100 books like Red Wolf

I’ll always read Gillian Flynn, for the simple reason that her writing style is the closest thing to Truman Capote’s In Cold Blood written by a modern writer. She’s just that good.

This book is my favorite because of how it explores taboo topics (see the theme here?) and because she creates richly complex characters that showcase the range of what people are capable of—the greatest kindness and the darkest cruelty.

I love Michael Connelly’s crime thrillers featuring Harry Bosch and legal thrillers centering on Mickey Haller, but let’s not forget his thrillers focusing on journalist Jack McEvoy, especially this third one.

What gripped me so much while reading this story is how the villain knows more about the protagonist than the other way around, along with the horrifying consequences of genetic information getting into the wrong hands. Combine that with not knowing yet who the villain is, and you have a thriller that is no doubt heart-pounding.

This fabulous story is more or less historical fiction adventure.

From the first page when a Pakistani village wakes up, the exotic tone is set. Add a burned-out war correspondent and a young Afghan man with a wild, dangerous family steeped in warring traditions and you get a tale like no other. Crossing into Afghanistan for them is fraught with peril, suspicion, deceit, and suspense as both risk their lives in separate agendas. Loved it.

A slice of a time period in Afghanistan which is in a state of flux after the Russians retreat and before the U.S. gets involved. And a shocking twist.

I love this book! A famous female pianist in Boston who kills bad people, and she has quirks. She also changes boy toys during the story; that whole dynamic is sexy and unusual. 

One of my new favorite books. I hate heavy procedural books, and this is not one. The FBI is involved, but not how you think. The railroad killer was also very creative. She does have the FBI chasing her and has friends in the FBI, which is unique, too. The beginning is good, with lots of action and intrigue, and the middle holds up with a bang for an ending.

There are a few surprises here and there, but it is just a solid story.

I love Hank Phillippi Ryan’s books, and I love big court trials, so it makes perfect sense that I loved this book.

Ryan–who is an award-winning TV journalist as well as a best-selling thriller author–started covering the murder trial of Casey Anthony, the mother who made headlines for allegedly killing her two-year-old daughter Caylee and hiding the body for months, with the idea of doing a non-fiction book about the case.

But, when Anthony was found not guilty by the jury, Ryan switched gears and came up with the idea of doing a mesmerizing fictional novel inspired by a case such as Casey Anthony. The result is a must-read!

I could not put down Woman on Fire by Lisa Barr.

This book is a captivating tale of passion, history, and mystery. Set against the backdrop of 1940s Chicago and war-torn Europe, the novel follows the journey of a resilient journalist navigating love and espionage.

Barr's evocative prose and meticulous research transport readers to a bygone era, creating a rich tapestry of emotions. The intricate blend of romance and suspense ensures a thrilling reading experience perfectly suited for the transient nature of air travel.

As you glide through the clouds, let the pages of this book transport you to a riveting tale of love, courage, and intrigue, making your journey truly unforgettable. 

When my shoulder are in knots, I can get a massage, or I can reread Fletch.

If you know the book, that will seem weird. It’s not a pretty story and it’s got a pile of seventies misogyny and homophobia that definitely grates. This is not a comfort read. Except it is, for me, because I.M. Fletcher is an artist in the medium of trouble.

This is the story of Fletch’s impossible mountain of problems, personal and professional, and watching him work makes me feel like I’ve seen someone solve a Rubik’s cube underwater with their eyes closed. At the start, a mess. At the end, elegance. Everything is sorted and resolved, no matter how reprehensibly Fletch got it done. My neck tension releases. I can go to bed.

The action and adventure in this story were perfect for the thrill-seeker in me. I already knew that being an undercover agent as a teen would make for an interesting storyline, but then the author makes Christy join a group of adrenaline junkies, and the stakes keep getting higher, and the thrills keep getting scarier.

The thing that I loved most about this book was how each chapter end left me hanging and I had to keep reading to find out what happened next. I especially felt a kinship for Christy because, even though she is a teenager who is learning who she is, she is also a protector who has been enlisted by the FBI to save people. There is also a storyline of true love and friendship that grounded me and made me feel for the characters. 

I love a Dark Academia book that knows the world of academia intimately, and this thriller, which focuses on controversial Greek life at the University of Georgia, gets everything right.

Competition between students, peer pressure, department intrigues, and more come alive in this brilliant debut. This comes as no surprise, as Nossett, in addition to being an amazing writer, is herself a professor, and holds a PhD in German literature.

In addition to being a total page-turner, this enthralling novel highlights contemporary issues faced on college campuses, with an emphasis on ethical debates surrounding fraternities and sororities. Nossett’s characterization is excellent, and her determined, whip-smart, and yet imperfect protagonist, Detective Marlitt Kaplan, is one I rooted for, and you will, too.

This is one of the few novels I’ve read twice for pleasure (rather than work). It’s a noirish novel that delves into the esoteric along the lines of Umberto Eco’s Foucault’s Pendulum (which Kubrick allegedly considered adapting at one point but which I was unable to read twice!).

The book follows a film scholar who uncovers an incredible conspiracy around a fictional B-movie director called Max Castle, and the imperceptible images he placed in the gap between each of the twenty-four frames played every second in a movie: the so-called flicker of the title. Its author, Roszak, is better known for having coined the term "the counter-culture."