I grew up and have often lived around water and ships—Norfolk, VA, Aiea, Hawaii, Savannah, Georgia—and I’ve always had a fascination with things nautical. As a cartoonist, I’m of course always on the lookout for comics that overlap with this interest. Curiously, these sorts of stories seem to be few and far between in the U.S. but more of a genre staple in Europe—France in particular. I tried to highlight here not just books that I particularly like, but books that are representative of the breadth and depth that the comics medium can offer in art style, tone, and intended audience. I hope you enjoy some of these as much as I have!
In the coastal town of Blood's Haven, the economy runs on oysters. Oyster farming is one of the most lucrative professions, but also the most dangerous. Not just from the unforgiving ocean and its watery depths—there are also oyster pirates to worry about! Commander Davidson Bulloch and his motley crew are tasked with capturing these ne'er-do-wells—but they don't know that Treacher Fink, the pirates' leader, possesses a magical artifact that can call forth a legendary spirit with the power to control the sea and everything in it!
This is the first book I read by the French cartoonist, Christophe Blain—now one of my absolute favorite artists. The titular Isaac is a young artist who gets hired by a wealthy sea captain to accompany him on his voyages as a sort of “ship’s artist.” The twist, of course, is that the captain turns out to be a pirate. Sadly, only the first four books of the French series have been translated into English, but what’s available is great! Start with this initial book, which collects the first two French volumes.
Isaac is a talented artist with no money but with a wonderful lover back in the 18th century. He runs into a rich Captain who is taken by his abilities and hires him with a handsome stipend to come along in his voyages. It turns out he’s a pirate. Isaac went to make some quick money and come back and marry the love of his life but has embarked upon a series of at turns hilarious and dark adventures on the high seas from the Caribbean to the icy North, with apparently no end in sight. Meanwhile, his girlfriend is…
This is the first book in what was conceived of as a series about various members of the (fictional) Crogan family and their adventures throughout different periods in history. This initial volume starts with a West Indies pirate adventure featuring “Catfoot” Crogan, who’s forced to join a pirate crew and winds up making a mortal enemy of another member of the crew. The series unfortunately seems to have stopped with only three books, but this first one is well worth reading on its own. Note that this book was initially published in black and white as Crogan’s Vengeance.
Chris Schweizer's award-winning historical adventure
series returns in this new FULL COLOR edition of The Crogan Adventures:
Catfoot's Vengeance. When "Catfoot" Crogan becomes the new favorite of an
infamous pirate captain whose crew he was forced to join, he incurs the wrath of
the murderous first mate D'or. Can Catfoot keep his new crewmates safe when D'or
hatches a scheme that will bring the full might of every navy in the West Indies
down on their heads?
Previously published in black and white as Crogan's
Vengeance.
Another great nautical adventure from a stellar French cartoonist, Esteban is a sprawling tale of a Native American boy who winds up as the ship’s boy on a whaler, The Leviathan. This is a great nautical coming-of-age story with some absolutely stunning artwork—gorgeous waves, ice flows, and renderings of tall ships abound. Fortunately, it’s been translated recently and is available in English digitally.
When Esteban, a young Native American boy of just 12-years-old, presents himself to the captain of the Leviathan for the post of 'harpooner', he's the laughing stock of the whole crew. But when the captain finds out that Esteban is the son of Suzanna of the Tehuelches tribe, he decides to take him on... as ship's boy. Despite his lowly post, this is Esteban's chance to discover the sailor's life, with all its hardship and its happiness, and maybe even a chance to prove what he's made of!
This is a beautiful little book in an interesting format—a single image per page—that tells the story of a poet whose romanticizing about life on the sea is put to the test when he’s shanghaied and made part of a crew of sailors heading for Hong Kong. Don’t be fooled by Drew’s stunning cartooning that evokes the glory of the heyday of newspaper cartooning (think E.C. Segar, Walt Kelly, etc.); this is a book for grown-ups.
A poet is shanghaied and adventures on the high seas in this graphic novel: now in paperback.
The central character of Set to Sea is a big lug and an aspiring poet who runs up tabs at the local bars by day and haunts the docks by night, writing paeans to the seafaring life. When he gets shanghaied aboard a clipper bound for Hong Kong, he finds the sailor’s life a bit rougher than his romantic nautical fantasies, but he learns to live―and love―a Conradian life on the sea, all the while writing poetry about pirates, bad food, unceremonial funerals,…
As captivating as it is disturbing, this nautical tale of a schoolteacher who’s accidentally shanghaied (this seems to be a theme with nautical comics!) and winds up having to figure out how to survive amidst a crew of sadists—the worst among them the captain, who’s devoted his life to committing the most depraved acts possible, a scheme designed to ensure he’ll meet his dead wife in Hell.
In this graphic novel cartooned by a promising up-and-comer, a schoolteacher and a gangster team up when pirates shanghai them.
Chris Wright’s Blacklung is unquestionably one of the most impressive graphic novel debuts in recent years, a sweeping, magisterially conceived, visually startling tale of violence, amorality, fortitude, and redemption, one part Melville, one part Peckinpah. Blacklung is a story that lives up to the term graphic novel, that could only exist in sequential pictures ― densely textured, highly stylized, delicately and boldly rendered drawings that is, taken together, wholly original. In a night of piratical treachery when an arrogant school…
I became fascinated with 16th-century and 17th-century Europe after reading Don Quixote many years ago. Since then, every novel or nonfiction book about that era has felt both ancient and contemporary. I’m always struck by how much our environment has changed—transportation, communication, housing, government—but also how little we as people have changed when it comes to ambition, love, grief, and greed. I doubled down my reading on that time period when I researched my novel, Dulcinea. Many people read in the eras of the Renaissance, World War II, or ancient Greece, so I’m hoping to introduce them to the Baroque Age.
Dolça Llull Prat, a wealthy Barcelona woman, is only 15 when she falls in love with an impoverished poet-solder. Theirs is a forbidden relationship, one that overcomes many obstacles until the fledgling writer renders her as the lowly Dulcinea in his bestseller.
By doing so, he unwittingly exposes his muse to gossip. But when Dolça receives his deathbed note asking to see her, she races across Spain with the intention of unburdening herself of an old secret.
On the journey, she encounters bandits, the Inquisition, illness, and the choices she's made. At its heart, Dulcinea is about how we betray the people we love, what happens when we succumb to convention, and why we squander the few chances we get to change our lives.
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