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I’ve been fascinated with high fantasy since the moment my grandmother first presented me with Eragon by Christopher Paolini. Then, add in a Nora Roberts book when I turned sixteen, and voila, my love for all things fantasy romance was born. I crave tension, romance, sizzle, and some epic fight-to-love scenes that make my blood run hot. When I started writing, I knew the exact genre I wanted to focus on–romance. All. Things. Romance. Fantasy, paranormal, contemporary–I enjoy writing them all but in every single one of my stories there lies a thread of fight–of sizzle–because what’s a happily ever after if you don’t have to work for it?
Steamy slow-burn with tension you can feel rolling off the page? This one is for you! This new-to-me author was an epic find and I cannot get enough. The world-building is beyond exceptional, the characters and their struggles–both physical and mental–are realistic even as it’s a fantasy! I one-clicked the rest of the series even before I finished the first book!
She’s broken from a past she can’t remember. He’s scarred from a past he can’t forget.
Declan can kill with a blink of his eye. Jaded and cold, he rules his kingdom the same way he does his heart—with ruthless pragmatism. So why does he risk all to protect a little mortal during a slave-trade uprising? Now stranded in the demon realm, the loss of his powers is the least of his troubles. The woman may have a frustratingly tender heart, but she has enough fire in her soul to thaw the ice in his veins.
A long-time professor of history at Marquette University, James Marten is a past president of both the Society of Civil War Historians and the Society for the History of Children and Youth. He’s written or edited over twenty books and scores of articles and has been interviewed on National and Wisconsin Public Radio and for numerous local and national publications. He writes about the ways in which big events affect normal people, from children and families to soldiers and veterans.
Accounts of the common soldier are part of a long tradition in Civil War history—but this is not your typical study. Carmichael sets out not to examine motivations or ideology, but to explore "the life of the rank and file as it was lived." The war forced soldiers in the North and South to bridge the gulf between two competing impulses. "Sentimentalism" helped soldiers understand war as a series of hardships and sacrifices that could be endured through faith, courage, and patriotism. Confronting this conventional approach was a "pragmatism" that guided soldiers desperately seeking to survive with honor the filth, blood, and despair that they actually experienced. Carmichael makes his argument through careful, moving, and fascinating narratives of men trying to explain the war to their loved ones and to themselves.
How did Civil War soldiers endure the brutal and unpredictable existence of army life during the conflict? This question is at the heart of Peter S. Carmichael's sweeping new study of men at war. Based on close examination of the letters and records left behind by individual soldiers from both the North and the South, Carmichael explores the totality of the Civil War experience-the marching, the fighting, the boredom, the idealism, the exhaustion, the punishments, and the frustrations of being away from families who often faced their own dire circumstances. Carmichael focuses not on what soldiers thought but rather how…
Where do writers go for distraction? For me it’s usually into the work of other writers and, when I’m done escaping into fiction, I turn to nonfiction and particularly those writers who write about writing. Why? Because it helps refresh my own writing to read those writing with clarity, insight, and coherence when my own process is in danger of fragmenting. What’s more, many writers write so well about the components of writing - voice, structure, narrative or even something as prosaic as getting started - that I am reassured about what I’m trying to do with my own writing.
Atwood’s reputation speaks for itself, but what I love about this book is that it’s derived from a series of six lectures that she gave at Cambridge University in 2000. And because lectures are delivered in person it’s like having a conversation (albeit one-way) with their writer. This is a witty, occasionally self-deprecating, erudite but also pragmatic and accessible book, and all in her inimitable voice. You discover about the process of Atwood’s own writing but also that of other writers, so while it’s quite personal, it’s also wide-ranging and inclusive.
By the author of THE HANDMAID'S TALE and ALIAS GRACE
What is the role of the writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and the development of her writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have seen fit to assume, what roles they have chosen to play. In her final chapter she takes up the challenge of the book's title: if a writer is to be…
When we were young and naughty, our parents only had to give my sister The Look, and she’d burst into tears. Me, I would stare right back at them and demand, “What?” Fiercely. In fact I often got in trouble for “arguing,” (when all I was really trying to do was make my case because I felt misunderstood). These days people describe me as someone who doesn’t care what other people think. I forge my own path, staunchly, proudly, and so I am drawn to heroines who do the same, who fly in the face of societal expectations to fight for truth and science and what is right.
I was taken by this book from the moment I read the description. An intrepid archaeologist and fossil hunter trespassing on the lands of a hermit who literally wants her to get off his lawn? What could possibly go wrong! In Effie we have another heroine who is interested in science, knows her own biology, and is quite willing to explore it with the right sort of man. She’s a virgin, but she’s not a wilting young flower. She’s more of a curious pragmatist. In Max we have another damaged hero, and oh my goodness I am a sucker for a hero with terrible events in his past which have left him with physical scars as well as mental ones. I also love a good grumpy sunshine trope.
After losing all he holds dear in a horrific fire, Max Aldersley, Earl of Rivenhall, shuns the world - until he catches Effie Nithercott digging holes on his estate! He banishes the intrepid archaeologist and the disturbing feelings she rouses within him. But she returns even more determined and infuriatingly desirable than before! He's determined she'll never reach the man beneath the scars...no matter how deep she digs!
While I love a good romance, I was disappointed to discover how few novels are written about friendship. In so many books, friends take a backseat to the love interest, or to the plot; it’s hard, outside of fiction aimed at children, to find stories that treat friendship as pivotal to a character’s life as friendship usually is in normal life. I love stories that show us what that kind of friendship looks like, and how it can matter… which is why I write them.
The heart of this fantasy trilogy, rife with complex, believable, and heart-breaking politics, is the relationship between Tansen, the unwilling witness to civil war, and Josarian, the face of that war that Tansen swears to protect. I love how Resnick uses their friendship to animate the conflict between patriotism and pragmatism, and the dynamic between the believer and the “once burnt, twice shy” cynic. Unforgettable.
For a thousand years, Sileria has toiled under the yoke of foreign conquerors: the latest, the hedonistic Valdani, have forced the Silerian mountains clans into harsh slavery. Villages have been razed, and the innocent populace dragged to the mines to toil with no hope of escape until their death. By fate and prophecy, five desperate people have been brought reluctantly together, forging an uneasy alliance against the Valdani. They are a peasant-turned-outlaw with a message of resistance; a lethal warrior; a hauntingly seductive aristocrat; Sileria's most powerful sorcerer who craves revenge almost as much as freedom from the Valdani; and…
Three biographical facts that well equip me to write about both monsters and mental health: I am a psychologist who researches, writes, and teaches about emotions, learning, and quality of life. I am also someone who suffers from panic disorder. I am also someone who enjoys interacting with the world of the dark and spooky, in part to tame my internal fears. I think that many of us use fiction in general and horror in particular as a sandbox of sorts—a safe place where we can expose ourselves to our fears, to test out scenarios, and to explore hidden parts of our psyche.
Lisa Damour is one of the most well-respected names in public-facing psychology right now, and that is for a good reason.
She brings to this book (and her earlier ones, which are equally excellent) a level-headed pragmatism, an empathetic listening stance to the adolescents who are her clients and subjects, and decades of clinical expertise. You will find no click-bait pronouncements about matters that are far too complex for such treatment in her writing, and no generational sneering.
Her work is also deeply valuable for parents—she digs into actionable advice for anyone working with adolescents today to navigate the challenges in their lives. I draw on her work heavily in my own writing, but more importantly in my parenting.
An urgently needed guide to help parents understand their teenagers' intense and often fraught emotional lives - and how to support them through this critical developmental stage - from the New York Times bestselling author of Untangled and Under Pressure
In teenagers, powerful emotions come with the territory. And with so many of today's teens contending with academic pressure, social media stress, worries about the future, and concerns about their own mental health, it's easy for them - and their parents - to feel anxious and overwhelmed. But it doesn't have to be that way.…
Since I read George Kennan’s award-winning memoirs when I was still in high school, I have been fascinated by world history in general and specifically by the Soviet Union (Russia) and Central/Eastern Europe. I have a PhD in Russian studies and my 40+ year career has included academia, government, non-profit organizations, and the foundation sector. My professional experience has reinforced my belief that to understand today’s world and to formulate effective national security strategy one must study the roots of political, economic, or social events.
Jack Snyder addresses one of the most important issues of our times: how to protect human rights.
Based on thorough research, Snyder develops an innovative roadmap for dealing with a broad agenda of human rights issues: impunity from atrocities, dilemmas of free speech in the age of social media, and the entrenched abuses of women and children.
The brutal Russian war on Ukraine further underscores the need for the international community to protect human rights and to punish those who violate them.
An innovative framework for advancing human rights
Human rights are among our most pressing issues today, yet rights promoters have reached an impasse in their effort to achieve rights for all. Human Rights for Pragmatists explains why: activists prioritize universal legal and moral norms, backed by the public shaming of violators, but in fact rights prevail only when they serve the interests of powerful local constituencies. Jack Snyder demonstrates that where local power and politics lead, rights follow. He presents an innovative roadmap for addressing a broad agenda of human rights concerns: impunity for atrocities, dilemmas of free speech in…
Since I was a child, I have been fascinated by the question, “What is the nature of reality, and how can we know it?” To engage this question, I have explored neuroscience throughout my career, trying to understand how our brain perceives reality. During that time, I have also come to recognize the profound importance of religious, spiritual, and philosophical approaches to this question. I have been particularly fascinated by the intense spiritual experiences that people throughout time and all cultures have described. My work in this book and throughout my career has looked at this intersection of spirituality and the brain, a field, sometimes referred to as Neurotheology.
The Varieties of Religious Experience has not only been an inspiration to me throughout my career, but has laid the foundation for the entire exploration of the most powerful experiences people have.
By combining psychology and religion, James embarked on a journey to recount and organize our understanding of religious experiences. Importantly, he also related his analysis to religion itself providing a basis for exploring the field of neurotheology – linking the brain and spirituality – long before we had the technology of MRI or PET brain scans.
His remarkable combination of philosophy, psychology, religion, and spirituality
First published in 1902, “The Varieties of Religious Experience” is William James’ philosophical and psychological examination of the nature of religion in human civilization. Based on James’s own Gifford Lectures given at the University of Edinburgh in Scotland between 1901 and 1902, James argues that “Scientific theories are organically conditioned just as much as religious emotions are; and if we only knew the facts intimately enough, we should doubtless see ‘the liver’ determining the dicta of the sturdy atheist as decisively as it does those of the Methodist under conviction anxious about his soul. When it alters in one way…
I was born and raised in the south. I come from a large, talkative family. All my life, I listened to my family talk. Hearing them was more fun than television. I grew up with country music playing constantly in the background. It was on the radio when I woke up and still playing when I went to bed. My parents read to me, made up bedtime stories, and let me tell them my made-up stories. Let me follow them around with my childish tales, encouraging me. Being an author has always been my number one dream.
I was drawn to Bertie from the start. Her struggles to understand herself and why things happened as they did resonated with me in a very personal way.
I read this recently on Kindle and couldn’t wait to read more each time I had to put it down to do some mundane tasks in life, such as eating, taking my granddaughter to therapy, and stuff like that. Bertie stayed in my mind, calling me to finish her story.
Even now that I’ve finished, she still whispers in my mind, making me want to read the book all over again.
Set in Appalachia and the Midwest at the turn of the twentieth century, this exquisite debut novel paints an intimate portrait of one resilient farm family’s challenges and hard-won triumphs—helmed by an unforgettable heroine.
Growing up on their hardscrabble farm in rural Kentucky, fifteen-year-old Albertina “Bertie” Winslow has learned a lot from her mama, Polly. She knows how to lance a boil, make a pie crust, butcher a pig, and tend to every chore that needs doing. What she doesn’t know, but is forced to reckon with all too soon, is how to look after children as a mother should…
I’m an educator at heart and have been teaching in high schools for over thirty years now. I get a kick out of helping young people see the world anew and think about ideas in ways that at first seem strange and challenging to them, both in the classroom and through my novels. Of course, to be any good at that, I have to be inquisitive and open myself, and there’s nothing like the topic of consciousness to make you feel feeble-minded and ill-informed. It’s such a wondrous topic because it sits at the precise meeting point of so many of our scientific, cultural, artistic, religious, and philosophical traditions.
I do enjoy a good argument, especially when it’s between highly articulate experts in their field. Gould is a fine science writer who always flew the flag for caution when it came to over-interpreting our findings. Here he makes the case for different ways of knowing, and as a committed philosophical pragmatist myself, in the style of William James, I’m all for his insistence that we avoid the lure of crass reductionism, no matter how smart and superior this might make us feel. Ever so important when it comes to thinking about the big issues like consciousness.
In his final book, Gould offers a surprising and nuanced study of the complex relationship between our two great ways of knowing: science and the humanities, twin realms of knowledge that have been divided against each other for far too long.
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