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Govt Cheese a memoir.
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I must be something of a specialist on the impact of conventional and guerrilla warfare on the civilian population. Truth is, leaving school, I never intended to have anything to do with war beyond the books I enjoyed reading. On leaving the military in my 30s I employed the only skills I had and managed organisations and mostly news teams operating in conflict zones all over the world. I matured into a crisis manager, responding and consulting to crisis situations such as kidnap & ransoms, and evacuations from conflict zones. Most of the characters in my books are real, good and bad, taken from the vast theatre of my own experiences.
This is the remarkable, true story about an upper-class English woman, Susan Travers, who was chauffeur to French General Pierre Koenig during his North Africa campaign leading the Free French Foreign Legion while attached to the British 8th Army. Koenig became famous for holding out against German General Erwin Rommel at the battle of Bir Hakiem. Susan chose to remain at Bir Hakiem when all other women had been evacuated. At the height of the battle, running out of ammunition, Koenig ordered the evacuation and she drove him through machine-gun fire and a minefield, spearheading the hair-raising escape for the 3,000 soldiers. Susan was my friend and I was the first person to whom she revealed her secret love affair with Koenig, the basis of this book.
It was early spring 1942, and under the pitiless sky of the Libyan desert the climax of the great siege of Bir Hakeim was about to begin. General Koenig, the commander of the Free French and the Foreign Legion in North Africa, and his two thousand troops had been surrounded for fifteen days and nights by Rommel's Afrika Corps. Outnumbered ten to one, pounded by wave after wave of Stuka and Heikel bombers, the general and his men seemed doomed. Though their situation was hopeless, they chose to reject the Desert Fox's demand for surrender. Instead, one moonless night, the…
In 2003-4 I spent a year in the British Army between school and university. Ten years later, having become a journalist, I returned to investigate what a decade of war had done to the institution I knew as an adolescent. In the years I spent researching and writing The Changing of the Guard I read reams of non-fiction. However, novels retain an ability to hit wider – or harder truths – and some of our greatest writers have fictionalised British Army life. Here is a selection of British Army novels, well-known and less so. They take in conflicts ranging from the First and Second World Wars through to Northern Ireland and Afghanistan.
I have a theory that great fiction about the British Army may require conscription – that system propelled individuals who otherwise would have never joined the military into the institution. They could then respond in writing in a manner that peacetime volunteers were never able to.
Evelyn Waugh, already in his late 30s when the Second World War was declared in 1939, was an unlikely soldier. However, he turned his experiences – notably in West Africa, Crete, and Yugoslavia – into a trio of fine fiction centered on a somewhat Waugh-like character, Guy Crouchback.
Waugh’s genius is to capture some of the eccentricities of army life – the discussion about the merits of porpoise skin as a material for boots will echo with anyone who has ever overheard, or participated in, an earnest discussion about the minutiae of kit.
Anthony Tucker-Jones, a former intelligence officer, is an author, commentator, and writer who specializes in military history, with well over 60 books to his name. His work has also been published in an array of magazines and online. He regularly appears on television and radio commenting on current and historical military matters.
Churchill is perhaps best remembered for his bulldog premiership during the Second World War. Max Hasting’s excellent study graphically portrays the enormous political and strategic stresses and strains endured by Churchill. Coalition warfare was one of vigorously competing interests and Hastings shows how Churchill achieved a quite remarkable juggling act.
'I would choose this account over and above the rest. It is a fabulous book: full of perceptive insight that conveys all the tragedy, triumph, humour and intense drama of Churchill's time as wartime leader; and it is incredibly moving as a result' James Holland, Literary Review
In this vivid biography, #1 bestselling historian Max Hastings tells the story of how Churchill led a nation through its darkest hour.
A moving, dramatic narrative of crisis and fortitude, Hastings offers one of the finest biographies of one of Britain's finest men.
When Churchill took power as Prime Minister in 1940, it…
Jeremy Black is a prolific lecturer and writer, the author of over 100 books. Many concern aspects of eighteenth-century British, European, and American political, diplomatic and military history but he has also published on the history of the press, cartography, warfare, culture, and on the nature and uses of history itself.
Already a published expert on air power, armour, and the Normandy campaign, Buckley went on to produce a well-considered and ably researched evaluation of the British army in 1944-5, one that rescued it from the deeply-flawed criticism by Max Hastings of its relative effectiveness.
Historian John Buckley offers a radical reappraisal of Great Britain's fighting forces during World War Two, challenging the common belief that the British Army was no match for the forces of Hitler's Germany. Following Britain's military commanders and troops across the battlefields of Europe, from D-Day to VE-Day, from the Normandy beaches to Arnhem and the Rhine, and, ultimately, to the Baltic, Buckley's provocative history demonstrates that the British Army was more than a match for the vaunted Nazi war machine. This fascinating revisionist study of the campaign to liberate Northern Europe in the war's final years features a large…
In my “day job” I write about architecture, which means I often write about things I see in photos. When I began writing fiction, I continued using photos as inspiration and research. My novels are inspired by my family’s circumstances at the end of World War II and my fascination with the work of the Monuments Men. Photos show me details like a little girl playing with her doll under a sign that declares her building to be at risk of collapse, or a woman using the ruins of a building to hang out the wash. I love finding ways to use these elements in my writing.
Technically about World War II, this work covers Chim’s work depicting culture, politics, and life before and after the war, so the circumstances leading to conflict and its aftermath. Chim was the co-founder of Magnum Photos, so his contribution to photojournalism is immense, and his photos are beautifully lit and composed even as they capture fleeting moments: Polish school children waiting for a bus in the rain, a baby reaching for bread at a displaced person’s camp or a boy playing in the ruins of a bombed building. The book also includes later photos of celebrities and movie stars, which, when seen alongside his earlier work creates an interesting narrative of a world putting itself back together and once again seeking out joy and beauty.
Born Dawid Szymin in Warsaw, Chim began his career in the early 1930s photographing for leftist magazines in Paris. In 1936, one of these magazines, Regards, sent him to the frontlines of the civil war in Spain, along with comrades Robert Capa and Gerda Taro. Although war formed the backdrop of much of his reportage, Chim was an astute observer of twentieth-century European politics, social life, and culture, from the beginnings of the antifascist struggle to the rebuilding of countries ravaged by World War II. Like millions of other Europeans, Chim had suffered the pain of dislocation and the loss…
Science fiction is a wonderful genre and a fun one to write because it offers authors the opportunity to explore age-old topics from a fresh perspective. For me, as both a writer and a voracious reader, the one thing that ties me to a great story—no matter the genre—is romance. Whether the hero is an alien from a faraway world or a werewolf with mechanical organs, the heart of a story is its characters, the relationships they form, and the healing power of love. Below are my top five recommended reads in science fiction that are sure to melt your heart!
A similar concept to Man in the High Castle, The UNtied Kingdom explores an alternate reality in which the Axis won World War II. The book begins in modern-day England where down-on-her-luck and former pop star, Eve, suffers a hang-gliding accident while filming a has-been “where are they now” reality TV show. She falls through a wormhole into the WWII alternate reality and is saved by Major Harker, only to be arrested as a potential Axis spy. When Harker embarks on a mission to infiltrate enemy lines, he drags Eve along on his mission for her Axis intelligence, and so begins their exciting, adventure-filled romance. Will he ever believe that she came from a different reality? Will she be able to help right the wrongs in his? Is this world the one she belongs in—with him? The questions that Johnson (no relation!) explores are intriguing, heart-wrenching, and kept me riveted…
When Eve Carpenter lands with a splash in the Thames, it's not the London or England she's used to. No one has a telephone or knows what a computer is. England's a third world country and Princess Di is still alive. But worst of all, everyone thinks Eve's a spy. Including Major Harker who has his own problems. His sworn enemy is looking for a promotion. The general wants him to undertake some ridiculous mission to capture a computer, which Harker vaguely envisions running wild somewhere in Yorkshire. Turns out the best person to help him is Eve. She claims…
In my “day job” I write about architecture, which means I often write about things I see in photos. When I began writing fiction, I continued using photos as inspiration and research. My novels are inspired by my family’s circumstances at the end of World War II and my fascination with the work of the Monuments Men. Photos show me details like a little girl playing with her doll under a sign that declares her building to be at risk of collapse, or a woman using the ruins of a building to hang out the wash. I love finding ways to use these elements in my writing.
This book is the catalog of a 2019 exhibition of the same name. It’s a collection of 440 images that cover all facets of Jewish life in the Netherlands during the German occupation. What’s most interesting and compelling are the rare, so-called bystander photos that show what life under Nazi rule looked like for ordinary people going about their lives, both those who were persecuted and those who committed genocide, as well as those who witnessed it. While we can look into the faces of people knowing the horrors that were to come, seeing these images—weddings, dinners, strolls in the park—as a preface to the more familiar images of round-ups, transports, and concentration camps provides deeper insight into history. I revisit the photos in this book often.
The Persecution of the Jews in Photographs, the Netherlands 1940-1945 is the first book of its kind on the subject. Both the professional photographers commissioned by the occupying forces and amateurs took moving photographs.
On 10 May 1940, the day of the German invasion, there were 140,000 Jewish inhabitants living in the Netherlands. The full extent of their terrible fate only became known after the war: at least 102,000 were murdered, died of mistreatment or were worked to death in the Nazi camps. This tragedy has had a profound effect on Dutch society.
Photographic archives and private collections were consulted…
War has interested–and frightened–me ever since I was a little boy in the latter-day stages of the Cold War, when I learned that the fate of the world depended on a couple of old men who, to paraphrase Carl Sagan, were standing knee-deep in gasoline and holding lit matches. From then I sought to learn about war, why and how it occurs, and what pushes people to fight. I knew from a young age that I was going to become a novelist, and that one of my novels (my first one, it turns out) was going to be about war. The following books helped me in writingA Beckoning War.
Boll, a Second World War veteran, tells this episodic story from the perspective of a German soldier during the last year of the war. Loosely episodic and propelled by a kind of grim, fatalistic absurdity, it follows the hapless infantryman Feinhals as he lurches from misadventure to misadventure on the Eastern Front. What really stuck with me is the awfulness of the predicaments Feinhals finds himself in, such as the moment when a soldier sets out to surrender a hospital full of wounded men, only to accidentally set off a dud shell beside the hospital’s cesspool. The Soviets, thinking they have been attacked, respond by levelling the place. "This war’s a load of shit," says one cynical character, and with a magnificent kaboom, that statement becomes literal.
I'm a poet and creative mentor, and it’s the intensity of poetic language – its expansiveness and limitations – that shows up in my fiction and in the novels I love. Quinnis an exploration of male violence, incarceration, and radical forgiveness. I’ve spent a decade working with long-term prisoners in Scotland, trying to understand and come to terms with notions of justice and responsibility: does guilt begin and end with the perpetrator of a violent act or are we all in some way culpable? How can literary form dig into this question aslant? Can the unsettled mind be a space for innovative thinking?
Kristóf (1935-2011) was a Hungarian writer who fled to Switzerland during the war and wrote in French.
The Notebook (the first in the trilogy) is currently number one on my list of all-time favourites. It has all the elements of storytelling that I love: deep, psychological insight into the human heart; adroit use of archetypes, which give the book a timeless, folkloric feel; concision (no waffling) and a poetic, pared-back language that creates a sense of startling immediacy.
Kristóf writes about World War II through the eyes of two young brothers in a Nazi-occupied country (unnamed), and she shocks us awake not through sensationalised violence but through matter-of-fact narration.
It reads like a cross-between dramatic monologue and biblical parable – she stretches the novel form and opens up new possibilities for writing.
My interest in this topic began because of a trip to a museum in 2008. I noticed that a painting had been removed from view and a small piece of paper was hanging on the wall where the painting had been. The paper explained that this piece was involved in a court case revolving around whether or not it had been stolen from its Jewish owner by the Nazis during World War II. Nazi cultural appropriation, looting, suppression, and destruction turned out to be one of the most fascinating stories of the entire war. The research for my historical novel took several years, but it allowed me to write a book based on the facts.
This is the go-to book for the Nazi art looting story on the non-fiction side. After I saw the film documentary that accompanies this book, I quickly read it and it got me started on my path to writing my own book. I also use The Rape of Europaas my class text for my college course: “Art and the Nazis.” Lynn Nicholas did an impressive amount of research and devotes chapters to the Nazi art looting in Poland, France, the Netherlands, Belgium, and Italy. She also discusses The Monuments Men (US and British officers who attempted to find and save Europe’s cultural items during WWII) but I think that subject is better handled by other books on this list!
When the Nazi occupation of Poland, France and the Low Countries, and finally Italy, began a colossal wave of organised and casual pillaging stripped entire countries of their cultural heritage. From the day Hitler came to power, art was a matter of the highest priority to the Reich. He and other Nazis were ravenous collectors, stopping at nothing to acquire paintings and sculpture. Nicholas catalogues this theft and destruction but also shows how the dedicated corps of `Museum Officers', brought to Europe after the Allied victory, spent six years locating and sorting huge repositories of treasure and restoring their contents…
