Here are 25 books that Sway fans have personally recommended if you like
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I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
This book lays bare the furious tensions in American society during the Vietnam era. I have read it three times, and each time, it reveals new treasures and nuances.
It’s a dark story about a war correspondent who decides to get rich by smuggling heroin home from Vietnam. So, while it opens in Saigon, most of the book is set in a California riven by culture clashes and soured idealism. Stone is one of America’s best late-twentieth-century novelists.
In Saigon during the last stages of the Vietnam War, a small-time journalist named John Converse thinks he'll find action - and profit - by getting involved in a big-time drug deal. But back in the States, things go horribly wrong. His courier disappears, probably with his wife, and a corrupt Fed wants Converse to find him the drugs, or else.
Dog Soldiers is a frightening, powerful, intense novel that perfectly captures the underground mood of the United States in the 1970s, when amateur drug dealers and hippies encountered the violent world of cops on the make and professional killers.…
My name is Tim O’Leary and two of my books, Dick Cheney Shot Me in the Face–And Other Tales of Men in Pain and Men Behaving Badly, emanate from the minds of protagonists trying to do the right thing the wrong way or evil characters doing the wrong thing they believe to be right. I’m particularly drawn to those wonderful literary psychopaths that draw you in with compelling personalities, while reviling the reader with their heinous actions.
I found this book in college, and at the time, I thought it was the most unique book I had ever read.
Thompson’s “Gonzo Journalism” was fresh, funny, and thought-provoking, with a subtext of modern poetry, political activism, and a sense of humor I have never seen replicated.
'We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like, "I feel a bit lightheaded; maybe you should drive ..."'
Hunter S. Thompson is roaring down the desert highway to Las Vegas with his attorney, the Samoan, to find the dark side of the American Dream. Armed with a drug arsenal of stupendous proportions, the duo engage in a surreal succession of chemically enhanced confrontations with casino operators, police officers and assorted Middle Americans.
This stylish reissue of Hunter S. Thompson's iconic masterpiece, a controversial bestseller when…
I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
Denis Johnson’s big, National Book Award-winning novel revolves around the Vietnam War itself, with a big cast of characters and many narrative threads.
I really loved following all the threads and seeing the intricate web they formed. The picture it paints of America is still relevant today. It’s an exciting book, and though it requires quite a lot from a reader, it ends up being hugely satisfying.
`Once upon a time there was a war, and a young American who thought of himself as the Quiet American and the Ugly American, and who wished to be neither, who wanted instead to be the Wise American, or the Good American, but who eventually came to witness himself as the Real American and finally as simply the Fucking American. That's me.'
This is the story of Skip Sands, a CIA spy engaged in psychological operations against the Viet Cong, and the disasters that befall him. It is also the story of two brothers heading towards self-destruction, and a story…
I have been fascinated with the sixties and its counterculture ever since I was about eleven or twelve, and I found out that the summer I was born, 1967, was called the Summer of Love. Because of this fascination, I started reading writers like Jack Kerouac and Hunter S. Thompson at an early age. Then, I became a lover of the Grateful Dead and went on tour with them as a fan for a couple of years in my late teens. It was the best way remaining in this country, in the 1980s, to be a hippie in some real way. I still love the music and literature of that time.
This heavy, sardonic novel about a commune of hippies whose utopian dream is rapidly fraying kept me totally compelled and frequently laughing all the way through.
They find land in Alaska and try to move their scene to the great North, but the realities of weather and wilderness don’t conform to their plans.
It is 1970, and a down-at-the-heels California commune devoted to peace, free love, and the simple life has decided to relocate to the last frontier-the unforgiving landscape of interior Alaska-in the ultimate expression of going back to the land. Armed with the spirit of adventure and naive optimism, the inhabitants of "Drop City" arrive in the wilderness of Alaska only to find their utopia already populated by other young homesteaders. When the two communities collide, unexpected friendships and dangerous enmities are born as everyone struggles with the bare essentials of life: love, nourishment, and a roof over one's head. Rich,…
I’ve been reading, studying, and writing about Texas literature for over 25 years.
I’m the longtime literary curator at the Wittliff Collections at Texas State University, which holds the archives of many leading writers from Texas and the Southwest. I have a personal passion for the 1960s and have written/co-written three nonfiction books set in the sixties.
Bud Shrake’s novel of Dallas at the time of the Kennedy Assassination is an excellent example of what I call “eyewitness fiction.” As a prominent journalist at the rabidly anti-JFK Dallas Morning News, Shrake spent time mingling with the far-right millionaires who refashioned Dallas into a “City of Hate.” Yet the politically liberal, dope-smoking Shrake was also a denizen of Dallas’s underworld and was dating the star stripper at Jack Ruby’s nightclub. From these twin worlds, he fashioned this ferocious, comically subversive portrait of Dallas in the months leading up to the assassination.
Shrake’s writing has less in common with his Texas contemporaries than it does with American novelists Ken Kesey, Charles Portis, and Kurt Vonnegut. This novel blasts off so hard it can be a bit hard for some readers to hang on in the beginning. But if you stay with it, and latch on to Shrake’s Dexedrine-fueled…
A TV western star quits his successful series and returns to Dallas to make a documentary film that reveals the truth about his home town. His quest forces him to learn if he is capable of using his six-gun for real as he moves from booze and radical politics in oil men's palaces into the infamous Carousel Club and the underworld of arms and dope smuggling in a city ripe for the murder of a President.
I’ve been reading, studying, and writing about Texas literature for over 25 years.
I’m the longtime literary curator at the Wittliff Collections at Texas State University, which holds the archives of many leading writers from Texas and the Southwest. I have a personal passion for the 1960s and have written/co-written three nonfiction books set in the sixties.
William Hauptman is a Tony Award-winning playwright and the author of one of my all-time favorite Texas novels, The Storm Season, about a tornado chaser in Wichita Falls during the Reagan era as the middle class is dissolving.
Journey to the West is a diamond-sharp autobiographical novel based on Hauptman’s experiences leaving his conservative hometown of Wichita Falls to go to college at the University of Texas in Austin. He arrives just as the sixties begin taking off, and soon his mind gets blown and his life upended. Hauptman writes so well of this quintessential experience that so many people have when they go to college and taste freedom for the first time in their lives. The novel/memoir follows our hero as he ends up in San Francisco during the Summer of Love, starving and strung out. Hauptman, is a first-class writer and this is one of his coolest…
It is the 1960s, and Will Langner is a high school thespian who cannot wait to get out of his Texas town and attend college in Austin, where he will never have to see any of his peers again. But Will has no idea his path is about to lead him to a fellow classmate with the power to change everything?even the future.
Danny Abrams swears there is something better than popularity in high school: Zen enlightenment. As the two search for the meaning of life, they finally graduate and embark on a journey that takes them westward from Austin…
As a degreed socio-linguist and international educator, my novel writing has been immersed in the human experience that began early on as a teen musician immersed naively in a non-mainstream world of creatives and cons, when the word 'counterculture' was perceived more as a renaissance than the drug-laden world of darker gatherings that it later came to be known as. Boulder Blues is a work of fiction drawn from both fantasy and personal exposure. From there I went on to teach in American alternative education and later at university with a focus on rhetoric and forensic writing. My draw to other cultures and their perspectives moved me to go on to teach internationally.
This American classic by Pulitzer Prize-winning novelist, Larry McMurtry, is read by university students worldwide. It’s set in its own time of indulgent decadence where little value is placed on the lives of individuals met by Danny Deck, the sad-sack protagonist, who denigrates his published work to the point of tearing up a copy of the novel he carries with him before drowning his own sorry self in the river of the Rio Grande. Yet, Danny is as much at fault for the sloppy treatment of the company he keeps as his company is for being disingenuous.
What McMurtry calls normal life, or mundane happiness, through the voice of novelist Deck, is seen as obtainable if one wants to pursue the creative arts. His conclusion is that the two simply don’t mix. As he explores this idea in a higgledy-piggledy fashion, Deck sets about self-destructing, which has nothing to do…
Hailed as one of "the best novels ever set in America's fourth largest city" (Douglas Brinkley, New York Times Book Review), All My Friends Are Going to Be Strangers is a powerful demonstration of Larry McMurtry's "comic genius, his ability to render a sense of landscape, and interior intellection tension" (Jim Harrison, New York Times Book Review). Desperate to break from the "mundane happiness" of Houston, budding writer Danny Deck hops in his car, "El Chevy," bound for the West Coast on a road trip filled with broken hearts and bleak realities of the artistic life. A cast of unforgettable…
As a degreed socio-linguist and international educator, my novel writing has been immersed in the human experience that began early on as a teen musician immersed naively in a non-mainstream world of creatives and cons, when the word 'counterculture' was perceived more as a renaissance than the drug-laden world of darker gatherings that it later came to be known as. Boulder Blues is a work of fiction drawn from both fantasy and personal exposure. From there I went on to teach in American alternative education and later at university with a focus on rhetoric and forensic writing. My draw to other cultures and their perspectives moved me to go on to teach internationally.
Popularised as a 1960s counterculture book, its author, Brautigan, playfully breaks all the rules in a modern Dadaistic style of commentary which is a sort of stream of consciousness that verges on playful and purposeful madness. Thoughts of Lewis Carroll’s Through the Looking Glass come to mind when trying to make any sense of this author’s zany work here. In a word: trout? No trout. This is no commentary about fishing. It’s a mishmash of essay-like commentaries on an ‘on the road’ lifestyle which does occasionally mention fishing.
Richard Brautigan's wonderfully zany, hilarious episodic novel set amongst the rural waterways of America.
Here's a journey that begins at the foot of the Benjamin Franklin statue in San Francisco's Washington Square, wanders through the wonders of America's rural waterways and ends, inevitably, with mayonnaise. With pure inventiveness and free-wheeling energy, the counterpoint to all those angry Beatniks, Brautigan tells the story of rural America, and the hunt for a bit of trout fishing. Funny, wild and sweet, Trout Fishing in America is an incomparable guidebook to the delights of exploration - of a country and a mind.
I’ve been reading, studying, and writing about Texas literature for over 25 years.
I’m the longtime literary curator at the Wittliff Collections at Texas State University, which holds the archives of many leading writers from Texas and the Southwest. I have a personal passion for the 1960s and have written/co-written three nonfiction books set in the sixties.
I’m cheating a bit here because this book is set in the Japan and Okinawa, rather than Texas. But Sarah Bird is one of Texas’s most beloved writers, and this exquisite novel about the college-aged, Vietnam War-protesting daughter of an Air Force fighter pilot, is one of the finest novels written by anyone from Texas. Bird captures the mood of the Vietnam era with empathy and wonderful humor, but beyond that, The Yokota Officers Club is a deeply affecting story about families, about love, loss, and the hope of redemption. It’s a transcendent novel that feels both intimate and sweeping. Sarah Bird has written several fine books but this one is her masterpiece.
“A GEM, POLISHED AND FACETED IN A WAY THAT PULLED ME INTO THE HEART OF IT WITH THE FIRST PARAGRAPH. . . . Important, touching, meaningful, and uplifting.” –JEANNE RAY Chicago Tribune
After a year away at college, military brat Bernadette Root has come “home” to Kadena Air Base in Okinawa, Japan, to spend the summer with her bizarre yet comforting clan. Ruled by a strict, regimented Air Force Major father, but grounded in their mother’s particular brand of humor, Bernie’s family was destined for military greatness during the glory days of the mid-’50s. But in Base life, where an…
I’m a poet, tarot muse, and artist whose childhood experiences with vivid night-time dreams and a handful of years on a commune in the cornfields ignited my passion for exploring inner imagery. I read voraciously from science fiction to fairytales to channelings. I discovered tarot in my twenties, using it to read for others, mend my broken heart, and get squared away enough to apply to graduate school for poetry in the heartland at the Iowa Writers’ Workshop. Ever since, tarot is my favorite mirror for self-reflection. Author of two poetry collections, I wrote a workbook to help others apply the tarot in joyful, healing ways through writing and art.
Writer, photographer, and journalist William Cook Haigwood selected his own photos to create Journeying the Sixties: A Counterculture Tarot. The book helped me understand the context for my early childhood when my parents had an apartment in the Haight. Haigwood practically offers a graduate-level course in the Sixties by examining the major players, the opposing forces, and the gifts and wages of the unbridled idealism and enthusiasm characteristic for the times (love, religion, art, music, politics, law enforcement, war, drugs, feminism, poetry, revolution, and more). The Eight of Cups chapter looks at People’s Park in Berkeley; Mick Jagger represents the King of Pentacles; the Death card discussion explores Martin Luther King, Jr., Kennedy, and Vietnam. Haigwood’s interpretations make tarot’s archetypal energies relevant to the lessons of an entire generation.
Journalist and writer William Cook Haigwood offers a unique look at the Counterculture of the 1960s in this collection of historical essays and vintage photographs that uses the symbolism of the Tarot to describe and conceptualize the era’s critical cycles of experience. Journeying the Sixties: A Counterculture Tarot features photographs selected from thousands made by the author during more than 15 years of reporting and participation in what has come to be called “the 20th century’s longest decade.” Selected images from the period have been formatted as Tarot cards. Essays supporting the cards use the Fool’s Journey to extend a…
