Here are 100 books that Lady Tan's Circle of Women fans have personally recommended if you like
Lady Tan's Circle of Women.
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I love to read about strong, independent, imperfect women who are capable of getting themselves out of their own messes. That's why my female protagonists are strong, independent, imperfect women who don't need a man to save them.
Kinsey Millhone, a private investigator, says she is a nice person, but she’s twice divorced, kidless, petless, doesn’t even want to take on the responsibility of a houseplant, drinks cheap Chablis out of a coffee mug—for God's sake—and she’s a killer. Frankly, how nice can she be?
I like not nice, and I loved Kinsey Millhone. Happily, there are 23 more Kinsey Millhone mysteries in the lineup.
`My name is Kinsey Millhone. I'm a private investigator, licensed by the state of California. I'm thirty-two years old, twice divorced, no kids. The day before yesterday I killed someone and the fact weighs heavily on my mind . . .'
When Laurence Fife was murdered, few cared. A slick divorce attorney with a reputation for ruthlessness, Fife was also rumoured to be a slippery ladies' man. Plenty of people in the picturesque Southern California town of Santa Teresa had reason to want him dead. Including, thought the cops, his young and beautiful wife, Nikki. With motive, access and opportunity,…
I love to read about strong, independent, imperfect women who are capable of getting themselves out of their own messes. That's why my female protagonists are strong, independent, imperfect women who don't need a man to save them.
Detective Renée Ballard is a woman I hate to love. She sleeps during the day in a tent on the beach–who needs a solid roof over your head when you’re working graveyard for the L.A.P.D.–and occasionally shags the lifeguard. She is a loner, super smart, super tough, touchy, relentlessly driven, bitchy. What’s not to like?
This book got pretty scary. I like to be scared, and there are three more in the series.
In this first installment of the Renée Ballard series, #1 bestselling author Michael Connelly introduces a "complicated and driven" young detective fighting to prove herself on the LAPD's toughest beat (The New York Times). Renée Ballard works the midnight shift in Hollywood, beginning many investigations but finishing few, as each morning she turns everything over to the daytime units. It's a frustrating job for a once up-and-coming detective, but it's no accident. She's been given this beat as punishment after filing a sexual harassment complaint against a supervisor. But one night Ballard catches two assignments she doesn't want to part…
I love to read about strong, independent, imperfect women who are capable of getting themselves out of their own messes. That's why my female protagonists are strong, independent, imperfect women who don't need a man to save them.
Virginia's Chief Medical Examiner Kay Scarpetta M.D. is a divorced, workaholic, hard ass who drinks and smokes too much–my kind of gal.
I found the depth of detail of the forensic technology used at the crime scene and autopsies–there are a number of those–fascinating. Kay gets into lots of tight places. I scream, “Don't go in there.” Kay is clearly not listening to me or anybody else, but I love the way she gets herself out of her own messes.
A bonus is homicide Detective Pete Marino, a rough diamond who dogs Kay's tracks. Happy to know there are 26 more in the Kay Scarpetta series.
The second book in the Kay Scarpetta series, from No. 1 bestselling author Patricia Cornwell.
'America's most chilling writer of crime fiction' The Times
A reclusive writer is dead. And her final manuscript has disappeared . . .
Someone is stalking Beryl Madison. Someone who spies on her and makes threatening, obscene phone-calls. Terrified, Beryl flees to Key West - but eventually she must return to her Richmond home. The very night she arrives, Beryl inexplicably invites her killer in . . .
Thus begins for Dr Kay Scarpetta the investigation of a crime that is as convoluted as it…
I love to read about strong, independent, imperfect women who are capable of getting themselves out of their own messes. That's why my female protagonists are strong, independent, imperfect women who don't need a man to save them.
I loved British forensic archeologist and single mom Ruth Galloway. She’s plump, “moon-faced,” and middle-aged.
In the line of duty, Ruth is doing a TV bit and worries that her stomach sticks out. I can relate. As she frantically searches for a kidnapped child, two dashing men vie for her affection–this gave me hope. And I loved the complex crew of characters, the twisty plot, ancient castles and towers, and the rather exceptional number of extramarital affairs.
I found this book to be a fine and fast-paced read, and Ruth Galloway is a unique and humble heroine. Happy to say there are 15 books in the series.
Historical crimes involving a Victorian child killer may hold the key to several contemporary deaths in this macabre outing for Dr Ruth Galloway, forensic archaeologist. Perfect for fans of Val McDermid and Ann Cleeves.
'Told with a deepening sense of the unease, seasoned with a touch of the occult' Daily Mail
Ruth has excavated a body from the grounds of Norwich Castle, which was once a prison. The body may be that of Victorian murderess Jemima Green. Called Mother Hook for her claw-like hand, Jemima was hanged for the murder of five children.
I am a professor emerita of Anthropology at Berkeley. I have written books on Muslim women in runaway factories; the modern Chinese diaspora; Cambodian refugees in the US; neoliberal Asian states; and Singapore's biomedical hub. I also write on contemporary Chinese art. We live in worlds interwoven by assemblages of technology, politics, and culture. Each situation is crystallized by the shifting interactions of global forces and local elements. Given our interlocking, interdependent realities, a sustainable future depends on our appreciation of cultural differences and support of transnational cooperation. For many people, China today is a formidable challenge, but learning about its peoples' struggles and desires is a beginning toward recognizing their humanity.
Drawing from her work as a journalist, Chen gives us unsettling stories crystallized by the ferocious competition that engulfs everyone in the vast anonymous landscape that is contemporary China. The endless micro-struggles of small-town individuals to escape poverty or gain an educational foothold reveal their warped understanding of society and life. Mindless mishaps, fears, and even cruelty are everyday experiences of people struggling to survive and protect their families. The great hidden human costs of China's rise are simply mind-boggling.
A dazzling debut collection which, deftly and urgently, tells the stories of those living in the biggest and most complicated country on earth.
A BARACK OBAMA READING LIST SELECTION FOR SUMMER 2021
'In this magnificent collection of stories, the author vividly captures the desires and losses of a richly drawn cast while drawing on the realities of contemporary China' Cosmopolitan
A brother competes for gaming glory while his twin sister exposes the dark side of the Communist government on her underground blog; a worker at a government call centre is alarmed one day to find herself speaking to a former…
I’ve always been fascinated by how we remember the past and why some things get written into histories and other things don’t. I realized that Nothing happens all the time but no one has thought to ask how we remember it. Once I started looking for how Nothing was being remembered, I found it all around me. Books I read as a kid, movies I’d seen, songs I’d heard – these were my sources. So when I started working, Nothing got done (yes, I love puns!).
I picked it up because it had Nothing in the title, but I discovered a powerful story about the Cultural Revolution in China and how that traumatic event has been remembered across generations in a diaspora.
I was drawn in by the characters, their quirks, and their tragedies. While the story is about a family of classical musicians, there are so many beautiful Nothings woven in, like the meaning of zero or how the daily experience of encountering propaganda shapes people’s lives even when it means Nothing to them personally. Do not say we have Nothing in common with them today.
"In a single year, my father left us twice. The first time, to end his marriage, and the second, when he took his own life. I was ten years old."
Master storyteller Madeleine Thien takes us inside an extended family in China, showing us the lives of two successive generations-those who lived through Mao's Cultural Revolution and their children, who became the students protesting in Tiananmen Square. At the center of this epic story are two young women, Marie and Ai-Ming. Through their relationship Marie strives to piece together the tale of her fractured family in present-day Vancouver, seeking answers…
I am a philosopher of language (and of art) and have been for 30+ years. Why philosophy of language? Well, it encourages a certain salutary kind of self-consciousness—which is extremely valuable to philosophy—and facilitates greater rigor. But it only got going some one hundred and twenty years ago. So it's modern(ish) as well as deep. And whereas it might seem a narrow slice of the philosophical pie, it isn't; it seems to provide fruitful ways of thinking for almost any philosophical subject. For example, rather than 'What is X?', we ask 'What do we mean by "X"?'; a subtle difference perhaps but the change in perspective might be a key.
Musil is a person who you know you’ll never quite keep up with; he has irony within irony within irony. The book is fiction, but few things are better for learning skepticism about "essences" and big ideas, and yes, humility about oneself.
Ulrich, Diotima, General Stumm, sister Agatha, and Moosebrugger are the unforgettable characters, and post-World War I, Vienna is the stage.
It is 1913, and Viennese high society is determined to find an appropriate way of celebrating the seventieth jubilee of the accession of Emperor Franz Josef. But as the aristocracy tries to salvage something illustrious out of the collapse of the Austro-Hungarian Empire, the ordinary Viennese world is beginning to show signs of more serious rebellion. Caught in the middle of this social labyrinth is Ulrich: youngish, rich, an ex-soldier, seducer and scientist.
Unable to deceive himself that the jumble of attributes and values that his world has bestowed on him amounts to anything…
I’m passionate about this because I write romantasy too, and so do many other wonderful authors. Sarah J. Maas is a legend in the Romantasy genre, and she’s prolific, so there’s a lot to read with her various series. But, if you’ve finished with her books and are looking for more, there are plenty of authors out there doing amazing, spine-tingling, dare I say loin-tingling work, and we should celebrate them. Besides, no matter how prolific Ms. Maas is, readers will always finish books faster than even she can write them.
I loved the main character, the beautifully named Saffron Everleigh. She’s a woman in 1923 London, trying to make her way in academia at a time when women weren’t usually allowed in the doors.
Her scientific interests and studies in botany come in handy when she attends a dinner party for the school, and a professor’s wife drops to the floor, poisoned by an unknown substance. Working with the equally passionate, ahem, Alexander Ashton, a fellow researcher, Saffron must investigate the murder or wind up next on the murderer's list. There are two more books in this series, so we are lucky to spend more time with our plucky heroine.
The Lost Apothecary meets Dead Dead Girls in this fast-paced, STEMinist adventure.
Debut author Kate Khavari deftly entwines a pulse-pounding mystery with the struggles of a woman in a male-dominated field in 1923 London.
Newly minted research assistant Saffron Everleigh is determined to blaze a new trail at the University College London, but with her colleagues’ beliefs about women’s academic inabilities and not so subtle hints that her deceased father’s reputation paved her way into the botany department, she feels stymied at every turn.
When she attends a dinner party for the school, she expects to engage in conversations about…
I am a voracious reader of romantic fiction, and I’m always drawn in by books where time plays an important role. I love it when the characters have limited time and are on a countdown, or time is stretched out between their interactions, or when one single moment changes the course of their lives so completely. It always adds so much conflict and drama to a plot, as if time is a character in itself: it’s such a big thing in all our lives, but it’s also, in some respects, completely arbitrary. I love all these books because time and timing have such a big impact on the characters.
I fell in love with Lizzy and Ciaran as they tried to find their way back to each other after over a decade of not speaking. I loved the glamour of the Cannes film festival, which was a backdrop to the very real, human, unglamorous resentments they were harbouring, and I was gripped by the sense of time running out as the festival progressed.
The flashbacks to their time in France when they first met were gripping, and I was swept away by these two completely believable characters but was also caught up in the sizzle between them, and it’s such a funny, heartfelt book too.
We all read (or write) fiction for a bit of escapism, don’t we? To come face-to-face with the good, the bad, and the ugly of bygone days… The ancient Mediterranean is the place I would most love to visit in a time machine (albeit fully armed and in a hazmat suit), and these writers are – for me – the best at transporting readers there from the comfort of a sofa. I’ve tried plenty of historical fiction set in other times and places - much of it very good, but the smell of olive groves, the chirruping of cicadas, and the Aegean sun always call me back!
Some authors have an innate faculty for bringing the dim and distant past into such razor-sharp clarity that it’s hard not to believe that they were once present at the time. That’s how it is with Mary Renault (real name Eileen Mary Challans): any number of her books could have made this list.
What I particularly love about this duology (the sequel The Bull From the Sea isn’t quite as strong) is that Renault retold the ancient tale of Theseus and the Minotaur as historical fiction. Though she followed the main beats of the well-known story, she boldly stripped it of gods, monsters, and magic, and the narrative doesn’t suffer at all from it. If anything, it makes it even more compelling because it feels like she has stumbled upon a possible origin to the myth.
Theseus is the grandson of the King of Troizen, but his paternity is shrouded in mystery - can he really be the son of the god Poseidon? When he discovers his father's sword beneath a rock, his mother must reveal his true identity: Theseus is the son of Aegeus, King of Athens, and is his only heir. So begins Theseus's perilous journey to his father's palace to claim his birth right, escaping bandits and ritual king sacrifice in Eleusis, to slaying the Minotaur in Crete. Renault reimagines the Theseus myth, creating an original, exciting story.
