The most recommended books about the prairie

The short answer is, a retired university professor (Fred) and the coordinator of Natural Areas for the University of Illinois (James). That answer, however, doesn’t give a clue as to how we came to write our book. Fred and his wife established a small three-acre prairie on their land in 2003. They then enlisted James and Grand Prairie Friends, the local conservation organization he headed at the time, to help manage the prairie. Eventually, Fred, who had photographically documented the growth of the prairie and the beauty to be found therein, proposed that he and James describe the prairie with photos so that others could also learn to enjoy it. The rest, as they say, is history.

I am a writer who loves writing about women. All sorts of women. Strong, witty, complicated, unlikeable, and intelligent. It is important for me to understand the lived experience of women both inside and outside my own time and cultural context. So many women live with intersecting social characteristics, norms, expectations, nearly all of which hinder or harm. Yet so many women resist and rebel to change life for others. It is this sense of solidarity through history, one group of women paving the way for others, that I find especially fascinating and hopeful. And it is why rebellious women are so crucial. They cannot, and will not, be ignored.   

Landscape is always important in my writing, and Yellowstone, which I’ve visited numerous times, is such a special place, rich with geodiversity and teeming with danger, that it kind of demanded to be a setting for my novel. I’ve also always been kind of obsessed with bears, and Yellowstone is grizzly country. But I didn’t want to write the stereotypical “man against nature” book. I’m too much of a feminist for that. 

Having moved almost twenty times in my life, I have a passion for home – finding home, creating home, and enjoying home no matter where you land. My personal space is filled with books, my favorites being about homecomings and safe places of peace and restoration. Home fills me with joy and is a theme in each of the historical novels I write. Everyone should have the haven of a home, both here and now and eternally. 

Of all of the jobs I’ve had in my lifetime (including writer!) no other job holds more importance than being a mom. These books not only appealed to me as a writer, but stirred something deep in me as a mother. These books play on every mother’s fears and insecurity. And, they made me view motherhood from a different perspective, asking, could I survive that? Would I have handled that differently? But mostly these books stuck with me long after I finished the last page, taught me to judge less, and grow my compassion muscle. These moms are forced to survive the unthinkable and emerge on the other side stronger. As strong as a mother.

The short answer is, a retired university professor (Fred) and the coordinator of Natural Areas for the University of Illinois (James). That answer, however, doesn’t give a clue as to how we came to write our book. Fred and his wife established a small three-acre prairie on their land in 2003. They then enlisted James and Grand Prairie Friends, the local conservation organization he headed at the time, to help manage the prairie. Eventually, Fred, who had photographically documented the growth of the prairie and the beauty to be found therein, proposed that he and James describe the prairie with photos so that others could also learn to enjoy it. The rest, as they say, is history.

I’m a former high-school and middle-school English teacher and a current instructor in the Writing Program at Rutgers University. I live in hilly New Jersey, but I’ve always been fascinated by the flat, treeless American prairie and the people who have lived there, from the Native American tribes of the Great Plains to the early homesteaders. I believe that to understand where we are, you need to understand where we’ve been, which is why I love to read and write historical fiction.

I was born and raised on the rugged island of Newfoundland and am enthralled by the ocean, its rhythm, its power. The setting of The Kerrigan Chronicles is the setting for my early life: same area, different era. As a child, I was unaware of the sacrifices and struggles of my ancestors. During cross-country telephone conversations with my aging father, I heard stories of poverty, illness, and war. When Dad described the earthquake and tsunami of 1929, I was hooked. I have written other novels, modern-day suspense that could quite frankly have been written by other people but The Kerrigan Chronicles are mine and mine alone.

When I was about ten, my mother brought home our one and only outdoor Christmas decoration, a plastic choir boy. One blustery night, we saw something streak by the living room windows. Rushing outside, we were shocked to see our choirboy lying amongst the shrubbery, his plastic neck broken. My father made several valiant attempts at surgery with various kinds of glue and tape, but the poor little choir boy was never really the same and eventually he was thrown into the trash. This childhood memory inspired me to write Candy Cane Lane and fortunately I was about to give it a much happier ending.

The short answer is, a retired university professor (Fred) and the coordinator of Natural Areas for the University of Illinois (James). That answer, however, doesn’t give a clue as to how we came to write our book. Fred and his wife established a small three-acre prairie on their land in 2003. They then enlisted James and Grand Prairie Friends, the local conservation organization he headed at the time, to help manage the prairie. Eventually, Fred, who had photographically documented the growth of the prairie and the beauty to be found therein, proposed that he and James describe the prairie with photos so that others could also learn to enjoy it. The rest, as they say, is history.