I'm a journalist and a historian who writes about how American evangelicals are complicated. I was trying to explain Left Behind in graduate school and I talked and talked about the theology in the book—all about the doctrines of the rapture, the antichrist, and the millennium. Then my professor said, “But it’s fiction, right? Why is it fiction? What are people doing when they read a novel instead, of say, a theological treatise?” I had no idea. But it seemed like a good question. That was the spark of Reading Evangelicals. But first, I had to read everything I could find about how readers read and what happens when they do.
I’m cheating a little here, but I made the rules and there’s a little clause in the rules I made that says I can break them as long as I announce that I am breaking them. Herewith, I announce.
This isn’t a book about readers. It’s a book about watchers—specifically the Dutch audience for the soap opera Dallas. But this book is so good and so wild, it changed forever the way I think about “reception,” including reading. I recommend this book all the time and if you want to understand the freedom and creativity of readers, you have to read it.
Dallas, one of the great internationally-screened soap operas, offers us first and foremost entertainment. But what is it about Dallas that makes that entertainment so successful, and how exactly is its entertainment constructed?
I've lived in Brooklyn for over 30 years now. I've always had a weakness for fun, snarky urban fantasy where the city is always a supporting character—and sometimes a major one. One day I decided to write a short story in the style of Simon R. Green's Nightside books, only instead of London, it'd feature New York City. And thus, the Conradverse was born. I tend to combine action, humor, real Brooklyn and NYC locations and history, and copious pop culture references when writing in this setting, and I seek out other books that do a great job at handling some or all of these elements.
A struggling actress catches her big break when she's hired
onto a reality TV/soap opera show produced by and watched by mythical
creatures. They're fascinated with humans and more than willing to accept the
soapiest of soap opera plots as reality. Dawn is an entertainment journalist
and she mixes humor with insider details that make the set seem authentic.
Well, as authentic as a set populated with fawn producers, cameradryads, and
security dragons can get.
Although much of the story happens on set, the New York City
bits by this Brooklyn-based author feel both authentic and fun to me.
She's just a small town girl, with big mythic dreams.
Starr Weatherby came to New York to become... well, a star. But after ten years and no luck, she's offered a big role - on a show no one has ever heard of. And there's a reason for that. It's a 'reality' show beyond the Veil, human drama, performed for the entertainment of the Fae.
But as Starr shifts from astounded newcomer to rising fan favorite, she learns about the show's dark underbelly - and mysterious disappearance of her predecessor. She'll do whatever it takes to keep her dream job…
Researching the storylines for my family drama novels gives me the opportunity to speak to many different people about huge events and dilemmas in their families and lives. Through their honesty and generosity, I have gained a huge respect for the way in which people can cope with tragedy and also a fascination with how they deal with it. For me, reading – and writing – about these topics is immensely cathartic and makes me remember to grasp life with both hands. I’m a sucker for a happy ending, though, so I always look for the hope at the end of any story.
Mother and daughter relationships are a theme that I love to read – and write! – about and Joanna Glen does this brilliantly in All My Mothers.
From childhood, Eva had a complex relationship with her own mother and is convinced that there is more to her story than she’s been told. Glen uses a children’s picture book as a motif to explore the many kinds of mothers that Eva meets in her life and it affected me quite profoundly.
What kind of mother am I? What kind of mother do children most need? The relationship that made me most emotional was that between Eva and her best friend. Many tears were shed onto my kindle!
In a life that has thus far led from reader and fan to writers’ assistant to author and journalist to television story writer to editor, these are the books that helped define my passions for storytelling worlds as well as the path of my career and informed me along the way.
I remember the moment I walked into a bookstore and saw this book sitting face out on the shelf and thought; “Wait, they make books about every episode of a TV show?” Not just that but for the show that to this day I maintain was the greatest TV show ever made:The Twilight Zone. Marc Scott Zicree’s book was my beginner’s guide into the making of a TV production with an emphasis on my greatest love: the writers. From the day I bought this, I never sat down to watch the show again without it beside me for reference. My copy is worn and tattered but eternally loved. This was the book that made me want to work for and write about television.
The Twilight Zone Companion is the complete show-by-show guide to one of television's greatest series. Zicree's well-written account is fascinating reading for even the casual fan. Coverage of each episode includes a plot synopsis, Rod Serling's opening narration, behind-the-scenes stories from the original artists who created the series, and a complete list of cast and credits.
I don’t believe in ghosts, but fascination with the supernatural has been with me since childhood, my inquiring mind constantly seeking answers. Research through books and documentaries and talking to people on the subject leads me to conclude there has to be a scientific and rational explanation for every paranormal happening. Theories abound, none are conclusive, but one accepted theory stands out, and this is explored and expanded upon in my novel White Stones. The books chosen here are excellent examples in the world of the supernatural and paranormal and are worth reading whether you believe in ghosts or not. Some just might make you change your mind.
Many might class this as a horror novel. I don’t. For me it’s a beautiful, spellbinding story of a cottage in the country that has feelings, both good and bad. How many of us have walked into a house and felt its vibe? That moment you know something’s not right or conversely, is perfect. A feeling Mike is not sure about but his wife is. Combining magic with mystery, fear with fantasy, it is one of those stories that defies a scientific, logical explanation and one of the few books I have read several times, each time coming up with a different theory of how it could even be possible. Sometimes we simply have to suspend belief.
Step inside The Magic Cottage, another chilling classic from the Master of Horror James Herbert.
A cottage was found in the heart of the forest. It was charming, maybe a little run-down, but so peaceful - a magical haven for creativity and love. But the cottage had an alternative side - the bad magic. What happened there was horrendous beyond belief . . .
I'm a writer of humorous fiction living in Austin, Texas. I enjoy writing novels about unusual friendships and the healing power that comes when people just shut up and listen to each other. Many of my stories have the odd-couple dynamic on full display and I love to explore what would happen if people with very different backgrounds and opinions are forced to deal with each other. I do have a couple of novels that wouldn’t seem to be humorous on the surface, but there is an element of humor or comedy that runs through all of my work. My next novel, The Codger and the Sparrow, will be published by TCU Press in 2024.
Ranging from very short to very bizarre, these stories are out there. One story is about a melancholy octopus who travels to the White House. Other stories are about ants, mice, birds, dogs, sharks, and whales doing mundane things or experiencing existential crises. Weird, surreal, and whacky, Zac Smith is on a mission to have fun with his stories. This book may not be for everyone. But, if it does tickle your fancy, then you’ll be glad you immersed yourself in Zac Smith’s unique mind.
Everything is Totally Fine is a collection of surreal and inventive stories ranging from six sentences to eight pages. Even though its main themes seem to be despair, depression, boredom, confusion, and fear, readers may find themselves smiling, laughing, excited, startled, moved, and inspired while reading it.
Animals in this book include ants, mice, birds, dogs, octopuses, sharks, whales. Settings include kitchens, bathrooms, camping grounds, gas stations, graveyards, rocket ships, golf courses. Activities include driving, converting files, setting things on fire, eating pizza, showering, planking, and visiting the White House.
Researching the storylines for my family drama novels gives me the opportunity to speak to many different people about huge events and dilemmas in their families and lives. Through their honesty and generosity, I have gained a huge respect for the way in which people can cope with tragedy and also a fascination with how they deal with it. For me, reading – and writing – about these topics is immensely cathartic and makes me remember to grasp life with both hands. I’m a sucker for a happy ending, though, so I always look for the hope at the end of any story.
As I come from a small family, I am always fascinated by families with lots of siblings and the dynamics between them.
In I’ll Leave You With This, Kylie Ladd gives us four very different sisters grieving the loss of their only brother. Each of their voices was very distinct and made me think about how we all have our ‘role’ in the family. Do eldest daughters always take control? Do youngest siblings always feel overlooked?
As they find their way towards each other and through a way to navigate their tragic loss, they all pulled at my heartstrings in different ways.
A totally heartbreaking but uplifting story about family, loss and second chances.
Three years after Daniel was killed by a senseless act of violence, all his sisters have left of him are their memories - and responsibility for Daniel's mischievous dachshund John Thomas. Daniel donated his organs, his death facilitating life-saving miracles for other families, while his own loved ones struggle to come to terms with their devastating loss, each at a crossroads of her own.
It's been twelve years since film director Bridie had a hit, and while she's still invited to glitzy media events, nowadays it is as…
Researching the storylines for my family drama novels gives me the opportunity to speak to many different people about huge events and dilemmas in their families and lives. Through their honesty and generosity, I have gained a huge respect for the way in which people can cope with tragedy and also a fascination with how they deal with it. For me, reading – and writing – about these topics is immensely cathartic and makes me remember to grasp life with both hands. I’m a sucker for a happy ending, though, so I always look for the hope at the end of any story.
I sobbed my way through this one! I was a few chapters in when I discovered that it was a sequel to The Last Days of Rabbit Hayes, but I was so invested by then that I couldn’t stop and go back.
Anna McPartlin has the enviable skill of combining comedy and tragedy to great effect. The Hayes family are a mess of grief and confusion and misplaced blame, but their love for one another, and their wonderful humour, meant that I took them to my heart immediately.
A book that makes me laugh out loud one minute and blub like a baby the next is always a winner for me. I would read anything that this author chose to write. (I read Rabbit Hayes immediately afterwards and loved that, too!
'Brilliant, funny and immensely moving' Catherine Isaac, author of You, Me, Everything
'Well, that was a tearjerker! Anna McPartlin's Below the Big Blue Sky is a MORE than worthy follow-up to The Last Days of Rabbit Hayes' Marian Keyes
***
There's no family quite like the Hayes, and yet they're just like any other - they love each other, they look out for each other and they drive each other mad. When their youngest, Rabbit, dies tragically at just forty, the Hayes are almost torn apart by their grief.
Without her beloved mum, twelve-year-old Bunny is adrift; without Rabbit, there…
Soap operas may have no actual relation to soap—the term comes from radio dramas that were sponsored by soap companies—but they’re certainly related to opera, full of melodrama and grandiosity. With my second novel, a multi-generational family saga, my goal was to write a literary soap opera. I wanted it to be finely crafted, attuned to language and characterization, but also dishy, riddled with heightened drama, vivid personalities, and theatrical events. Below are five literary soap operas I studied while writing my own.
The same way hearing “soap opera” used as a pejorative upsets me so much I want to fake my own death, frame my estranged father for murder, and wrest control of his business empire, hearing “fairy tale” used that way makes me want to wave a wand and turn the detractors of science fiction and fantasy into horny toads.
John Crowley’s Little, Big, winner of the World Fantasy Award, is not only a fairy tale with actual fairies, but also one that’s an actual tale. So many novels described as literary forget to tell a story. This is not one of them. In Little, Big, you’ll meet the charismatic Drinkwater family; I would say more, but it’s best if you see for yourself where this tale takes them.
Edgewood is many houses, all put inside each other, or across each other. It's filled with and surrounded by mystery and enchantment: the further in you go, the bigger it gets.
Smoky Barnable, who has fallen in love with Daily Alice Drinkwater, comes to Edgewood, her family home, where he finds himself drawn into a world of magical strangeness.
Crowley's work has a special alchemy - mixing the world we know with an imagined world which seems more true and real. Winner of the WORLD FANTASY AWARD, LITTLE, BIG is eloquent, sensual, funny and unforgettable, a true Fantasy Masterwork.
I’ve always wanted to write. It took years to get started, and after working in the library and information technology fields for over thirty-five years, I quit the day job routine in 2011 to write full time. I've learned two valuable lessons since I started writing which have been of immense help. The first is a quote from writer and activist Mary Heaton Vorse, who said, "The art of writing is the art of applying the seat of the pants to the seat of the chair." The second is from novelist Rachel Basch, who told me that "the story has to move down, as well as forward." Both sound simple. Neither is.
This book is a masterwork of more than thirty years of research into why people tell stories. Booker breaks down literature into seven archetypal themes which occur across all types of stories. Using a wealth of examples ranging from ancient myths and folktales to plays and novels of great literature to the popular movies and TV soap operas of today, he demonstrates how these archetypal themes have remained constant over the generations. Not everyone will agree with Booker, but everyone will learn from him—about reading, writing, and understanding. This fascinating read provides writers with a new way to look at their own plotting and tap into the hero’s journey.
This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to…
