Here are 100 books that Sprinkled fans have personally recommended if you like
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I used to make my grandmother laugh at the dinner table, to the annoyance of my mother. My grandmother had a great laugh I can hear to this day. In high school forensics I won the humorous interpretation trophy (first place) for a National Lampoon Parody I performed of the Hardy Boys, beating out 100 other contestants. I knew then, I could do standup, and later, improv. My comedy group in New York was called “wonderful…refreshingly different!” by the NY Post. I produced “The Outlaugh Festival On Wisecrack” years later for MTV’s LOGO network. When we’re all laughing is when we are truly together.
Okay, Evanovich has written seven million Stephanie Plum mysteries, but they are truly funny. Best start with the first one, when we were all young and had golden hair (highlights?).
The humor is smart and not sophomoric. I’m an improv comic and there is a difference between being juvenile and crude, and being clever. Check her clever Plum series out if you want to laugh. There are so many of them you could also use them to build that upstairs addition you’ve been planning.
Stephanie Plum is down on her luck. She's lost her job, her car's on the brink of repossession, and her apartment is fast becoming furniture-free.
Enter Cousin Vinnie, a low-life who runs a bail-bond company. If Stephanie can bring in vice cop turned outlaw Joe Morelli, she stands to pick up $10,000. But tracking down a cop wanted for murder isn't easy . . .
And when Benito Ramirez, a prize-fighter with more menace than mentality, wants to be her friend Stephanie soon knows what it's like to be pursued. Unfortunately the best person to protect her just happens to…
Born and raised in New York City, my plans to become an artist got sidetracked by an interest in psychology. While in school, I graduated college, majoring in Fine Arts and Psychology, combining my two interests. I continued my education as a Graphic Designer at The School of Visual Arts. I worked as a freelance graphic artist for a while before starting a career in the creative arts therapies. While I enjoy a dark, brooding, suspenseful mystery, sometimes I need a little humor to round out those dark edges. Despite some bad things happening in the world, most people do silly, goofy, and often stupid things and you have to laugh.
How can a story about white supremacists, lottery tickets, and turtles make you laugh? In Carl Hiaasen’s Lucky You, murder and mayhem are the least of its treasures. Hiaasen’s style is witty, wildly humorous and with a keen eye for the obvious. He has a way of inhabiting his stories with colorful, bombastic characters who linger long after you turn that last page. He sets most of his stories in southern Florida, which only adds to Hiaasen’s unique setting and style.
From the author of STRIP TEASE and STORMY WEATHER, a lighthearted crime novel set in Florida. Two white-trash reprobates win a lottery jackpot of $28 million but are forced to share this amount with a third party. When they decide that this is not acceptable they set out to find the other winner and void her claim by violent means.
Born and raised in New York City, my plans to become an artist got sidetracked by an interest in psychology. While in school, I graduated college, majoring in Fine Arts and Psychology, combining my two interests. I continued my education as a Graphic Designer at The School of Visual Arts. I worked as a freelance graphic artist for a while before starting a career in the creative arts therapies. While I enjoy a dark, brooding, suspenseful mystery, sometimes I need a little humor to round out those dark edges. Despite some bad things happening in the world, most people do silly, goofy, and often stupid things and you have to laugh.
Though David Handler’s The Cold Blue Blood plays out much like a traditional whodunit, it has a dash of East Coast humor. The Berger and Mitry Mysteries have been one of my favorites for years. Handler’s strong descriptive style, unique characters, and colorful book titles always had me searching for the next installment. Handler’s main character, Mitch Berger, a New York City film critic, plays the perfect fish out of water, now living on a wealthy private island called Big Sister. A dead body in his garden introduces him to his other partner in crime, Lieutenant Desiree Mitry. This odd couple is both charming and disarming as they sleuth through the snobs of Big Sister.
Mitch Berger, a top film critic with a major New York newspaper at a surprisingly young age, has become almost a recluse since his wife died one year ago. He spends his time secluded in his apartment or in the dark recesses of a screening room. Although he continues to dazzle moviegoers and the film elite with his criticisms, his editor and good friend is alarmed about him. As a scheme to pull him out of the doldrums of his grief, she gives him a non-film assignment - to do a color story on the wealthy and social homeowners on…
Born and raised in New York City, my plans to become an artist got sidetracked by an interest in psychology. While in school, I graduated college, majoring in Fine Arts and Psychology, combining my two interests. I continued my education as a Graphic Designer at The School of Visual Arts. I worked as a freelance graphic artist for a while before starting a career in the creative arts therapies. While I enjoy a dark, brooding, suspenseful mystery, sometimes I need a little humor to round out those dark edges. Despite some bad things happening in the world, most people do silly, goofy, and often stupid things and you have to laugh.
The first time I read David Rosenfelt’s Andy Carpenter series, I immediately thought that Groucho Marx had moved to North Jersey, gone into law, and adopted a rescue dog. Rosenfelt’s reluctant lawyer hero goes at his oddball cases with a collection of even odder associates. Dry, witty, and a little self-effacing, Rosenfelt’s style brings to life a cast of characters that made me reluctant to put his books down. I started the series with the third book, Bury the Lead, first but quickly caught up. The first book in the series is Open and Shut. Mystery and animal lovers will find a place in their heart and funny bone.
Defence attorney Andy Carpenter has been successfully avoiding taking on new cases until his sometime friend and newspaper owner, Vince Sanders, calls and asks him for a favour. Daniel Cummings, Vince's star reporter, is being used as the mouthpiece for a serial killer. He has been cooperating with the police but Vince wants to make sure both the newspaper and Daniel are protected. Andy thinks the case be a piece of cake...until Daniel is found unconscious in park next to the killer's latest victim. Daniel claims he intended to stop the murder but the police arrest him. Now, with the…
I’m a traveler. For me, there’s nothing like that moment when your plane lands on foreign soil. I feel free when I’m somewhere I’ve never been, where I don’t speak the language, understand the menu, or know a single person. It is the ultimate sense of release. I’ve done a great deal of solo traveling, which I thoroughly enjoy, and fortunately for me, my family understands (or at least accepts). From the Congo to Xian to Paris, I’ve never seen enough.
A memoir of clever and entertaining essays. The author takes us on a ride into the ups and downs of life, kids, pets, moms, shopping, and she gives us reasons to laugh at it all. This is an uplifting read and worth a spot on your nightstand. You can dip in and out of it when sleep eludes.
The incomparable Lisa Scottoline, along with daughter Francesca, is back with more wild and wonderful wit and wisdom: My Nest Isn't Empty, It Just Has More Closet Space.
Critics and readers loved Lisa Scottoline's first collection of true-life stories, which only encouraged her—now she's back with these all-new, exciting adventures. She's farther down the road now, and the scenery has changed—ex-husbands Thing One and Thing Two are in her rear-view mirror, daughter Francesca has moved into an apartment, and Lisa's finding the silver lining in her empty nest, which has lots more room for her shoes. And some things have…
I don’t just write stories, I study them. I’ve noticed that nearly every major hero/ine’s journey and epic tale has an adoption component. From Bible stories and Greek myths (adoption worked out well for Moses, not so much for Oedipus) to Star Wars through This Is Us, we humans are obsessed with origin stories. And it’s no wonder: “Where do I come from?” and “Where do I belong?” are questions that confound and comfort us from the time we are tiny until we take our final breath. As an adoptive mother and advocate for continuing contact with birth families, I love stories about adoption, because no two are alike. They give us light and insight into how families are created and what it means to be a family—by blood, by love, and sometimes, the combination of the two.
In this exquisitely written poem of a memoir, Jillian Lauren splays her heart wide open, on every page as she transforms from an addict whose used up most of her luck to a mother whose role requires great stores of grit, determination, and love. We’re right there with her as she and her husband decide to adopt a boy from Ethiopia, and we’re along for the bumpy, often painful, occasionally joyful, ride through the challenges of parenting this tiny person who has already lost so much, but has so much to give. Outside of motherhood, she’s so funny and interesting I kind of want to be best friends with her. Not in a weirdo-stalker way, though.
A Best Memoir of 2015, "This memoir is compulsively readable and full of humor and heart."-AdoptiveFamilies.com
"A punk rock Scheherazade" (Margaret Cho) shares the zigzagging path that took her from harem member to PTA member...
In her younger years, Jillian Lauren was a college dropout, a drug addict, and an international concubine in the Prince of Brunei's harem, an experience she immortalized in in her bestselling memoir, SOME GIRLS. In her thirties, Jillian's most radical act was learning the steadying power of love when she and her rock star husband adopt an Ethiopian child with special needs. After Jillian loses…
We all have obsessions in life and one of mine has been my mother and the great love and enmity that ricocheted between us for fifty-seven years. Throughout the decades, my mother went from protector to controller to betrayer to ogre to human to an elderly woman in my care. The love and hate, distance and intimacy, estrangement, and reconciliation that we experienced made me a lifelong student of the mother-daughter bond. I‘ve written about my mother for more than 30 years, and love reading mother-daughter stories, not saccharine sweet ones, but complex multi-layered dramas where there’s no villain and no hero—just two humans struggling to love and understand each other.
I loved diving into this novel about mother-daughter artists and the devotion, love, and competition that binds them together. Personally, I have no skill or passion for painting or photography—the gifts granted the characters in this book—but as I immersed myself in Bensley’s world, I began seeing the world as visual artists do. That was an unexpected bonus to an already compelling intergenerational story. As I hungrily turned pages, eager to discover what would happen to the characters next, I loved learning about art, the sexism of the art world, and the compelling need to create regardless of external validation.
Liza Baker, a rising star in the burgeoning Abstract Expressionist era, finds herself sidelined when she gets pregnant, and decides to have the child. Yet, against conventional wisdom, she's convinced she can have a successful career and be a good mother to her daughter, Rouge.
She takes a job teaching at a college and comes up against the harsh realities of the male-dominated art world. Unable to build a successful career, she watches as her former lover, whose work resembles hers, skyrocket to fame. Liza develops a drinking problem and often brings home artist lovers she's met in the city.…
As a child, I gobbled up Grimm’s fairytales, but I always wondered: Why do the princesses get such a terrible deal? This question gnawed at me. So, when I grew up and became an author, I wrote The Princess and the Prick to set the world right. Feminism can be such a terribly serious topic, but sexism is ridiculous! So, let's laugh at it! The books I've recommended are all short and brilliantly funny. They make fantastic gifts and will have everyone laughing at the patriarchy in no time. I hope you enjoy them as much as I do.
Where are all the women in history? Here they are! In her hilarious book, Hannah Jewell sets the world to right by introducing us to 100 incredible women from all over the world and all time periods.
I thought I knew a fair amount about historical women, but turns out I didn’t! I knew hardly any of the women featured in this book, which really tells us all we need to know about the state of the world (and male historians).
I found Hannah’s writing so entertaining it felt more like listening to a really fun, knowledgeable friend than reading biographies. A great gift for anyone who ever wonders: "But-where have all the women gone?"
'...hooting with laughter - what a swashbuckler that Hannah Jewell is' MARINA HYDE
'Because 100 Nasty Women is so easy to read and witty, I didn't expect it to be the life changing, important book that I'm discovering it to be' PHILIPPA PERRY
'A fantastic addition to your feminist library and historical knowledge.' ANN SHEN, author of Bad Girls Throughout History
* * * * * *
100 fascinating and brilliantly written stories about history's bravest, baddest but little known 'nasty' women from across the world.
These are the women who were deemed too nasty for their…
I have taught history at the University of Alabama since the year 2000, and I have been working and writing as a historian of American slavery for more than twenty-five years. It is not an easy subject to spend time with, but it is also not a subject we can afford to turn away from because it makes us uncomfortable. Slavery may not be the only thing you need to understand about American history, but you cannot effectively understand American history without it.
The domestic slave trade business was operated predominantly by white men, but the labor of Black women was critical to making it profitable. Here, Alexandra Finley recovers the stories of Black women who fed and clothed the enslaved in pens and jail, who kept the houses of slave traders, who were commodified for purposes of sexual slavery in the so-called fancy trade, and who sometimes even lived as the concubines and “wives” of traders. Putting enslaved women and their work at the center of the story yields an entirely new angle of vision on the trade.
Alexandra Finley adds crucial new dimensions to the boisterous debate over the relationship between slavery and capitalism by placing women's labor at the center of the antebellum slave trade, focusing particularly on slave traders' ability to profit from enslaved women's domestic, reproductive, and sexual labor. The slave market infiltrated every aspect of southern society, including the most personal spaces of the household, the body, and the self, Finley shows how women's work was necessary to the functioning of the slave trade, and thus to the spread of slavery to the Lower South, the expansion of cotton production, and the profits…
My background is in computer science, specifically artificial intelligence. As a student, I was most interested in how our knowledge of the human brain could inform AI and vice versa. As such, I read as much neuroscience and psychology as I could and spent a lot of time thinking about how our minds create reality out of our senses. I always appreciate a novel that explores the fluidity of reality.
A routine tale told in a familiar way can be comforting and satisfying.
Embers on the Wind is a different kind of thrill altogether. The story is fresh, the characters are multifaceted, and the storytelling is original. When I picked up this novel, I knew only that it was about a purportedly haunted home that had once been part of the Underground Railroad. I had no idea what I was in for or the wild ride the author would take me on.
Each character perceives reality a bit differently, and those differences make big waves. It's best to be surprised by a novel like this, so I won't say any more than that it's thought-provoking and entertaining at once.
The past and the present converge in this enthralling, serpentine tale of women connected by motherhood, slavery's legacy, and histories that span centuries.
In 1850 in Massachusetts, Whittaker House stood as a stop on the Underground Railroad. It's where two freedom seekers, Little Annie and Clementine, hid and perished. Whittaker House still stands, and Little Annie and Clementine still linger, their dreams of freedom unfulfilled.
Now a fashionably distressed vacation rental in the Berkshires, Whittaker House draws seekers of another kind: Black women who only appear to be free. Among them are Dominique, a single mother following her grand-mere's stories…
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