subway, Muncy observes, “Two thousand miles from New York a city boy turns up something in a farmyard, it smells damp and earthy, like a storm cave, so he calls it the subway smell.” Morris eschews sentimentality. His plain prose and black-and-white photographs are austere, like the farm itself. “Home is where you hang…
Reproduced from the 1948 edition of The Home Place, the Bison Book edition brings back into print an important early work by one of the most highly regarded of contemporary American Writers.
This account in first-person narrative and photographs of the one-day visit of Clyde Muncy to "the home place" at Lone Tree, Nebraska, has been called "as near to a new fiction form as you could get." Both prose and pictures are homely: worn linoleum, an old man's shoes, well-used kitchen utensils, and weathered siding. Muncy's journey of discovery takes the measure of the man he has become and…
The older I get, the more fascinated I am with family history and the way certain traits or talents get passed down – or not. Unfortunately, we don’t always know much about our own ancestors. Maybe that’s why I appreciate a multigenerational story that shows all the forms a young person’s “inheritance” can take, whether money, looks, a special skill or talent, or even a disease. And because I’ve always loved a good mystery, I enjoy books where a young person seeks to uncover a family secret. Finally, now that I’m on the older side of the generations, I appreciate a book that portrays older family members realistically and with respect.
The premise of this book gets big points for originality: Lexington Willow is orphaned as a toddler by a tornado, literally blowing into the life of elephant Nyah, who protects and comforts the little girl in the storm and forms a mysterious connection with her. The wind is also a character in the book, hanging around long after the tornado. It knows things Lex doesn’t, and sometimes whispers to her.
The Elephant’s Girl portrays friendship, secrets, and a family’s pain in search of healing. Toss in a ghost for good measure, and what’s not to love?
A magical adventure for fans of Katherine Applegate and Jennifer Holm about a girl with a mysterious connection to the elephant who saved her life.
An elephant never forgets, but Lexington Willow can't remember her past. Swept away by a tornado as a toddler, she was dropped in a nearby Nebraska zoo, where an elephant named Nyah protected her from the storm. With no trace of her family, Lex grew up at the zoo with her foster father, Roger; her best friend, Fisher; and the wind whispering in her ear.
Years later, Nyah sends Lex a telepathic image of the…
I love my nonfiction to be captivating. This Blessed Earth was written by a Nebraska native and chronicles a year in the life of an American family farm.
The complexity of farming is shocking. Farmers must make decisions on outcomes they do not control. Despite careful planning, the worst can happen at any time, without warning.
The strength of a family is tested daily. Producing food is the most vital job and also the least understood by most consumers.
The family farm lies at the heart of our national identity, yet its future is in peril. Rick Hammond grew up on a small ranch, and for forty years he has raised cattle and crops on his wife's fifth-generation homestead in York County, Nebraska, in hopes of passing it on to their four children. But as the handoff nears, their small family farm-and their entire way of life-are under siege. Rising corporate ownership of land and livestock is forcing small farmers to get bigger and bigger, assuming more debt and more risk. At the same time, after nearly a decade…
I've been writing for decades, as one genre evolved into another. Local Colorado history led to the identification of "Boulder Jane Doe," a murder victim. During that journey I learned a lot about criminal investigations and forensics. I devoured old movies (especially film noir), and I focused on social history including mysterious and intriguing women. Midwest Book Review (see author book links) credits In Search of the Blonde Tigress as "rescuing" Eleanor Jarman "from obscurity." So true! Despite Eleanor's notoriety as "the most dangerous woman alive," she actually was a very ordinary woman. I've now found my niche pulling mysterious and intriguing women out of the shadows.
Mollie was 18 years old and a new bride in 1860 when she and her husband left eastern Nebraska for the gold diggings of Colorado.
The 7-week journey across the plains tested her strength and endurance, but Mollie battled the hardships and isolation of pioneer life with humor, intelligence, and honesty. She never intended her journal to be published, but it was, and I found it inspirational.
Mollie is a vivid, high-spirited, and intensely feminine account of city people homesteading in the raw, new land west of the Missouri. More particularly, it is the story of Mollie herself - just turned eighteen when the Dorseys left Indianapolis for Nebraska Territory - of her reaction to the transplantation and to her new life which included rattlesnakes, blizzards, Indians, and the hardships of pioneer life. Mollie describes her nearly three-year engagement to Byron Sanford, during which time she worked as a seamstress, teacher, and cook. Following her wedding Mollie's life took a new turn. Catching "Pike's Peak Fever," the…
I'm a nature writer and poet who lives, writes, and tends his modest grapevines on a small farm in the highlands of northern Michigan. My study and my work delves into the mysterious connections between all living things. I've sailed the world's lakes and oceans and lived on the land from Alaska to California to the Caribbean. The natural world cannot just be described but must be experienced – all the writers on my list have taken this approach – as I've followed the lead of these great writers but in my own unique way. I would enjoy a day on a secluded river with each of them in search of the elusive brook trout.
Dalva (and the sequel The Road Home) is a literary fiction classic.
A story of generations and places with memorable characters. Poetic prose describes the landscape. Philosophy abounds. Make no mistake, Dalva and The Road Home are set in the wide open west – the plains and Sandhills of Nebraska. Harrison’s rebellious characters become one with their environment. The storylines are never lost even though Harrison often muses about the past and mixes his thoughts into the present without skipping a beat.
From her home on the California coast, Dalva hears the broad silence of the Nebraska prairie where she was born and longs for the son she gave up for adoption years before. Beautiful, fearless, tormented, at forty-five she has lived a life of lovers and adventures. Now, Dalva begins a journey that will take her back to the bosom of her family, to the half-Sioux lover of her youth and to a pioneering great-grandfather whose journals recount the bloody annihilation of the Plains Indians. On the way, she discovers a story that stretches from East to West, from the Civil…
I recall the exact moment when my interest sparked about frontier prostitution and Denver’s underbelly — a friend mentioned the ‘bad blood’ in her family — an ancestor who was a second-rate madam and who employed her own daughters. The quest started. Who were these women, and why did they make the choices they did? I’ve spent years chasing down traces of the old west’s prostitutes, fascinated by their identities and lives. The west had opportunities for women who were willing to take chances. As a fifth-generation Coloradoan, I hoped to capture the story of these enterprising and overlooked women, their lives, and the world around them.
Slogum House is a fairly brutal account of the dynamics between a gentle patriarch who married a shifty woman and the influence her brutality had on the family. Parts of this novel are disturbing and hard to read, but this is an interesting tale of a desperate and driven woman who will literally stop at nothing to get what she wants, and how that ruthlessness colors her family and children’s lives. The setting is the remote western sand-hills of Nebraska. Brilliant writing.
Slogum House "lay on the winter flat of Oxbow like the remains of some great, hulking animal that had foraged the region long ago, leaving its old gray carcass to dry and bleach at the foot of the hogback." Ruled by Gulla Slogum, the house was headquarters for a clan that terrorized what it couldn't seduce or steal. Using her daughter as poisoned bait and her sons as predators, Gulla plotted to put a whole county under her control. She had been insulted too often and worked too hard; now she sought power, land, and revenge.
My family moved frequently and, as a result, I was raised in a number of different small towns in Montana, Nebraska, Kansas, Texas, and Massachusetts. I now live in a large city but the experience has never left me. There was always a certain amount of crime and corruption in the towns I grew up in, but I only had a child’s eye view of it. However, a child’s eye view is usually the most vivid. This experience and the books that I have listed above all had a direct influence on Blue Hotel.
This is a portrait of Nebraska (and
Nebraskans) where most of my own book takes place. It’s also the state
where I went to high school. I like Hansen’s spare and precise writing style
because it perfectly fits the time and place, as well as the characters
themselves who are presented stripped of the conceits and pretensions. For me,
it’s a style, though different from McCarthy’s, that creates the illusion of
actual direct experience as opposed to something I happen to be reading about. His
story “Wickedness” creates a powerful image of winter on the Great Plains and
its effect on people.
Stories of the heartland by the National Book Award finalist and author of The Assassination of Jesse James by the Coward Robert Ford.
“Nebraska captures a rowdy, changing America. Written with wit and brawny lyricism, in voices ranging from hip to tender, the stories gathered here are as diverse and expansive as the country they celebrate…References to America’s heartland abound throughout the book and serve as a central metaphor for what’s close to American hearts, what connects us: dreams, myths and possibilities as vast as the Great Plains. Wise and smart-alecky, creaking with legend and crackling with modernisms, these tales…
