I look to books as an enlightening way to escape. I’ve always sought out things that paint the world in different hues than what is often presented in reality. When the lines between what you’re told and what it really is become blurry, I like to find the truth that is often available by reading between the lines.
A son searching for the identity and whereabouts of his long-lost father. Swimming in a sea of addiction issues, neglect, and crime, Samael forges ahead in the murky world he was born into for the truth.
His quest attracts the attention of law enforcement, who are equally curious about his father's whereabouts for reasons that are kept close to the vest. Heartache and redemption are sprinkled throughout the story. After 44 years, untangling the seemingly immense web leads to the truth that even Samael was not expecting.
This book opened my eyes to my own obsessive need to find the truth. The main character is a seemingly ordinary person; however, you quickly get the sense that everything is not what it seems. It is easy to get drawn into the arc of the story, which appears simple only on the surface.
There was a lot of uncertainty that captured my imagination. The author did a masterful job of keeping the mystery flowing. This led to an outcome I was pleasantly surprised by. A well-written quick read that leaves you satisfied.
Diane already had enough problems when she bought the book of drawings from an antique store. Sometime later she finds disturbing words written on a back page of that sketchbook. Her attempts to learn the meaning of those words will uncover even more mysteries. She will come to question her own sanity as she draws nearer to the truth about one deadly night long ago.
Does this book qualify today as non-fiction? Everything about this tale is eye-opening and applicable to our present. Written during the Great Depression, this is a must-read for anyone who has a feeling that not everything is what it seems.
I adore the gripping narrative, notable arcs, and subtle humor, which give this stark tale some needed levity. I always come away from this book with a lot of questions: How can we as a civilization do better? How did Aldous Huxley so accurately portray life in the 21st century? If I had to build a bookshelf of must-reads for my kids, which I may actually do, this book is on the list.
**One of the BBC's 100 Novels That Shaped Our World**
EVERYONE BELONGS TO EVERYONE ELSE. Read the dystopian classic that inspired the hit Sky TV series.
'A masterpiece of speculation... As vibrant, fresh, and somehow shocking as it was when I first read it' Margaret Atwood, bestselling author of The Handmaid's Tale.
Welcome to New London. Everybody is happy here. Our perfect society achieved peace and stability through the prohibition of monogamy, privacy, money, family and history itself. Now everyone belongs.
You can be happy too. All you need to do is take your Soma pills.
A classic must-read for anyone who is satiated by oxygen. I love the psychology of the main character. His decline after committing an atrocity is notable for its detail. The concern shown for him by his friends and family, who do not know the truth, feels natural and warranted in spite of the reader's knowledge.
Is it possible to feel empathy for someone who commits such an act? In a strange way, I found myself questioning my own biases on the topics of crime and punishment after reading this classic.
Hailed by Washington Post Book World as “the best [translation] currently available" when it was first published, this second edition has been updated in honor of the 200th anniversary of Dostoevsky’s birth.
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is…
As much as the late 80s and early 90s are prevalent in the story, the Magnum PI-esque crime novel features more than meets the eye in its characters. If you go beyond the often hilarious and familiar pop culture situations, you find a deeply disturbing chain of events by equally disturbed people. Even the main character is a bit of an unapologetic anti-hero, which only adds depth beyond the printed word.
At times I wasn’t sure who I should be rooting for, and for that, I highly recommend this book and others in his Skink Series of stories.
Bestselling author Carl Hiaasen serves up a humorous helping of "taut, fast-paced action...crisp and hot" (The New York Times).
After dispatching a pistol-packing intruder from his home with the help of a stuffed Marlin head, Mick Stranahan can't deny that someone is out to get him. His now-deceased intruder carries no I.D., and as a former Florida state investigator, Stranahan knows there are plenty of potential culprits. His long list of enemies includes an off point hit man, a personal injury lawyer of billboard fame, a notoriously irritating TV journalist, and a fumbling plastic surgeon.
As a descendant of Rus Vikings, I find anything dealing with barbarians and pre-Christian faith fascinating. There is nothing in the world quite like Nordic justice.
This tale follows the life and times of Egil Skalagrimmson in the 10th century. At times, Egil is an eloquent, thought-provoking shaman-like character, and at others, he is a maniac bent on homicide as a means to settle the score. The imagery of Nordic life is unmatched, as is the imagery of how disputes, pacts, and society function in a time that isn’t as far gone as many realize.
Egil's Saga or Egill's saga is an Icelandic saga (family saga) on the lives of the clan of Egill Skallagrímsson (Anglicised as Egil Skallagrimsson), an Icelandic farmer, viking and skald. The saga spans the years c. 850–1000 and traces the family history from Egil's grandfather to his offspring. Its oldest manuscript (a fragment) dates back to 1240 AD, and comprises the sole source of information on the exploits of Egil, whose life is not historically recorded. Stylistic and other similarities between Egil's Saga and Heimskringla (Heimskringla is a collection of sagas about Swedish and Norwegian kings) have led many scholars…
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken in temporarily by Sadie’s aunt, a human rights activist who heads a cultural exchange program.
Stefan promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his story, has grown sympathetic to his cause and complicit in his pushback against prejudiced accusations. Their mutual attraction is stymied when Stefan’s older brother, Joachim, who stayed behind, becomes embroiled in the resistance, and Stefan is compelled to return to Canada. Sadie, concerned for his safety, impulsively follows on a trajectory doomed by cultural misunderstanding and oncoming winter.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through the pitfalls of young adulthood. Hundreds of miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are forced off their land by multinational energy companies and flawed treaties. They are taken in temporarily by Sadie's aunt, a human rights activist who heads a cultural exchange program. Stefan, whose own father died in prison while on a hunger strike, promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his…
