90 books like Breakfast at Tiffany's

Of my favorites it was The Old Man and the Sea that held me riveted from the first line.

I felt I was walking behind the boy and the old man, listening in and watching them. How the boy loved the old man was how I loved ole Charlie in my novel. Hemingway took the patience to describe the old man and the boy’s thoughts and caring—how a framed picture of the ole man’s wife was face down on a shelf because seeing her was hard on him.

The night excursion alone couldn’t have been written if Hemingway hadn’t experienced it himself—it would seem. When sharks returned, this time, from the deep—I jolted as I was shaken when that Mississippi steamboat struck Huck’s raft. I tell students this short story is the best read ever to learn writing details as an artist would capture them in oil. 

Though set less than a century ago, the world of Steinbeck’s novel is so very different from our own. This masterpiece follows the Joad family as they head west to California, escaping the hardship and poverty of the Oklahoma Dust Bowl.

Depression-era America is described with such detail and emotion that the reader feels almost like a companion of the Joads, each of whom are rendered with precision and depth. In other hands, this might have been a grim, gloomy tale, but Steinback evokes themes of loyalty, kindness, and pride with peerless power and skill.  

The quintessential book for anyone writing a modern biography, as well as a page-turning read. Jean Stein and George Plimpton brilliantly create a moving portrait of an Andy Warhol acolyte who became a Warhol Superstar and then an enduring icon of the 1960s, before dying of a drug overdose at age 28. A fascinating oral history that simultaneously depicts a beautiful, glamourous, and troubled young woman and a nation undergoing a paradigm shift.

Mark Twain’s wit somehow manages to transcend time as he infuses this iconic character with the freshness of an innocent who is anything but.

The “road” in this story is the Mississippi River, and the method of transportation is a raft. The journey takes Huck on a transformational journey as he unlearns everything his society has taught him about good and bad and right and wrong. This uneducated boy begins to think for himself.

Once the plot resolves, Huck wants to escape being “sivilized” because he has learned it is anything but. He wants to “light out for the territory”, a metaphorical place that, although impossible as a realistic solution to his problems, still seems a place of freedom worth seeking out.

Adapted into an Academy award-winning film in 2012, Martel’s original novel follows an Indian boy named Piscine “Pi” Patel who is fascinated by religion, learning and adopting different teachings in his quest to understand God.

After a shipwreck, he is forced to survive for months while stranded on a lifeboat in the Pacific Ocean with only a Bengal tiger for company. Pi’s reflections at sea, and the fantastical nature of his voyage, raise questions about the purpose and function of religion: such as, why people seek faith in a higher power, how it shapes our perception of reality and morality, and the paradoxical notion that sometimes truth can only be glimpsed through fiction rather than fact.

The original, and still unsurpassed! First published in Japan in 1906, this gleeful skewering of the foibles of Japan’s upper-middle-class during the Meiji era—told in first-person narration from the perspective of an eminently observant and sardonic housecat—manages to feel fresh and modern more than 100 years later and reads like something that could have been published last week. When I first set about writing my own novel from a cat’s perspective, Love Saves the Day, this was the first book I turned to for inspiration. It was so good, it almost left me too intimidated to write mine. Almost.

People who read The Master and Margarita will tell you that it is one of the greatest books they have ever read, but few can tell you why. It defies description.  It is truly unique. 

It opens on a blistering hot day in Moscow, a paradox in itself. The devil, seemingly out of Goethe’s Faust, is on a visit to the town. He and his strange entourage would be laughable, if they were not so lethal. Only the madness of Stalin’s paranoid Communism could have created such a story.

Bulgakov has an uncanny way of investing even the most unlikely scenes with intense realism. You never doubt him.  At times hilarious, at times terrifying, the book shows us what a fragile hold we have on reality.

Not only is the Mrs. Murphy cozy mystery series written from the point of view of a sleuthing cat, it’s actually (allegedly!) written by a cat—the feline in question being Sneaky Pie Brown, author Rita Mae Brown’s real-life tabby companion, who supposedly makes use of Ms. Brown’s typewriter on the sly. Wish You Were Here is the first in a delightfully long series of cozy mysteries set in the fictional small town of Crozet, Virginia—where murders seem to happen with startling regularity, and where postmistress Mary Minor “Harry” Haristeen’s beloved cat, Mrs. Murphy, always seems to be one step ahead of the official investigators. I fell hard for the acerbic, no-nonsense Mrs. Murphy and for this series, which was a direct inspiration for my own “Homer Whodunit” mystery series. 

We absorb this tale, like Peter Pan's, from childhood, and it provides us all with a leaning to light-hearted fantasy and a story pattern of leaving the real world and returning to it. An adventure may begin by going through a wardrobe as in the first Narnia novel, or into and out of Tom Bombadil's Old Forest in Tolkien. Alice goes down a rabbit hole. There are rabbit holes, wardrobes, forests, sailboats.... The world Alice gets to is full of strangeness appealed to me for Orpheus Rising whose characters have a similar variety.

Carrington’s surrealist masterpiece is a bit lighter than her other well-known novel, Down Below.

She tells the tale of someone not often seen, much less celebrated, in literature - the crone. At age 92, Marion Leatherby is given the gift of a hearing trumpet by her dear friend Carmella. It is only then she can hear that her family is planning on sending her to an institution.

Carrington’s fondness for the tarot (she even painted her own deck) can be found in the archetypal characters Leatherby encounters at the institution including the Abbess, the Snow Queen, and the Queen Bee among others.