As a frequent writer of science fiction, I focus not on real or imagined science, on aliens or other worlds, but on the impacts those things have on individuals, groups, and societies. Similarly, as a reader, I enjoy visiting places, cultures, and ideas with which I am unfamiliar, particularly when unveiled with elevated artistic expression. In my writing, often in the Star Trekuniverse, I attempt to avoid feeding the perception that media-tie-in writing is less-than, instead working to weave complex tales exploring the human condition. I don’t know if my reading tastes follow from my writing, or if the converse is true, but the two go hand in hand.
A science fiction novel that takes place predominantly on Earth, in the years leading up to World War II. For Doctor Leonard McCoy, life takes two divergent paths. In one, displaced in time, he saves a woman from dying in a traffic accident, altering Earth's history. Stranded in the past, he struggles to find a way back to his own century. But living an existence he was not meant to, he will have to move on.
In the other, he is prevented from saving the woman's life, allowing Earth's history to remain unchanged. Returning to the present, he is nonetheless haunted by the echoes of an existence he never lived, and by fears which will bring him full circle to the shadows he never faced.
This era-spanning novel begins today and returns to today, traversing unexpected and enlightening yesterdays. Geraldine Brooks’s tale follows a clever structure as it traces the long history of an illuminated manuscript from the modern day back to its unrecorded origins. As she traverses from the present to multiple periods in the past, she tells dynamic, character-driven stories. Compelling and beautifully written, Peoplewas a book I could not put down, and that I recommend to every reader I know.
The bestselling novel that follows a rare manuscript through centuries of exile and war, from the author of The Secret Chord and of March, winner of the Pulitzer Prize.
Inspired by a true story, People of the Book is a novel of sweeping historical grandeur and intimate emotional intensity by an acclaimed and beloved author. Called “a tour de force” by the San Francisco Chronicle, this ambitious, electrifying work traces the harrowing journey of the famed Sarajevo Haggadah, a beautifully illuminated Hebrew manuscript created in fifteenth-century Spain. When it falls to Hanna Heath, an Australian rare-book expert, to conserve this…
Khaled Hosseini won acclaim for his debut novel, The Kite Runner, and with good reason. Opening up a place and culture I knew virtually nothing about, Mr. Hosseini’s story takes place almost entirely in Afghanistan. The same is true of this follow-up novel, which adds to the complexity by featuring a female protagonist, a significant complication in that part of the world. I was drawn in by the eloquence of his language and held fast by the compelling story.
Mariam is only fifteen when she is sent to Kabul to marry Rasheed. Nearly two decades later, a friendship grows between Mariam and a local teenager, Laila, as strong as the ties between mother and daughter. When the Taliban take over, life becomes a desperate struggle against starvation, brutality and fear. Yet love can move a person to act in unexpected ways, and lead them to overcome the most daunting obstacles with a startling heroism.
John Irving has long been a favorite of mine, from earlier novels like The Water-Method Manand The 158-Pound Marriage to The Cider House Rules and A Son of the Circus. Irving often focuses his work around a central theme, and in A Prayer for Owen Meany, he takes on the issue of conscription and the influences and impacts of the Vietnam War. He draws Owen Meany indelibly, imbuing the character with the hues of legend, as an almost mythical creature come to life in a way that has never left me.
'Marvellously funny . . . What better entertainment is there than a serious book which makes you laugh?' Spectator
'If you care about something you have to protect it. If you're lucky enough to find a way of life you love, you have to find the courage to live it.'
Summer, 1953. In the small town of Gravesend, New Hampshire, eleven-year-old John Wheelwright and his best friend Owen Meany are playing in a Little League baseball game. When Owen hits a foul ball which kills John's mother, their lives are changed in an instant.
Tom Robbins improbably sets his tale in the world of perfumery, dividing it between the ancient world and the present, both peopled by unforgettable characters. And who knew that beets played such an important role in the realm of manufactured scents? The writing feels as deliberate as it does offhand, his arch sense of humor leaping from the pages to make me laugh aloud. At the beginning of the novel, Mr. Robbins warns, “A tale that begins with a beet will end with the devil,” and then pulls readers into his story by telling them, “That is a risk we have to take.”
Jitterbug Perfume is an epic. Which is to say, it begins in the forests of ancient Bohemia and doesn't conclude until nine o'clock tonight [Paris time]. It is a saga, as well. A saga must have a hero, and the hero of this one is a janitor with a missing bottle. The bottle is blue, very, very old, and embossed with the image of a goat-horned god. If the liquid in the bottle is actually the secret essence of the universe, as some folks seem to think, it had better be discovered soon because it is leaking and there is…
I generally don’t enjoy works of fiction that feature writers as their main characters. The process of writing, while influenced by life, is nevertheless a solitary process, difficult to capture in an interesting and meaningful way. William Goldman manages to do that, mostly by focusing on the backstory of story, on the flow and emotions of existence that contribute not only to the tales a writer tells, but their need to do so. The Color of Lightfeels both fantastical and real, steeped in preposterous events and genuine emotion, in a way that traces both the artistic process and the vagaries of life.
When Miranda’s fiancé, Russ, is being vetted for his dream job in the U.S. attorney’s office, the couple joke that Miranda’s parents’ history as antiwar activists in the Sixties might jeopardize Russ’s security clearance. In fact, the real threat emerges when Russ’s future employer discovers that Miranda was arrested for felony kidnapping seven years earlier—an arrest she’d never bothered to tell Russ about.
Miranda tries to explain that she was only helping her best friend, in the midst of a nasty custody battle, take her daughter to visit her parents in Israel. As Miranda struggles to prove that she’s not a criminal, she stumbles into other secrets that will challenge what she thought she knew about her own family, her friend, Russ—and herself.
When Miranda’s fiancé, Russ, is being vetted for his dream job in the U.S. attorney’s office, the couple joke that Miranda’s parents’ history as antiwar activists in the Sixties might jeopardize Russ’s security clearance. In fact, the real threat emerges when Russ’s future employer discovers that Miranda was arrested for felony kidnapping seven years earlier—an arrest she’d never bothered to tell Russ about.
Miranda tries to explain that she was only helping her best friend, in the midst of a nasty custody battle, take her daughter to visit her parents in Israel. As Miranda struggles to prove that she’s not…
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