100 books like The Seduction of Place

This book focuses on the role of modern architecture in Paris, and by “modern,” Dennis has in mind the architecture created during the reinvention of Paris in the seventeenth and eighteenth centuries. Dennis provides the best introduction to a crucial factor in Paris’s essence: the particular kind of residential architecture that became characteristic of the cityscape in the seventeenth and eighteenth centuries: the hôtel or townhouse. Great architecture helps make a city great, and in Paris in particular, much of the greatest modern architecture was originally residential – grand townhouses built for the wealthiest Parisians.

Today, most of these townhouses have become museums, government ministries, foreign embassies. With its focus on the relation between public and private space in the city and the ways in which residential architecture can and should function in relation to the streets and the public space in which it is embedded, Dennis’s work is essential… show more.

Often hailed as the greatest book on cities ever, Jane Jacob’s critique of modernism and the rapid spreading out of the city through urban sprawl goes to the heart of what cities are all about. Her description of New York and other North American cities in terms of their diversity and cultural richness elevates the way we build our cities from the bottom up in the face of modernist planning that imposes an artificial order from the top down.

Her book is not only a critique of planning but a logic of how we should understand the complexity of cities as they continue to evolve and embrace new technologies.

Beginning in the seventeenth century at the moment when Paris was redesigned, it became a great literary city and the center of the French literary tradition. For anyone interested in how the most important French writers have celebrated their city and depicted the ways in which Paris has changed over the centuries and the impact such changes have had on its inhabitants this is the perfect book.

After the literature of Paris, the painting of Paris. T. J. Clark’s The Painting of Modern Life studies the ways in which the artists he calls “painters of modern life” created canvases that attempted to focus attention on a subsequent transformation of Paris, in the nineteenth century. Clark considers the depictions by painters such as Manet, Degas, and Seurat of Paris as it evolved and of Parisians interacting with their changing city. The depictions of Parisians experiencing the boulevards, cafés, and parks of Paris that Clark analyzes are perhaps the greatest tradition ever of city painting. No one has ever attempted such a study of the many paintings of Paris as it was transformed in the seventeenth and eighteenth centuries. When they do so, Clark’s book can provide a model.

We can understand cities not only through their societies, their experience, and their history, but also by studying their physical form. Spiro Kostof describes how cities across the world have distinct yet still interrelated patterns of streets, blocks, plots, and buildings. Rather than taking a chronological approach, Kostof illustrates the form of cities through time and space through four main types of urban form, from organic shapes and grids to diagrams and grand interventions. If you look at your own city, you will likely find a combination of all of the above! This is one of the first books on cities I bought as a teenager, and it really inspired me to study and improve the form of our urban environments.

If you’ve ever wondered why modern buildings look the way they do—and look so different from say, the buildings of our grandparents’ generation—you cannot do better than read this collection of essays that examines the current state of modern architecture. Glazer, a sociologist who was a noted public intellectual, brings a down-to-earth intelligence and a sharp eye to his subject.

This book is as much about urban design and landscape architecture as about architecture, its annotated sketches demonstrating how good places respond to their contexts.

I like its straightforward, practical, and concise approach. Although billed as ‘a manual for designers’, it is equally useful in analysing why some environments work, both practically and emotionally, and others don’t.

It is opinionated, not afraid to criticise as well as applaud. 

Key to understanding cities is also to know how people experience them. Thousands of miles away but only a few years after Jacobs’ manifesto, Danish architect and urban designer Jan Gehl fascinatingly describes how people experience and behave in cities. We can use Gehl’s psychological and experiential lens to improve our urban environment, not designing buildings and cities just to appease other designers, politicians, or developers, but to real end users. Gehl’s original work has been translated into dozens of languages and expanded into one of the world’s foremost urban design firms. As an urban designer and researcher, Gehl’s book reminds me every day to focus first on people, then on space, and only then on buildings. 

This book by Barbara Mundy, an art historian, challenges the idea that the Aztec capital of Tenochtitlan was instantly transformed into Spanish Mexico City following the conquest in 1521. Using indigenous and Spanish maps, Nahua codices, and archaeological evidence, Mundy shows that many aspects of urban life remained in indigenous hands for nearly a century after the Spanish and their indigenous allies toppled Montezuma and his empire. The book is beautifully illustrated, and Mundy’s writing brings the spaces and rhythms of the sixteenth-century city to life.

Do we need architects for our homes? Well, it seems that in the past they often failed to be there. Bernard Rudovsky, who was himself an architect, featured in 1964 an exhibition dedicated to the topic at the New York MoMA. The related catalogue, Architecture Without Architects, has since then turned into an iconic book. A beautiful set of black and white pictures that describes a primitive state of the art in which skilled but anonymous builders applied throughout the planet the laws of nature giving birth to what is presently labeled as vernacular styles. No names survived despite the talents, in this collection featuring the first steps of architecture, but rationality and functionality are already there, long before Modernism would make them its core principles. It was a pleasant surprise to discover in this book some kind of credit to my belief that medieval castles may have inspired… show more.