Here are 100 books that Marky and the Swan fans have personally recommended if you like
Marky and the Swan.
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I started watching animals as soon as I could walk. That eventually led to a PhD in animal behavior and a career in animal protection. I now focus my energies on writing books that seek to improve our understanding of, and most importantly our relations with, other animals. I've written four previous books:Pleasurable Kingdom, Second Nature, The Exultant Ark, and What a Fish Knows (a New York Times best-seller now available in fifteen languages). I live in Belleville, Ontario where I enjoy biking, baking, birding, Bach, and trying to understand the neighborhood squirrels.
Yes, it’s a bit dated, but it was a bold, pioneering book for its day. Barber doesn’t shrink from describing birds as they are: intelligent, flexible, emotional animals with lives and personalities.
I teach people how to enjoy birds. I’ve led bird walks, taught seminars, co-owned a wild bird feeding shop, and written two books and well over a hundred newspaper columns on birds. Over the years, I’ve conveyed a fair heap of information about birds because accurate knowledge and biological understanding are valuable tools for fostering appreciation. But I consider making birds relevant and vivid in our everyday lives to be far more important than simply accumulating facts. These are a few books that get to the heart of what I am most excited about: changing how we see and hear birds and thereby enriching our experience of every single day.
This is the best book I’ve ever read on what it feels like to be a bird. It takes the form of a novel following the migration and searches for companionship of an Eskimo curlew.
But it isn’t a kid’s novel of entirely anthropomorphized animals, complete with a full complement of human thoughts. Instead, Bodsworth gives a skillfully restrained rendition of what instincts and urges birds might really feel, carefully threading the needle between boring accounts that allow no emotions to birds and fanciful accounts that erroneously attribute all kinds of complex thoughts and calculations to them.
The migratory and nesting instincts are tremendously powerful feelings, feelings experienced by the birds I see right in my neighborhood. Bodsworth does them justice and makes the birds characters in an enormous, epic drama.
Driven by instinct, the graceful Eskimo curlew flies its nine-thousand-mile route from the Arctic Circle to the tip of South America and back again. Bodsworth conveys the mechanics of this single bird's remarkable flight and its instinctive search for others of its kind. The lone survivor comes to stand for the entirety of a lost species, and indeed for all in nature that is endangered.
My father was an artist who painted passionately, almost always outdoors. When I told him I wanted to become an art historian, he was sad partly because he hated art historians, but mainly because he imagined me chained (as a writer) to a desk, rather than marching the countryside looking for things to paint or draw. Like most writers, I sometimes get seriously bogged down, and his sadness comes back to haunt me. But then I pick up a book that, in just a few pages, puts my writing back on track, gladdening my father’s ghost.
Unable to finish a manuscript? This delicious book came about (I’m told) by accident, when its author, struggling with his vast magnum opus, decided to put it down, almost randomly, into a little book of startling essays. The result is an eye-opening study of how “things” need “persons” to speak on their behalf, becoming personable. Includes amazing insights into iconoclasm, ecological litigation, and the legal fight of Abolitionists. And teaches how to write less, cut more, and edit with creative abandon.
A strikingly original work, Friends of Interpretable Objects re-anchors aesthetics in the object of attention even as it redefines the practice, processes, meaning, and uses of interpretation.
Miguel Tamen's concern is to show how inanimate objects take on life through their interpretation--notably, in our own culture, as they are collected and housed in museums. It is his claim that an object becomes interpretable only in the context of a "society of friends." Thus, Tamen suggests, our inveterate tendency as human beings to interpret the phenomenal world gives objects not only a life but also a society. As his work unfolds,…
We live in a bizarre era of Elon Musk stans who seem certain that if you work hard you’ll be rewarded not only with ‘fuck you’ money, but ‘fuck everyone’ money. I think any writer worth their salt should at some point tackle the issues of their age in their writing. In our era racism, sexism, climate change, and a range of other social justice issues are all exacerbated through the improper distribution of wealth. You could give a man a fish, and he might eat for a day. Or you could eviscerate the rich, share their wealth, and throw the whole world a parade!
McGahan is one of my all-time favourites for numerous reasons. When I was a baby writer just getting started, I was so excited to have McGahan writing about my home city of Brisbane, showing all its scars and burn marks. He has an incredible knack for writing across genres, something that I think more writers should aspire to. In this case he turns his hand to an elegant take on the supernatural thriller. The supernatural elements here are uniquely and beautifully presented. There are no vampires or magic, just nature in a primal and anthropomorphic capacity. Many books are described as ‘man vs nature,’ but that relationship has never been more savagely explored than in this book. It also has the most bittersweet author’s note I’ve ever read. Gets me every time.
In the freezing Antarctic waters south of Tasmania, a mountain was discovered in 1642 by the seafaring explorer Gerrit Jansz. Not just any mountain but one that Jansz estimated was an unbelievable height of twenty-five thousand metres.
In 2016, at the foot of this unearthly mountain, a controversial and ambitious 'dream home', the Observatory, is painstakingly constructed by an eccentric billionaire - the only man to have ever reached the summit.
Rita Gausse, estranged daughter of the architect who designed the Observatory is surprised, upon her father's death, to be invited to the isolated mansion to meet the famously reclusive…
As a middle grade horror writer, I attribute my love of everything spooky to my early obsession with reading. Of course, my little brain was twisted already, but I found a perfect home in the monsters and ghouls of the library. These are the five books that inspired me to become a writer who scares children in the best possible way.
Another Newberry Medal winner, this book is unlike the rest because the terror doesn’t come from the supernatural. It’s from the cruelty of mankind and scientific testing on animals.
What I love about this book, and the movie made in the “nineteen hundreds”, is it respected the readers. It told us a frightening story and trusted us to be able to process it. Like all the books on this list, the authors didn’t treat us like kids. They treated us like readers, and that’s the best thing a writer can do for their fans.
Some extraordinary rats come to the aid of a mouse family in this Newbery Medal Award–winning classic by notable children’s author Robert C. O’Brien.
Mrs. Frisby, a widowed mouse with four small children, is faced with a terrible problem. She must move her family to their summer quarters immediately, or face almost certain death. But her youngest son, Timothy, lies ill with pneumonia and must not be moved. Fortunately, she encounters the rats of NIMH, an extraordinary breed of highly intelligent creatures, who come up with a brilliant solution to her dilemma. And Mrs. Frisby in turn renders them a…
I have been passionate about animals all my life. I was raised on and currently help operate the family farm near Petersburg, Tennessee. I have a doctorate in animal science and joined Middle Tennessee State University (MTSU) as a Professor of Animal Science and Department Chair on August 1, 2007, after retiring from a 25-year career with the Extension Service (University of Tennessee and University of Kentucky). I enjoy participating in community activities such as the Petersburg Community Cultural Coalition, Petersburg Lion’s Club, and serving as President of the University of Tennessee Institute of Agriculture Retiree’s Association. I have written two books, Cane Creek Days and Princess of Horses.
Many years ago, I fell in love with Watership Down, Richard Adams’ iconic book about the trials and triumphs of rabbits, from the rabbit’s point of view.
With my doctorate in animal science, I know that neither rabbits nor horses can act, react or think like humans. Giving animals human-only abilities is called anthropomorphism and is not considered scientifically acceptable. That doesn’t matter when Richard Adams fuses his writing skills with a delightful concept of how animals face amazing challenges.
Traveller, Robert E. Lee’s famous war horse, narrates his view of a tragic general fighting in an epic failure of the human spirit.
This ironic, revisionist view of the Civil War is seen through the eyes of Robert E. Lee's horse, Traveller. Told in a series of monologues directed at a tomcat, his story depicts battles, retreats and casualties. But Traveller's idealization of his rider does not allow him to recognize or even understand defeat. Richard Adams has written "Watership Down", "Shardik", "The Plague Dogs", "The Girl in a Swing" and "Maia".
I have been a surrealist since I discovered Salvador Dali and David Lynch at the age of 14. I have been on a path to combine the art world’s depth in style; symbols and metaphors with storytelling. Becoming a comic artist was a natural path and the media is great for expressing the many complex questions in life; what it is to be human and a woman in this world. I have become an artist who revolves around feminism and surrealism, eros and doubt.
The Bun Field is a dream journey of a genderless child. It has a strange and nightmarish feel to it; the protagonist is being so vulnerable and kind of hurt, but it is not without a constant dark sense of humor. Dark as the country Finland in wintertime. It has a delicious pencil-smudged style as the school of Feuchtenberger has influenced many northern artists, myself included.
An introduction to the work of a new artist not to be missed Characterized by an intriguing disjointed rhythm and delicious pencil-smudged style, The Bun Field is defined by a surreal ebb and flow, possessing a deep sense of foreboding and hurt, yet maintaining a biting sense of humor. Amanda Vähämäki’s first graphic novel is infused with a sense of abbreviated adolescence and a kind of gray-sky banality. In this story, a young girl dreams of a dinosaur eating Donald Duck; wakes to find a bald, hulking stranger sharing her breakfast; leaves to take a car trip with a bear;…
Having studied literature at university and been a closet nerd, coding at night in a dank basement room, I've always been intrigued by the interface between human and machine. Then, as a senior executive in a large multinational, I was acutely aware of the value of empathy as a leadership skill. In a world that is increasingly divided and divisive, I’ve become an empathy activist. I believe that the business world can be a force for positive change, but as a society we will need to engage in a much more meaningful and rigorous debate about the ethics involved in the opportunities offered by using artificial intelligence and robots in the workplace.
Telving’s book is ahead of its time in exploring the deep questions of what our humanity is, with perspectives on our future life with AI and intelligent robots. I was particularly intrigued by the ways that the author explores how we evaluate our own consciousness, how we tend to anthropomorphize animals and objects, and the tricky ethical questions around how to legislate a life with robots. Telving deals with one subject that had been far off my radar in the form of the difference between the hard and easy problem of consciousness. It’s a very philosophical question, but in today’s world, where our values, beliefs, and interactions are in mutation, this understanding of consciousness is ever more pertinent.
Humanlike robots and digital humans are both fun and useful in many situations. But the more we interact with technology with human traits, the more we believe it to possess real human characteristics like consciousness and personality. As a new breed of artificial beings enter society on a large scale, many of us will start believing they deserve moral consideration and perhaps even rights. In this entertaining and humorously written book, Thomas Telving argues that even though the above scenario is close to inevitable, we should still do all we can to avoid it. Presenting us with thought-provoking future scenarios,…
I’m Victoria Twead, the New York Times bestselling author of Chickens, Mules and Two Old Fools and the Old Fools series. However, after living in a remote mountain village in Spain for eleven years, and owning probably the most dangerous cockerel in Europe, we migrated to Australia to watch our new granddaughters thrive amongst kangaroos and koalas. We love Australia, it is our home now. Another joyous life-chapter has begun.
When I was a little girl, I remember being given this book, and I loved it. I read it from cover to cover, again and again, which fired my fascination for Australia. Seriously, who wouldn’t be enthralled by a bad-tempered pudding with impossibly skinny arms and legs, called Albert?
Perhaps The Magic Pudding had a large part in my choice to leave Europe and put down roots in the fabulous country of Australia. The book was first published in 1918 but that just proves how well it has stood the test of time.
The Magic Pudding - Being the Adventures of Bunyip Bluegum and his friends Bill Barnacle and Sam Sawnoff by Norman Lindsay.
The Magic Pudding: Being The Adventures of Bunyip Bluegum and his friends Bill Barnacle and Sam Sawnoff is an Australian children's book written and illustrated by Norman Lindsay. It is a comic fantasy, and a classic of Australian children's literature. The story is set in Australia with humans mixing with anthropomorphic animals. It tells of a magic pudding which, no matter how often it is eaten, always reforms in order to be eaten again. It is owned by three…
I'm a writer and a mother. Prior to the birth of my son, I wrote mainly fiction but fiction grounded in reality. As my son grew up, I wanted to write stories for him but as soon as I had written a crocodile story, he had already outgrown it. The years seven until eleven are a magical time for reading and perhaps the age group I enjoy writing for most. As a single, older mother I found the most engaging narratives for myself and my son (who is not a reader although loves being read to) were those that were grounded in reality, particularly the setting and with challenging as well as challenged characters.
An old-time favourite and, like Enid Blyton, a good link between picture and chapter books. It was one of my childhood favourites and one I have read to my son more than once. It is a story of the bullied overcoming the bullies and perhaps something that resonates with kids as the small foxes manage to outwit three rich men and their machines trying to dig them out. The fox characters are anthropomorphised and so outside of the ‘real’ and yet there is a strong sense of place, and although the characters of Boggis, Bunce, and Bean are exaggerated, they are recognisable and realistic.
Someone's been stealing from the three meanest farmers around, and they know the identity of the thief-it's Fantastic Mr. Fox! Working alone they could never catch him; but now fat Boggis, squat Bunce, and skinny Bean have joined forces, and they have Mr. Fox and his family surrounded. What they don't know is that they're not dealing with just any fox-Mr. Fox would rather die than surrender. Only the most fantastic plan can save him now.
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