The most recommended horse books

I have been horse-obsessed since before I can remember. I begged my parents for lessons and read every horse book I could, starting with Misty of Chincoteague and the Black Stallion series. I let life lead me away from horses, but I came back after almost two decades away. Now, I write about horses for a living and work with them daily–the main theme of my life in both books and business is connection. I write nonfiction and fiction books and have a hilariously honest and fun podcast called Adulting with Horses, where we talk about our favorite topic. Want to guess what it is? 

I am a lifelong horsewoman, environmental researcher, and writer. After a career with the Florida Department of Environmental Protection, working to protect wild rivers and streams, I “retired” to become a dressage teacher, trainer, and judge, and I regularly travel the Gulf Coast, teaching dressage clinics. I have taught literature and writing at the college level. I have bred and trained champion horses and helped horses rescued from dire situations. Together with my husband, I also organized a rescue operation for horses on the Gulf Coast affected by Hurricane Katrina. I have a PhD in History, Theory, and Culture from Emory University. All in all, I’ve had an adventurous and wonderful life which I try to share in my writing.

I’ve always loved horses, in real life and fiction. I guzzled up pony stories as soon as I was old enough to read, then I started writing them, tales of teenage orphans adopted by distant aunts who lived in crumbling stately piles with fields full of ponies. When I started writing fiction for a living, it stood to reason horses would feature, and three decades after one trotted into my debut novel French Relations – then galloped off into the sunset in its sequel Well Groomed - they’re still a mainstay. Of the twenty novels I’ve written, more than half have horses at their heart, including my new Comptons series. 

I am a life-long equestrian. I believe I was born with manure in my blood! I have always loved horses. I bought my own horse with my own money when I was thirteen and had to work to support him myself. I continue to own and ride horses more than fifty years later! I love competing in Dressage and riding the trails in the beautiful Colorado mountains. My interest in researching and writing historical horse stories grew out of my love of both horses and history.

My father died in 2020 during the pandemic so Father’s Day has taken on a new importance to me as far as reminding people to spend time with the people they love before they are gone. I had started to write a story about my dad and his childhood days before he went to the hospital, and with the help of his friend, was able to complete it for the family to have as a keepsake. I encourage kids to ask questions of their parents and for parents to write down or audio record the stories that they want to pass down. Children’s books and journals are a great way to start the conversation.

I have horse blood in my veins. I’ve loved horses ever since I knew what amazing animals they are. I grew up in a town where no one could house a horse. As I read about horses and learned more about them, I dreamed about the day I could have my very own. As a married adult with 4 acres of property and a little barn, I finally had my own horses over a 20-year period. The knowledge I gained by having my own beloved animals and caring for 12 foster children prepared me to write the Keystone Stables series about foster girl, Skye Nicholson, and her quarter horse, Champ. 

I’m a poet, children’s writer, and songwriter from Drogheda, Ireland. Ballads were always part of my family life. My favourite uncle, Gerry Cullen, is a song collector and singer who was central to the revival of folk singing in Drogheda. It was only when I embarked on a Creative Writing PhD in 2015 that I fully recognised the influence of ballads on my work. This has brought me deeper into ballad studies and I have just begun a postdoctoral fellowship at University College Dublin to reclaim lost street poets and tenement balladeers of 19th-century Ireland. For me, the ballad is a peerless narrative form: compact, rhyming, rhythmic, and memorable.  

My training is in Classics (especially Greek drama), which has given me an appreciation for clever writers who tweak conventional themes to surprise readers, foil expectations, and explore new ideas—or new sides of old ideas. Greek epic and tragedy also exhibit fairly rigid expectations about personal responsibility: even if a god made you do it, it’s still your responsibility. Agamemnon has to pay for sacrificing his daughter; Heracles has to perform his labors. Madness and possession are vivid ways to explore where one’s autonomy leaves off and another power takes over. They’re excellent tools for poking at humans to see how a thinking, feeling individual deals with unintended disaster.

I’m a former independent publisher and current writer of memoir and fiction. My degree was in zoology (animal biology), which got me my first job in educational publishing. After a solid career in textbooks, I switched over to trade publishing and finally writing. I may have left the "hard science" behind, but I continue to be fascinated by human and animal behavior, which shows up in my reading and writing. 

“Horse Crazy” isn’t a description; it’s a way of life for me. I’ve loved horses since I could remember, selling Girl Scout cookies to finance my way through three years of horse camp, working weekends cleaning stalls, even pursing a degree in Equine Science. Discovering fantasy books with magical, sentient horses not only introduced me to fantasy fiction, but also just made my own experience with horses seem real. Currently, I write equestrian fantasy as well as equestrian literature (horse books for those who chose not to grow out of being horse crazy” and live on my homestead with my herd of rescue horses, who inspire me every day.